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Victorian Aboriginal Corporation for Languages
Audio CD, Songs performed by Charlie Kirby and interview with Mrs Jackson Stuart, 1962
Charlie Kirby sings songs at Balranald. Life interview and stories with Mrs Jackson Stuart at Swan Hill.CD, recording notes (for tracks 00191a and 00191b)yitha yitha, yida yida, wemba wemba, wamba wamba, balranald, swan hill, charlie kirby, mrs jackson stuart -
St Patrick's Old Collegians Association (SPOCA)
Photograph - History, SPJC, General
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St Patrick's Old Collegians Association (SPOCA)
Photograph - SPOCA, Annual Dinners
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Glenelg Shire Council Cultural Collection
Pamphlet - Pamphlet - 'The Portland Song', c. 1984
White single fold leaflet, containing the words to 'The Portland Song'. Black print, illustration of whale on front. -
Bendigo Historical Society Inc.
Document - BUSH COLLECTION: PROGRAMME AND WORDS CONCERT & DEMONSTRATION (BAIRNSDALE 1900)
Programme and Words for a Grand Patriotic Concert and Demonstration (Bairnsdale 1900) in aid of the Patriotic Fund. Held at Payne's Theatre Royal 14th Feb 1900. Songs, recitations and speeches - words for songs included along with the artist for each of the 16 items, finishing with ''God save the Queen''.person, individual, bush collection - personal -
Coal Creek Community Park & Museum
Phonograph Record, The Touch of Your Hand / I've Told Every Little Star
Phonograph record, black shellac, no cover, pink "His Master's Voice" label. Side A: The Touch of Your Hand & Various Other Songs. Side B: I've Told Every Little Star & Various Other Songs. Performed by the Light Orchestra Company - Leonard Joy.Cat. No. E B 131 -
Warrnambool and District Historical Society Inc.
Booklet, Allan's Community Songs, 1920s
This is a book of music produced by Allan & Co. English- born George Allan (1826-1897) was a pioneer singing teacher in Melbourne who joined the music warehouse of Wilkie and Webster in 1862 and became the sole proprietor in 1874. By the late 1870s Allan & Co was the largest music warehouse in the Southern Hemisphere. It was bought by Brashs Stores in 1998 and since then it has had a series of other owners operating on a limited scale. Allan & Co. had a music warehouse in Warrnambool later in the 20th century. The supplier of this music item in Warrnambool was Mrs Fanny Rowan (nee Lavery) who had a music store at 143 Liebig Street after 1918. Later, in the 1930s, she had a music and stationery shop in the Oddfellows Hall and, as the owner of the building, also operated the Plaza Cinema in that building. This item is of some interest mainly because it was sold by Mrs Fanny Rowan, a prominent Warrnambool businesswoman in the first half of the 20th century. It is also of interest because it is an example of the music produced by Allan and Co, at one time the largest supplier of music books in Australia. Also Warrnambool had for some time an Allans Music Store at 76 Liebig Street. This is a soft-cover book of 50 pages containing the music of well-known community songs. The pages were stapled but the staples have been removed and there are rust marks and some tearing where the staples were removed. The book has a buff-coloured cover with brown printed material on the back and front covers. The back contains a list of the music titles in another booklet, ‘Primary Melodies’. The front cover has a stamp of the music shop of Mrs Rowan of Liebig street, Warrnambool and there is a brown border of two lines on the front cover. The inside first page has a list of contents. Front Cover: ‘Volume One, Imperial Edition No. 164, Allan’s Community Songs, 1/6 net, Allan & Co., Melbourne, Sydney, Adelaide, Bendigo’. Front Cover in pencil: ‘A.L.Brodie’ Stamp: ‘ From Mrs Rowan, Music House, 143 Liebig Street, Warrnambool, Phone 634.’ allan & co, allans store,, warrnambool, fanny rowan music store, history -
Bendigo Historical Society Inc.
