Four page document, an extract from the Geological Report on the Bendigo Goldfield. On front page, a line drawing of a puddling machine. Contents include: alluvial mining, reef mining, the boom years, deep sinking, decline of mining, modern exploration, physiography, the hills, the valleys and the soils. A table demonstrates the development of graptolite structures, including the Lancefieldian, Bendigonian, Chewtonian and Castlemainian graptolite species. Two diagrams demonstrate saddle and bedded reefs and fault reefs. Written on top of the document: C.E. William and H.E. Wilkinson, 1992. Geological Survey Report No. 93.bendigo, mining, geological bulletin 93

Five page document, handwritten, detailing the mines along the New Chum Line of Reef. A table of information is attached with data about the early workings on the reef line. Calls, dividends, ounces of gold extracted and depth of shafts are described.bendigo, mining, new chum line of reef

Two copies of notes on Lansell's Bendigo Battery. Ref. Bendigo Advertiser February 26th 1894. One copy is incomplete. Notes on formal opening of the 105 head battery, water supply and the Christening of the 6 engines connected with the battery by one of Mr Lansell's children. Another extract is from the Bendigo Advertiser dated Tuesday December 5th 1893 Page 3. Included in the notes is the description of the battery, driving engines, ripple tables, Halley's shaking tables, blanket tables, engines, Tambour Major plant, Mr Lansell, boilers, dams, the stack and names of engines Christened by one of Mr Lansell's children. Detailed description of the engines, etc.mining, surface equipment, lansell's bendigo battery, lansell's bendigo battery, notes on lansell's bendigo battery, bendigo advertiser 26/2/1894 & 5/12/1893, mr geo lansell, sheepshead line, water supply, mrs bassford, mr james northcott, tambour major coy, halley's shaking tables, johnson's gold mines, new red white & blue consolidated, north red white & blue

Plan of the Great Extended Hustler's Mine on the Hustler's Line of Reefs, Bendigo. Bulletin No 33, Plate No X. Lease No 7382. Plan has map of streets. Mine was located in the block bounded by Langston and Anderson Streets and was between the Hustler's Anticline at Surface and the Lightning Hill Anticline at Surface. Latham & Watson's Shaft is also mentioned. Levels are numbered and a table shows the Levels and their Depths. Geological Survey of Victoria. Signed by H A Whitelaw, Underground Suyrvey Office, Bendigo, September 1913. This item has not been scanned or photographed.mining, parish map, great extended hustler's mine, hustler's line of reefs, mining lease no 7382, geological survey of victoria, underground survey office bendigo, h a whitelaw, latham & watson's shaft

Map, Hustler's Line of Reefs, Great Extended Hustler's Mine Plan,Plate No X (10).Bulletin No 33 Signed H.A.Whitelaw Underground survey Office Bendigo September 1913 Drawing has a table showing depths of levelsUnderground Survey Office, Bendigo.map, bendigo, great extended hustler's mine

Gredgwin Weighbridge docket duplicate with a decorated perforated centre. Date line ends 193-. Both dockets are identical. Printed on the dockets are Gredgwin Weighbridge, date line 193-.. Owner's Name, Buyer, Carter's Name, Table with Weight in Tons Cwts, Qrs. Lbs, Description of Loading, Description of Vehicle, Gross, Tare, Net and underneath Charges and Weigher.business, printers, cambridge press, cambridge press collection, gredgwin weighbridge

Sheet of three City of Bendigo Municipal Weighbridge dockets. Printed in black on cream paper. Date line ends 19- -. Dockets are perforated with an unperforated strip down the left side which stays in the book. Each docket has printed on it: City of Bendigo Municipal Weighbridge, date space, Weighed, Owner or Agent, Purchaser, Driver Gross, Tare, Net Weight, Tolls, Weigher and has a table with Tons, Cwts, Qrs and Lbs. The copies that stay in the book don't have City of Bendigo Municipal Weighbridge printed on them.business, printers, cambridge press, cambridge press collection, city of bendigo municipal weighbridge

Churchill Island has a large photographic collection dating from the nineteenth century. Group photograph of people sitting and standing outdoors on the grass with a line of trees in the background and an item on a small white table in the foregroundcatalogue number on reverse in pencilchurchill island, photograph

Kraft Processed Cheddar Cheese was invented in USA by JK Kraft Cheese Co. A world-wide patent was taken out on the product. In 1926 Kraft (USA) licenced Kraft Walker Cheese Company to produce processed cheddar cheese in Australia. At that time Cyril Callister, the inventor of Vegemite, was working for the Walker Company in Australia. A line drawing of a table setting that includes a block of Kraft Cheesekraft, cheese, callister, j.k. craft cheese co., kraft walker cheese company

