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The Mrs Aeneas Gunn Memorial Library
Book, Georgian House, The making of a sentimental bloke : a sketch of the remarkable career of C.J. Dennis, 1946
A biography of CJ DennisIll, bib, p.134.non-fictionA biography of CJ Denniscj dennis 1876-1938, authors - biography -
The Mrs Aeneas Gunn Memorial Library
Book, Tahu Hole, Anzacs into battle, 1942
Deals with campaigns of Australian and New Zealand forces overseas and also with war effort in Australia and New Zealand. Sketches of Australian and New Zealand war leaders.Ill, p.471non-fictionDeals with campaigns of Australian and New Zealand forces overseas and also with war effort in Australia and New Zealand. Sketches of Australian and New Zealand war leaders. world war 1939-1945 - australia, world war 1939-1945 - new zealand -
The Mrs Aeneas Gunn Memorial Library
Book, John Ruskin, The Stones of Venice: v.1. The Foundations, ????
Part of his numerous writings concerned his work on Venice in three volumes: The Stones of Venice. He visited Venice in November 1849 with his wife, Effie, and stayed at the water-fronted Hotel Danieli. Their six-year marriage was never consummated and for Effie, Venice provided an opportunity to socialise, while for Ruskin it was a venue to engage in more solitary studies. In particular, he made a point of drawing the Ca' d'Oro and the Doge's Palace, or Palazzo Ducale, fearing they would be destroyed by the occupying Austrian troops. Ruskin made extensive sketches and notes for the three-volume work, which soon developed from a technical history of Venetian architecture, from the Romanesque to the Renaissance, into a broad cultural history. Cleverly Ruskin managed to reflect his own view of contemporary England and to weave in a warning about the moral and spiritual health of society. Ruskin argued that Venice had slowly deteriorated. Its cultural achievements had been compromised, and its society corrupted, by the decline of true Christian faith. Instead of revering the divine, Renaissance artists honoured themselves, arrogantly celebrating human sensuousness. It is a work of immense worth both culturally and artistically.Ill, p.373non-fictionPart of his numerous writings concerned his work on Venice in three volumes: The Stones of Venice. He visited Venice in November 1849 with his wife, Effie, and stayed at the water-fronted Hotel Danieli. Their six-year marriage was never consummated and for Effie, Venice provided an opportunity to socialise, while for Ruskin it was a venue to engage in more solitary studies. In particular, he made a point of drawing the Ca' d'Oro and the Doge's Palace, or Palazzo Ducale, fearing they would be destroyed by the occupying Austrian troops. Ruskin made extensive sketches and notes for the three-volume work, which soon developed from a technical history of Venetian architecture, from the Romanesque to the Renaissance, into a broad cultural history. Cleverly Ruskin managed to reflect his own view of contemporary England and to weave in a warning about the moral and spiritual health of society. Ruskin argued that Venice had slowly deteriorated. Its cultural achievements had been compromised, and its society corrupted, by the decline of true Christian faith. Instead of revering the divine, Renaissance artists honoured themselves, arrogantly celebrating human sensuousness. It is a work of immense worth both culturally and artistically. venice, venice - architecture -
The Mrs Aeneas Gunn Memorial Library
Book, John Ruskin, The Stones of Venice: v.2. The Sea Stories, ????
