Output on Paper Roll Plaque ‘S.A. Burroughs/Paris. Made in France / Universel (sic) A.P. Series J/ Volts 240 AMP 0.2’

Document. Page from a newspaper with photographs of performances (Probably from a Competition). Includes photograph of Mr A J Hamilton (8). Black and White Photos.performing arts, elocution, newspaper clipping

Colour photograph of Reverend William J. Keane and Denise Keane at the baptism of their daughter Amanda Hope Keane. Grandfather Len Jackson also present."C&N 14/11/86 Amanda Hope Keane daughter of minister and his wife Wonthaggi"keane, william j., denise keane, amanda hope keane, len jackson, wonthaggi, uniting church minister

PHOTOGRAPH OF A CHAMPION LINCOLN RAM "DREADNOUGHT", MELBOURNE ROYAL AGRICULTURAL SHOW 1911, OWNED BY J R & A W CARTER, SCALE PARK, CLUNESlocal history, photography, photographs, carter family

Group of seven males outside Stabb Coach building premises. Pawsey G. W. indicated in front of Stabb Premises. Two photographic copies of a group of 7 males outside "J. H. STABB" Coach Building & Wheelwright, Stawell Coach Building. c 1916G.W. Pawsey written on print.stawell portrait business streetscape

Colour photograph 1958 Halls Gap Picnic Grounds Catherine Mitchell (nee Donovan), Horace J Mitchell, Florence Donovan (nee McFadden)Description on backtourism

Black and white print of Leslie J Chalmers (1887 - 1921), William Chalmers, Phyllis Veronica Chalmeres. & Martha Gordon Chalmers. (Photograph undated)chalmers, leslie, william, phyllis, martha

Used by Molly Myers in the 1950's - she lived in Blackburn and was mother to Judy Hall.Small light blue book with fruit basket, xxxxxx bottles and stick lady. Copy right by J. Fowler. Book has 148 pages.fruit, preserving, vegetables, molly myers, fowlers

Formal Dinner at Wangaratta, 20 June 1992, to farewell Colonel John Neale as Honorary Colonel 8/13 Victorian Mounted RiflesColour photograph of Sergeant J. Van bellkom and Warrant Officer Class 1 Peter Clarke at Formal Dinner, Wangaratta, 20 June 1992.vanbellkom, clarke, wangaratta

Colour digital images taken by W. J. Llewelyn of the former City of Ballaarat Town Clerk, Ian Smith in front of the Town Hall, c1980?trams, tramways, town hall, city of ballaarat

Australian Light Horse bit - 1902 pattern, made after 1904, by J.and J. Wiggin Ltd of Bloxwich, Stafford, UK. Est.1893.equipment, ww1, army

Map. Huntly. County of Bendigo. Wellsford. Bagshot. Nerring. Wirrakee. Sandhurst. Photo-lithographed at the Department of lands and Survey. Melbourne byW. J. Butson

Map. Elmore County of Bendigo. Diggorra. Burnewang. Ryunnymead. Egerton Photo-Lithographed at the Department of lands and Survey Melbourne, by W. J. Button. 4.7.18

Leather ticket holder containing two Victoria Racing Club lady's tickets for the 1906-1907 season, issued to Mrs L. J. Blyth.

Page 922 of Harper's Weekly (19 Sept. 1892), featuring an article by J. Parmly Paret, entitled: SCIENTIFIC TENNIS. Materials: Paper, Inktennis

John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) Black background with the white letters J G inscribed within a white rectangular border. The word Henry Moore featured in the bottom left corner.Nilkeith wingrove memorial trust, australian bookplate design awards, bookplate, printmaking

Given by Church to the donor in around 1995. Church is now a private residence. A marble plaque originally made for and installed in the Tarnagulla Church of England. Dedicated to the Rev. W. J. Banks who died aged 31 years.

