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Glenelg Shire Council Cultural Collection
Photograph - Photograph - Main Breakwater construction, Portland, Jul-58
Port of Portland Authority ArchivesBack: purple stamp - '3 July 1958'port of portland archives, main breakwater, construction, harbour development -
Bendigo Historical Society Inc.
Photograph - UNKNOWN FAMILY COLLECTION: PHOTOGRAPH
Photograph - black and white. A photo of a group of men all standing around a train engine. The Engine has been decorated to celebrate something. 3 picture of crowns, the Australian flag painted on the train 2 times, streamers on a long pipe. Bendigo painted on the stacks.E. Bond.place, train, engine, train engine, bendigo. -
Bendigo Historical Society Inc.
Slide - ALBERT RICHARDSON COLLECTION: DEVONSHIRE GROUP OF MINES 1870'S
Slide. Devonshire Group of mines with Duchess Tribute Gold Mine in foreground. Mine shed with 'Ducches Tribute' printed on side. Poppet heads, chimney stacks, mullock heaps, and mine buildings in the background. 'Mungo mines in the background, early 1870's' (Albert Richardson).No. 12 on bottom of slidemine, gold, devonshire group., bendigo mines-jack hattam collection -
Tarnagulla History Archive
Stack of receipts from Tarnagulla businesses (all dated 1898), 1898
Donald Clark Collection. A stack of receipts from Tarnagulla businesses (all dated 1898). Businesses include Burstall Wholesale Butcher, Thomson & Comrie Grocers and Wine & Spirit Merchant and H. Pearson Grocer and Wine & Spirit Merchant. Bound together at top right corner by a metal clip.tarnagulla, businesses, stores, commerce, food, drinks, grocers, butcher, burstall, thomson & comrie, pearson, receipts, dockets, commercial records -
Bendigo Historical Society Inc.
Photograph - BILL ASHMAN COLLECTION: COHUNA BUTTER FACTORY
Black and white photo of the exterior of the Cohuna Butter Factory. In the foreground are fences and double wooden gates. The factory has a truck parked in front of it. To the left is a large chimney. In front are three tanks on high stands and a long stack of fire wood. Name written on the back.sciences, bill ashman collection - correspondence, cohuna butter factory -
Vision Australia
Photograph - Image, Woman working in office
Photograph of a young, red-haired woman operating what looks to be a telephone switchboard. The woman, possibly a receptionist, and possibly vision-impaired, wears headphones with a mouth piece to allow hands-free operation of the phone. With her right hand, she operates the keyboard in front of her. In the background is a bookcase with phone books stacked upon it.1 black and white photograph of woman working in officerehabilitation, royal victorian institute for the blind -
Vision Australia
Photograph - Image, Foto Group, 2008 DAISY book Circulation, 13/2/2008
Images of the DAISY circulation process - from receiving DAISY books in the mail and stacking them on the trolleys for return with Tim Mitchell, retrieving DAISY books from the vertical carousel and packaging them into mail pouches for dispatch, listening to DAISY books for quality checking, and loading the duplicator that burns copies of each disk with Ted Johnson.9 digital images of staff handling Daisy booksvision australia, library, audio books, tim mitchell, ted johnson -
Vision Australia
Photograph - Image, Retrieving Braille from the shelves to pack into cane storage baskets for dispatch
Four people retrieving Braille from the shelves to pack into cane storage baskets for dispatch. A woman is taking a book off the shelf, another is annotating a piece of paper whilst a third woman looks at the spine of a book. A man in a dust coat is also handling a book. Book shelves line the walls and cane baskets are stacked upon the floor.1 B/W digital image of people sending braillebraille library of victoria, braille -
Bendigo Historical Society Inc.
