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City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing, Lady's black sateen 1/2 Petticoats x 2, c1910
The women of the early settler families in Moorabbin Shire were skilled dressmakers, craftworkers and made the clothing for their families These satin full length half petticoats were worn under evening dressesThe family of Nance Blackburn were early settlers in Moorabbin Shire c19002 x Lady's Black sateen 1/2 Petticoats, with Drawstring waist and deep Frill around hem blackburn nance, early settlers, moorabbin, cheltenham, bentleigh clothing, dressmaking, moorabbin shire -
National Vietnam Veterans Museum (NVVM)
Uniform, Flying suit
Olive green, cotton drill suit. Velcro at waist, chest pocket zips. Various pockets on legs and sleeves.Bruce C. starkey 1736666flying suit, dustoff -
National Vietnam Veterans Museum (NVVM)
Photograph, Someone Had To Go First - Vietnam 1971
Photograph of a soldier with backpack and rifle walking through waist deep mud. A second soldier watches on from an APCMy Collection. copyright Leon Pavichphotograph, mud, armoured personnel carrier -
Tatura Irrigation & Wartime Camps Museum
Clothing - Evening Skirt, 1940's
Used in internment Camp 3. Made to be worn on "special occasions"Black taffeta flared evening skirt, zippered opening, waist band finished with 3 hooks and 2 eyes.evening skirt, camp 3 internees, internment camp handcrafts, hoefer family -
Tatura Irrigation & Wartime Camps Museum
Costume - Puppets Dress, 1940's
Part of a collection of dresses for puppets from Beinssen family.Cream floral dress, red sash at waist. Cardboard hands at ends of sleeves. Drawstring at neck. Cotton & satin.camp 3, puppets, beinssen, ww2, puppetry, dr silke hesse, ekke beinssen, ww2 camp puppet theatre -
Numurkah & District Historical Society
Postcard - Photo of man with medals
Black & White photo of a middle-aged man from waist up, medals on show (R G Gordon?) -
Tatura Irrigation & Wartime Camps Museum
Clothing - Bloomers, 1940's
Used by Internees at Camp 3Machine made white calico bloomers, elastic in waist band. Finished with small button and loop at end of elasticbloomers, gisela hoffmann, ladies underware -
Tatura Irrigation & Wartime Camps Museum
Photograph, Major Scholfield, 2001
Seated subject from waist up, in Army uniform, wearing hat, holding a stick. In dark sepia tonesscholfield thomas hallett, major, army records, photograph, people -
Uniting Church Archives - Synod of Victoria
photograph, c.1929
Rev. James Henry Cain (1866 - 1940). Born Douglas, Isle of Man. Ordained 1885. Appointed to the Central Methodist Mission 1908. Superintendent of the Central Methodist Mission 1928 - 1933. President of Conference 1928 - 29. Directed the Pleasant Sunday Afternoon services for 25 years. Became supernumerary in 1933. Died 30 March 1940.B & W waist length studio portrait of Rev. James Henry Cain O.B.E., mounted on grey card."Rev J.H. Cain President of Conference 1928 - 29"rev. james henry cain, methodist, minister, central methodist mission, president of conference, pleasant sunday afternoon -
Uniting Church Archives - Synod of Victoria
Photograph, Undated c.1970
Rev. Peter Mackie was born in Edinburgh, Scotland on 13 August 1929. He was educated in Scotland. After spending 2 years in compulsory military service he entered Edinburgh University, graduating Master of Arts. His theological education was at New College, Edinburgh. After qualifying, he spent two years in Leith as assistant to the Rev. David Easton. In 1957 he married Elizabeth Dowling, an Australian. In 1961 Peter Mackie with his wife and 2 children came to Australia. In 1962 he was inducted into the Charge of Bamawm-Lockington, near Echuca. In 1965 he was called to Kew. Demitted in 1972 on the grounds of ill-health.B & W waist length photograph of the Rev. Peter Mackie M.A. taken outdoors and mounted on cream card.peter mackie, edinburgh, scotland, presbyterian, minister, new college, kew -
