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Hume City Civic Collection
Photograph, Late 1980's
The wooden shingle roof is part of the roof of Waylett's Cottage at Greenvale in Somerton Road.A coloured photograph of the wooden ceiling and stone walls of part of a building.shingle roofs, mud brick cottages, waylett, james, farm buildings, george evans collection -
Tramways/East Melbourne RSL Sub Branch - RSL Victoria Listing id: 27511
Ceremonial Belt, Stable Belt
The belt was owned and used by Pte Sean Farrow, and is created in regimental colours. Was worn over the dark green woollen jersey. Ceremonial Belt mounted on wooden plaque. Belt buckle is made of brass and is inscribed with "The Royal Australian Regiment" in the centre. The physical belt is coloured red and blue and made of a woven material. The brass plaque mounted on the wooden background reads 'Presented by 3206686 Pte Sean Farrow D COY 6RAR - 1990/91'belt, ceremonial belt, royal australian regiment, 6rar -
The Beechworth Burke Museum
Animal specimen - Wombat, Trustees of the Australian Museum, 1860-1880
Wombats are short-legged, muscular, nocturnal marsupials that live in a wide variety of habitats throughout Australia. A common wombat can grow up to 1.2 metres in length and weigh up to 35 kilograms. The name “wombat” comes from the Darug language spoken by the Aboriginal Darug people, who originally inhabited the Sydney area. The wombat was first recorded in 1798 by explorer John Price on a visit to Bargo in New South Wales, however, wombats are depicted on Aboriginal rock-art that date back as far as 4,000 years ago. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum and the National Museum of Victoria, as well as individuals such amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. Medium sized stocky wombat with a broad head and two muscular forelegs and two weaker hind legs that are met with long sharp black claws. The hair is long, thick and coarse in brown/yellow shades. The head features two small black eyes that have been made from glass, two short pointed ears and a bare nose pad. On wooden mount: BMM 5901 /taxidermy mount, taxidermy, wombat, animalia, vombatidae, burke museum, beechworth, australian museum, skin, reynell eveleigh johns -
Greensborough Historical Society
Butter Pats, Unknown, Pair of butter pats, 1920-1930
These wooden butter pats were used to shape butter into bricks; making butter ready for sale and use. The excess moisture would be squeezed out of the butter; which was then transferred to a wooden board. The butter maker would hold one of these pats in each hand and work the butter into shape. These wooden pats are thin; light and easy to hold. The inside face is serrated to grip the butter and squeeze out any further water. It was also used to make patterns on the finished butter. An original pair of butter pats. Given to a Greensborough local in 1975, but used by the previous owner and her mother.Wooden butter pats with handle. One side is ribbed, the other smooth.butter pats, butter making, nancy fowkes -
Broadmeadows Historical Society & Museum
Tool - Butter Pats
These wooden butter pats were used to shape butter into bricks; making butter ready for sale and use. The excess moisture would be squeezed out of the butter; which was then transferred to a wooden board. The butter maker would hold one of these pats in each hand and work the butter into shape. These wooden pats are thin; light and easy to hold. The inside face is serrated to grip the butter and squeeze out any further water. It was also used to make patterns on the finished butter.Wooden butter pats with handle. One side is rubbed, the other smoothbutter pats, butter making -
Stawell Historical Society Inc
Photograph, Brewery Building of the Stawell Brewery originally owned by Thomas Powell and later Bryant and Co in Stawell West near the Botanical Reserve
Wooden Brewery Building Stawell Brewery originally owned by Thomas Powell and later Bryant and Co. Located Stawell West near the Botanical Reserve. Closed about 1918.Two Story wooden Building with additions to left. Another wooden building partialy shown to right in front of main buildingStawell Breweerystawell, stawell brewery -
Whitehorse Historical Society Inc.