Part of his numerous writings concerned his work on Venice in three volumes: The Stones of Venice. He visited Venice in November 1849 with his wife, Effie, and stayed at the water-fronted Hotel Danieli. Their six-year marriage was never consummated and for Effie, Venice provided an opportunity to socialise, while for Ruskin it was a venue to engage in more solitary studies. In particular, he made a point of drawing the Ca' d'Oro and the Doge's Palace, or Palazzo Ducale, fearing they would be destroyed by the occupying Austrian troops. Ruskin made extensive sketches and notes for the three-volume work, which soon developed from a technical history of Venetian architecture, from the Romanesque to the Renaissance, into a broad cultural history. Cleverly Ruskin managed to reflect his own view of contemporary England and to weave in a warning about the moral and spiritual health of society. Ruskin argued that Venice had slowly deteriorated. Its cultural achievements had been compromised, and its society corrupted, by the decline of true Christian faith. Instead of revering the divine, Renaissance artists honoured themselves, arrogantly celebrating human sensuousness. It is a work of immense worth both culturally and artistically.Ill, p.406.non-fictionPart of his numerous writings concerned his work on Venice in three volumes: The Stones of Venice. He visited Venice in November 1849 with his wife, Effie, and stayed at the water-fronted Hotel Danieli. Their six-year marriage was never consummated and for Effie, Venice provided an opportunity to socialise, while for Ruskin it was a venue to engage in more solitary studies. In particular, he made a point of drawing the Ca' d'Oro and the Doge's Palace, or Palazzo Ducale, fearing they would be destroyed by the occupying Austrian troops. Ruskin made extensive sketches and notes for the three-volume work, which soon developed from a technical history of Venetian architecture, from the Romanesque to the Renaissance, into a broad cultural history. Cleverly Ruskin managed to reflect his own view of contemporary England and to weave in a warning about the moral and spiritual health of society. Ruskin argued that Venice had slowly deteriorated. Its cultural achievements had been compromised, and its society corrupted, by the decline of true Christian faith. Instead of revering the divine, Renaissance artists honoured themselves, arrogantly celebrating human sensuousness. It is a work of immense worth both culturally and artistically. venice, venice - architecture -
The Mrs Aeneas Gunn Memorial Library
Book, G. Newnes, Celebrities of the army, 1900
A collection of biographical sketches of British army commandersIll,p.144.non-fictionA collection of biographical sketches of British army commandersgreat britain - army - biography, great britain - army - history -
Bendigo Military Museum
Equipment - SERVICE MAP & FIELD SKETCHING HOLDALL, C. G. Hartley & Co, 1930 1945
W. F. R. Budge VX 48105 Ref. 2721Satchel - Canvas covered, camel coloured, brown leather strap, silvered metal attachments. 10 coloured pencils 4 black lead pencils 2 erasers scrap paper 2 Protractors Guide to Appreciations and Orders Booklet.Inside - W.F. R. Budge VX48105.passchendaele barracks trust, canvas satchel -
Ballarat Heritage Services
Work on paper - Artwork - Drawing, Sketch, 08/02/1945
Image of three men who appear to be in Australian army uniform.uniform, drawing, frank harding, corfu castle, etching -
The 5th/6th Battalion Royal Victoria Regiment Historical Collection
Book, Manual of Map Reading, Photo Reading and field Sketching 1929, 1929
Pam with brown card cover. Has a Royal coat of Arms located above the title. Has several fold out maps, many of which protude from the book. On a number of the 160 pags there are diagrams which are printed in limited colour.J.G.Bowe is hand written at the top right hand corner in black ink.regimental property, wark vc club, inter war, manual -
Wodonga & District Historical Society Inc
Book - Beechworth Sketch Book, Rodney Davidson et al, 1972
An illustrated history and background to key buildings in the town of Beechworth, Northern Victorianon-fictionAn illustrated history and background to key buildings in the town of Beechworth, Northern Victoriabeechworth victoria, beechworth description and travel, beechworth history -
Wodonga & District Historical Society Inc
Book - I carried my sketchbook, Ken Lovell, 1984
This book represents the wartime service of the author through a series of caricatures and humorous anecdotes. Ken Lovell saw action in Greece and Syria before being transferred to the 2/23rd Battalion, Ninth Division as a Signals operator. Although reflecting the Aussie dry humour, on many pages of the book containing sketches of a mate there appears a small cross with the letters K.I.A. and a date.non-fictionThis book represents the wartime service of the author through a series of caricatures and humorous anecdotes. Ken Lovell saw action in Greece and Syria before being transferred to the 2/23rd Battalion, Ninth Division as a Signals operator. Although reflecting the Aussie dry humour, on many pages of the book containing sketches of a mate there appears a small cross with the letters K.I.A. and a date. world war 11, rats of tobruk, tobruk -
City of Ballarat Libraries
Photograph - Card Box Photographs, Design for new Post Office, Ballarat circa 1855
Possibly for either Lydiard Street North or Camp Street.ballarat post office, sketch, building, design, public, lydiard street north, camp street -
Whitehorse Historical Society Inc.
