Port of Portland Authority archives.Front: (no inscriptions) Back: Portland Harbor Trust Commissioners (purple stamp, top left & bottom right).port of portland archives

Port of Portland Authority archives.Front: (no inscriptions) Back: (no inscriptions)port of portland archives

Port of Portland Authority archives.Front: (no inscriptions) Back: (no inscriptions)port of portland archives

Port of Portland Authority archives.Front: (no inscriptions) Back: (no inscriptions)port of portland archives

Port of Portland Authority archives.Front: (no inscriptions) Back: Portland Harbor Trust Commissioners (purple stamp, top left & bottom right)port of portland

This promotional photograph by the Tobacco Growers Association was in response to a 1935 meeting of tobacco growers from Victoria, South Australia and Queensland which produced four major resolutions for the industry covering the remainder of the 1900s. These four resolutions were: (1) Adequate tariff protection (2) Control of pests and diseases (3) Orderly marketing (4) The formation of an advisory council of growers. History has produced the following results. (1) adequate tariff protection was never achieved,(2) control of disease through benzol vapour (CSIRO) breakthrough, was later identified as carcinogenic, (3) orderly marketing was achieved through (4) the establishment of the Tobacco Growers Association(19840. In October 2006, by way of Government buy back of tobacco leases from growers, resulted in the end of Tobacco farming in Australia (after 136 years of planting the first crop). It was also significant that the major tobacco companies such as Philip Morris and The British American Tobacco Australasia advised the industry that it would source its tobacco requirements overseas by 2009.This particular photograph shows prospective buyers (from the major processing firms of Philip Morris and British American Tobacco Australasia) inspecting the dried tobacco leaves at the Melbourne sales, before 2009, when they moved to overseas growers.The remnants of the Tobacco Industry can still be viewed throughout the Kiewa Valley and adjacent regions on the former tobacco farms, which still have the former tobacco drying sheds but now converted into hay sheds. The death of the tobacco industry(2006) resulted in the expansion of the dairy , sheep, beef cattle, venison and lama wool producers in the Kiewa Valley and surrounding regions. The problems from the large quantities of carcinogenic infused soil of farmlands in the region, still remains a problem now and for future generations. The tighter restrictions of where the final product can be smoked and the higher tax levied (no tariff protection) was the main contributor to this one time lucrative industry's demise.Coloured photograph pasted onto a thick wood chip backing. Two galvanised eyelets at the top of the frame, 50mm from each end, with a twine cord stretch from each, for hanging purposes. See also KVHS 0054A to KVHS 0054EA sign, which has been removed from the picture at some previous point in time is "Tobacco sale floor"tobacco, farming, rural industry, licences, ollie mould, blue mould, benzol vapour, photograph

In 1869, the Warrnambool Meat Preserving Company commenced their business on the site, where it operated until 1875 when it was sold to the directors of the Warrnambool Woolen Mill Company. After being destroyed by fire in 1882 it wasn’t until 1910 that the Warrnambool Chamber of Commerce was approached by Marcus Saltau and Peter McGennan to invest in a new mill. The original directors were James Dickson, P J McGennan, Robert Swinton, M Saltau, and J W Younger. In 1955 the Warrnambool Woollen Mill formed a partnership with the Wangaratta Woollen Mills. Dunlop bought the mill in 1968. From that time until its closure in 2000 it had a number of different owners, the last being the Smith Family Industries. This ledger relates to the operations of the mill in the period 1941-1943. It record items such as quantities and hours of wool being spun, combed, woven, carded. it also records the amount of waste from the processes and the quantities held in the warehouse of blankets, bales of wool, rugs. An item which has a strong connection to one of Warrnambool's longest running businesses and one of its largest. Thousands of local people over the years have been employed there and have an attachment to the woollen mill.It gives an insight into the daily runnings of the business.Black card covered exercise book which is divided into various sections. Pages are lined and it has approximately 150 pages.