Document - COHN BROTHERS COLLECTION: MANILLA PAPER PARCEL
Brown manilla paper parcel bound with string with handwritten heading The Cohn Bros Victoria Brewery Co Ltd Letters Jan 91-93. Stack of letters approximately 40cm high each folded into 20.5 cm x 6.5cm contained inside.Letters are catalogued separatelybendigo, industry, cohn bros brewery -
Stawell Historical Society Inc
Photograph, Railway Signal Box No.1 being Demolished in Seaby Street- 2 Photos -- Coloured
Railway Signal Box No1 under Demolition situated by boom gates, Seaby Street Stawell. Photos of the demolition show workmen carrying out the work outside and inside of the signal box.Two colour photos of the demolition of wooden building. One photo is the outside of a signal box beside a railway line with a person on the roof. Windows of the building have been removed and stacked near the building. The other photo is taken inside the signal box with a person working on the building. stawell -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Phillips, Miss L, 1900c
Black and white photograph showing New Works jetty with shed on end. Wooden fish boxes stacked at end of shed. Three boats at jetty, two rowing boats at waters edge, two small children, one in boat, one on beach. Lakes Entrance Victoriatopography, houses, fences, waterfront -
Kew Historical Society Inc
Container - Meals on Wheels delivery case, c.1956
The Meals on Wheels Service in Victoria began in 1953 in South Melbourne. The service in Kew began three years after in 1956 and originally operated out of the Council-owned South Esk in Cotham Road. With the building of a new Senior Citizens Centre, the service moved to Childers Street.Leather case containing 12 aluminium containers, stacked in groups of three which was used to deliver meals to elderly residents by the Kew Meals on Wheels group. The program was initiated in 1956. The items were presented to the Society in 2008 by Dorothy Fox, President of the Kew Seniors Association.meals on wheels (kew), south esk - kew elder citizens, dorothy fox -
Mont De Lancey
Tool - Hay Knife, James Griffin & Sons, Unknown
A large steel curved bladed silage or hay knife with a tapered handle and a bent pointed sharp end. It was used to cut hay when it is dry. Blocks were cut for the ? or stack as needed for stock feed. Silage is an animal feed cut and stored while still green.agricultutal tools, hay knife, agricultural equipment -
Flagstaff Hill Maritime Museum and Village
Photograph, before 1911
Photograph, black and white, of the three-masted barque SPECULANT at a jetty in low water. On the jetty and the shore are stacks of cut timber. The ship is in a wide river or bay, hills in the background, trees (like gum trees) in the foreground. Inscribed "Wrecked 10.2.11. Cape Patten. Jacobson. Munro. - - - -" Written on the photograph in blue pen "Rosbercon". (The SPECULANT was wrecked on 10th February 2011 at Cape Patton, Victoria, (not Patten as on the photograph). She was sailing under the control of Captain James Jacobsen and her First Mate was James Mumro.) The barquentine SPECULANT was a steel, three-masted sailing ship built in 1895 in Inverkeithing, Scotland, registered in Warrnambool, Victoria and wrecked at Cape Paton, Victoria, 10th February 1911. The SPECULANT had been involved in the timber trade between the United Kingdom and Russia, until sold to its Warrnambool owners and timber merchants Messrs. P.J. McGennan & Co. (Peter John McGennan) in 1902 for 3000 pounds and had her sailed to Warrnambool as her new port. Peter John McGennan was born in 1844 and worked as a builder and cooper in Holyhead, Anglesea, Wales. He immigrated to Australia in 1869 as a free settler and arrived in Warrnambool in 1871 and undertook management of a property in Grassmere for Mr. Palmer. Peter met his wife Emily in South Melbourne and they married in 1873. They had ten children including Harry who lived to 1965, and Andrew who lived until 1958. (The other children were their four brothers - John who was killed in the Dardenalles aged 35, Frederick who died aged 8, Peter who died aged 28, Frank who died aged 5 weeks - and four sisters - Beatrice who died age 89, Edith who died aged 49, Blanche who died aged 89 and Eveline who died aged 48.) In 1874 Peter starting a boating establishment on the Hopkins River. In 1875 he opened up a