Article, Burwood Link Pedestrian Bridge, 2018
Sketch map of location of potteries in the area bounded by Middleborough, Springfield, Mitcham Roads and Burwood Highway.Photograph of the Burwood Link Pedestrian Bridge at Gardiners Creek Reserve provided by Whitehorse Leader reader Aisling Keogh.Sketch map of location of potteries in the area bounded by Middleborough, Springfield, Mitcham Roads and Burwood Highway.deakin university burwood campus, burwood link pedestrian bridge, gardiners creek reserve -
City of Ballarat Libraries
Photograph, Ballarat Hospital, from the Excelsior Album of Ballarat Views
Rider and Mercer, engravers. no date.ballarat hospital, excelsior album, sketch, ballarat, rider & mercer -
City of Ballarat Libraries
Photograph, Sketch of Sturt Street looking west from Grenville Street circa 1870
circa 1870-1880 from the Premier Album of Ballarat Views.sturt street, grenville street, sketch, streetscape, premier album of ballarat views -
City of Ballarat Libraries
Photograph - Card Box Photographs, Ballarat Railway Station Sketch, circa 1903
Caption reads 'Opening of Railway Communications. The First Train from Geelong 1862'ballarat railway station, building, sketch, vehicle, public -
Whitehorse Historical Society Inc.
Memorabilia - Box - Cigarette silks, 1911 - 1917
These type of cigarette silks were included in WD & HO Wills cigarette packets to induce women in particular to take up smoking.|The Word 'Cartophilic?|It is believed that this unusual word was coined in the 1920s by Col. Bagnall, an Englishman, who was the father of the hobby of cigarette card and trade card collecting. It is thought to be a combination of a Latin word, 'carto' meaning 'card and the Greek word 'philic', meaning 'love'.- lover of cards. The term originally related to the collection of the two types mentioned, however, our Society has included postcards in the range of items collected by our members.|The Cigarette Card|The cigarette card began its evolution in the United States of America, in the early 1880s as a plain piece of cardboard used by tobacconists to protect the cigarettes which were sold in that era, not in packets, but loosely. A purchaser would buy his cigarettes then wrap them in paper around the small piece of cardboard, which acted as a stiffener. In fact, for many decades, cigarette cards were known as 'stiffeners' in the USA.|The card depicting 'The Marquis of Lome' is reputed to be the first known cigarette card issued. This is thought to have been in 1879. It did not take long for an enterprising entrepreneur to recognise the advertising potential of the cigarette card, and, very soon, the cards began displaying popular images, often in sets. This had the effect of youngsters, wishing to complete their sets, harassing their fathers to buy a specific brand of cigarettes. The kids who collected cards in the days when they were being issued in the cigarette packets, would hang around outside the local tobacconist's shop, pestering the men who had just bought a packet of cigarette, with the cry: 'can I have the cig can mister?'|It is a proven fact that, here in Australia during the 1930s, at least one set had one card deliberately withheld and issued very sparingly. This card is No. 86 (Mrs Jack Crawford) in the Carreras 'Turf Personality Series'. Thus, in a set of reasonably easy cards to get, this one card is a constant source of frustration for the collector, and as such, commands a premium when it comes to price. It is not hard to imagine the young collector nagging his to Dad to keep buying 'Turf' cigarettes to enable him to finish the set.|From small beginnings the cigarette card soon gave rise to a booming industry in itself. Artists and writers were|employed to produce the cards, which were miniature works of art and served as little encyclopaedia's for the children of the day. By the 1930s cards were being issued in the countless millions. It has been stated, in one book on the history of cards; that 450 million sets of a series produced and issued by the prolific issuer of cards in the United Kingdom, WD & HO Wills. As each set contained 50 cards you would need a calculator with a very long result window to see the answer to how many cards of that series were in circulation.|Australia's involvement would appear to have its beginnings with the English and American firms who shipped their tobacco products here and the cards of American Tobacco Company (ATC) are found in great numbers in early Australian collections; many featuring Australian subjects, e.g. 'Australian Parliament a 1901 issue. Earlier U.S. sets depicting Australians included Goodwin & Co's, so called. 