Showing 1516 items
matching sand
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Bendigo Military Museum
Memorabilia - MEDALLION, GALLIPOLI, Military Shop, post 2000
Medallion, round, silver. Words at top: The Australian Spirit. Gold Rising Sun in centre. Small glass cylinder of sand. Words in gold at bottom: Sands of Gallipoli.Wording on rear: "Beneath the Sea in the Sands of Gallipoli A Soldier's Badge. Ordinary People Extraordinary Service"military history - souvenirs, glass technology, metalcraft - silverware, passchendaele barracks trust -
Glenelg Shire Council Cultural Collection
Machine - Sieve Vibrator, n.d
Port of Portland CollectionVibrator for grading samples of sand. 2 Horse Power electric motor, switch, power cord and plug assembly in green steel frame, container and sieve missing.Front: MANUFACTURED BY A.C. CHEERS, COBURG VICTORIAport of portland -
Orbost & District Historical Society
black and white photograph, January 1901
This photograph was taken at the "old station" at Corringle near Orbost. It was a popular picnic spot. Late in 1857 Mr Thomas T. Stirling took over Corringle Run ("Corringle" means "shallow water"). Mr Stirling and his family came from the wester district - Winchelsea. He settled at the Old Station. A few people were employed at the Orbost Stationb and there was settlement on the Orbost flats, Mr T. T. Stirling held the land from Lake Tyrers to Bemm River as a cattle run. About 1888 he became Secretary of the new Tambo Shire.This is a contemporary pictorial record of rural family life in Orbost in the early 20th century.A black / white photograph showing people on a beach with some in the water. those on the sand are dressed formally - men wearing suits and hats, the ladies in long dresses and hats.on back - "Picnic at OLD STATION Jan 1901"orbost-station orbost-family-life recreation -
Flagstaff Hill Maritime Museum and Village
Domestic object - Bread Board
In the high tech, fast paced society that we live in, it’s easy to take some things for granted. Case in point: the wood cutting board on which you’ll probably be preparing the evening’s dinner. Have you ever taken the time to think about the history of the cutting board? Where did it come from, and what did ancient civilizations use to cut their meats, fruits and vegetables? Wood throughout the ages Since the dawn of time, wood has been one of the most available materials used by mankind to build tools and lodgings, so it’s not really surprising to know that wood has been used in the preparation of food since the prehistoric ages. Of course, back then, cavemen probably used an unpolished slab of tree trunk to cut the kill of the day on and they probably didn’t think twice about saving it once the meal was over. Chances are they probably threw it in the fire with the rest of the wood needed to kindle it. Advances in technology Throughout the centuries, mankind evolved and started creating machines from steam, electricity and metal. When the circular saw was invented, nicer, cleaner slabs of wood were cut and used as cutting boards. Since soft wood was the most available type of wood at the time, it was the material of choice for to be used for cutting boards. Boards were made smaller since the slab of wood could now be cut to any desired size. Since they were made smaller, they were also used to eat off of and some people referred to them as trenchers. Trenchers were originally pieces of stale hard bread that were used as substitute plates. Wood trenchers quickly became the replacements of the eatable dinnerware. The butcher block: the cutting board’s larger cousin In the industrial ages, many industries rapidly developed, and the butchery industry followed this trend as well. Before the invention of the cutting board, butchers used tree rounds to carve their meat on. The rounds were often too soft and they rapidly became unsanitary. Hard maple wood butcher blocks were the preferred choice of the industry. They were made to be extremely thick and durable, so durable in fact, that a butcher could use the same block for almost his entire career. Cutting boards around the world As cutting boards began to be more and more used in kitchens around North America, the rest of the world crafted such boards from different materials. The East used thick bamboo as their material of choice. Despite its frail appearance, bamboo is quite strong and made durable cutting boards and butcher blocks. Europe used maple in the crafting of their cutting boards while Persia used flat pieces of polished wood in their kitchens. The world then saw cutting boards that were being made from other materials like plastic and they came in all shapes and sizes, but they always served the same purpose, to provide a household with a safe, clean surface on which to prepare meals for their friends and family members. https://www.woodcuttingboards.com/news/quick-history-of-the-cutting-board-47.aspxThe bread board is an example of kitchen equipment used during Victorian times and similar to those used today.Bread board. Wooden, octagonal, plain sanded light wood. Has decoration around edge and indented circular line to delineate round cutting board section.None.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, bread board, cutting board, pastry board, kitchen utensil, kitchen equipment, baking equipment, food preparation -
Lakes Entrance Historical Society
Photograph, 1999
Colour photograph of the Cunninghame Arm Footbridge, showing the excavation of sand after removal of Kiosk, prior to construction of new Surf Lifesaving Clubrooms. Lakes Entrance Victoriabridges, waterways, construction -
Southern Sherbrooke Historical Society Inc.