Functional object - Wooden darning tool
Wooden mushroom used for darning may be gloves from Patrice Jennings' grandmother's collection.Small wooden mushroom used for darning small items such as gloves.darning, wood, jennings patrice, elsie doris whitten -
Marysville & District Historical Society
Photograph (Item) - Colour tinted photograph, 1878-1904
A copy of an early colour tinted photograph of a wooden bridge in Marysville in Victoria.A copy of an early colour tinted photograph of a wooden bridge in Marysville in Victoria. This photograph was taken by Nicholas John Caire between 1878 and 1904. Nicholas John Caire was born in 1837 in Guernsey. He arrived in Adelaide about 1860 along with his parents who encouraged his early interest in photography. He opened a studio in Adelaide in 1867 after traveling extensively throughout the Gippsland taking photographs. After marrying in 1870 he moved to Talbot in Victoria until 1876 when he opened a studio in the Royal Arcade in Melbourne. After 1885 Nicholas John Caire gave up his city work and made his home in South Yarra and devoted the rest of his life to outdoor photography, specializing in the bush, the gullies, and the mountains of south-eastern Victoria. nicholas john caire, marysville, victoria -
Marysville & District Historical Society
Photograph (Item) - Black and white photograph, c1900s
A copy of an early black and white photograph of a wooden bridge in Marysville in Victoria.A copy of an early black and white photograph of a wooden bridge in Marysville in Victoria.marysville, victoria, photograph -
Marysville & District Historical Society
Photograph (Item) - Black and white photograph, Reverend George Cox, 1920-1930
A copy of an early black and white photograph of a wooden bridge in Marysville in Victoria.A copy of an early black and white photograph of a wooden bridge in Marysville in Victoria.marysville, victoria, photograph -
Marysville & District Historical Society
Photograph (Item) - Black and white photograph, Reverend George Cox, 1920-1930
A copy of an early black and white photograph of a wooden bridge in Marysville in Victoria.A copy of an early black and white photograph of a wooden bridge in Marysville in Victoria.marysville, victoria, photograph -
Marysville & District Historical Society
Photograph (Item) - Colour tinted photograph, 1878-1904
A copy of an early colour tinted photograph of a wooden bridge in Marysville in Victoria.A copy of an early colour tinted photograph of a wooden bridge in Marysville in Victoria. This photograph was taken by Nicholas John Caire between 1878 and 1904. Nicholas John Caire was born in 1837 in Guernsey. He arrived in Adelaide about 1860 along with his parents who encouraged his early interest in photography. He opened a studio in Adelaide in 1867 after traveling extensively throughout the Gippsland taking photographs. After marrying in 1870 he moved to Talbot in Victoria until 1876 when he opened a studio in the Royal Arcade in Melbourne. After 1885 Nicholas John Caire gave up his city work and made his home in South Yarra and devoted the rest of his life to outdoor photography, specializing in the bush, the gullies, and the mountains of south-eastern Victoria. nicholas john caire, marysville, victoria -
Vision Australia
Photograph - Image, Man using a Hoover cane to descend the stairs, 1968
An older man uses a Hoover (long) cane to descend a wooden stairway.B/W photograph of man using white cane on wooden stairway3/68049 Mobility - historicalroyal blind society of nsw, white cane day -
Flagstaff Hill Maritime Museum and Village
Tool - Wood Moulding Plane, Mid to late 19th century
A moulding plane is a specialised plane used for making complex shapes found in wooden mouldings that are used to decorate furniture or other wooden objects. Traditionally, moulding planes were blocks of wear-resistant hardwood, often beech or maple, which were worked to the shape of the intended moulding. The blade or iron was likewise formed to the intended moulding profile and secured in the body of the plane with a wooden wedge. A traditional cabinetmaker's shop might have many, perhaps hundreds, of moulding planes for the full range of work to be performed. Large crown mouldings required planes of six or more inches in width, which demanded great strength to push and often had additional peg handles on the sides, allowing the craftsman's