Set of two pamphlets involved the concept of the Tram 109 project, Dec. 2001. .1 - DL full colour three fold pamphlet, advertising Tram 109, new C class low floor trams and Superstops in Collins St. Also notes Metcards, how they can be validated, ticketing information and fares, location of retail outlets along the route. Has Metcard, Yarra Trams and Tram 109 logos. .2 - ditto advertising a competition to win a weekend package at Westin or Le Meridien at Rialton - buy a Metcard, fill in the entry form at the store. Has photos of the C class trams, driver console, hotels etc. Was originally contained within a plastic wrapper. Not retained with collected.trams, tramways, yarra trams, route 109, mont albert, c class, metcard, superstops

The 2024 Kosdown calendar celebrates Port Melbourne and pays tribute to Pat GRAINGER and her contribution to the community and the Port Melbourne Historical & Preservation Society. Historic photographs include Swallow & Ariell's factory, motor racing at Fishermans Bend, and Mitchell's London Family Hotel.Spiral bound 2024 calendar on a stiff white cardboard stand. The cover has a photo of William STUART on his milk float and horse 'Goatie'..business & traders - dairies, kosdown press, pat grainger, business and traders - hotels, business & traders - manufacturing, mitchell's london family hotel, sport - motor racing, william raeburn stuart, goatie, swallow & ariell ltd, london family hotel

Memorial service for deceased Australian nurses from WWII. Held at the Nurses Memorial Centre, St Kilda Road, MelbourneNewspaper clipping with one large photograph, single column of text and a second small photograph at the bottom of the column of text. Clipping includes the date the newpaper was published and the address of the newspaper.nurses memorial centre, memorial service

sport

fictionPictures painted depicting scenes from the 1st World War show casing various Artists e shepherd, k dubash, c bell, b stock, c van ee, d polman, z bellini

99 p.; 30 cmnon-fictionWar experiences of Sherbrooke Foothills' residents in World War Twoworld war 1939-1945, sherbrooke foothills (vic.)

non-fictionMarking the centenary of the armistice in Pakenham - Remembrance Day, Sunday 11 November 2018pakenham (vic.), world war 1914-1918

52 p. : ill., ports. ; 30 cm.non-fiction1890-1990 We On Earth Hath Union - A history of the Yannathan Union Churchyannathan (vic.), yannathan--history, yannathan union church (vic.)

non-fictionA book about the Officer Roll of Honourworld war 1914-1918, officer (vic.)

Illustrated book with brown and cream cover. Title, editors name, and an illustration of a gramophone are printed in brown on the front cover. Also on the front cover is a brown and white photo of a man and woman riding camels in front of the Sphinx: Olive " airing herself around the Pyramids in lieu of pay" accompanied by Dr John Kneebone. Title is also printed in brown on the spine. On the back cover are printed extracts from the book, along with two small photographs, one is of the front of an envelope, the other is a photograph of Olive Haynes in uniform 1915non-fictionA collection of letters and diary extracts written by Olive Haynes, between 1914 and 1918. This book gives an invaluable insight into the experiences of an Australian Army nurse whose service saw her minister to casualties from some of Australia's most significant campaigns during World War Oneolive l.c.hayes, world war 1914-1918 - medical care, world war 1914-1918-hospitals, australian army nurses, nurse

'For we are young and free' borrows from the second line of the Australian anthem. The phrase speaks to a national perception of a shared identity and politic. As a nation-state, we are relatively young, and politically we see ourselves as having all the freedoms and self-determination associated with a liberal democracy. The work is a manually embroidered depiction of an Australian soldier in Afghanistan. I have deliberately obscured his eyes and changed the colour of the uniform to keep his identity anonymous, and his portrayal symbolic. The work is not about the specific identity of any one soldier, but about what that soldier represents, and how those collective actions relate to the national identity. What does our liberty mean, when our surrogates are explicitly involved in illiberal, destructive actions in other places? What does it do to the agents, and what does it do to those we inflict our agents on? For many in Australia our military is a symbol of authority and security, but only being militarily engaged in invasive wars oversea, anyone who comes across our soldiers in action would only see them as an existential threat. army solider