Book. ALEC H CHISHOLM COLLECTION. 75 page brown cover hardback describing the wool industry in Australia from growing to the manufacturing process. Prepared by the staff of Goldsborough, Mort & Co. Ltd. A soft cover booklet enclosed in a hardcover. Set up and printed in 1946 by the Victorian Printing Works Pty. Ltd., Melbourne. Inside the front cover, handwritten in green biro ''This is a booklet I edited. The MS was sloppy and the title cumbersome, when it came to me. A. H. Chisholm.'' Pasted on the flyleaf is a typed letter from Goldsborough, Mort and Company to A. H. Chisholm thanking him for revising this publication and attaching a cheque for 50 pounds. Catalogue sticker ''2151 CHI'' on front cover.Goldsborough, Mort and Companybooks, collections, australiana, alec h chisholm collection, goldsborough, mort & company, wool industry

'Close Knit' was conceived based around providing the high density accommodation of the area with what many residents will never experience; the iconic ‘Aussie’ backyard, symbolised by washing on a Hills Hoist. This concept was transposed into several elements, including two large flying jumper sculptures. These stainless steel and fibreglass structures are supported on slanted poles, reminiscent of Hills Hoist arms. The jumpers appear to catch the breeze, and billow up, like washing on the clothesline on a sunny day, and cast lovely shadows across the paths and gardens. They are bright and joyful reminders of simple homespun joys. The handcraft theme is also featured in knitted concrete garden walls throughout the gardens. As if the wind is captured in the movement of the Hellenistic drapery, these panels echo the Lady of Justice, an earlier work of mine on the Victorian County Court. These feature walls bring a softness to the park and hark back to classic European garden design. There are 6 finial/balls of wool marking gateways and entrances to the park, as well as a couple randomly scattered throughout to be discovered. There is also a draped plinth at the Peel street entrance which has my signature. Again these elements echo traditional garden design and are a tactile and recognizable link to the hand knit themes of the park. Given the strong themes of domesticity and handcrafts, I have titled my work ‘Close Knit’, as it applies to the purpose of this public space as well as the works scattered throughout. Yarra City Council delivered Cambridge Street Reserve in partnership with the Victorian Government, who have supported the project with $1.3m funding. Yarra City Council has invested a further $731,130 towards the project. Urban Imitative Landscape Design worked with artist William Eicholtz at the beginning of the design process to consider the needs of a growing high-density population of the area. At double the size, with extensive park seating and a large lawn space which is shaded by native trees, Cambridge Street Reserve is now the largest park in Collingwood. 'Close Knit' by William EicholtzTwo knitted fibreglass 'jumpers' over stainless steel framework; six concrete balls of wool throughout the park; 25 metres of cast (drapery) concrete walls; concrete plinth at Peel street entry which is draped with a concrete knit and a ball of wool on top as finial; reverse rope reliefs on the front façade of eastern stairs. Artist name and date 'William Eicholtz 2023' inscribed on plinth with ball of wool on top as finial. handcrafts, domesticity, aussie icons, european garden design, public space, high density accomodation

Example of a shuttle used for a loom in the weaving process. This shuttle was probably used as an advertising piece for Waddington's company as it is constructed differently to other examples of working shuttles in the museum collection. This shuttle is a a unique item in the collection as a shuttle made for advertising purposes instead of being made for use on a loom. Wooden loom with metal tips on either end. Loom is rectangular. One side has a green sticker. Metal pieces inside loom are not present.WADDINGTON'S/ FOR/ SHUTTLES OF QUALITY/ Phone Bradford 27668waddingston's, weaving, shuttle, loom, advertising, geelong, wool

Bioclip was developed in the late 1990s as a way of removing the wool from sheep without the need for shearing. Sheep, although mostly lambs up to 50kg, were dressed in the nets and injected with a protein which caused the wool to break at the skin. The net was used to hold the loose wool in place and left on for several days to allow the wool to continue to grow on the sheep (and offer protection against the elements once the net and wool were removed). The net was cut and destroyed during the removal process. Bioclip stopped being produced c2013. Factors for this included the cost of a shearing team was cheaper than the equipment needed for Bioclip, and it wasn't as popular with wool growers as anticipated. Those who used Bioclip would swear by it with many saying they would never go back to using a shearer, as Bioclip produced a clean and even result, with no damage or stress done to the sheep. Bioclip could only be used on young and small sheep, with a maximum size of 50kg.Cream coloured netting, stitched in a flattened cylinder shape with a hole at each end (for sheep head and tail) and four holes on underside (for sheep legs). Green stitching on one end.