'Australian Series' with cricketers and Australian Rules footballers who were on the sporting scene during the 1880s. The caption of one of theses cards reads:|'W.Hannysee. Captain Port Melbourne Football Club' which enables us to pinpoint the year of issue to either 1889 or 1890.|On the Australian scene the first local manufacturer who issued cards seems to have been The National Cigarette Company of Australia Proprietary Limited, whose 'Tally Ho' packets contained cards from a series of thirteen featuring the touring 'English Cricket Team 1897-8' Of the few Australian manufacturers who issued cards, only two companies issued more the two sets.|Undoubtedly the cards issued by the Melbourne firm Sniders & Abrahams (later Sniders & Abrahams Pty Ltd) are the 'jewels in the crown' of Australian card issues. They issued some thirty-three series, with numerous sub-series and allied issues such as metal badges, metal football shields, celluloid flags etc., which ensured that the hobbyist had a vast range from which to collect. Sporting themes – football, cricket, horse racing – dominate, indicating the Australians' love of sport and the outdoors was as strong in those earlier times as it is today. Military, animals and birds themes were also to the fore, with a touch of culture being provided by 'Shakespeare', 'Dickens', actresses and even classical 'Statuary'. Humour was not forgotten with 'Cartoons and Caricatures', 'Naval and Cricket (double meaning) Terms' and the 'Jokes' series. Art and history were covered by the artist, S.T. Gill's 'Views of Victoria in 1857' while the stereoscopic 'Views of the World' expanded the collectors' knowledge of the world as a whole.|The Sniders & Abrahams series began in 1904 and by 1919 the company was in decline and was eventually taken over by G.G. Goode & Co. Ltd. This company produced one set only, the highly collectable 'Prominent Cricketer Series' issued in 1924. During the early to mid-1920s, J.J. Schuh Tobacco Pty Ltd issued eight series, again containing the popular subjects of sport and war. At least two provincial tobacconists, Lentens of Bendigo and Baillies of Warrnambool, issued private football series. The last series of cards issued by a truly Australian firm was Dudgeon & Arnell's '1934 Australian Cricket Team'.|The Australian market was not neglected by the English companies with WD & HO Wills, Godfrey Phillips and Ogdens all making their contributions. By far the most active issuer was the long-established company Wills, whose 'Cricketers' of 1901 heralded the flood of Australian series, which continued into the mid-thirties.|The onset of the 1939-45 World War sounded the death knell of the cigarette card and very few post-war issues were made, certainly not here in Australia.|The Trade Card|The Trade Card is a non-tobacco item used by manufacturers to promote and advertise their products, in the same way that cigarette cards were. It is uncertain exactly when they were first produced, but in the USA, non-collectable cards were issued by firms in the early 1800s. These were more akin to a latter day 'business card'. It was not until the 1850s, when coloured and pictorial cards were issued to advertise and promote products that the Trade Card|became a collectable item. Many beautiful lithographic cards were produced in this early era and they are very mu sought after by collectors. By the 1870s the issues of Trade Cards became more prolific and it is from this era that more cards are seen.|Again, it is difficult to pinpoint the exact date of the first Australian Trade Card and it may be that the highly collectable and extremely rare 'American Candy Co's' - 'Pure Caramels' Australian Rules football card, issued i 1891, is the earliest series. This confectionery firm was located in Fitzroy, a Melbourne suburb. To date only two subjects have been seen.|Another early set was 'Flags', issued by F.H.Fauldings & Co. It featured testimonials of seven English cricketers who toured Australia with the 1894/5 Test team. Fauldings was an Adelaide based firm which manufactured medicinal toiletries, soaps and oils, using the distinctly Australian eucalyptus oil. During the 20th century a multitude of Australian businesses issued trade cards, with confectionery manufacturers such as Hoadleys, Allens, Sweetacres and Australian Licorice producing the majority of them. Again sporting themes dominated with the ever popular Aussie Rules football cards being the most numerous. Cricket issues ran a close second.|Apart from sporting cards, almost every subject imaginable was covered by the Trade Card, making it the most diverse and interesting branch of cartophilly. In contrast to the Cigarette Card, which had its demise prior to the Second World War, the Trade Card is still alive and well.