“Although acknowledgements of country are very necessary, there is something so painful about hearing people in power acknowledge Aboriginal country whilst at the same time doing nothing to support Aboriginal people or land in meaningful ways. The amount of CEOS, politicians, and people in power who acknowledge country whilst actively benefitting from Aboriginal Land is sickening. Words can only do so much. What we really want is our land back.” – Mia Boe Artist Bio Mia Boe is a painter from Brisbane with Butchulla and Burmese ancestry. The inheritance and disinheritance of both cultures is the focus of her practice. Boe’s paintings respond, sometimes obliquely, to historical and contemporary acts of violence perpetrated on the people and lands of Burma and Australia. Boe received a Bachelor of Art, majoring in Art History from the University of Queensland in 2020. In 2021, she was a recipient of the Brett Whiteley Travelling Scholarship from the Art Gallery of New South Wales and in 2024 she was the Fiona Foley Residency recipient, where she undertook a residency on K’gari and Hervey Bay in Queensland. She was a Gertrude Contemporary Studio Artist between 2022 and 2024, and has undertaken further residencies in Mexico City and Sydney.

Allan Arnup was born in Bacchus Marsh in 1913. In 1929 he began work at the Bacchus Marsh Express newspaper as an apprentice printer. Over several decades he worked there as a printer, foreman and eventually as a manager. The Express newspaper, founded in 1866, was printed in Bacchus Marsh for over 100 years. The Express also provided a general printing service for the community in addition to printing copies of the Express newspaper. This unpublished manuscript was written around 1990 and looks back on Arnup's long career as a printer and manager with the Bacchus Marsh Express newspaper and printing business.Manuscript. Typescript. Spiral bound. 29 pages. Photocopy of an original typescript. BMDHS Location: AR/SU5/Magazine Box 1allan arnup 1913-1997, bacchus marsh express newspaper, printers, printing industry, bacchus marsh express printing business, newspapers bacchus marsh, crisp family bacchus marsh

Lest We Forget is a contemporary and crisp treatment, marking the sacrifices of Australian forces involved in the conflicts of South East Asia, including the Korean War 1950-53, the Malayan Emergency 1950-60, the Borneo Uprising 1962-64 and the Vietnam War 1962-72. A plaque was added in 2006 by the Victorian Vietnam Veterans Community in commemoration of the 40th anniversary of the Battle of Long Tan. The memorial is of historic significance to the people of BallaratLest We Forget is a contemporary and crisp treatment, marking the sacrifices of Australian forces involved in the conflicts of South East Asia, including the Korean War 1950-53, the Malayan Emergency 1950-60, the Borneo Uprising 1962-64 and the Vietnam War 1962-72. A plaque was added in 2006 by the Victorian Vietnam Veterans Community in commemoration of the 40th anniversary of the Battle of Long Tan. Lest We Forget/ Korea/ Malaya/ Borneo/ Vietnamkorean war, malayan emergency, borneo uprising, vietnam war, battle of long tan, war history, ballarat

Wes Walters studied at the Ballarat Technical Art School. Portrait of Wes Walters in his home.wes walters, ballarat technical art school, alumni

Wes WALTERS (06 August 1928 - 19 August 2014) Born Mildura, Victoria From 1940 t0 1945 Wes Walters attended the Ballarat High School. He then studied architecture at the Gordon Institute in Geelong, followed by art at the Ballarat School of Mines (a division of the Ballarat School of Mines). During his time at the Ballarat Technical Art School (later Federation University Australia) Walters studied under Neville Bunning and Taylor Kelloch, and was awarded the Ballarat Ladies Art Association Scholarship in 1948. He next moved to Melbourne to work as a commercial artist with the George Patterson advertising agency. Each evening Walters studied life drawing at the Victoria Artists’ Society and taught himself anatomy. Wes Walters excelled in both abstract and realist art. He won the Art Gallery of Ballarat’s Minnie Crouch Prize for watercolour art in 1953 and 1956. He won the prestigious Archibald Prize in 1879 for his portrait of Phillip Adams. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Limited edition print by Wes Walters.Signed lower right "Walters"wes walters, walters, printmaking, etching, nude, alumni

