William Coghill jnr of Coghill's Creek died in 1884 aged 63 and was buried at Ballarat. His wife Catherine Holmes was the daughter of Henry Holmes. She drowned in the 1866 wreck of the Ly-ee-Moon off Green Cape with the loss of 76 livesBlack and white studio photograph of a standing man and seated woman. They are William Coghill and his wife Catherine Dorothy Holmes, the descendants of Ballarat and District pioneer families. They married in 1860. Written in blue ballpoint pen verso: "Thought to be Wm Coghill Jnr and his wife (Miss Holmes). Wm Coghill buried Ballarat, died 1884, aged 63 years. His wife drowned in the wreck of Ly-ee-moon, a popular passenger ship, off Green Cape (near Eden, NSW) and...[drowned in 1866 with many others including her brother Edmund Holmes]. chatham, chatham family collection, william coghill, catherine holmes, catherine coghill, ly-ee-moon, coghills creek, coghill, holmes

Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Sepia studio photographs of a man in a band uniform. He is holding a baton in a different position in each photo. The man is Frank Wright and the band is St. Hilda' s Brass Band.16 MAR 1934, British made, Jeromefrank wright, brass band, st hilda's band, conductor

Black & white studio photograph. Faded heads two females aged in twenties. Written caption on reverse Mrs Gleeson? Miss A Edwards? Printed in front, Bartlett Bros Sandhurst.Bartlett Brosphotograph, person, female

Rev R G Nichols (Brother Bill) was the Anglican vicar of St. Marks, Fitzroy. He broadcast a regular talk on 3AR and 3LO, and his talks were published in 1930.B & W waist length studio photograph of Rev. R.G. Nichols sitting before a 3LO Melbourne microphone. The photograph is signed "R.G.Nichols" across the lower left hand corner.With my sincere regards, Brother Bill.rev r.g. nichols, brother bill, st. marks fitzroy, radio, 3lo, 3ar

Born 1913. Ordained 1940. Died 2005. 1938 Essendon; 1940 Toorak; 1941 Chaplain RAAF; 1946 Malvern South, Epping St.; 1950 Benalla; 1955 Horsham; 1958 Managing Treasure, Supernumery Fund; 1955-62 Editor/Business Manager with roles in various cities. Joined UCA 1977. President, Wesley College Council.Black and white print of a studio photograph of Rev. E Keith Ditterlich. He is wearing his clerical clothing and facing slightly away from the camera and looking to his left."THE REV. E. KEITH DITTERICH, B.A., B.D., Dip ED. President of the Conference, 1969."rev e keith ditterich methodist minister, president of methodist conference 1969, president wesley college council

Sepia toned studio photograph of Harry Rowe and his wife Ada nee Boyd taken after their marriage in 1913. They lived at Kalimna West near Lakes Entrance Victoriagenealogy, clothing

sepia studio photograph of adult male, bearded and moustache , bareheaded, jacketed, hear and shoulders shown in oval on white surround. Glazed surface to print. Print mounted on rectangular black card.printed on front 'Bartlett Bros, Sandhurst. Printed on back 'Bartlett Bros, Photographers, Sandhurst, William Street Opposite Shamrock Hotel and New Public Buildings.person, individual, male, bartlett bros., sandhurst

Sepia toned studio photograph of Frank Harbeck and Mary Archibald on their wedding day. Groom in three piece suit white shirt and stiff collar, bride dressed traditionally carrying flowers.genealogy

Studio photograph of Mary Dorey 1883-1918. Mary was the elder sister of Iris Dorey. Mary died on Feb 27th, 1918 after a fall downstairs at Quamby following an epileptic seizure. mary dorey, iris dorey, quamby, dorey

Black & White Studio Photograph. 9.8 cm x 9.8 cm card containing 6.5 cm circular image young woman. A Very & Co Castlemaine printed around circle on front.A Very & Co Castlemainephotograph, person, female

Celebrating the centenary of the Methodist mission/church in FijiB & W studio photograph mounted on grey card of 16 clergymen. Images of the Centenary Methodist Church in Suva have been superimposed on the top left and top right hand side of the mount. "A I Sevu Ni Lotu Ni Veitabaki Seniteneri Okotopa 13, 1954" Names of the 16 clergymen listed on the mount below the photograph.centenary methodist church, suva, fiji

BHS CollectionPosed studio sepia photograph of Harry Myer. McKenzie Family Collection.Photographer's stamp John Lay & Son, Eaglehawkhistory, eaglehawk