Uniting Church Archives - Synod of Victoria
Photograph, Undated c.1938
Born on 4 July 1918, the son of Queen Sālote Tupou III and her consort Prince Viliami Tungī Mailefihi. He was educated at Newington College and studied Law at Sydney University while resident at Wesley College in Sydney, Australia. He was appointed Minister of Education by Queen Sālote in 1943, Minister of Health in 1944, and in 1949, Premier. He remained a lay preacher of the Free Wesleyan Church until his death, and in some circumstances, was empowered to appoint an acting church president. He was King of Tonga from the death of his mother in 1965 until his death in Auckland on 10 September 2006.Hand tinted waist length studio photograph of H.R.H. George Taufa'ahau Tupou IV, mounted on cream card.george taufa'ahau tupou iv, king of tonga, preacher, free wesleyan church of tonga. -
Uniting Church Archives - Synod of Victoria
Photograph, c. 1970s
B 1936 Glasgow arr in Australia 1950 Ordained 1963 First appointment Corryong 1963-1967; then went to New Town Tas 1967-1970; East Kew 1970-1976; Stated Clerk Presbyterian Assembly Of Victoria 1976-1977;Assoc Sec Synod of Victoria 1977-1980; Evangelism Officer Div Field services Synod of Vic 1981-02/87; Interim Exec Sec Field services 03/87-01/89; Presbytery Officer Western Port Presbytery 02/89- 06/95, Executive Secretary VCC 07/95B & W waist length photograph of Rev. Hamish Christie-Johnston seated at a desk, holding an open book. christie-johnston, hamish; synod of victoria; western port presbytery; presbyterian minister; uniting church minister; east kew presbyterian/uniting church; stated clerk presbyterian assembly victoria -
Uniting Church Archives - Synod of Victoria
Photograph, Undated c.1892
Reverend John Gray Sterling was a Presbyterian minister who was born in Belfast Northern Ireland in 1858 and was ordained in Rockhampton in 1881. He served at Bundaberg, Maryborough Victoria and Flemington. He died in 1924.B & W waist length seated studio portrait of the Rev. John Gray Sterling. Cabinet card format -
Stawell Historical Society Inc
Textile - Costume and Accessories
Kilt (Skirt) Deeply pleated reaching from the waist to the knees. Manufactured by North Western Woollen Mills Stawell.stawell clothing material -
Whitehorse Historical Society Inc.
Clothing - Blouse
From the collection of Bette JonesV neck sleeveless blouse with a lace panel front. Nylon back fastened with hook and eye. Elastic waist.costume, female -
Whitehorse Historical Society Inc.
Clothing - Bust bodice
White lawn bust bodice with Torchon lace at V neck line and sleeves. Drawstring waist. Buttoned frontcostume, female underwear -
Whitehorse Historical Society Inc.
Clothing - Cummerbund - Pink, 1957
Worn at the wedding of Dorothy Williams in 1957Pink polyester cummerbund with 'strings' at each end for tying around the waist. Worn by bridesmaid at the wedding of Dorothy Williams.costume accessories, female -
Whitehorse Historical Society Inc.
Clothing - Camisole
Cream silk camisole. Cream embroidered flower. Cream crochet on neck and sleeveless edge. Lace edging at waistcostume, female underwear -
Whitehorse Historical Society Inc.
Clothing - Nightdress
Long white cotton Nightdress with wide cotton lace at square neckline and edge of sleeves. Pin tucking at waist.costume, female nightwear -
Whitehorse Historical Society Inc.
Photograph, Cecil Rhodes, 1950
se NP4174Black and white photo of Cecil Rhodes picking fruit near a barn. A bucket is hanging from his waist.rhodes cecil, orchardists -
Bendigo Historical Society Inc.
Photograph - GOLDEN SQUARE LAUREL STREET P.S. COLLECTION: PHOTOGRAPH OF KATIE ALLEN 2002
Faded, coloured waist length photograph of Katie Allen V.P.S.S.A. Championship Representative 2002 - Discus and Shot put.education, primary, golden square laurel st p.s., golden square laurel street p.s. collection - photograph - katie allen 2002 -
Bendigo Historical Society Inc.