Wes WALTERS (06 August 1928 - 19 August 2014) Born Mildura, Victoria From 1940 t0 1945 Wes Walters attended the Ballarat High School. He then studied architecture at the Gordon Institute in Geelong, followed by art at the Ballarat School of Mines (a division of the Ballarat School of Mines). During his time at the Ballarat Technical Art School (later Federation University Australia) Walters studied under Neville Bunning and Taylor Kelloch, and was awarded the Ballarat Ladies Art Association Scholarship in 1948. He next moved to Melbourne to work as a commercial artist with the George Patterson advertising agency. Each evening Walters studied life drawing at the Victoria Artists’ Society and taught himself anatomy. Wes Walters excelled in both abstract and realist art. He won the Art Gallery of Ballarat’s Minnie Crouch Prize for watercolour art in 1953 and 1956. He won the prestigious Archibald Prize in 1879 for his portrait of Phillip Adams. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed abstract painting by Wes Waltersart, artwork, wes walters, walters, ballarat school of mines, ballarat technical art school, federation college, alumni

This is a match box holder that has been produced as a souvenir of Warrnambool. It was possibly made to commemorate the gazetting of Warrnambool as a city in 1918. The holder features the Warrnambool crest which was designed in the early 1850s by the first teacher of the Warrnambool National School, John MacDonald. He also suggested the motto, ‘By These We Flourish’. The crest has been modified over the ensuing years.This is an important souvenir of Warrnambool as it is a high quality one and features the crest of the City of Warrnambool as used early in the 20th century. This is a gold-coloured piece of metal with the ends folded or sheeted over to form a rectangle with a flat base and an open top to hold a packet of matches. The front of the holder has attached a metal image of the crest of the City of Warrnambool. The image is in gold, white and dark blue. The holder is a little bent and stained. ‘City of Warrnambool By These we Flourish’city of warrnambool, souvenir household items

Wes WALTERS (06 August 1928 - 19 August 2014) Born Mildura, Victoria From 1940 t0 1945 Wes Walters attended the Ballarat High School. He then studied architecture at the Gordon Institute in Geelong, followed by art at the Ballarat School of Mines (a division of the Ballarat School of Mines). During his time at the Ballarat Technical Art School (later Federation University Australia) Walters studied under Neville Bunning and Taylor Kelloch, and was awarded the Ballarat Ladies Art Association Scholarship in 1948. He next moved to Melbourne to work as a commercial artist with the George Patterson advertising agency. Each evening Walters studied life drawing at the Victoria Artists’ Society and taught himself anatomy. Wes Walters excelled in both abstract and realist art. He won the Art Gallery of Ballarat’s Minnie Crouch Prize for watercolour art in 1953 and 1956. He won the prestigious Archibald Prize in 1879 for his portrait of Phillip Adams. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed abstract pastel artwork by Wes Walters.wes walters, abstract, pastel, alumni, alumni

Wes WALTERS (06 August 1928 - 19 August 2014) Born Mildura, Victoria From 1940 t0 1945 Wes Walters attended the Ballarat High School. He then studied architecture at the Gordon Institute in Geelong, followed by art at the Ballarat School of Mines (a division of the Ballarat School of Mines). During his time at the Ballarat Technical Art School (later Federation University Australia) Walters studied under Neville Bunning and Taylor Kelloch, and was awarded the Ballarat Ladies Art Association Scholarship in 1948. He next moved to Melbourne to work as a commercial artist with the George Patterson advertising agency. Each evening Walters studied life drawing at the Victoria Artists’ Society and taught himself anatomy. Wes Walters excelled in both abstract and realist art. He won the Art Gallery of Ballarat’s Minnie Crouch Prize for watercolour art in 1953 and 1956. He won the prestigious Archibald Prize in 1879 for his portrait of Phillip Adams. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed etching by Wes Walters featuring a bulldog.wes walters, walters, printmaking, etching, dog, bulldog, animal