Station Sign - Fielder Fielder Station is situated on the Puffing Billy Railway in Australia. It opened as a Stopping Place on Monday 10 September 1928, as part of the Gembrook railway line. It was originally an unnamed platform, with time tables noting a station at 38 miles (61 km). In 1929, local Harry Watson constructed a Mallee shed and unofficially named it Ancaster after his home town in Lincolnshire, England, but this was quickly changed by some children to Laura, who was a young local girl. The Victorian Railways officially named it Fielder from Tuesday 5 February 1929, after a nearby resident. It was planned to name the station after the two local residents Cullen and Fielder and combinations of the two names were suggested, however Fielder was the name finally chosen. It remained nothing more than a Mallee shed with small office and a name board for the rest of its operating life. It was closed with the line on 30 April 1954 and the Mallee shed was sold to US Buslines for unknown use. After closure, the site fell into disrepair, and by the 1990s, little trace of Fielder remained. However, by that time, efforts were being made to extend the railway from Lakeside through to Gembrook, which would complete the entire length of the original line. In 1996, a group of volunteers led by Richard Schurmann in collaboration with the descendants of the Fielder family rebuilt the platform and waiting shed, which was officially re-opened on Saturday 19 April 1997 in preparation for the extension of the line which re-opened in 1998. On 18 November 2012 a plaque was unveiled on the station shed in tribute to the Fielder Family Trains do not normally stop at Fielder ref: https://en.wikipedia.org/wiki/Fielder_railway_station photos at http://www.vicrailstations.com/Gembrook/Fielder/Fielder.htmlHistoric - Station sign used at Fielder StationStation Sign - Fielder wooden rectangle Station name sign pained black background with white lettersFielderpuffing billy, station sign, fielder station

Camp 3 class mates from 1938 at a reunion in 1988. Colour photograph of 5 people seated at a table, on the right hand side a royal blue cloth with a white line. Behind head of man on right with adjacent back drop grey with yellow stripe. Informal get together. Photograph is on coreflue class mates reunion, peter drescher, camp 3 reunion

This was an early table setting used by the Shire of Bulla.A maroon and gold table setting consisting of a cup 271.1 a band of maroon around top of cup with two lines of gold in middle of cup and one line of gold on lip and inside of cup. 271.2 maroon and gold around saucer. 271.3 maroon and gold around the edge of saucerQueens Maroon "Solian ware"shire of bulla, crockery, simpsons, potters, containers, domestic items, george evans collection

Imants Tillers has been identified as a quintessential postmodern artist in his use of appropriation and quotation. Since 1981 he has used his signature canvas boards to explore themes relevant to contemporary culture, from the centre/periphery debates of the 1980s to the effects of migration, displacement and diaspora. Most recently, his paintings have been concerned with place, locality and evocations of the landscape. Imants Tillers and Baldessin met on their way to the Bienal de Sao Paulo in 1975 and in the following year worked on two collaborative etching plates in Paris that were printed by Pierre Giarudon. 'Unsaid + Nameless' harks back to his experiences with Baldessin in Paris forty years ago. It is a poignant image of absence that can be read in the tradition of the momento mori. George Baldessin (1939-1978) was born in San Biagio di Callalta, in the Veneto in Northern Italy and arrived in Australia ten years later. A printmaker and sculptor he built his bluestone studio at St Andrews (Nillumbik) in 1971 with his partner Tess and the three Hails brothers, Rob, Doug and Don. Made of recycled materials the studio today contains all of George’s equipment including the large press, which he modelled himself with the help of Neil Jeffrey (Enjay Presses). George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. In 1975 he represented Australia in the Sao Paulo Biennale, before living and working in Paris until his return to St Andrews in 1977. In 1978 George was killed in a car accident aged 39 years. In 2001 Tess returned to St Andrews to reclaim the run-down studio and reconstitute it as The Baldessin Press & Studio - a printmaking retreat. It operates in George’s memory, so that artists may continue to create, perpetuating the generous spirit of George.'Unsaid + Nameless' is one of eight prints in the 'Baldessin & Friends commemorative folio. The folio was conceived by Tess Edwards as a fundraising initiative in celebration of the The Baldessin Press & Studio's fifteen year anniversary, and as a way to honour George Baldessin's memory. The Baldessin Press & Studio is a not-for-profit organisation created in memory of the late George Baldessin (1939-1978), whose original studio is now open to the public for creative use and as a practical legacy to living artists. The Studio is located in St Andrews, Nillumbik. The folio is a unique coming together of seven very different and acclaimed artists who are connected by their friendship to the missing eighth member, George Baldessin. In 1976 Baldessin and Tillers embarked on the collaborative work 'According to des Esseintes'; a post modern Surrealist game of consequences and sequences. In homage to his friendship and work, Tillers completed an unfinished Baldessin plate from 1976 inspired from their 'des Esseintes' collaboration. The addition of Odilon Redon's 'smiling spider' is indicative of Tiller's broader post-modern approach. Solar plate etching of Odilon Redon's 'Laraignee souriante' (The Smiling Spider) on an incomplete plate etched by George Baldessin in 1976 on Somerset paper. Other images include skewed perspectives of a wooden window frame, 'wooden' floor or table(?) folded sheet of paper and unknown apparatus. In pencil (handwritten): low plate: left '14/25' (edition); centre: 'Unsaid + Nameless' (title); right 'Imants Tillers' (signature); low paper: right emboss 'GB' (Baldessin Press & Studio monogram)solar plate etching, george baldessin, somerset paper, spider, line, ekphrasis2018, odilon redon, appropriation, post modern, surrealism, collaboration, paris, folio