apprentice or other workers to pull the plane ahead of the master who guided it. This item may be a one off item made by a cabinet maker for a particular project as the plane is not marked resulting in no history or manufacturing provenance available.A vintage tool made by an unknown maker, this item was made commercially and by individual cabinet makers for particular furniture projects that could produce an ornamental finish to timber. The tool was used before routers and spindle moulders came into regular use after World War l l, a time when to produce a decorative moulding for a piece of furniture, door trims, etc or other items had to be accomplished using hand tools and in particular one of these types of planes. These profiled planes came in various shapes and sizes to achieve a decorative finish. A significant early tool that today is quite rare and sought by collectors. It gives us a snapshot of how furniture and other decorative finishes were created on timber by the use of hand tools. Tools that were themselves hand made shows the craftsmanship used during this time not only to make a tool such as the subject item but also the craftsmanship needed to produce a decorative finish that was needed to be made for any timber item.Plane, wooden, narrow blade. Noneflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, wooden plane, wood working tool, boat building tool, tool, woodwork tool, plane -
Halls Gap & Grampians Historical Society
Photograph - Coloured, C 1996
The wooden items are made from Banksia Bauerii. During the 1960's to the 1990's, local women made wooden items and jewellery of pressed flowers for sale at the Wildflower Show.The photo shows a collection of wooden items displayed on a white stand. There is a brown cloth draped amongst the display.events, wildflower show -
Tatura Irrigation & Wartime Camps Museum
Wood shaver, 1940's
Made by internee at Camp 3, Tatura and used there as a carpentry hand tool for shaving wooden objects. Similarprinciple to a wood planeHandmade wooden shaver with metal piece/blade on undersideshaver - wood, haering m, camp 3, tatura, ww2 camp 3, trades, carpentry -
Vision Australia
Photograph - Image, Association for the Blind Centenary: Tom Dery, 1997
To celebrate the work undertaken by various members on the Centenary Appeal, the Association for the Blind presented wooden shields as mark of recognition and respect.Wooden shield with engraved gold and blue coloured plateAssociation for the Blind Centenary. Tom Dery. In appreciation of your support as Vice President of the successful $7.5M Centenary appeal 1994-1997.association for the blind, nameplates -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Domestic Object - Flower Press
2 x 205 cm wooden plates aligned together by threaded bolts in each corner, corners have been rounded, butterfly nuts on each bolt used to apply pressure between both platesWooden flower press, 2 wooden plates held together with bolt in each corner, used to press flowershandcrafts, equipment -
Vision Australia
Photograph - Image, Stokes, Annual Physical Education Award
Rectangular wooden column with wooden wings either side, set on a wooden base. At the top of the column is a golden wreath sitting on a golden bell, and inside the wreath two hands are clasped in silver. The front of the column has golden coloured plate with the winners inscribed: 1967 Brabham, 1968 Clarke, 1969 Brabham, 1970 Clarke, 1971 Clarke, 1972 Brabham. On the base, is another golden coloured plate with 'Annual Physical Education Award' inscribed.Wooden award with gold coloured plates and two hands clasped amongst laurels at toprvib burwood school, brabham, clarke, awards -
Vision Australia
Photograph - Image, Commemorative plaque: Kozlowski, 2002
Wooden shield with a metal plate attached. On the plate is inscribed "In appreciation of Mrs Hilda Kozlowski's gift towards the refurbishment of RVIB's Early Education Room 2002".1 wooden shield with engraved silver plateroyal victorian institute for the blind, awards -
Flagstaff Hill Maritime Museum and Village
Tool - Spokeshave, Prior to 1950