Photograph - GOLDEN SQUARE LAUREL STREET P.S. COLLECTION: PHOTOGRAPH - EMILY ZERELLA 2002
Faded colour photograph of Emily Zerella. V.P.S.S.A. Championship representative 2002-Triple Jump. Waist length photo.education, primary, golden square laurel st p.s., golden square laurel street p.s. collection - photograph - emily zerella 2002 -
Kew Historical Society Inc
Clothing - Undergarment, Cream Silk Petticoat
Cream coloured silk petticoat with spoke stitching at the neck. The petticoat has a dropped waist and features lace at the hem.women's clothing, underwear, petticoats -
Kew Historical Society Inc
Clothing, Silk Velvet & Lace Bodice, 1880s
Netta Fuller and her husband Alec were long-term residents of Kew. As a boy, Alec had attended East Kew Primary School and was later highly involved in the Kew Presbyterian Church during the 1950s and 60s. Netta's passion was for historic clothing and its exhibition. In 1985, Netta Fuller and Elizabeth Pace launched a parade of garments sponsored by Kew Historical Society at Holy Trinity Church, Kew. The parade was called 'Downunder Dressmakers' and included a collection of over fifty items of clothing dating from 1800 to 1984. The collection included dresses, hats, scarfs, capes, sporting costumes etc. The core of the parade consisted of a collection of 19th century costumes worn by the ancestors of a Miss Gertrude Murray, a resident of Blackburn. In sourcing items for her collections, Netta Fuller collected costumes stored in old trunks and wardrobes, or even purchased from opportunity shops. (During the period in which she collected and exhibited costumes, the latter could often be a reliable source for the purchase of historic and aesthetically significant costumes.) Not satisfied with purchasing authentic costumes of the period, Netta also used these as models for artistic recreations. Following her retirement from both collecting and exhibiting, Netta Fuller donated a number of 19th Century garments to the Kew Historical Society's costume collection. A number of garments were parts of costumes such as bodices, while others were complete outfits. Some of the latter exhibit signs of old damage, however very few of the costumes had been modified to enable them to be worn in exhibitions. Provenance, apart from that the costumes were donated by Netta Fuller after 1985 is limited to donor information, although some of her donations may have originally been part of the collection owned by the Murray family. While the costumes are old and therefore historic, provenance is less important than the representativeness and/or rarity of the costumes. Similarly, the costumes need to be evaluated as a group and separately, considering their aesthetic and artistic significance as well a their age.Black silk velvet, long-sleeved, waisted padded winter bodice with black lace and beading at cuffs and at basque. women's clothing, bodices, fashion - melbourne - 1880s, netta fuller -
Brighton Historical Society
Dress, Wedding dress, 1966
This dress was worn by Brighton model Coral Triplett when she married John Knowles at St John's Church, Toorak, on 18 June 1966. Made from beaded wool lace, it was commissioned by the Australian Wool Board for the Gown of the Year competition and made by Jinoel, a high-end Melbourne fashion house run by husband and wife team Jill and Noel Kemmelfield.White French wool lace wedding gown with low neckline and high empire waist. Bodice embroidered with beads.wedding dress, 1960s, coral triplett, coral knowles, john knowles, jinoel, australian wool board, gown of the year, wool lace -
Ballarat Apron Festival
Art Apron, The Yarning Circle by Marlene Gilson, 2019
Created for Ballarat Apron Festival to present Ballarat's Aboriginal history, to be displayed along side the Festival's Ballarat Apron. Oil painting on handmade treated canvas apron. Two large thick cotton ties at waist and loop for neck. marlene gilson, ballarat, wadawurrung, aboriginal -
Wodonga & District Historical Society Inc
Clothing - Hamilton-Smith Collection Edwardian Dip-Waist Belt c. late 1800s - early 1900s
The Hamilton-Smith collection was donated by the children of Grace Mary Hamilton-Smith nee Ellwood (1911-2004) and John Hamilton-Smith (1909-1984) who settled in Wodonga in the 1940s. The Ellwood family had lived in north-east Victoria since the late 1800s. Grace’s mother, Rosina Ellwood nee Smale, was the first teacher at Baranduda in 1888, and a foundation member of the C.W.A. Rosina and her husband Mark retired to Wodonga in 1934. Grace and John married at St. David’s Church, Albury in 1941. John was a grazier, and actively involved in Agricultural Societies. The collection contains significant items which reflect the local history of Wodonga, including handmade needlework, books, photographs, a wedding dress, maps, and material relating to the world wars. This item is unique, handmade and has a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of social and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history, social history and women’s history. A cream coloured, hand stitched cotton dip-waist belt from the Edwardian era, with metal fastening clasps. hamilton-smith, hamilton-smith collection, ellwood, wodonga, clothing, handmade, edwardian, historical clothing, belt, dip-waist belt -
Hume City Civic Collection
Skirt, batik, 1970s
Belonged to Rosa McCall (nee Vlass)Skirt in batik-printed cotton. Unbleached ground and two shades of brown (tan and rust) form floral and "butterfly" design. Skirt is bias cut in segment of large circle, with no seams or gathering. It crosses in front and fastens with two long ties.Printed inside waist: "Genuine wax batik 100% cotton". Tag sewn to waistband: "Genuine batik made in Indonesia 100% cotton".costume, george evans collection -
Bendigo Historical Society Inc.