|We all are aware of the long running 'Birds of Australasia' series put out by Tuck-fields Tea and 1 doubt if there is a kitchen drawer in Australia that has not got one or two of these informative and attractive cards floating about in it. These cards were first produced in the early 1960s and are still being inserted in that company's packets of tea. Such is also the case with Sanitarium Health Foods, manufacturers of the well known Weetbix, who began issuing cards, with a wide range of subjects, in the early 1940s and continue to do so.|The 1940s and 1950s saw the two breakfast food giants, Kornies and Weeties dominating the card scene. Kornies footballers were in production fora decade from 1948 to 1959. Four years later in 1963, we saw the start of four decades of Scanlens bubble-gum card issues, both football and cricket. In the mid 1990s, with the end of the Scanlens/Stimorol cards, the Trading Card came on the scene. These cards do not fit under the umbrella of the Trade Card, having been produced and marketed purely as a 'collectable' with no connection whatsoever to any product, which of course is necessary for an item to be classified as a Trade Card.|The earliest British postcard was issued in 1870 and was designed to send short messages; the stamp was printed on the card, therefore it did not require an envelope. It was considered by many to be lowering the postal standards because the texts were no longer private. However the cards were a great success as on the first day of issue in 1870, half a million passed through the London postal centre.|The first illustrated postcards are said to be those introduced by a French stationer in 1870. He realized that French troops fighting in the Franco-Prussian War needed to be able to send short messages to their families and designed a 'postcard' to suit the purpose. As many of the soldiers were illiterate they decorated their cards with sketches of their many activities at the front rather than writing; thus creating a picture postcard. Private enterprise soon saw the great financial possibilities of this new easy and attractive way of communication by post; also sending a postcard cost less than postage for letters. It was correctly assumed that postcards were likely to overtake letter writing in many instances.|Between 1875 and 1882 every state in Australia introduced official postcards, N.S.W. first and Tasmania last. Each state produced a simple type of postcard with a pre printed stamp allied to that state. The stamp side stated 'The Address Only To Be Written On This Side'; the reverse side sometimes carried a simple illustration or decoration with space fora short message, each state extolling their own state's virtues. In 1901, with the advent of Federation, the new Government became responsible for all postal services in Australia and produced postcards for sale in every state. With several mail deliveries each day in most towns, postcards were used for many purposes. One 1906 postcard, with an illustration of fruit, was sent from Mrs X in the morning to her greengrocer ordering her fruit and vegetables to be delivered that afternoon. Another lady asks her charlady to 'come this afternoon'.|Australian private enterprise also began selling pictorial postcards, most companies using the very experienced German printing works who were the worlds best in the field of lithography and fine detailed colour-printing. Many of these beautiful German cards still exist today, 100 years later. Australia did have a few fine printers but they were in the minority. Black and white postcards printed in Australia in the early 1900s were often of good quality e.g. postcards printed by 'The Bulletin', illustrating the works of 'The Bulletins' top artists.|Between c1903-09 The Melbourne company Osboldstone and Atkins etc. printed coloured reproductions of 46 J.A. Turner bush/rural life paintings, which were generally of good quality and became hugely popular and still sought after today. Like thousands of homes in Europe, Britain and U.S.A., many Australia homes had albums of cherished postcards, which were given pride of place for visitors to see and enjoy.|Postcard collecting remained popular but was changing with the times. About 1912 the Australian photographer George Rose of Melbourne began to produce topographical B/W real photographic postcards covering most of Australia and other photographers began to do likewise. These cards soon found their way into collections as well.