A spokeshave was made with a wooden body and metal cutting blade. With industrialization metal bodies displaced wood in mass-produced tools. Spokeshaves can be made from flat-bottom, concave, or convex soles, depending on the type of job to be performed. They can include one or more sharpened notches along which the wooden shaft is pulled in order to shave it down to the proper diameter. Historically, spokeshave blades were made of metal, and the body and handles were wood. Unlike a drawknife, but like a plane, spokeshaves typically have a sole plate that fixes the angle of the blade relative to the surface being worked. By the twentieth-century metal handles and detachable blades had become the most common. A convex, wooden, variant of the spokeshave is called a travisher; at one time mostly used in chairmaking.A tool of the cooper and other woodworking tradesmen that has been in use since the making of barrels and wooden buckets for hundreds of years without much change to the design or how the tool is used.Spokeshave, with two wooden handles on either side. Noneflagstaff hill, warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, coopers tools, spokeshave, barrel making, wood plane -
Flagstaff Hill Maritime Museum and Village
Tool - Spokeshave, Prior to 1950
A spokeshave was made with a wooden body and metal cutting blade. With industrialization metal bodies displaced wood in mass-produced tools. Spokeshaves can be made from flat-bottom, concave, or convex soles, depending on the type of job to be performed. They can include one or more sharpened notches along which the wooden shaft is pulled in order to shave it down to the proper diameter. Historically, spokeshave blades were made of metal, and the body and handles were wood. Unlike a drawknife, but like a plane, spokeshaves typically have a sole plate that fixes the angle of the blade relative to the surface being worked. By the twentieth-century metal handles and detachable blades had become the most common. A convex, wooden, variant of the spokeshave is called a travisher; at one time mostly used in chairmaking.A tool of the cooper and other woodworking tradesmen that has been in use since the making of barrels and wooden buckets for hundreds of years without much change to the design or how the tool is used.Spokeshave, with two wooden handles on either side. Noneflagstaff hill, warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, coopers tools, spokeshave, barrel making, wood plane, wagon making, joiners tools, carpenter tools -
Greensborough Historical Society
Pipe, Pipe with metal lid, 1970s
Carved wooden pipe with hinged silver lid, two-tone. Carving is of a horse.From a collection held in Greensborough.Carved wooden pipe with hinged silver lid, two-tone. Carving is of a horse.pipes, smoking pipes -
Flagstaff Hill Maritime Museum and Village
Domestic object - Spoon
Wooden spoons were common utensils in colonial days and are still used today. The spoon is an example of kitchen utensils made and used in colonial Australia.Spoon wooden blonde, rod handle, oval shape base with flat top flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, spoon, wooden spoon, kitchen utensil, cooking utensil -
Vision Australia
Photograph - Image, Association for the Blind Centenary: John O Wicking
To celebrate the work undertaken by various members on the Centenary Appeal, the Association for the Blind presented wooden shields as mark of recognition and respect.1 brown wooden shield with engraved gold and blue plate Association for the Blind Centenary. John Wicking. In appreciation of your outstanding contribution as Chairman of the Tilly Aston fund, part of the $7.5M Centennary appeal 1994-1997.association for the blind, john wicking -
Tatura Irrigation & Wartime Camps Museum
Accessory - Buttons, Internee in Camp 3, WW2
Set of 6 wooden buttons made in Camp 3 by German InterneesNut brown wooden buttons, large x 6, top is concave with 2 holesbuttons -
Port Fairy Historical Society Museum and Archives
Photograph
Door is signed by the town builders Thomas Southcombe & Alex Ingram1859 Named Wooden DoorsColoured photograph of a wooden door with penciled names of Thomas Southcombe and Alex IngramThe door is thought to be signed by the builders Thomas Southcombe and Alex Ingramcarpentry, house construction -
Halls Gap & Grampians Historical Society
Photograph - Coloured, C 1996
Wooden items are made from Banksia baueri. Local women made wooden items and jewellery of pressed flowers for sale (1960-1990s).Photo shows wooden items on a round display stand with a fringe tacked to bottom tier . Arranged flower vases cn be seen in background. events, wildflower show -
