Photographic portrait of a man in uniform.fullarton, man

124 photos of Isle of Man

Wes WALTERS (06 August 1928 - 19 August 2014) Born Mildura, Victoria From 1940 t0 1945 Wes Walters attended the Ballarat High School. He then studied architecture at the Gordon Institute in Geelong, followed by art at the Ballarat School of Mines (a division of the Ballarat School of Mines). During his time at the Ballarat Technical Art School (later Federation University Australia) Walters studied under Neville Bunning and Taylor Kelloch, and was awarded the Ballarat Ladies Art Association Scholarship in 1948. He next moved to Melbourne to work as a commercial artist with the George Patterson advertising agency. Each evening Walters studied life drawing at the Victoria Artists’ Society and taught himself anatomy. Wes Walters excelled in both abstract and realist art. He won the Art Gallery of Ballarat’s Minnie Crouch Prize for watercolour art in 1953 and 1956. He won the prestigious Archibald Prize in 1879 for his portrait of Phillip Adams. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed painting of a man in a landscape. wes walters, artist, artwork, landscape, available

This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed drawing of a man in sunglassesart, artwork, peter stronach, available (horsham), horsham campus, wimmera campus, horsham campus art collection

A sepia coloured portrait of a man on card. On back 'DAVIES & CO/Photographers/5 Collins St. West/ (3 doors from/Elizabeth St.)/MELBOURNE' / 'COPIES MAY BE HAD ON APPLICATION' deaf children australia, victorian deaf and dumb institution, vddi, portrait

A sepia coloured portrait of a man on card. On back 'BATCHELDER & O'NEILL/ARTIST PHOTOGRAPHERS/41 COLLINS ST. EAST,/MELBOURNE/Est 1854' deaf children australia, victorian deaf & dumb institution, vddi, portrait

Silicon mould depicting the head of a man. Nonematcham skipper, mould, silicon, male, head

Possibly a sample pocket from 1958 - 1983 Found in Quad classroom 2018Unused black wool cloth blazer pocket with college logo embroidered (backing of cotton) in white and green. (Note a mistake in the colour of the H is grey)HORTICULTURAL COLLEGE * BURNLEY *uniform, burnley college, blazer, student uniform

"Australian wool- table of types and descriptions" Australian Wool Board Wool Statistical Service, 1966wool sales wool brokering woolclassing, australian wool board, wool sales, wool brokering, woolclassing

Part of a collection of books, manuals, photographs, letters and clothing relating to the working life of Stuart Ascough. Stuart's career in the wool industry spanned over 43 years from 1960 to 2003 in various roles including Topmaking Plant Manager at Courtaulds Ltd. in Spennymore, U.K., Operations Manager at Port Phillip Mills in Williamstown Victoria, Marketing Executive, Early Stage Wool Processing at the International Wool Secretariat Melbourne, Australia and General Manager of Victoria Wool Processors Pty. Ltd. in Laverton North, Victoria. Throughout his career Stuart travelled extensively, and in the 1990s worked at many topmaking mills in China on quality improvement projects. He also provided technical advice and training at mills in India, Ukraine, Lithuania, Kyrgyzstan, Russia, Latvia, Byelorussia and other parts of Europe and Asia.One sided A4 sized leaflet showing images and text relating to the processing of wool from fibre into fabric.front: WOOL / PROCESSING / Two main systems are used to process wool from fibre into fabric.stuart ascough, international wool secretariat, victoria wool processors, port phillip mills pty ltd, topmaking, career, wool industry, mills, leaflet

Donald & Co. Paddington, Sydney, Patent No. 4. Serial No. 87086 wool press. From the Penna's property at Meredith.Wood and metal wool press. No. 87086 / DONALDS / PATENT / No. 4 / WOOL PRESS / PADDINGTON / SYDNEY / TRADE / DONALDS / MARKwool growing wool brokering wool bales, donald and co., wool press, wool growing, wool brokering, wool bales

"Wolstatistiek: Wool statistics" - South African Wool Board. Statistics up to 1988 for the South African wool industry.wool marketing

Jonathan Benyei spins wool during the Kew Festival Colonial Dance held at the Kew Town Hall. He is warched by his mother Dorothy Benyei. city of kew, kew festival, colonial dance, kew town hall, jonathan benyei, dorothy benyei, spinning wool

Program for a fashion parade of woollen garments for women. Descriptions of the garments, including the manufacturers and designers, are given. The parade was presented by the Australian, Canadian, American Women's Club of Geelong in 1959.PROGRAMME / of Fashions In Wool for 1959 / Presented by / Australian, Canadian, American Women's Club / of Geelong / Sponsored by / The Myer Emporium (Geelong) Pty. Ltd. / in conjunction with the / Australian Wool Bureau / Proceeds to aid the Australian Red Cross We are grateful for the / co-operation of: / Geelong Wool Brokers / Geelong Woollen Mills / Mr. James Fogarty. / No. 152fashion

The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) .4) A tintype portrait of a man, attached to a card. little gem, tintype, man, unidentified man

Collected by Dorothy Brumby in relation to Great Western ResearchMan holding cockatoo in front of tree foliage

Wax mould depicting a stylized bust of a man.Nonematcham skipper, mould, wax, male, head

Male sits at a desk, wearing a headset, with his hands on a telephone switchboard and another device to his right. A small black radio sits to his right, as does a pen attached to the desk itself and a piece of paper. Switchboard training was provided to many blind and vision impaired people, who could adeptly operate the switch to connect callers through to employees.Digital image of man operating a telephone exchangeemployment, royal blind society of new south wales

Portraits of the Commonwealth of Australia Central Wool Committee from 1917-18. Those depicted are: A.H. Moore, F.B.S. Falkiner, B. Laycock, J.M. Balfour (Secretary), W. Stevenson Fraser (Vice Chairman), Sir J.M. Higgins (Chairman), W.J. Young (Vice Chairman), D. Gibb, R.B. McComas, E. Jowett.COMMONWEALTH OF AUSTRALIA / CENTRAL WOOL COMMITTEE / SEASON 1917-18 A.H. MOORE ESQ. / E. JOWETT ESQ. M.P. / F.B.S. FALKINER ESQ. M.P. / R.B. McCOMAS ESQ. / B. LAYCOCK ESQ. / SIR J.M. HIGGINS K.C.M.G. / CHAIRMAN / W.J. YOUNGER ESQ. C.B.E. / VICE CHAIRMAN / W. STEVENSON FRASER ESQ. VICE CHAIRMAN / D. GIBB ESQ. / J.M. BALFOUR ESQ. / SECRETARY Alice Millsc. of a. - central wool committee