Photograph - Photo-colour- snapper caught at Rosebud
Colour photograph of a group of caught snapper (at least eleven) on the beach at Rosebud possibly in 1960. A pair of bare feet are in shot, and the shadows of two other people are on the sand. -
Sunbury Family History and Heritage Society Inc.
Photograph, Werribee Park Open Range Zoo, c1989
The children from Bulla Primary School were taken on an excursion to Werribee Mansion and Open Range Zoo as part of their nature and environmental studies. On that day they saw a variety of exotic animals that inhabit open savannah areas.The excursion was included in the students' environmental and nature studies.A non-digital photograph of two large rhinoceros lying in a large sand pit in a large fenced off enclosure with trees in the middle distance beyond the fence line.werribee park open range zoo, werribee mansion, bulla primary school, school excursions -
Port Fairy Historical Society Museum and Archives
Postcard, Semco Series, Bathing boxes and Beach Port Fairy
Black and white photograph of the South beach with the Bathing boxes and swings in the centre middle ground and six people walking across the the sand in the foreground taken for use as a postcardBathing boxes and Beach Port Fairybeach, bathing boxes, south beach, pea soup, boarding school bay, swings, ocean, sea -
Lakes Entrance Historical Society
Photograph, Todd, Della, 1945c
Black and white photograph of the footbridge over Cunninghame Arm. It shows the scrub covered sand dunes of the south shore in the foreground, footbridge in background. Lakes Entrance Victoria waterfront, topography -
Lakes Entrance Historical Society
Photograph - Western Pier, Randell, Peg, 2009
Date made January 2009Colour photograph showing old tramline and remains of old wooden western pier reinforced with rocks and sand build up - western pier. Lakes Entrance Victoriapiers, tramline -
Lakes Entrance Historical Society
Photograph - Sand Groper, 1980c
Owner Keith Bonds from NungurnerColour photograph of the scallop fishing boat Sand Groper working the scallop beds in Bass Strait. Boat in background working in opposite direction. Lakes Entrance Victoriafishing industry, ships and shipping, waterways -
Lakes Entrance Historical Society
Photograph - Kendean, 1980
Also one other photograph similarColour photograph of the fishing boat Kendean in Cunninghame Arm, sand hummocks in background. Boat has many people on board and is decorated for a celebration. Lakes Entrance Victoriaboats and boating, fishing industry, waterways -
Lakes Entrance Historical Society
Photograph - Footbridge, Lake Post Newspaper, 1999
Colour photograph of the Cunninghame Arm Footbridge, showing the excavation of sand after removal of Kiosk, prior to construction of new Surf Lifesaving Clubrooms. Lakes Entrance Victoriabridges, waterways, construction -
Lakes Entrance Historical Society
Photograph - Bridges, 1999
Date made December 1999Colour photograph of the Cunninghame Arm Footbridge, showing the excavation of sand after removal of Kiosk, prior to construction of new Surf Lifesaving Clubrooms. Lakes Entrance Victoriabridges, waterways -
Lakes Entrance Historical Society
Photograph - April Hamer, Lakes Post Newspaper, 1999
Black and white photograph of forward deck of the sand dredge April Hamer. In the background is the tourist information centre top right hand corner. Lakes Entrance Victoriawaterways, dredging, township -
Lakes Entrance Historical Society
Photograph - Beaches, 2/12/1999 12:00:00 AM
Photographs taken during the heat wave in 1999 Colour photograph of Christopher Wright-Smith playing in sand at Main Beach Lakes Entrance Victoria. Second colour photograph of children enjoying the water at Main Beachwaterways, beaches, recreation -
Bendigo Historical Society Inc.