Warrnambool, established in 1847, became a Municipality in 1856, a Borough in 1863, a Town in 1883 and a City in 1918. This bottle opener has most probably been produced by the City of Warrnambool for promotional purposes and may have been given as gifts to notable visitors. The logo used is a version of the original ‘By These We Flourish’ seal which was first adopted by the Council in 1856. On the top portion is the Royal Coat of Arms. On the lower section is a sailing ship and a sheaf of wheat. The seal was designed by John Macdonald, a local schoolteacher and auctioneer. This bottle opener is of some interest as a promotional item produced for the Warrnambool City Council. It may be useful for display. This is a bottle opener made of electro-plated nickel silver. It has a badge with blue, white and gold enamelling with the old logo of the City of Warrnambool. The ring is broken – cut through at one end. ‘E.P.N.S.’ ‘City of Warrnambool’ ‘By These We Flourish’ city of warrnambool, bottle opener, souvenir household items, warrnambool souvenirs

Wes WALTERS (06 August 1928 - 19 August 2014) Born Mildura, Victoria From 1940 t0 1945 Wes Walters attended the Ballarat High School. He then studied architecture at the Gordon Institute in Geelong, followed by art at the Ballarat School of Mines (a division of the Ballarat School of Mines). During his time at the Ballarat Technical Art School (later Federation University Australia) Walters studied under Neville Bunning and Taylor Kelloch, and was awarded the Ballarat Ladies Art Association Scholarship in 1948. He next moved to Melbourne to work as a commercial artist with the George Patterson advertising agency. Each evening Walters studied life drawing at the Victoria Artists’ Society and taught himself anatomy. Wes Walters excelled in both abstract and realist art. He won the Art Gallery of Ballarat’s Minnie Crouch Prize for watercolour art in 1953 and 1956. He won the prestigious Archibald Prize in 1879 for his portrait of Phillip Adams. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.This artwork was painted by Wes Walters in 1958. Gift of Dr David Alexander, 2014art, artwork, walters, wes walters, fishing, available, sport

Wes WALTERS (06 August 1928 - 19 August 2014) Born Mildura, Victoria From 1940 t0 1945 Wes Walters attended the Ballarat High School. He then studied architecture at the Gordon Institute in Geelong, followed by art at the Ballarat School of Mines (a division of the Ballarat School of Mines). During his time at the Ballarat Technical Art School (later Federation University Australia) Walters studied under Neville Bunning and Taylor Kelloch, and was awarded the Ballarat Ladies Art Association Scholarship in 1948. He next moved to Melbourne to work as a commercial artist with the George Patterson advertising agency. Each evening Walters studied life drawing at the Victoria Artists’ Society and taught himself anatomy. Wes Walters excelled in both abstract and realist art. He won the Art Gallery of Ballarat’s Minnie Crouch Prize for watercolour art in 1953 and 1956. He won the prestigious Archibald Prize in 1879 for his portrait of Phillip Adams. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed etching showing the back view of a nude.11/60 Nude/Back Signed 'Wes Walters 81'wes walters, printmaking, available, nude, lifedrawing, available

8719.1 - Cast iron stamp holder (painted black) 8719.2 - Date stamp. 8719.3 - "NOT NEGOTIABLE" stamp. 8719.4 - "Thanks we appreciate your business" stamp. 8719.5 - "Help us help you" "Order Friday for Saturday delivery" stamp. 8719.6 - " Meeniyan District Ambulance" stamp. 8719.7 - " What would you expect us to do if we owed you this account" stamp. 8719.8 - Stamp handle.8719.2 - 23 NOV 1939 8719.3 - NOT NEGOTIABLE 8719.4 - Thanks we appreciate your business 8719.5 - Help us help you - Order Friday for Saturday delivery 8719.6 - Meeniyan District Ambulance 8719.7 - What would you expect us to do if we owed you this account