High pressure Johnston Tremblay HOK pump. It was invented in about 1940 by Mr. J. Tremblay, fire-chief & director of public safety for Montreal forests commission victoria (fcv), bushfire, fire pump

Photograph showing the foundation stone unveiled by A.E.Lind M.L.A. and the Hon. Sir A. J. Peacock M.L.A.,Minister for Public Education. Lakes Entrance Victoriaschools, education

John BROWNLESS No 6317, 4th FAB. Refer Cat No 21 for his service details.Certificate of discharge from the AIF re J BROWNLESS 6317, medically unfit. Parchment paper, yellowed giving details of service during WWI.documents, military, certificates

Part of Collins Brother Collection. Depicts the Collins Bros Marnock Vale B cricket team who were premiers in 1929-30. R.E. Wheeler A. Wells C. Norton W.H. Stewart, Captain C.W. Ayling L. Pattie P.C. Barling / J. McHugh D.C. D'HelinCollins Bros Marnock Vale B Cricket team, premiers 1929-30.Collins Brothers / Marnock Vale B Cricket Team / Premiers 1929-30 / G. Morris, Delegate W. Crawford, Treasurer J.M. Jamieson, Secretary G. Lynch, Scorer) / N. A. Pattie C.H. Henry B.N.M. Collins R.W.L. Henry T.J.A. Stapleton K.G. McCaskill / R.E. Wheeler A. Wells C. Norton W.H. Stewart, Captain C.W. Ayling L. Pattie P.C. Barling / J. McHugh D.C. D'Helin Lockwood Studiostextile mills sporting teams, textile mills staff, collins bros mill pty ltd, sport, textile mills - sporting teams, textile mills - staff

J Davispencil sketch, unmounted good condition Original held SKHS

Joel Joel War Memorial (World War 1) with wreath pipe railing and row of trees in background. Black scratch on left of image.World war 1 memorialB/W. Photograph: of a sone plinth mounted on a three tiered base with fow ston coloumns connected by round steel bars. the is a wreath at the base with hte Army rising Sun.the Army rising Sun symbol. Joel Joel TO THE HONOR OF LIVING AN DTHE EVERLASTING GLORY OF THE DEAD WHO FOUGHT IN THE GREAT WAR. 1914 - 1919 FAITHFUL UNTIL DEATH J FRAMPTON, W.T. HALL, R. MOORE, C. McCOLLOUGH, C. MORPHETT, J. HICKEY, J ORMSTON. C.W ORMSTON, J CLARKE.shire, world war 1, ww1

This original letter was handwritten and dated 21 January 1884. The author is Eveline V. Carmichael, of 29 Montpellier Villa, Cheltenham. Eva Carmichael was the only woman survivor of the iron clipper LOCH ARD, which was wrecked on 1 June 1878, at the subsequently named Loch Ard Gorge near Port Campbell. The letter was written to Mr J Archibald, first curator of the Warrnambool Mechanics Institute Museum, and was in response to a letter he wrote to Miss Carmichael on 1 December 1883. A complete transcript of Eva’s letter is attached as a Hard Copy Supplementary File. The letter first addressed the subject of her reply. She writes, “Thank you very much for thinking of me with regard to the volume of Longfellows Poems that have been found by Mr HW Davis [at Loch Ard Gorge], the book is not mine, nor did it belong to any members of my family. We had a ‘Longfellows’, but our book had a green cover.” The rescued book is on display at Flagstaff Hill (541) and has a blue cover. Another interesting aspect to her letter is its reference to the only other survivor from the LOCH ARD. As a postscript she writes, “You will be glad to hear that Tom Pearce is now on board the HMS Solvent. I heard from him last month he wrote from the West-Indies and seemed well and in good spirits. I have not seen him since we parted in Melbourne. I believe he is to be married next year, or perhaps this, but I do not know the young lady.” Tom Pearce was the young, male, able seaman who had risked his life to save her. In the months after the shipwreck, an excited public press speculated of a romantic connection between the two survivors, but this was clearly not the case. HISTORY OF THE LOCH ARD The LOCH ARD belonged to the famous Loch Line which sailed many ships from England to Australia. Built in Glasgow by Barclay, Curdle and Co. in 1873, the LOCH ARD was a three-masted square rigged iron sailing ship. The ship measured 262ft 7" (79.87m) in length, 38ft (11.58m) in width, 23ft (7m) in depth and had a gross tonnage of 1693 tons. The LOCH ARD's main mast measured a massive 150ft (45.7m) in height. LOCH ARD made three trips to Australia and one trip to Calcutta before its final voyage. LOCH ARD left England on March 2, 1878, under the command of Captain Gibbs, a newly married, 29 year old. She was bound for Melbourne with a crew of 37, plus 17 passengers and a load of cargo. The general cargo reflected the affluence of Melbourne at the time. On board were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionary, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were items included that intended for display in the Melbourne International Exhibition in 1880. The voyage to Port Phillip was long but uneventful. At 3am on June 1, 1878, Captain Gibbs was expecting to see land and the passengers were becoming excited as they prepared to view their new homeland in the early morning. But LOCH ARD was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4am the fog lifted. A man aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head on into the wind, the ship lost momentum, the sails fell limp and LOCH ARD's bow swung back. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time LOCH ARD was among the breakers and the tall cliffs of Mutton Bird Island rose behind the ship. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves broke over the ship and the top deck was loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of LOCH ARD and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as LOCH ARD Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael had raced onto deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a state of exhaustion, he told the men of the tragedy. Tom returned to the gorge while the two men rode back to the station to get help. By the time they reached LOCH ARD Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland, this time by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the LOCH ARD disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. Ten days after the LOCH ARD tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of LOCH ARD still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some was washed up into what is now known as LOCH ARD Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton porcelain peacock - one of only nine in the world. The peacock was destined for the Melbourne International Exhibition in 1880. It had been well packed, which gave it adequate protection during the violent storm. Today, the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's most valuable shipwreck artefact and is one of very few 'objects' on the Victorian State Heritage Register. The LOCH ARD shipwreck is of State significance – Victorian Heritage Number S417 Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. A photocopy of a letter, handwritten in ink on both sides of 4 small sheets of thick, light blue paper. The letter is in neat cursive script. The writing originally covered 7 sides of the note paper and has been reproduced as 7 separate pages. It is dated 21 January 1884, five and a half years after the LOCH ARD shipwreck. The letter is from Eva Carmichael, one of only 2 survivors from that disaster, and is addressed to J. Archibald, first curator of the Warrnambool Mechanics Institute Museum. The copies include the reproduction of a typed index card which accompanies the original letter. The card states: “Photographic copy of the letter written by Eva Carmichael to Mr J Archibald, first Curator of the Warrnambool Museum. The original letter is kept with other documents, but the writing being on both sides of the note-paper it was not possible to read in its entireity when on display”.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, loch ard, survivor’s letter, eva carmichael, longfellow’s poems, warrnambool mechanics institute museum, joseph archibald, henry davis

