Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century.Colour photograph of group of five people standing together beside a tree on the right of frame, a ploughed paddock and water are visible in the background8 11:46 [red timestamp on image on lower right hand side] catalogue number on reverse in pencilchurchill island, photograph

Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century.Colour photograph of five people. One stands in the foreground, wearing a blue shirt and holding a black and white pole driven into the ground. Four people stand in the background, two holding a piece of white string connected to the pole. 8 11:45 [red timestamp on image on lower right hand side] catalogue number on reverse in pencilchurchill island, photograph

Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century.Colour photograph of four people. One kneels beside a white piece of paper on the ground, and three others are gathered around.8 11:55 [red timestamp on image on lower right hand side] catalogue number on reverse in pencilchurchill island, photograph

Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century.Colour photograph of five people, with two holding a white tape measure, and two in the background pointing into the distance. A clapboard building is visible in the background.8 11:47 [red timestamp on image on lower right hand side] catalogue number on reverse in pencilchurchill island, photograph

Naive painting of the Creswick Post Office painted on site, "en plein air", part of his recording of the town. Litherland was born in Odessa in 1897 and arrived in Creswick in 1938, where he lived until his death in 1978. This painting and 65 others were bequeathed to the town by him.This painting records the life of the town of Creswick at a moment of time, in the naive style. Litherland became a character about town and a noted artist. He is represented in the National Gallery of Victoria, the Art Gallery of Ballarat, the National Gallery of Australia and other regional galleries.Gouache painting on paper of Creswick Post Office in the naive style. Framed by artist. Named on the back by the artist.Signed lower middle "Victor Litherland" and dated 1963. On the back the name "Creswick Post Office" is written by the artist.victor litherland, creswick, naive art, gouache

State School 502 Stawell. Christmas 1889 Class Lower 5th Ethel G Crothers, Home Workstawell education

ScreenprintSigned 'Eduardo Paolozzi' bottom middle. Edition 2/50 in lower left corner under printed image.

Woodcut, paper cutoutInscribed in lower section of printed cutout: Signed 'Jonas Ropponen 2004' Titled 'In the Beginning' Edition 11/25

The 8th Light Horse (Indi) Regiment superseded the 16th Light Horse in 1919. It had its headquarters at Benalla with sub-units throughout the Upper Murray and Northeast Victoria. In December 1941, the regiment converted from horse to mechanised, initially as 8th Reconnaissance Battalion then in July 1942 it became 8th Cavalry Regiment and served in Northern Territory. As Japanese threat to the mainland declined the regiment was disbanded.Part of a series showing aspects of camp life circa 1932Black and white photograph of section of four men of 8th Light Horse RegimentLower edge of mount " 8th Light Horse, Tom Wenham, Jack Dinning, Bill McDonald, Don Diffey "

Painting depicting an abstract composition with wombat and lizard. Signed and dated lower right 'Clifton 72/89'. Inscribed on reverse in pink chalk '57' and on frame 'No.2'. clifton pugh, painting, abstract, wombat, lizard, landscape

significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture view of building on street watercolour on paper signed: V Wheeler 87 (lower left) verso: Artist V Wheeler MECHANICS INSTITUTE BEAUFORT 1987

significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture oil painting of a bush track"Verso signed: DAVID MELLOWS (lower left) verso: LATE MORNING CONTRAST DAVID MELLOWS 3/17"

significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture landscape with water painting "signed: John Burrack '84 (lower left) verso: Afternoon Lake Goldsmith John Burrack Mernda '84"

significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture painting of train station with people and train to the leftsigned: RJR 97 (lower right) inscribed: LAST TRAIN FROM BEAUFORT 1994 FRI MAY 27

Part of Woolcock Gallery Collection Exhibition, CEMA, 1989.Drawings of a cutting and flower heads of a plant with brown stem, green long and narrow foliage and star-shaped flowers in clusters. Seven drawings, including one branch with flowers and foliage, two white and brown flower heads (side view), one star-shaped flower head (above view), one detail of flower stamen and two leaf details. The work is mounted in a double matt (pale grey on apricot) and framed under glass in a gold and grey-green frame.Front: Epacris lanuginosa Woolly-style Heath (lower left) (pencil) Back: 7 (upper left) (pen)collin woolcock, botanical, cema, woolcock collection, botanical drawings, illustrations

Port of Portland Authority archives.Front: (no inscriptions) Back: Inside Timber Treatment Plant Dartmoor (upper left, pencil). Photography by The Arthur Studio. Further copies always obtainable at 27 Commercial St. East, Mt Gambier. (lower right purple stamp), (10 lower right, pencil).port of portland archives

Port of Portland Authority archives.Front: (no inscriptions) 6473 (lower right ) (pencil) Back: A show stand intended for promotional purposes. (upper left) (pencil). Photography by The Arthur Studion. Further copies always obtainable at 27 Commercial St, east. Mt Gambier (blue stamp) (lower right).port of portland