Edward (Edmund) de Lacy Evans was really Ellen Tremaye; and in 1856 she married her fellow passenger on her voyage to Australia, Mary Delahunty; under the assumed name of EDMUND De Lacy. In 1859 he/she married Sarah Moore. They were married for eight years when in 1867 she died in childbirth. In 1868 after Sarah had died; Ellen, now known as EDWARD de Lacy Evans married Julia Mary Marquand in Ballarat. From the Melbourne Argus Friday 5th Sept 1879, Page 7 THE EXTRAORDINARY PERSONATION CASE. [BY ELECTRIC TELEGRAPH. FROM OUR OWN CORRESPONDENT.) SANDHURST, THURSDAY. The De Lacy Evans case has created great excitement here. The man-woman having resided in the district for about 20 years, was well known amongst the miners, but no one appeared ever to have supposed that she was other than as she represented herself to be, and the discovery of her sex has caused the greatest astonishment. The police have not yet moved in the matter of the discovery of her antecedents, but from the result of inquiries I have made, there seems to be no room to doubt that the woman is identical with the girl Ellen Tremaye, referred to in yesterday's telegram as having arrived at Melbourne by the ship Ocean Monarch in June, 1857. The nurse at the hospital, Mrs. Holt, is positive she is the same, and says the opinion was held amongst those on board the vessel that Tremaye had been well connected, and that she had left home in consequence of some misconduct. The Ocean Monarch was an immigrant vessel, and on the voyage Tremaye and another young woman, named Rose Kelly, were very intimate, but the latter, being seized with a dangerous illness, was left at Rio Janiero. Mrs. Evans, the wife of the supposed man, states that she frequently heard Evans say that she came out by the Ocean Monarch. But the most satisfactory information of Evans' previous history yet received has been obtained from a Mrs. Thompson, a charwoman at Myers' Creek, who was also a shipmate of the girl Tremaye. At the time she made the voyage she was unmarried, and was accompanied by Miss Mary Ann Delahunty, a young lady who was very well connected, and who came from the same village as herself, named Monakine, on the north bank of the river Suir, in Kilkenny. Miss Delahunty was an orphan and brought with her about £900. After Rose Kelly was taken ill, Tremaye resorted to Miss Delahunty's berth, and the passengers appeared to think there was something strange about the manner in which Tremaye conducted herself, and she had been observed to wear a man's under-clothing. Upon the arrival of the ship in Hobson's Bay, Tremaye declared herself to be a man, and told Mrs. Thompson she intended to marry Miss Delahunty. The next Mrs. Thompson saw of Ellen Tremaye was at Peg-leg Gully, Eaglehawk. Tremaye had just established herself in a house there under the name of Edward de Lacy Evans, and Mrs. Thompson went to serve them with milk. When she went to the house, she saw Evans sitting inside dressed in male attire, and immediately recognised him as her fellow passenger, Ellen Tremaye. Evans had, at this time, married his second wife, Miss Moore, who was then present. Evans re-marked to her—"I think I know you." To which Mrs. Thompson replied—"I know you, too," and added something to the effect that Ellen (referring to Tremaye) was a queer girl." Oh, said Evans, evidently anxious that his then wife should not understand Mrs. Thompson's reference, "It's a good job she is gone back to the old country." Mrs. Thompson inquired as to what had become of Miss Delahunty, and Evans replied, "Oh, my poor wife and boy both died of consumption, and are buried in the North Melbourne cemetery. " In reply to an inquiry as to what had been done with her (Delahunty's) money, Evans said she had sent it home to a nunnery. Evans's then wife had been absent during a portion of this conversation, but at this point she returned, and Evans went outside to the milkwoman, and said, "For your life don't mention my dead wife's name ; call me Mr. Evans. This missus of mine is death on the Roman Catholics, and she can't bear to hear my dead wife's name mentioned." This conversation took place about 12 or 14 years ago, and Mrs. Thompson seems to have quite believed that Evans had personated a woman under the name of Ellen Tremaye on the voyage out and was really a man. She lost sight of Evans soon afterwards, and took no further notice of the affair.Copies of two studio Photographs - De Lacy Evans standing with seated woman: a. De Lacy Evans standing with woman seated; b. De Lacy Evans (handwritten below) with woman of same heighta. A. Flegeltaub b.??de lacy evans., ellen tremaye, sarah moore, julia mary marquand, mary delahunty, de lacy, edward de lacy evans, edmund de lacy

Charles Henry Bennett, born at Linton in 1871, was a son of William Garnsworthy Bennett and Susan Bennett née Williams. He married Frances Elizabeth Craze in 1911.Black and white copy of original studio photograph showing a man dressed in dark jacket and waistcoat with a fob chain and buttonhole. He is holding a bowler hat in one hand and resting the other on a fence rail."396 Charles"charles henry bennett