Coopers business in Kepler Street next to what was Bateman, Smith and Co., moving to Liebig Street, next to the Victoria Hotel, in 1877. In 1882 he then moved to Lava Street (which in later years was the site of Chandlers Hardware Store). He was associated with the establishment of the Butter Factory at Allansford. He started making Butter Boxes to his own design and cheese batts for the Butter Factory. In 1896 established a Box Factory in Davis Street Merrivale, employing 24 people at its peak, (it was burnt down in 1923); and in Pertobe Road from 1912 (now the Army Barracks building). Peter was a Borough Councillor for Albert Ward from 1885 to 1891, he commenced the Foreshore Trust (including the camping grounds along Pertobe Road), and he was an inaugural Director of the Woollen Mill in Harris Street, buying an extensive share-holding in 1908 from the share trader Edward Vidler. They lobbied the Town Hall to have a formal ‘Cutting’ for the waters of the Merri River to be redirected from its natural opening south of Dennington, to its existing opening near Viaduct Road, in order to have the scourings from the wool at the Woollen Mill discharged into the sea. He sold Butter Boxes around the state, and had to ship them to Melbourne by rail. Peter’s purchase of the SPECULANT in 1902 enabled him to back-load white pine from Kaipara, New Zealand to Warrnambool to make his butter boxes then, to gain profitability, buy and ship potatoes and other primary produce bound to Melbourne. (McGennan & Co. had also owned the LA BELLA, which had traded in timber as well, until she was tragically wrecked with the loss of seven lives, after missing the entrance channel to Warrnambool harbour in 1905. It appears that the SPECULANT was bought to replace the LA BELLA.) In 1911 the SPECULANT had been attempting to depart Warrnambool for almost the entire month of January to undergo docking and overhaul in Melbourne. A month of east and south-easterly winds had forced her to remain sheltered in Lady Bay, Warrnambool apart from one morning of northerlies, when an attempt was made to round Cape Otway; she had to return to shelter in Portland after failing to make any headway. With only 140 tons of sand ballast aboard, the ship would not have been easy to handle. Captain Jacobsen and his crew of nine, mainly Swedes, decided to make for Melbourne, leaving Portland Harbour on 5th February 1911. By the 9th they had reached Cape Otway, where they encountered a moonless night, constant heavy rain, and a heavy sea with a south-easterly wind blowing. After safely rounding Cape Otway the course was changed to east, then north-east to take the vessel to a point six miles off Cape Patton, following the orders of Captain Jacobsen, who told the crew to be very careful with the steering, as the wind and sea was running to leeward. The patent log (used to measure speed) had been out of order for the last four months as no-one in Warrnambool was able to fix it: it was intended to have it repaired in Melbourne. In the meantime the crew measured the vessel's speed by looking over the side and estimating wind strength. This compounded the difficulties of imprecise positioning, as the strong cross wind and sea were acting on the lightly laden vessel to steadily drive it towards the shore. At 3.30am on Friday 10 February 1911 Captain Jacobsen and the first mate were looking over the side of the vessel when they heard the sound of breakers and suddenly struck the rocks. The crew immediately knew they had no chance of getting the SPECULANT off, and attempted to rescue themselves by launching the lifeboat, which was instantly smashed to pieces. One of the crew then volunteered to take a line ashore, and the rest of the crew were all able to drag themselves to shore, some suffering hand lacerations from the rocks. Once ashore they began to walk along the coast towards Lorne, believing it was the nearest settlement. Realising their mistake as dawn broke they returned westwards to Cape Patton, and found a farm belonging to Mr C. Ramsden, who took them in and gave them a change of clothes and food. After resting for a day and returning to the wreck to salvage some of their personal possessions, at 10am on Saturday they set out for Apollo Bay, a voyage that took six hours, sometimes wading through flooded creeks up to their necks. The