Book - MALONE COLLECTION: SONGS OF SALVATION
Pale green cover booklet "Songs of Salvation' by Robert Harkness. Sung by the King's Heralds and Del Delker on the voice of prophecy broadcasts. Booklet contains music and words for 'songs of salvation'. Robert Harkness, born 1880 in Bendigo, was the son of Abraham and Jane Harkness of the Victoria Foundry business.Robert Harknessperson, bendigo, robert harkness -
Bendigo Military Museum
Print - SONG LYRICS - Copy of Lyrics - songs from Alamein, Rats of Tobruk Association
Refer to Cat 4575PSingle sheet of paper, printed on both sides. Black ink. It has the lyrics for 12 WW2 favorite songs.Nilww2, tobruk, alamein. -
Flagstaff Hill Maritime Museum and Village
Book, Favourite Australian Bush Songs
This item is from the ‘Pattison Collection’, a collection of books and records that was originally owned by the Warrnambool Mechanics’ Institute, which was founded in Warrnambool in 1853. By 1886 the Warrnambool Mechanics’ Institute (WMI) had grown to have a Library, Museum and Fine Arts Gallery, with a collection of “… choice productions of art, and valuable specimens in almost every branch and many wonderful national curiosities are now to be seen there, including historic relics of the town and district.” It later included a School of Design. Although it was very well patronised, the lack of financial support led the WMI in 1911 to ask the City Council to take it over. In 1935 Ralph Pattison was appointed as City Librarian to establish and organise the Warrnambool Library as it was then called. When the WMI building was pulled down in 1963 a new civic building was erected on the site and the new Warrnambool Library, on behalf of the City Council, took over all the holdings of the WMI. At this time some of the items were separated and identified as the ‘Pattison Collection’, named after Ralph Pattison. Eventually the components of the WMI were distributed from the Warrnambool Library to various places, including the Art Gallery, Historical Society and Flagstaff Hill. Later some were even distributed to other regional branches of Corangamite Regional Library and passed to and fro. It is difficult now to trace just where all of the items have ended up. The books at Flagstaff Hill Maritime Village generally display stamps and markings from Pattison as well as a variety of other institutions including the Mechanics’ Institute itself. RALPH ERIC PATTISON Ralph Eric Pattison was born in Rockhampton, Queensland, in 1891. He married Maude Swan from Warrnambool in 1920 and they set up home in Warrnambool. In 1935 Pattison accepted a position as City Librarian for the Warrnambool City Council. His huge challenge was to make a functional library within two rooms of the Mechanics’ Institute. He tirelessly cleaned, cleared and sorted a disarrayed collection of old books, jars of preserved specimens and other items reserved for exhibition in the city’s museum. He developed and updated the library with a wide variety of books for all tastes, including reference books for students; a difficult task to fulfil during the years following the Depression. He converted all of the lower area of the building into a library, reference room and reading room for members and the public. The books were sorted and stored using a cataloguing and card index system that he had developed himself. He also prepared the upper floor of the building and established the Art Gallery and later the Museum, a place to exhibit the many old relics that had been stored for years for this purpose. One of the treasures he found was a beautiful ancient clock, which he repaired, restored and enjoyed using in his office during the years of his service there. Ralph Pattison was described as “a meticulous gentleman whose punctuality, floorless courtesy and distinctive neat dress were hallmarks of his character, and ‘his’ clock controlled his daily routine, and his opening and closing of the library’s large heavy doors to the minute.” Pattison took leave during 1942 to 1945 to serve in the Royal Australian Navy, Volunteer Reserve as Lieutenant. A few years later he converted one of the Museum’s rooms into a Children’s Library, stocking it with suitable books for the younger generation. This was an instant success. In the 1950’s he had the honour of being appointed to the Victorian Library Board and received more inspiration from the monthly conferences in Melbourne. He was sadly retired in 1959 after over 23 years of service, due