The machine was most recently used by donor's father c2008 to knit socks, but had been used for many years earlier. According to family history, it is believed that the machine came to Australia with donor's grandparents in the early 20th century, and was created c1890-1900. It is still in working order and a demonstration was given by the donor during the acquisition process.Griswold stocking knitter machine. Black steel manual machine which clamps on to the edge of a table and is operated by turning a handle. Centre of machine is a cylinder which can be lined with pins to create the sock/stocking. Two detached parts of the machine include a bobbin holder and yarn feeder. Accompanying items include: 3 examples of incomplete attempted socks made by donor. 4 envelops containing instructions, pattersn, notes and advice on using the machine, created by donor's father and grandfather. 1 bobbin with grey yarn. 2 metal machinery pieces. 2 tins containing pins for the machine. 1 metal yarn feeder cone. 10 weights plus two weight stands. Stocking knitter machine has an identifier plate with patent numbers on the side.

"Modern Developments in the Australian Wool Industry", c.1923. Examines the operations of the Yarra Falls Spinning Co. Pty Ltd and the Australian Knitting Mills Limited (makers of Golden Fleece and Kookaburra knitted underwear). Includes photos of processes and of the buildings.F H Murgatroyd/20 Kensington Rd/ Leopold 3224weaving textile industry - history textile production machine knitting textile mills, yarra falls spinning co. pty ltd australian knitting mills limited, yarn - woollen, cloth - worsted, yarn - worsted, wool tops, yarn - cashmere, weaving, textile industry - history, textile production, machine knitting, textile mills

Samples of wool, fibres and cloth demonstrating the processes in the creation of blankets, from greasy wool to finished cloth, produced by Collins Bros Pty Ltd.Samples of wool, fibres and cloth demonstrating the processes in the creation of blankets, from greasy wool to finished cloth, produced by Collins Bros Pty Ltd."From Sheep to Sleep" when buying Blankets or Flannels, always look for, and insist on "PHYSICIAN' 'CHILLPROOF' Brand Only the finest and best of wool used in the production of "Physician" Productstextile industry - education, collins bros mill pty ltd, blankets

Letter from L W Smith Pty Ltd to W R Lang 25th October, 1949, regarding a new scouring processRBSwool - research wool - testing, gordon institute of technology l w smith pty ltd, scouring, lang, dr w. roy strachan, mr norman - l w smith pty ltd, wool - research, wool - testing

Carding machine at the R S & S millCarding machine/ beginning of carding process/ R S & Stextile machinery textile mills - history textile mills, returned soldiers and sailors mill, carding, kidman, mr g. l., textile machinery, textile mills - history, textile mills

Intermediate section of the carding process in the R S & S carding roomCarding / R S & Stextile machinery textile mills - history textile mills, returned soldiers and sailors mill, carding, kidman, mr g. l., textile machinery, textile mills - history, textile mills

Matilda was a Merino ewe who went missing for over 5 years on cattle country just outside of Hamilton. When she was found she had over 30 kgs of fleece that needed to be shorn. She was shorn in Melbourne's Federation Square in 2005. Her fleece was then processed into fabric by CSIRO. The fleece made enough fabric for six jackets. The jackets were auctioned at Crown Palladium Ballroom in March of that year. The winners had their jacket tailored to their measurements by Blazzer. All profits from the auction went to Celebration of Life, a fund established to support Victoria's Royal Children’s Hospital neonatal unitFour samples of wool in the different stages of process. The first two are of the raw fleece from the sheep, the second has been washed and combed, the third a fabric sample created from the wool.wool, sheep, merino wool, missing sheep, maltilda, fleece, csiro