Clothing - GIRL'S WHITE LONG SLEEVED WAISTED LINEN JACKET
Clothing. Girl's white long sleeved waisted linen jacket. Front opening jacket with 4 cm band from shoulder to waist forming V shaped neckline. Bodice of jacket has 8 cm vertical lace inserts next to the edge of the bands, continuing over the shoulders and down the back of the bodice to the waist. A 16 cm lace insert runs at right angles to the bodice inserts along the top of the kimono cut long sleeves. The sleeves have an 8.5 cm turned back fabric cuff. From the waistline is an ungathered skirt widening slightly at the hem. The front opening is fastened at the waist with one metal hook and cotton loop.Stitched in red cotton inside back of neck 2/4.costume, children's, girl's white waisted linen jacket -
Flagstaff Hill Maritime Museum and Village
Clothing - Combination Undergarment, late 19th or early 20th century
This item of underclothing, called a "combination" is one of several linen and clothing items belonging to the deceased estate of Susan Henry OAM (nee Vedmore 1944 - 2021) that was donated to Flagstaff Hill Maritime Museum and Village. Susan's family (Harold and Gladys Vedmore) immigrated to Australia from Wales in 1955 and settled in Warrnambool. Susan was well known in the Warrnambool community for her work supporting children and families across the district - particular those with disabilities, or those who were homeless, unemployed or isolated. Susan was the founding trustee of the "Vedmore Foundation" - a Warrnambool philanthropic trust set up in 2010 to support a range of charitable and not-for-profit causes by providing grant assistance. In 2021, she was awarded a Medal of the Order of Australia for services to the community. Combination undergarments combined the chemise and drawers into one garment. The combination is divided, or bifurcated, from the waist to the crotch for easier urinating. This one-piece type of underwear was worn by females from the 1860s and into the early 1900s. The 19th Century garments had front button closures like this one, and those made in the 1900s more often had back closures. Combination underwear was popular because the all-in-one design had far fewer gathers and bulk, making the other clothing look much smoother. Their primary use was to protect clothing from perspiration and because they were made with cotton or linen, were easy to wash. This particular item is made with lawn (a very lightweight fabric) and is sleeveless, making it suitable for hot weather. Although they were worn under the corset next to the skin (and therefore not meant to be seen), they were often decorated with lace or embroidery. This item is an example of the needlework skills of women in the late 19th century - using machine stitching and lace to personalise and embellish a practical item of clothing. It is also significant as an example of a practical solution to the difficulties that women of this era faced with regard to the washing of clothes and household linens.Lady’s white lawn and lace all-In-one combination undergarment. The handmade underwear is a combined chemise and bloomers. It has four buttons in the front and is trimmed with lace on the neckline, armholes, bodice (in a diagonal design) and legs. The left and right sides are divided from the waist to the crutch. The back of the garment is plain with a gathered section at the lower back.flagstaff hill maritime museum and village, great ocean road, combinations, lady's combinations, undergarment, lingerie, handsewn, underwear, clothing, victorian era undergarments, lady's garment, susan henry oam, vedmore foundation