The machine was most recently used by donor's father c2008 to knit socks, but had been used for many years earlier. According to family history, it is believed that the machine came to Australia with donor's grandparents in the early 20th century, and was created c1890-1900. It is still in working order and a demonstration was given by the donor during the acquisition process.Griswold stocking knitter machine. Black steel manual machine which clamps on to the edge of a table and is operated by turning a handle. Centre of machine is a cylinder which can be lined with pins to create the sock/stocking. Two detached parts of the machine include a bobbin holder and yarn feeder. Accompanying items include: 3 examples of incomplete attempted socks made by donor. 4 envelops containing instructions, pattersn, notes and advice on using the machine, created by donor's father and grandfather. 1 bobbin with grey yarn. 2 metal machinery pieces. 2 tins containing pins for the machine. 1 metal yarn feeder cone. 10 weights plus two weight stands. Stocking knitter machine has an identifier plate with patent numbers on the side.

Cream painted stand with a moving sprung table top attached. On top of the table sits a woven cane basket with a wooden base. The top edge of the basket is is plaited cane and painted gold. The other cane is painted white. It is lined with a piece of white towelling on which the baby would lie. Attached on the side of the base is a notched metal bar which has a sliding metal weight so the bar will balance. It is marked with 2, 4, 6, 8 etc up to 30 lb and a smaller upper bar measures ounces. There is a framed pamphlet hanging above the scales with instructions for using the scales.Ounce measures 0, 4, 8, 12, 1 (pound) Made in Germany 24767. Triangle shape with the word Seca inside

The cosy was part of a collection of hand made items made by Anne BarryThe cosy was an important item used in entertainment e.g. afternoon tea parties, and everyday serving tea at meals etc. The cosy was used when loose tea was made in teapotsSquare tea cosy made with blue and white cotton material and trimmed with navy blue bow. The blue and white material is smocked and has red, white, yellow and black squares embroidered on it. The cosy is lined with the same navy cotton as the bow on top.manchester, table linen, handcrafts, needlework

Coaster showing 'Pannam's Store 1900' is historically incorrect as Pannam did not come to Vermont until c1934. It appears that it was known as 'Vermont Store' in 1900.Boxed set of six square coasters with rounded edges. Gilded alloy surface etched with black line graphics featuring scenes of early of the former municipality of Nunawading. Each coaster is backed with blue foam/felt. Rectangular presentation box with maroon colour lid - label inside.On each coaster-:|Pannam's Store, Vermont 1900|First Nunawading Council Chambers 1925|Backhouse's Dairy 1920|Nunawading Coat of Arms 1872|Blackburn Railway Crossing 1882|Schwerkolt Cottage Pump 1864|On label is typed 'Collector's Item. This is one of only 100 sets of coasters showing early Nunawading, designed by Jean Abbott, for Nunawading Arts Council to celebrate Victoria's 150 anniversary'|Written in ink '75'. Signature in ink 'jean Abbott'.civic mementoes, souvenirs, domestic items, table setting

From the estate of the late Jean Ord, mother of the donor.A large square table mat with scalloped machined edging. Decorated with large blue satin stitch roses in diagonal corners with green outline leaves. In the other corners are blue chain stitch daises with yellow centres and green chain stitch leaves all lined with blue stem stitch.manchester, table linen, handcrafts, embroidery