The Returned Soldiers and Sailors Mills was located near the Barwon river on Pakington Street, Geelong, where its building still stands. The mill was established in October 1922 with capital acquired from War Gratuity Bonds. The mill produced fine grade woollen products with its speciality being ‘Retsol’ travelling rugs. The mill first began to run into financial troubles with the ‘Credit Squeeze’ or the ‘Holt Jolt’ of the early 1960s. This saw import restrictions lifted which triggered the start of a minor recession and a rise in unemployment. Included in these troubles was the RS&S Mill which saw the number of employees gradually decrease and business declining with cheaper imports beginning to grab an expanding part of the market share. The mill was eventually purchased by Godfrey Hirst in 1973 who tried to continue operations without success and in June 1975 textile production at the site ceased. Outside of financial considerations contributing to the closure of Woollen Mills in this period was the declining need for heavier fabrics as in-home heating and insulation improved. This need had been replaced for a demand for ever softer, finer and lighter worsted fabrics for more casual clothing. Modern day textile production requires fewer steps in the processing of materials for this use. This meant large factory complexes such as early woollen mills like the RS&S mills were no longer required. Compared to modern textile production which can spin a fine yarn out of synthetic fibre or imported cotton easily, spinning fine yarn from medium quality wool at a textile factory was cumbersome and no longer financially viable to suit new consumer demands. This rug provides context to this statement. It was gifted to Shirley and Gordon Green as a wedding present in November 1963 by one of Gordon's colleagues in the wool industry. Living in areas such as Neutral Bay, the Hornsby area and later in life retiring to the Central Coast, the blanket was too heavy for use in these weather conditions and hence it stayed in its original box for nearly 60 years. Top and bottom of rug has frilled edges. Pattern is titled the 'Clan Cameron' and is repeated in a 7x7 grid. Front of rug has a red background with 4 vertical and horizontal lines. All is surrounded by a yellow boarder. Label is stitched into the bottom right corner. Reverse of rug also has a repeating 7x7 grid. Blue background with thick green horizontal stripe. Yellow and red boarder to the grid with 4 red vertical and horizontal lines making up the interior. Rug measure 1550 x 2040mm, approximately the same size as a queen size mattress.Wording, Bottom right corner. THE GEELONG R.S&S. WOOLEN MILLS/ PURE/ WOOL/ AUSTRALIA/ The John Monash Rug (cursive)/ The Clan Cameron (cursive)rs&s mills, textile manufacture, rug, clan cameron, sydney greasy wool exchange

Father of the donor, Mervyn Graham, worked for Denny Lascelles for many years as a wool classer in Geelong and later as a representative in Hamilton. The Denny Lascelles Wool Warehouse was the first building in Victorian planned to facilitate storage, inspection and marketing of wool in one operation, and upon completion was the second largest store in the colony. CJ Denny's was largely responsible for establishment and development of the wool marketing industry in Geelong and is a figure of significance in the history of settlement in Geelong.Black and white photos showcase different rooms of the Denny Lascelles building and the process of classing the wool within the store, from classing the wool to packaging and transportation.8080.7 - On wool press - Made by Johns & Waygood LTD. Melbourne Australia 8080.10 - On truck - Blackiston & Co PTY. LTD. Road transporters. Geelong & Melb.denny lascelles, geelong, wool, wool class, transportation