Studio photograph of Harry Booth. A young man wearing a dark, three piece suit, collar and tie. Included in the Dorey/Woolrich collection.Black and white photograph of young Harry Booth taken in a formal studio setting. Harry Booth was the son of Jack Booth, who owned Lots 37 and 38 in the Village Settlement and had access to creek water for successful berry crops. Harry was a local market agent and travelled to Victoria Market carrying produce from local settlers.Harry carried a variety of produce by horse and cart, apparently a twenty-four hour round trip, until the business was sold in the early 1920's. Harry Booth Eden Studios Post Cardharry booth

History unknown.This item is of aesthetic significance. The identity of the subject is unknown as yet but is likely to be a local woman.A large black / white studio photograph of a bride, sitting down, holding a large bouquet of flowers. She is wearing a long wedding dress with a close-fitting beaded cap. Her veil is long and ornately embroidered. bottom right - hand-written "Ruth Hollick"photograph-wedding

Black & White studio photograph. Standing female aged approx mid thirties. Printed on Front. Moffat, 125 Princess St Edinburgh. Period bustled dress ,hat, gloves bracelets. Choker and brooch at neck.Moffat, 125 Princess St, Edinburghphotograph, person, female

See article by Rowland Ward in http://heritage.darebinlibraries.vic.gov.au/Assets/Files/Heresy%20at%20Northcote%20Presbyterian%20Church.pdf for the detail of the heresy case.Copy of composite photograph which was published in the Weekly Times 15 April 1899. The images are oval head and shoulders studio photographs of the 16 members of the committee investigating a charge of heresy against the Rev. Hector Ferguson."The charge of heresy against the Rev. Hector Ferguson - members of committee of investigations" plus listing of names of the committee members. Rev. Alex Marshall, Rev. D. McKenzie, Rev. W.M. Alexander, Rev. Alex Yule, Rev. T. Tait, J.H. MacFarland, Rev. John Steele, Rev. John L. Rentoul, Rev. M. MacDonald, Rev. John Mathew, Rev. D.S. McEachran, Rev, S.G. McLaren, Rev. D.M. Stewart, Mr Warrick, M.A. Byers, Rev. T.W. McGregor.rev. hector ferguson, northcote presbyterian church, weekly times, heresy, scots church, assembly hall, st. andrew's carlton,

The Coghills were early settlers in the Ballarat district, with Coghill's Creek being named after them. .1) Three men pose for a studio photograph taken in Melbourne. From left to right the men are: Willie [Lawrence's son William Henry Carter Holmes (1867 - 1928)]; Edward Carter Holmes (1822 -1886); Lawrence Carter Holmes (1829 - 1935). .2) A man sits in a studio photograph taken in Ballarat. The man is Robert Reid who married Adelaide Helen Holmes in 1857. Adelaide was the sister of Catherine Dorothy Holmes who married William Coghill and lived at Coghill's Creek near Ballarat. .1) Verso: "Willie, Uncle Teddy and Father" .2) "I think this could be the same person as the one designated "Uncle Teddy" on the other photo. What do you think?" Photographer: Solomon and Bardwell. No.4938.holmes family archive, coghill, ballarat, william carter holmes, edward carter holmes, lawrence carter holmes, robert reid

Studio photograph of standing young female teenager. Dress length several inches below knee. Lace fringed apron with ruffled shoulder cape on shoulders. Faded ink stamp on photo front. Lancaster Bairnsdale, Gippsland.Lancaster Bairnsdale Gippslandphotograph, person, female

James Rogers was born in Wallaroo, South Australia, but came to Sailor's Gully, Eaglehawk with his family as an infant. He was converted in a Salvation Army meeting at Bendigo. He became a member of the Primitive Methodist Church at Eaglehawk. He was stationed at: 1888 Murtoa; 1889 Hamilton; 1892 Melbourne, Collingwood; 1892 Beaconsfield; 1894 Penguin; 1900 Castlemaine; 1905 Dimboola; 1909 Geelong, Yarra St.; 1913 Kilcunda & Powlett River; 1917 Kyabram; 1920 North Melbourne; 1923 Brighton; 1928 Prahran; 1932 Supernumerary Hawthorn. Gaol Chaplain 1909 - 1912; Hospital Chaplain 1935 - 1936Died 2nd September 1937 Agnes Rogers (nee Caldwell) was born in 1867, married James Rogers in 1892 and died in 1951. The children in the photograph are: James Stanley (born 1893), John David (born 1895), Agnes Pricilla (born 1897), Robert Leslie (born 1899), Jean (born 1900), Ethel Margaret (born 1903), Amelia Florence (born 1905) Lois Susan and Ella (twins born 1908).B & W studio photograph of Rev James Rogers, Mrs Agnes Rogers (nee Caldwell) and their children. The images of two men in uniform (presumably absent overseas) have been superimposed on the photograph to complete the family group. james rogers, agnes rogers, agnes caldwell, methodist, primitive methodist, eaglehawk, minister, first world war