to the fact that he had gone over the working age of council officers. However he continued to take a very keen interest in the continual development of the Library until his death in 1969. The Pattison Collection, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institute’s collection. The Warrnambool Mechanics’ Institute Collection is primarily significant in its totality, rather than for the individual objects it contains. Its contents are highly representative of the development of Mechanics' Institute libraries across Australia, particularly Victoria. A diversity of publications and themes has been amassed, and these provide clues to our understanding of the nature of and changes in the reading habits of Victorians from the 1850s to the middle of the 20th century. The collection also highlights the Warrnambool community’s commitment to the Mechanics’ Institute, reading, literacy and learning in the regions, and proves that access to knowledge was not impeded by distance. These items help to provide a more complete picture of our community’s ideals and aspirations. The Warrnambool Mechanics Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and the important role it played in the intellectual, cultural and social development of people throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance. Favourite Australian Bush Songs Compiled by Lionel Long & Graham Jenkin Publisher: Rigby Limited Date: 1964Label on spine cover with typed text PAT 784.4994 LON Pastedown front endpaper has sticker from Corangamite Regional Library Service Front loose endpaper has a stamp from Corangamite Regional Library Service Fly paper has a stamo from Warrnambool Public Librarywarrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, great ocean road, favourite australian bush songs, lionel long, graham jenkin -
Federation University Historical Collection
Music Book, Music for the Ballarat Teachers' College Anthem 'Extra Muros', 1994, 1994
Monica Miller was a greatly loved music lecturer at the Ballarat Teachers' College lecturer Monica Miller. The Ballarat Teachers' College was established after the Victorian State Government and the State Education Department decided to establish two provincial teachers' colleges, at Ballarat and Bendigo. On 04 May 1926 W.H. Ellwood (Principal), Miss A. Bouchier, and Mr A.B. Jones, welcomed the first enrolment of 61 students to undertake the one year course. In 1927 the College moved to the former Ballarat East Town Hall in Barkly Street, which was remodelled for their use. It closed in December 1931 due to the Great Depression. In 1946 Ballarat Teachers' College reopened and relocated to the Dana Street State School. It was originally planned to open as a women's college, for whom the residence at 130 Victoria Street was purchased, but the decision was made to admit resident men from Ballarat. Mr T.W. Turner was appointed as Principal in 1951 and directed the introduction of a two year course for the Trained Primary Teachers' Certificate. The former one year course was terminated at the end of 1951. In 1958 the College was relocated to a custom built facility at Gillies Street, in close proximity to the Ballarat Botanical Gardens. Numbers increased with the introduction of the Trained Infant Teachers' Certificate course under the guidance of Mary Egan. With the introduction of a three year Diploma Course in 1968 accommodation became cramped. The introduction of the Diploma of Teaching (Primary) led to the Trained Infant Teachers' Certificate being discontinued in 1969, and the end of the Trained Primary Teachers' Certificate in 1969. Secondary Art and Craft students began studies at Ballarat Teachers' College in 1969 under Mr Ted Doney. In 1971 Mr D. Watson was appointed Principal. The State College of Victoria was proclaimed by Order in Council on 24 July 1973, and Ballarat Teachers' College became a constituent college of the State College of Victoria, and was known as State College of Victoria, Ballarat. By 1975 the College moved to Mount Helen as part of the Ballarat College of Advanced Education. Pre service teachers currently undertake their studies on the Mount Helen Campus of Federation University. ("Ruffians Attempted to Carry of the School Tent: A History of State Education in Ballarat", 1974, p73-4.) A copy of hand written sheet music for the song 'Extra Muros' by Ballarat Teachers' College lecturer Monica Miller. Copy of Monica's sheet music of anthem 'Extra Muros'. Gift of teh Rawlings Family to the Fortyniners. 1994. ballarat, ballarat teachers college, monica miller, extra muros, music, sheet music, ballarat teachers' college -