|WWI and the horrors of war suddenly changed the world; postcards were still in great demand but the subject matter was far more serious. Thousands of postcards from the trenches in European war zones arrived in Australia to be included in family albums. Propaganda and recruitment messages were produced to encourage enlistment. Australian postcard producers began to create cards decorated with gum leaves, boomerangs, wattle etc., which were designed for sending to Australian troops serving overseas. Very few 'pretty' cards were available, as access to the Gentian printing works was no longer possible and exporting of postcards from Britain was very limited. By the end of WWI people had other more serious problems to contend with and the avid postcard collecting hobby declined, fold greetings took over and topographical photographic postcards became a small but steady income for the producers and newsagents etc. in every town.|Fortunately many of these old postcards still exist and are avidly collected by a new generation or postcard collectors. The Australian Cartophilic Society Inc. is one of four postcard/cigarette card organizations in Australia. They are, N.S.W. Post Card Collectors Society; Queensland Card Collectors' Society Inc. and West Australian Card Collectors|Society, and across the Tasman there is a New Zealand Postcard Society.|References:|Picture Postcards of the Golden Age A Collector's Guide by Toni & Valmai Holt. Picture Postcards in Australia 1898 - 1920 by David CookBox of Cigarette Silks ( 10 ) depicting animal motifs, which were placed in cigarette packets as an incentive for women in particular to smoke.|WD & HO Wills|Produced 1911 - 1917personal effects, smoking accessories, recreations, collections -
Canterbury History Group
Document - Canterbury Presbyterian Chuch Historical Sketch 1888-1927, 1927
A short account of the beginnings and progress of the Canterbury Presbyterian Church issued on the occasion of the opening of the new church. Contains a number of historical photographs.canterbury, canterbury presbyterian church, canterbury road, churches, honour boards -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Statues and Sculptors, Ballarat Botanical Gardens, The Statuary Pavilion, c 1990's
Article probably written by John Garner in the 1990's for the Robert Clark Centre, Ballarat Botanical GardensA valuable thumbnail sketch1 sheet, printed both sidesBallarat Botanical Gardens logo, top right hand cornerjohn garner collection, garner, dr, statues, ballarat botanical gardens, ballarat, gardens, pavilion, "suzanne". "burke and wills" statuemelbourne. -
Clunes Museum
Work on paper - SKETCH BOOK
THE STUDENT MAY HAVE BEEN MARIA DUNN WHO ATTENDED THE ST. THOMAS R. C. SCHOOLA SCHOOL BOOK OF MAPS, HAND PRODUCED BY SCHOOL STUDENTSSEE OVERlocal history, book, school, education, schools, st. thomas aquinas -
Port Melbourne Historical & Preservation Society
Book - Fold-out sketch of Port Melbourne foreshore, Arthur 'Ted' Powell, 2014
Artist sketchbook of Arthur "Ted" Powell created when he was a resident artist at Gasworks Arts Park. He left in August 2019Small black concertina artists sketchbook of the Port Melbourne foreshore from Lagoon Pier to Station Pier showing Pacific Pearl, Pacific jewel, Carnival Spirit and the Spirit of Tasmaniainside front cover signed by artist, Station Pier 4th November 2014. Pacific Pearl; Pacific jewel; Carnival Spirit; Spirit of Tasmaniaarts and entertainment - visual arts, arts and entertainment - community arts, arthur 'ted' powell, gasworks arts park -
Federation University Historical Collection
Work on paper - Compositions, sketches and studies from student folio, Edith Alice Watson, Composition of Form and Colour, 1930-1933
Edith (Alice) WATSON (1914–2010) Murtoa | Australia Alice Watson studied at the Ballarat Technical Art School (at the School of Mines, Ballarat) from 1930 until 1933. Watson sat several departmental exams, including drawing and painting plant forms from nature, lettering, Composition of Form and Colour and advanced General Design, as well as dressmaking and embossed leatherwork. Her folio applies many Australian native floral elements to design. Upon graduating, Watson taught at the Murtoa High School, living with her parents until their deaths in 1972 and 1988 when she was 74 years old. Alice Watson died in Ballarat, aged 95, having conserved her beautiful student folio, which was generously gifted to the Federation University permanent Historical Collection by the Watson family. commercial artSeven paintings undertaken by Edith Alice (Alice) Watson at the Ballarat Technical Art School, a division of the Ballarat School of Mines. ballarat technical art school, edith alice watson, ornament, flora, alumni, composition, composition of form and colour, general design, australian flora, light and shade, commercial art -
Mont De Lancey
Book, Edith F. Carey et al, The Channel Islands, 1924