Mabel Pye was a printmaker and painter. She was born in Box Hill in 1894, probably at the family’s Loch Street property. She was the daughter of Alice Eleanor Noar and her husband William Edward Pye, who married in 1893. William was known as Ted and is recorded in electoral rolls as a legal clerk and later as a public servant. Mabel had a sister Hazel who was also an artist, but less well known. 12 Loch Street, Surrey Hills was known as ‘Mulberry Hill’ and the Pyes appear to be the first occupants – Alan Holt’s register of Surrey Hills properties has them there from c1900. The property was originally about an acre in size and was later divided into 4 house blocks. In 1923 they built a house for themselves on one of the blocks facing Benwerrin Street and called it ‘Tanglewood’. The Loch Street house abutted the Surrey Hills Reservoir and was diagonally linked to the land in Benwerrin Street. In 2019 both the houses still stand. The family were involved in amateur theatre and at times the studio doubled as a rehearsal space for the Benwerrin Players, a group which operated through the late 1920s and early 1930s being comprised of friends and neighbours from Benwerrin Street and Windsor Crescent. Some of their performances were at the Surrey Hall in Union Road. Most of Mabel’s known work dates from the 1930s. She had studied under Bernard Hall at the National Gallery School. Mabel was a member of both the Victorian Artists Society from 1918-1941 and also the Melbourne Society of Women Painters and Sculptors from 1920-1950. Her work is represented in the Australian National Collection and in state galleries. The NGV has one of her works, the Gallery of NSW has 9 works, a large body of works and personal material is held by the Ian Potter Collection and there is one piece in the City of Whitehorse Collection. This ink sketch of the White Horse Hotel is signed MP and dated 1933, the year the building was demolished. A black and white studio photograph of a young lady standing beside a pedestal and wearing a light coloured dress with 3/4 length sleeves, dark stockings and lace up shoes. A corsage of dark flowers adorns the bodice. loch street, surrey hills, artists, whitehorse hotel, box hill, miss mabel pye, city of whitehorse collection, william edward pye, miss alice elanor noar, mrs alice eleanor pye, frank stamford

Georgina (Ina) Higgins graduated with first full time female students . Top marks.Digitised Studio photograph of Ina (Frances Georgina Watts) Higgins taken in Falks Studio , Melbourne C. 1895. Ina Higgins was one of the first female students to graduate with a Diploma from Burnley Horticultural College in 1902.female students, ina higgins, georgina higgins, diploma

Black & White Studio photograph male aged approx early forties head shoulders . Printed on front. Johnstone O'Shannessy & Company Limited, 55 & 57 Collins Street East, Melbourne. Scrolled ornately same information on reverse.Johnstone O'Shannessy & Company limited.photograph, person, male

Studio photograph of wedding of Sydney Norman Till & Evelyn Victoria Maggs, 12 June 1920. His dress is formal & she is wearing a white suit & hat. Mounted sepia photograph of a wedding couple, both standing up.maggs, evelyn, till, sydney clothing & dress

William Todd was the son of William and Sarah Todd who settled in Linton around 1855. He is believed to have been born at Linton's Diggings. His son William Joseph Todd (known as Billy or Bill) was born at Linton in 1882 and worked as a mechanic and chauffeur, mostly in Melbourne. The youngest William Todd (also known as Bill) was born at Richmond (Melbourne) in 1918.Scan of black and white studio photograph which shows an older and a younger man, both wearing suits, with a young boy who is wearing shorts with braces, a white shirt with a wide collar, long socks and lace-up shoes.william todd [c.1855-1936], william todd [1882-1975], william todd [1918-1980]

Pictured are brothers, on the left, Yiannis (Soufis) and on the right Anastasios (Stravolemis) Papadopoulos. Unknown man in centre. Anastasios migrated to Western Australia from Ithaca in 1912 and Yiannis (John) followed in 1913. They found work in Kalgoorlie where they experienced the race riots of 1916. In that same year they left W.A. and hitchhiked across the Nullarbor travelling by camel train, van and on foot to reach Melbourne where they both settled. John operated a fruit business in South Melbourne; Anastasios a fish and chips shop in Chapel Street South Yarra.A studio sepia photograph of an old torn photograph of two young men with an older man.pappas

Black & White studio Photograph. Young woman in graduation gown. Mortar board on knee. Printed Front. Duryea 158a Rundle Street Adelaide. Reverse. From the Studio of F Duryea, artist in Photography, No 158a Rundle Street Adelaide.F Duryea Adelaidephotograph, person, female

Black & White studio photograph. Woman seated on brick staircase. Aged approx thirty. Black period pleated bustled dress and hat. Buttoned blouse. Printed on front. Stewart & Co 217-219 Bourke Street East, Melbourne.Stewart & Co 217 & 219 Bourke st East Melbournephotograph, person, female