National Vietnam Veterans Museum (NVVM)
Audio - Audio, CD, Vung Tau Ferry
Audio, CD of the song written & sung by Pearce Coleman plus a bonus track, I Wanna Live With You.vung tau ferry -
Williamstown High School
Mr Hughes lyrics to Hold Fast
White lined paper, hand written in blue pen. Lyrics to 2nd verse of the school song, Hold Fast.williamstown high school, hold fast, lyrics, school song, music -
Dandenong/Cranbourne RSL Sub Branch
Booklet, George Robertson & Company Propy. Ltd, Soldier - Songs from Anzac, Circa early 1900s
Brown covered booklet Titled " Soldier - Songs from Anzac." Written in the Firing Line by Signaller Tom Skeyhill. -
St Patrick's Old Collegians Association (SPOCA)
Photograph - Culture, Performing Arts, School Song
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Bendigo Military Museum
Book - BOOKS WW2, Pseudonym - Durban Signaller, A Passing Cheer, C.WW2
.1) & .2) 2 copies of a paper covered book for the Aussies of the 2nd World War containing songs & poems. .3) Loose leaf cartoon from .2) .4) & .5) Identical loose leaf additions of song words & illustration of RAN at Little Australia Hilton Natal 1943. Handwritten in ink on front cover of .1) & .2): “Greetings & Best Wishes from the writer EC” “Greetings & Best Wishes for Xmas & New Year 1944 from “ECbooks - music / song / poetry, military history -
Kiewa Valley Historical Society
Clare Roper's Collection of C.W.A. booklets and newspapers
C.W.A.See KVHS 0891 Clare Roper KVHS 0891 Stockman's Hall of Fame represents the Pioneers of Australian Outback and commenced in 1974J. Roper and Miss M. Egan were members of the CWA state council in 1965-1966 See KVHS 0891 The C.W.A. still exists in Mt Beauty / Tawonga in the Kiewa Valley (2024). They volunteer as caterers and assist during times of natural disasters.The booklets consist of 1. CWA State Council and other papers 2. Booklets for 'Acting' (Drama) and Plays 3. Booklets of Songs (with music) and Song Parts 4. The CWA Journal 1949 (x2), 1950, 1958 5. 14 newspapers of 'Stockman's Hall of Fame' Sept. 1992 to Dec. 1996clare roper, country women's association, stockman's hall of fame -
Flagstaff Hill Maritime Museum and Village
Book, The Songs of A Sentimental Bloke
WARRNAMBOOL MECHANICS’ INSTITUTE Warrnambool's Mechanics' Institute (or Institution as it was sometimes called) was one of the earliest in Victoria. On 17th October 1853, a meeting was held where it was resolved to request the Lieutenant Governor of the Colony to grant land for the erection of a Mechanics' Institutes building. A committee was formed at the meeting and Richard Osburne chaired the first meeting of this committee. The land on the North West corner of Banyan and Merri Streets was granted but there were no funds to erect the building. The Formal Rights of the Warrnambool Mechanics' Institute's encompassed its aims and these were officially adopted in1859; "This Institution has for its object the diffusion of literary, scientific, and other useful knowledge amongst its members, excluding all controversial subjects, religious or political. These objects are sought to be obtained by means of a circulating library, a reading room, the establishment of classes, debates, and the occasional delivery of lectures on natural and experimental philosophy, mechanics, astronomy, chemistry, natural history, literature, and the useful and ornamental arts, particularly those which have a more immediate reference to the colony." The Warrnambool Mechanics' Institute opened its first reading room in November 1884 in the National School building at the corner of Banyan and Timor Streets. The Institute was funded by member subscription, payable on a quarterly, half-yearly or yearly basis. Samuel Hannaford, the Manager of the Warrnambool Bank of Australasia, was the first Honorary Secretary of the Mechanics' Institutes, and an early President and Vice-President. He also gave several of the early lectures in the Reading Room. Another early Secretary, Librarian and lecturer was Marmaduke Fisher, the teacher at the National School. Lecture topics included The Poets and Poetry of Ireland', 'The Birth and Development of the Earth', 'The Vertebrae - with Remarks on the pleasures resulting from the study of Natural History' and 'Architecture'. In 1856 the Reading Room was moved to