An up-to-date account of The Channel Islands to sketch out the history of Jersey, Guernsey, Alderney and Sark, pointing out a few of the many legends and traditions associated with them, the storm and stress through which they have battled, some of the remnants of feudalism which they have managed to preserve, and certain conspicuous men and women who once lived in them. Mr Wimbush has painted them as they are - these delectable fragments of France.A blue self patterned hardcover non fiction book with the title printed in gold lettering: Channel Islands Edith. Carey (author), Henry Wimbush (illustrator) and the publisher A&C Black at the bottom.It has a damaged white paper dustjacket with the same information printed in blue lettering as well as a coloured illustration of The Sister Rocks, Alderney in a blue lined frame. The back of the jacket has a list of Books and Postcards on the Channel Islands with details and prices. There is an inscription on the right hand endpapers written in faded black ink. Opposite the tile page is a frontispiece coloured illustration of St. Peter-Port, Guernsey, from the Pool. There are several coloured illustrations throughout the book.p.226non-fictionAn up-to-date account of The Channel Islands to sketch out the history of Jersey, Guernsey, Alderney and Sark, pointing out a few of the many legends and traditions associated with them, the storm and stress through which they have battled, some of the remnants of feudalism which they have managed to preserve, and certain conspicuous men and women who once lived in them. Mr Wimbush has painted them as they are - these delectable fragments of France.travel books, books, channle islands, history -
Ballarat Heritage Services
Photograph - Map, A Sketch from Dalyrmples Map of 1767, 1767
Copy of a map showing the coast that was known during the voyge of the Endeavour, and the first map that marks Torres track.map, new holland, hollandia nova, isaac de graaff, new guinea, australia of the holy spirit, papua, new hebrides, new zealand, nuyts land, van dieman's land, tasman's track, torres -
Friends of Ballarat Botanical Gardens History Group
Work on paper - John Young McDonald 1837-1917. Sketch of his Life and Passenger Manifest, J.Y. McDonald, Benefactor, Ballarat Botanical Gardens
john garner collection, ballarat botanical gardens, gardens, ballarat, john young mcdonald, mcdonald, benefactor -
Ringwood RSL Sub-Branch
Work on paper - Montgomery picture sketch, Sketch
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Ringwood RSL Sub-Branch
Work on paper - Jungle soldier, Framed sketch
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Friends of Ballarat Botanical Gardens History Group
Print - Information on 3 statues in BBG Statue House, Summaries on Ruth, Rebekah and Susanna
Summaries on Ruth, Rebekah and Susanna, article possibly written by John Garner for a presentation.Useful thumbnail sketcheslarge print on white paperjohn garner collection, garner, dr, statues, ruth, rebekah, susanna, ballarat botanical gardens, ballarat, gardens -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Stoddart and Thomson, Ballarat's Statuary
Biographies of Stoddart and Thomson.Excellent thumbnail sketches of the 2 men.2 copies of a photocopy None and no date or reference.2 notable ballarat benefactors, ballarat's statuary, john garner collection, garner, dr, statues, stoddart, thomson, ballarat, gardens, ballarat botanical gardens -
Friends of Ballarat Botanical Gardens History Group
Work on paper - The First Curator, George LONGLEY'S Achievements Revisited by Stephanie de Boer, Wellingtonia Summer 2018-19 edition
George LONGLEY'S Achievements Revisited, Remembering Our Garden's Founder, by Stephanie de Boer, Wellingtonia Summer 2018-19 edition.This is a thumbnail sketch of the first curator of the Ballarat Botanical Gardens and his great contribution towards this Ballarat landmark and horticulture in Ballarat.One sheet of white paper with blue surround and a black and white photograph of George Longley in the top righthand corner.Nonejohn garner collection, garner, dr, longley, wellingtonia, founder, curator, ballarat botanical gardens, ballarat, gardens, george longley, ballarat horticultural society, baron von mueller. -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Frederick Moses Claxton 1832-1888, A Thumbnail Sketch of His Life and Work, Unknown
Claxton was recognized by his contemporaries as being largely responsible for the development of Lake Wendouree and the GardensThe Claxton Memorial was erected in 1890 by public subscription to acknowledge Claxton's work in the development of Lake Wendouree and the Gardens. 1 page, 1/3 of print.(5 copies)None.john garner, doctor, ballarat botanical gardens, lake wendouree, frederick moses claxton, philanthropist, claxton memorial fountain, claxton, john garner collection, gardens, ballarat