This medallion was struck to celebrate the 100th anniversary of fellmongering in Mazamet in 1951. Fellmongering - In French, ‘delainage” means, literally, ‘de-wooling'. It is the industrial process of separating wool from sheepskins. In the 19th century, the southern French town of Mazamet became the world centre of délainage and played an important part in the Australian wool industry. At one time Mazamet was reputed to be the 15th richest town in Europe, and it was said that the town’s branch of the Banque Nationale de Paris (French banking firm) was the second largest in France. At its height, Mazamet had 48 fellmongeries and imported more than 100,000 tonnes of sheepskins a year from the southern hemisphere, mostly from Australia and Argentina. It also supported numerous associated industries such as tanneries, spinning mills and clothing manufacturers. In the 1980s Mazamet’s fellmongering industry fell into decline under pressure from environmental concerns and cheap imports. The town’s last two fellmongeries closed in 2004. The town continues to have a strong relation to Australia, with street names such as, Rue de Australie, Adelaide, Brisbane, Melbourne and Sydney in recognition of a connection to the two distant lands. Today, half a century since wool importation largely ended, there remains a link to the past. Elite quality leather and woollen clothing companies such as Hermes and Chanel still source much of their stock in Mazamet. This medallion was presented to William Haughton and Co. who were one of Australia’s largest wool-buying companies of the first half of the 20th century. Wm Haughton had a major presence in Geelong and its “SKINS WOOL HIDES TALLOW etc.” signs were prominent on railways stations throughout the Western District and beyond. Haughtons had branches in all Australian capital cities, New Zealand, London and Bradford. Its agents in Mazamet were Maison Louis Maffre, an enterprise founded by M. Louis Maffre, mayor of Mazamet from 1912 to 1919. This medallion was donated to the National Wool Museum by the family of Sir Robert Southey AO CMG, former managing director of Wm Haughton & Co.Bronze medallion contained within purple case. On one side of the medallion, a mill worker is seen scraping the wool off the treated sheepskin. On the reverse the inception can be read.Wording: CRESCAM ET LUCEBO // CENTENAIRE / DU DELAINAGE / MAZAMET // 1851-1951. Smooth edge stamped with a cornucopia and the inscription BRONZEmazamet, fellmongering, délainage

In 2020 during the period of lockdown due to COVID the National Wool Museum asked their volunteers to make and donate blocks made from a variety of materials found in their homes, for an ISO quilt. The NWM reached out to the patchwork and quilter community to find a local quilter to sew the donated blocks together. The quilt is sewn together and quilted by Judith Oke, 2020-2021. Judith is a local patchwork and quilter and a member of Geelong Patchwork & Quilters Guild. Through the process she was inspired by the tradition of wagga quilts, where bits and pieces are stitched together, sometimes lined with whatever the sewer found available, such as clothing and sacking, to provide warmth. In construction of the finished quilt the challenge was combining 10 inch blocks made from a variety of materials, with uneven sizing. The aim was to combine these very different blocks into a harmonious whole. To this end a light and dark pattern was planned, with the blocks to be sewn onto a blanket. The choice to layer the blocks over each other, rather than sew an even seam was aimed at emphasizing the make do nature of these ISO blocks. Due to the weight of the blanket a decision was made to sew the blocks onto a base before the whole was stitched onto the blanket. The blanket was sourced from NWM donations. The rich, red of the blanket provides a bright, warm background for the colourful squares. Some of the light weight blocks were backed with iron-on interfacing to strengthen them for sewing. The edges of two of the woven squares were blanket stitched with knitting wool. The 10 inch donated blocks/squares were machine sewn to a cotton sheet base, with liberal use of blanket stitching, as the blanket was too heavy to sew the blocks directly onto the blanket. The base with squares was then machine sewn onto the red blanket backing.Various multi coloured and designed patchwork squares sewn onto a red woollen blanket. isolation, covid, quilt, wool