Photograph - VICTORIA HILL - GEORGE LANSELL'S BIG BLUE HEAP
Coloured photo of George Lansell's big Blue Heap, off Sullivan's Street. Photo shows sand heap with two peppercorn trees and vegetation beside a road.photo, victoria hill, george lansell's big blue heap -
Lakes Entrance Historical Society
Postcard - North Arm bridge. Lakes Entrance Victoria c1900, Cooper Alexander, 1900c
CunninghameSepia coloured postcard of first bridge over North Arm, showing view of town buildings, including Club Hotel; sand hummocks; Cunninghame Arm; die back of melaleuca on sand flats. In foreground post and rail fence beside road, two wheeled horse drawn vehicle, jinker, with grey horse standing in shafts. Ten or eleven people standing on bridge. Lakes Entrance Victoriatopography, bridges, transport -
National Vietnam Veterans Museum (NVVM)
Film, 217698 Greg Cant, 1st Australian Field Hospital December 1968 - December 1969
Ektachrome slide image. Operating theatre photo of doctors operating on a patient. 4 figures plus patient. Photograph taken by Alan Barry PearceThe two outstanding physical aspects of Vung Tau that one has to adjust to are sand and blood. The sand is like fine salt and it eddies around the huts and covers your clothes, possessions and body, but the blood is a worse curse. The smell of blood is a physical sensation that you not only smell but taste. The cloying sweet smell permeates your skin and can't be scrubbed out. Its memory will last the rest of my life.1st australian field hospital, medical -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Main Breakwater construction, Portland, n.d
Port Of Portland Authority Archivesport of portland archives, harbour construction, development, wharf, barge -
The Ed Muirhead Physics Museum
Glass donut for 2.8 MeV Betatron
Glass donut with injector arm and attached wires. Internal surface is sand blasted and silver plated. Mounted on specially made demonstration stand. Reg 269.6 is photographs of the object.Plaque on mould: “Glass Donut for 2.8 MEV Betatron W.B.Laish and L.Riddiford 1946” -
Lakes Entrance Historical Society
Photograph - Harbeck/Coate/Bliss, 1918
Black and white photograph of Vi Coate, Elgar Mann,Nell Bliss, Eva Harbeck and another Miss Harbeck and one man sitting on the sand dunes at Lakes Entrance clothing, genealogy -
Lakes Entrance Historical Society
Photograph - Western Pier, 2009
Date made January 2009Colour photograph, closeup view showing old tramline and remains of old wooden western pier, reinforced with rocks, and partly covered with sand buildup, at Lakes Entrance, Victoria.piers, tramline -
Lakes Entrance Historical Society
Photograph - Footbridge, 1937
2 other copies existBlack and white photograph of the crowd following Melbourne Lifesavers across footbridge after the official opening in 1937, sand hummocks of southern shore in background. Lakes Entrance Victoriabridges, celebration -
Lakes Entrance Historical Society
Photograph - Palmers Rd. Lakes Entrance 1927, Edie Jemmeson, 1927 c
This photograph was used in the 150 year Lakes Entrance 1858 to 2008 display as the before picture paired with colour photograph number 03727.1 as the after picture size 10 x 15 cm road now paved with many buildings showingHistoricBlack and white photograph of Palmers Road looking south towards the sand dunes and ocean, teatree along the side of the road photographers shadow in foreground, Lakes Entrance Victoriatopography, sand dunes -
Port Fairy Historical Society Museum and Archives
Photograph
East beach from reefplus photographic copyeast beach, sea, ocean, reef, sand, waves -
Lakes Entrance Historical Society
Postcard - Backwater, Bulmer H D, 1922c
Black and white photographic postcard, showing early aerial view of township of Lakes Entrance, Cunninghame Arm, North Arm and sand dunes, ocean in lower foreground, Eastern wharf and various boats on lake. Princes Highway went along Esplanade, Myer Street and Roadknight Street, very little vegetation on sand dunes, no foot bridge yet, good view of North Arm, few houses. Lakes Entrance VictoriaLakes Entrance and Backwater from the Air.islands, aerial photograph, waterways, topography, township -
City of Ballarat
Artwork, other - Public Artwork, Diana Nikkelson, Goanna Ground by Diana Nikkelson, 2006
This is an Aboriginal artwork that depicts a Goanna Totem. Designed by Ballarat-based, Gunditjmara artist Aunty Diana Nikkelson, the design is inspired by the artist’s totem and is a tribute to the first artists of the region, the Wadawurrung people. It acknowledges Aboriginal survival and the dynamic regeneration of the Aboriginal art and culture in the region. The artwork is in-set to the basalt paving along Police Lane by a series of etched footsteps, which evolve from human footprints to goanna prints as viewers approach the rear of the Art Gallery of Ballarat. The artwork was originally located only outdoors and half of it was brought into the Art Gallery of Ballarat in 2011, when the former Federation Plaza was enclosed to form the Art Gallery of Ballarat's McCain Annexe. The artwork was created in 2006 as part of the cultural festival of the Commonwealth Games. The artwork is of cultural and aesthetic significance to the people of BallaratSand blasted petroglyph forms into bluestone on laneway surface. The carved inlay of the Goanna Totem design into the bluestone of Police Lane (beside Art Gallery of Ballarat) continues inside the building.goanna totem ballarat, goanna totem, diana nikkelson, aboriginal, dreaming, nikkelson, gunditjmara -
Stawell Historical Society Inc
Photograph, Magdala Cum Moonlight Gold Mining company and Workers c1890
Magdala cum Moonlight Mine. Group of mine workers c1890 against the background of the mine. The wooden ramp built on trestles was used by horse drawn drays to deliver the Quartz for treatment in the cyanide vats.Dark photo of mine workers lined up in front of ore ramp. Horses and drays would go up the ramp to dump the crushed sand into the cyanide vats. Building is on right."Elite" Studio Co. Melbournestawell gold mining -
Lakes Entrance Historical Society
Photograph, Fish, Marie, 1990c
Colour photograph of the kiosk on the sand hummocks. It shows a corner of the kiosk, the rustic garden, picnic tables and seats. Pathway to footbridge and glimpse of Cunninghame Arm in distance. Lakes Entrance Victoriarestaurant, recreation, room display