James Hider's shop in Timor Street, and by 1864 it was located in the bookshop of Davies and Read. In the 1860's the Mechanics' Institute struggled as membership waned but in 1866, after a series of fundraising efforts, the committee was able to purchase land in Liebig Street, on a site then called Market Square, between the weighbridge and the fire station. A Mechanics' Institute building was opened at this site in August 1871. The following year four more rooms were added to the main Reading Room and in 1873 the Artisan School of Design was incorporated into the Institute. The same year Joseph Archibald established a Museum; however, it deteriorated when he was transferred to Bendigo in 1877. In 1880, with Archibald's return to Warrnambool, the Museum was re-established, and in 1885 a new building was built at the back of the Institute to accommodate the re-created School of Design, the Art Gallery and the Museum. In 1887 the Museum section was moved to the former courthouse in Timor Street (for some time the walls of the building formed part of the TAFE cafeteria but all is now demolished)). In 1911 the Museum was transferred back to the original building and the management of the Mechanics' Institute was handed over to the Warrnambool City Council. The Museum and Art Gallery became one and housed many fine works of art, and the Library continued to grow. The building was well patronised, with records showing that at the beginning of the 20th century there were between 500 and 800 visitors. During World War One the monthly figures were in the thousands, with 3,400 people visiting in January 1915. The Museum was a much-loved Institution in Warrnambool until the contents of the Museum and Art Gallery were removed to make room for the Warrnambool City Council Engineers' Department. The contents were stored but many of the items were scattered or lost. When the original building was demolished the site became occupied by the Civic Centre, which included the new City Library. (The library was temporarily located in the old Palais building in Koroit Street.) In the process of reorganisation the Collection was distributed amongst the community groups: -The new City Library took some of the historical books and some important documents, historic photographs and newspapers. -The Art Gallery kept the 19th Century art collection and some of the artefacts from the museum. -The Historical Society has some items -The State Museum has some items -Some items were destroyed -Flagstaff Hill Maritime Village has old newspapers, Government Gazettes, most of the Mechanics' Institute Library, ledgers and documents connected to the Mechanics' Institute Library, some framed and unframed artworks and some photographs. The Warrnambool Mechanics' Institute Library book collection is deemed to be of great importance because it is one of the few collections in an almost intact state, and many of the books are now very rare and of great value. The Songs of A Sentimental Bloke Author: C J Dennis With Illustrations by Hal Gye Publisher: Angus & Robertson Date: 1916 The label on spine cover with typed text R.A. 822.912 DEN flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, book, warrnambool library, warrnambool mechanics’ institute, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, warrnambool public library, the songs of a sentimental bloke, c j dennis, hal gye -
Flagstaff Hill Maritime Museum and Village
Gramophone Record
Bakelite record by The Lincoln Record Corporation N.Y. 2103 "I've Got A song For Sale" by Beale Street Five No 652flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village -
National Vietnam Veterans Museum (NVVM)
Audio - Audio, CD, Men at war and peace: the good old nuddie buddies (3 copies)
Song, the good old nuddie buddies sung by Peter Perez. There is also 3 copies of the Memorabilia & 1 of the Naked Truthvietnam veterans -
Coal Creek Community Park & Museum
Music Book, Let the Rest of the World Go By
Music book, cover is missing. First song "Let the Rest of the World Go By", Roland's Pianoforte Tutor the Best in the World. -
Coal Creek Community Park & Museum
Music Book, Allan's Australian Music Book No. 37
Music book "Allan's Australian Music Book No. 37" Cover missing. First song "Humours of Donnybrook, Irish Jig" -
Bendigo Historical Society Inc.
Archive - JOHN COLTRAIN
DVD. John Coltrain 7 songs. ABC TV - The SPOOK. Stateline, with compliments TK & EA Luke. 2 discs. -
Bendigo Historical Society Inc.