Flagstaff Hill Maritime Museum and Village
Drawing - Vessel Line Drawing, Ship Building Clipper Ship Schomberg, 1855-1876
This draft plan, a line etching, is of the wooden clipper ship "Schomberg" . It can be assumed from the heading "Ship Building." and the phrase "Built by Messrs. A Hall & Co. of Aberdeen" that the drawing is an example of plans for building a ship, and that the Schomberg ship has chosen to demonstrate this. The plan may have possibly been in a book, as it is made from two well-joined pieces of paper. The original plans would have been drawn up, discussed, reviewed and drawn in more detail before the building of the ship in Aberdeen, Scotland, in 1855. Information on the draft Is as follows: “Principal dimensions: Length between the perpendiculars: 262 feet 6 inches Length of keel 245 feet Breadth extreme: 45 feet Breadth of frame: 42 feet Depth of hold: 29 feet 9 inches Burthen in tons, Builders Old Measurement: 2600 Tons” The publisher firm A & C Black, was founded by Adam and Charles Black in Edinburgh in 1807. Over the years the company has published editions of Encyclopedia Britannica and Whose Who, and reference books, guides and technical books. The printer G Aikman (1788-1865) or his son G Aikman (1830-1905), were both named George. George senior was an early-19th century Scottish printer and publisher. After his death his son became the sole proprietor of the firm until he sold it in 1876. The draft plan uses the vessel Schomberg as its example ship building plan for demonstration purposes. It is significant for its association with the Victorian Heritage Registered shipwreck, the Schomberg. It is an example of a shipo building plan. The Schomberg collection is primarily significant because of the relationship between the objects, as together they have a high potential to interpret the story of the Schomberg. The Schomberg collection is archaeologically significant as the remains of an international passenger ship. The shipwreck collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the shipwreck and the ship, which was designed to be fastest and most luxurious of its day. The Schomberg collection meets the following criteria for assessment: Criterion A: Importance to the course, or pattern, of Victoria’s cultural history. Criterion B: Possession of uncommon, rare or endangered aspects of Victoria’s cultural history. Criterion C: Potential to yield information that will contribute to an understanding of Victoria’s cultural history.Plan; line engraving; draft of the wooden clipper ship 'Schomberg', built in 1855. The drawing on cream paper is made from two well- joined pages. The drawing gives the principal dimensions and labels for the Body Plan, Middle Section, Sheer Plan and Half Breadth Plan. Inscriptions are on the drawing and its rough cardboard storage folder. Publisher: A & C Black. Edinburgh. Printer: G. Aikman sc. EdinborughOn drawing: "SHIP BUILDING" "Draught of the Wooden CLIPPER SHIP SCHOMBERG", Buiilt by Messrs A Halt & Co. of Aberdeen" "Vol XX" "Plate III" "Principal Dimensions""BODY PLAN" "MIDDLE SECTION" "SHEER PLAN" "HALF BREDTH PLAN" "Published by A & C Black, Edinburgh" "G Aikman sc. Edinr" On storage folder: "Receipt Number 381A: "Line engraving draught of wooden ship "Schomberg" "warrnambool, flagstaff-hill-maritime-museum, shipwreck-coast, schomberg, schomberg plan, vessel schomberg, ship building, g. aikman ship plan draftsman, a.& c. black publisher aberdoon, a. hall & co. maker aberdeen, peterborough, clipper ship, captain forbes, black ball line, ship's plan, ship's drawing, line drawing, vessel plan, draft plan, line engraving, vol xx plate iii, a & c black, ship building example drawing, g aikman, 19th century -
Mission to Seafarers Victoria
Album - Photographic album, 1948
This item provides a picture of the route taken by the M/V Fenris.The album provides an insight into the ways of life in many different port cities of North and South America as well as Europe. Photograph album with wooden covers with 31 pages of photos, many loose. Depicts journey by Allan Quinn while aboard the M/V Fenris in 1948-1949. Inside front cover contains handwritten itinerary of the voyage. Cover is made of brown wood with inset wooden picture of sea and land. Back cover is plain.fenris, voyage, album, photographs, allan quinn, seamen, sailors, seafarers