Age described the wreck as "listed to starboard. All the cabin is gutted and the ballast gone. There is a big rock right through the bottom of her, and there is not the slightest hope of getting her off". A Board of Marine inquiry found that Captain Jacobson was guilty of careless navigation by not taking steps to accurately verify the position of the vessel with respect to Cape Otway when the light was visible and by not setting a safe and proper course with respect to the wind and sea. It suspended his certificate for 6 months and ordered him to pay costs. The location of the wreck site was marked for a long time by two anchors on the shoreline, until in 1970 the larger of the two anchors was recovered by the Underwater Explorers' Club and mounted on the foreshore at Apollo Bay. The bell from the wreck was also donated to the Apollo Bay Surf Lifesaving Club but is recorded to have been stolen. Rusting remains of the wreck can still be found on the shoreline on the southern side of, and directly below Cape Patton. Parts of the SPECULANT site have been buried by rubble from construction and maintenance works to the Great Ocean Road, as well as by naturally occurring landslides. Peter J McGennan passed away in 1920. The Gates in the western wall of the Anglican Church in Henna Street/Koroit St are dedicated to him for his time of community work, which is matched with other prominent Warrnambool citizens; Fletcher Jones, John Younger, J.D.E (Tag) Walter, and Edward Vidler. After Peter J McGennan's death Harry, Andrew and Edith continued to operate the family business until July 11th 1923 when the company was wound up. (Andrew lived in Ryot Street Warrnambool, near Lava Street.) Harry McGennan (Peter and Emily’s son) owned the Criterion Hotel in Kepler Street Warrnambool (now demolished). His son Sid and wife Dot lived in 28 Howard Street (corner of Nelson Street) and Sid managed the Criterion until it was decided by the family to sell, and for he remained Manager for the new owners until he retired. Harry commenced the Foreshore Trust in Warrnambool around 1950. The McGennan Carpark in Pertobe Road is named after Harry and there are Memorial-Stone Gates in his memory. (The Gates were once the original entrance to the carpark but are now the exit.). Peter’s great-grandson, also called Andrew, is a Security Officer in Warrnambool. The Patent Log (also called a Taffrail log) from the SPECULANT, mentioned above, and a number of photographs, are now part of the Collection at Flagstaff Hill Maritime Village. The SPECULANT is historically significant as the largest ship to have been registered in Warrnambool, and is believed to have been the largest barquentine to visit Melbourne. It is evidence of the final days of large commercial sailing vessels involved in the Victorian and New Zealand timber trade. The SPECULANT is listed on the Victorian Heritage Register VHR S626Photograph, black and white, of the three-masted barque SPECULANT at a jetty in low water. On the jetty and the shore are stacks of cut timber. The ship is in a wide river or bay, hills in the background, trees (like gum trees) in the foreground. Inscribed below photograph "Wrecked 10.2.11. Cape Patten. Jacobson. Munro. - - - -" Written on the photograph in blue pen "Rosbercon"Inscribed below photograph "Wrecked 10.2.11. Cape Patten. Jacobson. Munro. - - - -" Written on the photograph in blue pen "Rosbercon"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, warrnambool historical photograph, cape patten, munro, james munro, la bella, speculant, cumming and ellis, international timber trade, p. j. mcgennan and co. warrnambool, peter mcgennan, capt. james jacobsen, warrnambool maritime history -
Glenelg Shire Council Cultural Collection
Artwork, other - Model Ship, MacKenzie and Co, Clan MacDougal Model Cargo Ship, n.d
Port of Portland CollectionModel of a ship. Hull is painted in black (above water line) and burgundy (below water line). Ship has three masts, a smoke stack (black with red stripes) and a white super structure with portholes. Supported on brass stands. Housed in a timber and glass case. Label in case.Front: T.S.M.V. Clan MacDougall Length BP 475', Breadth 64'-6", Depth 41½. Built by the Greenock Dockyard Co. Ltd. for Clanline Steamers Ltd., London.port of portland collection -
Bendigo Historical Society Inc.