Audio - LIFE ON THE GOLDFIELDS, 1831
DVD. Life on The Goldfields. Graeme Adler & Chris Hood. A Heritage Recording based on the songs of Charles THatcher 1831 - 1878. -
National Vietnam Veterans Museum (NVVM)
Document, Printed email from Russell Morris to Wendy Anderson (NVVM), 2014
Russell gave Wendy permission to play a digital version of the song, "Rachel" in a planned display that reflects the views of protesters in the museumvietnamese conflict, 1961-1975 - protest movements - australia, morris, russell -
Victorian Aboriginal Corporation for Languages
CD-ROM, Taungurung Language Camp, Songs from Taungurung Kids, 2009
Songs: nakan ni; baba mia; kookaburra sits in the old gum tree; heads shoulders knees; we are Taungurung.taungurung -
Victorian Aboriginal Corporation for Languages
Periodical, Australian Institute of Aboriginal and Torres Strait Islander Studies, Australian Aboriginal studies : journal of the Australian Institute of Aboriginal and Torres Strait Islander Studies, 2007
1. Musical and linguistic perspectives on Aboriginal song Allan Marett and Linda Barwick Song brings language and music together. Great singers are at once musicians and wordsmiths, who toss rhythm, melody and word against one another in complex cross-play. In this paper we outline some initial findings that are emerging from our interdisciplinary study of the musical traditions of the Cobourg region of western Arnhem Land, a coastal area situated in the far north of the Australian continent 350 kilometres northeast of Darwin. We focus on a set of songs called Jurtbirrk, sung in Iwaidja, a highly endangered language, whose core speaker base is now located in the community of Minjilang on Croker Island. We bring to bear analytical methodologies from both musicology and linguistics to illuminate this hitherto undocumented genre of love songs. 2. Iwaidja Jurtbirrk songs: Bringing language and music together Linda Barwick (University of Sydney), Bruce Birch and Nicholas Evans (University of Melbourne) Song brings language and music together. Great singers are at once musicians and wordsmiths, who toss rhythm, melody and word against one another in complex cross-play. In this paper we outline some initial findings that are emerging from our interdisciplinary study of the musical traditions of the Cobourg region of western Arnhem Land, a coastal area situated in the far north of the Australian continent 350 kilometres northeast of Darwin. We focus on a set of songs called Jurtbirrk, sung in Iwaidja, a highly endangered language, whose core speaker base is now located in the community of Minjilang on Croker Island. We bring to bear analytical methodologies from both musicology and linguistics to illuminate this hitherto undocumented genre of love songs. 3. Morrdjdjanjno ngan-marnbom story nakka, ?songs that turn me into a story teller?: The morrdjdjanjno of western Arnhem Land Murray Garde (University of Melbourne) Morrdjdjanjno is the name of a song genre from the Arnhem Land plateau in the Top End of the Northern Territory and this paper is a first description of this previously undocumented song tradition. Morrdjdjanjno are songs owned neither by individuals or clans, but are handed down as ?open domain? songs with some singers having knowledge of certain songs unknown to others. Many morrdjdjanjno were once performed as part of animal increase rituals and each song is associated with a particular animal species, especially macropods. Sung only by men, they can be accompanied by clap sticks alone or both clap sticks and didjeridu. First investigations reveal that the song texts are not in everyday speech but include, among other things, totemic referential terms for animals which are exclusive to morrdjdjanjno. Translations from song language into ordinary register speech can often be ?worked up? when the song texts are discussed in their cultural and performance context. The transmission of these songs is severely endangered at present as there are only two known singers remaining both of whom are elderly. 4. Sung and spoken: An analysis of two different versions of a Kun-barlang love song Isabel O?Keeffe (nee Bickerdike) (University of Melbourne) In examining a sung version and a spoken version of a Kun-barlang love song text recorded by Alice Moyle in 1962, I outline the context and overall structure of the song, then provide a detailed comparative analysis of the two versions. I draw some preliminary conclusions about the nature of Kun-barlang song language, particularly in relation to the rhythmic setting of words in song texts and the use of vocables as structural markers. 5. Simplifying musical practice in order to enhance local identity: Rhythmic modes in the Walakandha wangga (Wadeye, Northern Territory) Allan Marett (University of Sydney) Around 1982, senior performers of the Walakandha wangga, a repertory of song and dance from the northern Australian community of Wadeye (Port Keats), made a conscious decision to simplify their complex musical and dance practice in order to strengthen the articulation of a group identity in ceremonial performance. Recordings from the period 1972?82 attest to a rich diversity of rhythmic modes, each of which was associated with a different style of dance. By the mid-1980s, however, this complexity had been significantly reduced. I trace the origin of the original complexity, explore the reasons why this was subsequently reduced, and trace the resultant changes in musical practice. 