Geelong is famous for its bollards. Created by local artist Jan Mitchell, the colourful bollards spot the foreshore, representing a fascinating and fun chronicle of the city’s past. Few people know that Mitchell planned for a flock of sheep to be part of her public art project. The wool industry is an important part of Geelong’s history, so Mitchell thought what better than a flock of sheep to welcome people to the city. The flock (and a Shepard) were to be placed out on the Melbourne-Geelong highway, near Lara, to welcome travellers to the city. The sheep would then be scattered along the road as a wayfinding signal to bring people to Geelong. When traffic authorities heard the plan for bollard sheep along the road, they squashed the project as a potential distraction for drivers. Another flock was also suggested for the hills of the eastern gardens, overlooking the bay. This was also disapproved; so Mitchell only ever partially completed four sheep bollards. The bollards are remnants of Jan Mitchell’s flock of sheep. The sheep also show the evolution of one of Geelong’s most iconic art installations. From the first sheep showing the raw timber of the old Yarra Street pier, to the sheep without a face, through to the completed sheep, it is possible to trace Mitchell’s process in the preparation of the bollards. The lost bollards form part of the National Wool Museum’s unique collection. The first bollard is the least complete, still in its original timber colour. From the central cylindrical shape, an additional wedge protrudes. This unpainted wedge forms what would have been the face of the sheep, with an ear present on either side that would have been painted white. Presently they are a bare metal. No legs are present on this bollard. The second and third bollard are completed to a similar level. They have a central cylindrical shape with an additional wedge protruding from the front of the timber. This wedge forms what would have been the face of the sheep, with an ear present on either side. The face and ears have been painted white but the finer details such as the eyes have not been added. These bollards bodies have also been painted white and have their legs attached. The legs are thin metal cylinders, approximately 50mm in diameter and 500mm long. The fourth bollard Is complete. It has the same central cylindrical shape with an additional wedge protruding from the front of the timber. This wedge forms the completed face of the sheep, with an ear present on either side that has been painted white. The face also features completed painted eyes. This bollard has its legs attached. The legs are thin metal cylinders, approximately 50mm in diameter and 500mm long. geelong, bollards, geelong's bollards, jan mitchell

Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Salesman's Wool sample card containing samples of wool at different stages of processingJohn Taylor/With Compliments from Onkaparinga/Woollen Co.Ltd/Adelaide, Sth Aust. Mills Lobethal and Thebarton, S.A/Always insist on Onkaparinga Rugs.Blankets.Worsteds.Melanges.Woollens and Flannelswool, blanket fever, advertisement, onkaparinga, sample

Photograph of a Kettle Decatizing apparatus, as produced by H. Krantz Soehne (manufacturers of finishing machinery) of Aachen, Germany. It was sent to Arthur Heaton & Co. Ltd as part of a price quotation. Decatizing is the process of forcing steam through wool.Photograph, 1931, of a Kettle Decatizing apparatus, as produced by H. Krantz Soehne (manufacturers of finishing machinery) of Aachen, Germany. Decatizing is the process of forcing steam through wool.H. KRANTZ SOEHNE / AACHEN. 231.textile machinery textile finishing, h. krantz s?? arthur heaton and co. ltd, decatizing, textile machinery, textile finishing

"Modern Developments in the Australian Wool Industry", c.1923. Examines the operations of the Yarra Falls Spinning Co. Pty Ltd and the Australian Knitting Mills Limited (makers of Golden Fleece and Kookaburra knitted underwear). Includes photos of processes and of the buildings.Book, front cover: "Modern Developments in the Australia Woollen Industry" c.1923; Yarra Falls Spinning Co. Pty Ltd and Australian Knitting Mills Limited.weaving textile industry - history textile production machine knitting textile mills, yarra falls spinning co. pty ltd australian knitting mills limited, yarn - woollen, cloth - worsted, yarn - worsted, wool tops, yarn - cashmere, logo merino: sheep in australian art and design - exhibition (29/07/2000 - 04/02/2001), weaving, textile industry - history, textile production, machine knitting, textile mills

"An account of research studies and mill processing trials on four apparel wools"- J H Wakelin and W von Bergen 1953 : Wool research project, summary report for the period October 1948 to October 1952.merino sheep wool - characteristics wool - chemistry textile research textile calculations textile fibres, dyeing, spinning, carding, yarn - worsted, merino sheep, wool - characteristics, wool - chemistry, textile research, textile calculations, textile fibres