Slide - ALBERT RICHARDSON COLLECTION: NEW CHUM RAILWAY GOLD MINE
Slide: railway track running alongside New Chum Mine, Breen Street, Golden Square, Bendigo. Mine buildings on right hand side of track, chimneys, poppet head, horse and dray and large stacks of timber in foreground of image. Boy standing on rail way line.number 1 in blackmine, gold, new chum railway, poppet heads, chimney stacks, timber stacks, 3 mine bridges, horse and dray, mining, bendigo, gold mining, railway line, new chum mine -
National Vietnam Veterans Museum (NVVM)
Photograph, Saw Mill 1
A black and white photograph of Engineers working in the saw mill at 1st Australian Task Force, Nui Dat, Phuoc Tuy Province, South Vietnam stack large beams for bridge construction, cut to the respective plan size for delivery to the construction site within Phuoc Tuy Province.photograph, engineers, 1 atf base, nui dat, phuoc tuy province, gibbons collection catalogue -
Bendigo Historical Society Inc.
Slide - DIGGERS & MINING. STORES AT THE DIGGINGS, c1850s
Diggers & Mining. Stores at the diggings. Slide: Businesses were conducted in tents or, more generally, roughly-made huts. Picture displays stores with a small wagon, there are stacks of sacks and shovels which can be easily seen. Markings: 3 994.LIF. 5. Used as a teaching aid.hanimounteducation, tertiary, goldfields -
Orbost & District Historical Society
brick
There is a slight ridge ridge along the side where the wet clay has been pushed up between the bricks as they have been stacked. Wooden press moulds were used to form the brick and lead shaped markers were used to brand a frog in the brick. The frog is the hollow in the centre of the face of the brick. This centre helps the bricks to adhere in construction.A hand-made brick. There is a slight ridge along the top side where it has been pushed up between the bricks as they dried. The frog (hollow in the centre) is an unusual elliptical shape. brick building construction -
Melbourne Legacy
Photograph, Operation Firewood
A photo of Operation Firewood which provided help to widows by supplying and stacking firewood for the winter. Photos show a truck being loaded with wood. the date is unknown but the wood often came from the Cobram/Yarrawonga area and the trucks were provided without charge by transport firms - often Linfox. Legacy provided this service for many years until 1995.A record of Legacy helping widows by supplying and stacking firewood. When open fires were the main source of heating, a load of firewood and help moving it, would have been very important to the widows.Colour photo x 4 of a truck being loaded with wood for Operation Firewood.operation firewood, widows -
Bendigo Historical Society Inc.
Slide - DIGGERS & MINING. DIGGERS AND MINERS, c1930s
Diggers & Mining. Diggers and miners. This is the Long Tunnel Gold Mine in 1910. The tram-line roamed the hill was used for carrying timber to the mine. Engine House, Inclined Shaft, Battery, Boiler House and Firewood stacks are marked on the slide. Markings: 30 994.5 WAL. Used as a teaching aid.hanimounteducation, tertiary, goldfields -
Bendigo Historical Society Inc.
Newspaper - JENNY FOLEY COLLECTION: LOAD 'EM UP
Bendigo Advertiser ''The way we were'' from 2001. Load 'em up: Ken Childs, Tom Scott and Bob Childs, with Len Childs and Bill Childs on top of the hay stack, work together to cart sheaves of hay at May Reef in Elmore; circa 1940. The clip is in a folder.newspaper, bendigo advertiser, the way we were -
Bendigo Historical Society Inc.