Part of "Woolcock Gallery Collection". Exhibited CEMA 1989.Drawings of cutting and flower head of plant with brown stem, green foliage and long white flowers. Seven drawings include two branches with foliage and flowers, two flower details and three details of buds or seed pods. The work is on white paper, mounted in a double matt (grey on maroon), unframed.Front: CEW/82 (signature, lower left in image, next to stem) (maroon pencil) Nodding Beard-heath - Leucopogon woodsii (lower centre) (pencil) Back: 25 (upper left) (pen) Nodding Beard-Heath $80 (Leucopogon woodsii) CE Woolcockcema, botanical, collin woolcock

Part of "Woolcock Gallery Collection". Exhibited CEMA 1989.Drawings of cutting and flower heads with brown stem and green foliage and white start-shaped flowers with pink and green centres. Six drawings include cutting with flowers, flower bud details and flower details from above and side. The work is on white paper, mounted in a double matt (grey on dark pink), unframed.Front: CEW/82 (signature, lower left in image, next to stem) (green pencil) Snow Beard-heath - Leucopogon montanus (lower centre) (pencil) Back: 32 (upper left) (pen) Snow Beard-Heath $80 (Leucopogon montanus) CE Woolcockcema, botanical, collin woolcock, woolcock collection, botanical drawings

Print Council of Australia Members' Print Commission, 1973Four figures swimming in a swimming pool. In the upper image there are reflected objects in the pool. The top of the image does not include the reflected object, being instead framed with a theatrical stage awning motif. These objects include a canopied shelter, rails, trees and part of a building. Four naked male figures (different views of the same figure) are swimming, jumping or standing. Foreground shows edge of pool with two deckchairs. Printed n pale blue and black inks. Mounted in cream matt with a timber frame, with glass glazing.Front: 2/15 (lower right) Swimming Pool (centre) Ermes De Zans '73 (lower left) (pencil) Back: Ermes De Zan "Swimming Pool" Etching (1973) (typed lable, upper left) 1973 (yellow sticker, upper left)

Art CollectionImage depicts a black background featuring two white squares on top of one another. The white squares have rust-coloured lines and circles in them, as well as blue circles and lines. These blue lines are much thicker. The frame is wooden and has a white mount and glass.Front: 8/10 (lead pencil, lower left) Sentinel (lead pencil, centre) Stephen Spurrier 68 (lead pencil, lower right) Back: Stephen Spurrier "Sentinel" (1969) Silk Screen and Etching (printed on white strip, clear plastic cover)

21st century photograph of heritage site: former Plenty bridge Hotel and Tollhouse, situated on the eastern side of Old Lower Plenty Road, near the Old Lower Plenty Road Bridge on the east bank of the Plenty River. Although the Hotel burnt down, poplar trees still exist on the site.3 pages, 1 x colour photograph printed on paper, 1 x Heritage Inventory (text) and 1 historic black and white photo.On colour photograph: Close-up site of Plenty Bridge Hotel (H7922-0265) and surviving poplar tree. A. Paul 3/03plenty bridge hotel, lower plenty, plenty river

Embroidered cloths like this were sent home as souvenirs. Individual names were embroidered on the cloth.This is a square yellow silk cloth with pink fringing. It has an embroidered blue rising sun, under which are the words Australian Imperial Forces. On the lower edge of the cloth are the embroidered words ‘From Sergeant Frank McDonald’ It is also embellished with embroidered flowers.embroidered cloth, sergeant frank mcdonald

Postcard of early photograph of the Forest of Arden near Marysville.Postcard of early photograph of the Forest of Arden near Marysville.POST CARD PLACE/ POSTAGE/ STAMP/ HEREforest of arden, marysville, forest, tree fern, postcard, souvenir, victoria

Item in the collection of Arthur Thomas MANLY No 431130 RAAF. Refer Cat No 3710 for his service details.Foolscap size, typed instructions, single sided. Topics: General, Emergency Exits on Ground, Emergency Exits During Flight, Landing Gear Emergency Lowering System, Emergency Hydrulic Operation of Main Landing Gear Down Position Latches, Caution.In black type at top: EMERGENCY OPERATIONS INSTRUCTIONSdocument, raaf, ww2

This biscuit is called a 'Dog Biscuit' and was produced during WWI. It was part of a rashion kit to accompany another biscuit and a tin of Bully beef. The original owner was presumably a serviceman called Jack was and he created a souvenir for a loved one using this biscuit, accompanied by another biscuit with an inlaid photograph of himself. This object is a rare and precious piece. It is rare for items composed of edible goods to remain almost perfectly intact after a century after creation. The use of the biscuit as a souvenir, with the addition of a artificial flowers, is presumably unique and imparts great social significance to the item.Dry biscuit with artificial flower decoration. The flowers are of light green and cream coloured fabric, wire and are attached in the top right hand corner of the biscuit. There are fabric strips attached to the back and tied with cotton string through holes in the lower right corner.Inscriptions on the front read: "Phoenix Co. Melbourne" biscuit, dog biscuit, military rations, ww1, world war 1, world war one, the first world war, the great war