6. ?Too long, that wangga?: Analysing wangga texts over time Lysbeth Ford (University of Sydney) For the past forty or so years, Daly region song-men have joined with musicologists and linguists to document their wangga songs. This work has revealed a corpus of more than one hundred wangga songs composed in five language varieties Within this corpus are a few wangga texts recorded with their prose versions. I compare sung and spoken texts in an attempt to show not only what makes wangga texts consistently different from prose texts, but also how the most recent wangga texts differ from those composed some forty years ago. 7. Flesh with country: Juxtaposition and minimal contrast in the construction and melodic treatment of jadmi song texts Sally Treloyn (University of Sydney) For some time researchers of Centralian-style songs have found that compositional and performance practices that guide the construction and musical treatment of song texts have a broader social function. Most recently, Barwick has identified an ?aesthetics of parataxis or juxtaposition? in the design of Warumungu song texts and musical organisation (as well as visual arts and dances), that mirrors social values (such as the skin system) and forms 'inductive space' in which relationships between distinct classes of being, places, and groups of persons are established. Here I set out how juxtaposition and minimal contrast in the construction and melodic treatment of jadmi-type junba texts from the north and north-central Kimberley region similarly create 'inductive space' within which living performers, ancestral beings, and the country to which they are attached, are drawn into dynamic, contiguous relationships. 8. The poetics of central Australian Aboriginal song Myfany Turpin (University of Sydney) An often cited feature of traditional songs from Central Australia (CA songs) is the obfuscation of meaning. This arises partly from the difficulties of translation and partly from the difficulties in identifying words in song. The latter is the subject of this paper, where I argue it is a by-product of adhering to the requirements of a highly structured art form. Drawing upon a set of songs from the Arandic language group, I describe the CA song as having three independent obligatory components (text, rhythm and melody) and specify how text is set to rhythm within a rhythmic and a phonological constraint. I show how syllable counting, for the purposes of text setting, reflects a feature of the Arandic sound system. The resultant rhythmic text is then set to melody while adhering to a pattern of text alliteration. 9. Budutthun ratja wiyinymirri: Formal flexibility in the Yol?u manikay tradition and the challenge of recording a complete repertoire Aaron Corn (University of Sydney) with Neparr? a Gumbula (University of Sydney) Among the Yol?u (people) of north-eastern Arnhem Land, manikay (song) series serve as records of sacred relationships between humans, country and ancestors. Their formal structures constitute the overarching order of all ceremonial actions, and their lyrics comprise sacred esoteric lexicons held nowhere else in the Yol?u languages. A consummate knowledge of manikay and its interpenetrability with ancestors, country, and parallel canons of sacred y�ku (names), bu?gul (dances) and miny'tji (designs) is an essential prerequisite to traditional leadership in Yol?u society. Drawing on our recordings of the Baripuy manikay series from 2004 and 2005, we explore the aesthetics and functions of formal flexibility in the manikay tradition. We examine the individuation of lyrical realisations among singers, and the role of rhythmic modes in articulating between luku (root) and bu?gul'mirri (ceremonial) components of repertoire. Our findings will contribute significantly to intercultural understandings of manikay theory and aesthetics, and the centrality of manikay to Yol?u intellectual traditions. 10. Australian Aboriginal song language: So many questions, so little to work with Michael Walsh Review of the questions related to the analysis of Aboriginal song language; requirements for morpheme glossing, component package, interpretations, prose and song text comparison, separation of Indigenous and ethnographic explanations, candour about collection methods, limitations and interpretative origins.maps, colour photographs, tablesyolgnu, wadeye, music and culture -
Bendigo Historical Society Inc.
Audio - ANZAC COLLECTION: CD AND TRANSCRIPT OF SONGS
a. CD 'Coo-ee Songs of the Anzac's,'Centenary Commemoration Bendigo Remembers, Lest We Forget' Produced by the Bendigo Historical Society Inc, with funding from The Anzac Centenary Community Grants Program, the Victorian Government and the Victorian Veterans Council. Document b. Document listing songs, artists and timing associated with CD.The Bendigo Historical Society Inc.,military, world war 1, anzac cd and script -
Bendigo Historical Society Inc.
Book - RAY'S STORIES POETRY AND SONGS
Rays Stories Poetry and Songs, book and cassette tape, word and music contained in a spring bound binder with photograph of author on cover.Ray Wrightbooks, music, scores, bendigo-music-poetry -
Bendigo Historical Society Inc.
Document - JOHN WILLIAMS COLLECTION: CENTRAL DEBORAH MINE 50TH ANNIVERSARY OF CLOSURE, 17 Nov 2004
Document. Central Deborah Mine, 50th Anniversary of Closure, 17th November 2004. Song sheets. Quarry Hill Primary School.document, memo, central deborah mine.closure anniversary