Photograph - VICTORIA HILL, approx 1875
Black and white photograph showing 2 poppet heads, 3 chimneys, dam, 2 wood stacks, associated sheds, mine manager's house, few trees. Copy of photograph ' New Chum Reef - looking north N.J. Caire photo 1875 - copy J. Lerk, 11.2.2000'N.J. Caire ?place, landscape view, new chum reef -
Otway Districts Historical Society
Photograph, Ray Jude, Beech Forest: engine leaving balloon loop, 1959, 21 November 1959
B/W. Engine G41, showing the sign "Puffing Billy Preservation Society, Beech Forest, 21-11-59", leaves the balloon loop at Beech Forest Railway Station, with guard and child hanging from the engine. A number of people are in the area, particularly two on top of a stack of timber. beech forest; railways; -
National Vietnam Veterans Museum (NVVM)
Photograph, Gibbons, Denis, Jimbo
A black and white photograph taken at Nui Dat July 1967. War artist Lt Bruce Fletcher puts the finishing touches to his oil painting of Pte Jim Moloney. Lt Fletcher was accidently wounded in the foot when a captured enemy weapon discharged while being stacked.photograph, nui dat, war artist, lt bruce fletcher, pte jim maloney, gibbons collection catalogue -
Phillip Island and District Historical Society Inc.
Photograph, Robb's store, Cowes, 1920
Inside of General Store. Probably Robb's as the photo was donated by Mary Robb. In background shelves stacked with groceries. Behind wooden counter, the Grocer standing and man in glasses, cap and seated along side Grocer. Standing in front of counter to one side, six waistcoated gentlemen and a lady. A wooden chair is located before the lady. An advertisement for Invicta Jelly Crystals is imprinted on the counter.Black and white photo of the inside of a general store, Thompson Avenue, Coweslocal history, photographs, buildings--historic, black & white photograph, mary robb -
National Wool Museum
Textile - Blanket, Godfrey Hirst, 1950s
Note from collector: I would stack plain blankets of the same base colour and arrange them by shade to make up a colour palette. It showed how particular colours were in fashion in the early decades, based mostly around depths of pastel pinks, mints, lemons and baby blues with brighter colours arriving in the 1960s then the browns and oranges in heavier tones in the 1970s. Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Queen Sized, dusty pink blanketGodfrey Hirst/Pure Wool Pelage Blanket/Mothproofed/Made in Australiawool, blanket, blanket fever, godfrey hirst, geelong -
National Wool Museum
Textile - Blanket, Kelsall and Kemp, 1950s
Collector says: "I would stack plain blankets of the same base colour and arrange them by shade to make up a colour palette. It showed how particular colours were in fashion in the early decades, based mostly around depths of pastel pinks, mints, lemons and baby blues with brighter colours arriving in the 1960s then the browns and oranges in heavier tones in the 1970s.Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Queen sized blanket, soft pastel pinkWarranted 100% Pure Wool/The Famous "Doctor" Regd/Blanket Made in Tasmania/in Emblem "K&K" (first K mirror image)/Regdwool, blanket, blanket fever, the famous doctor, kelsall and kemp, tasmania -
Streatham and District Historical Society
Picture, Ronald Slater carting wool
Demonstrates the typical vehicle of the time of the picture. Demonstrated the mode of transport for agricultual goods.Shows the means of transport for agricultural goods in the period.Black and white rectangular picture. Featuring a early truck with tray. The truck is stacked with wool bales and is tide with thick rope. There is a dog curled up on top of the cabin of the truck. A male is leaning against the door with his thumb in his pants, smiling. On the bonnet of the truck the letter "P" can be seen.On back "Ron with the truck & a load of wool on" written in grey lead. -
National Vietnam Veterans Museum (NVVM)
Photograph
Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection.A black and white photograph tt a Fire Support Base, a digger sorting shell 105mm artillery shell casings for transport back to the 1st Australian Task Force Base at Nui Dat, Phuoc tuy Province. These casings once stacked on pallets were collected by RAAF Huey "slick" helicopters.photograph, 105mm artillery, digger, 1st atf base, raaf, huey helicopter, nui dat, phuoc tuy province, gibbons collection catalogue, denis gibbons, photographer, vietnam war