The fire screen was part of the original furnishings of the Lighthouse Keeper's Quarters in Merri Street, Warrnambool. It was made by Lighthouse Keeper, Thomas Hope. Thomas served two terms as an assistant lighthouse keeper in Warrnambool. His first term was from 1905 to 1907. He later returned from 1910 to 1913, when he was appointed as Keeper five months after the untimely death of his predecessor Peter Quinn. Woodworking was one of Thomas Hope’s hobbies, and the three-panel fire screen he made as a lighthouse keeper is now in the Flagstaff collection and is displayed in the Lighthouse Keeper’s Cottage. Thomas Hope 1857 - 1928 Thomas James Hope was born in Camden, Surrey, England in 1857. His father, also called Thomas, was reputed to be a member of the Royal Family, and Thomas Hope Junior his illegitimate son. Thomas was subsequently brought up on the estate of the Earl of Hopetoun in Somerset and it was thought that Thomas was the Earl’s grandson. Against the wishes of those in charge of Thomas, he joined the navy at an early age, seeing much of the world until he settled in New Zealand at the age of twenty-four. After some years in New Zealand, he came to Australia to live. One of the jobs Thomas Hope had prior to becoming an assistant lighthouse keeper in 1896 was as a cook in the Lunatic Asylum at Sunbury, Victoria. He served as an assistant keeper at Shortlands Bluff, Gabo Island, Split Point and Warrnambool, retiring in 1918. He bought a house in Nicholson St, Warrnambool and died in March 1928. He is buried in the Warrnambool cemetery. Thomas Hope is recorded in family history as being of short stature and, not surprisingly given his alleged aristocratic connections, possessed a beautiful speaking voice. He and his wife Elizabeth nee Waters, whom he married in New Zealand, had six children (Thomas, killed in World War One), Ellen (Nell), Nora (who was married at the Warrnambool lighthouse keepers cottage), William (who died in Warrnambool), Marion and Alan. Joseph Hoover (Dec 29, 1830, to Aug 7, 1913) Joseph Hoover, the printer of the pictures on the screen, was born in Baltimore, of Swiss-German heritage. He was trained as an architectural woodturner. In 1856 Hoover moved to Philadelphia and began producing elaborate wooden frames in his wood-turning and framing business. By 1865 Hoover had started to produce popular prints for publishers and artists, which included noted Philadelphia artist James F. Queen. In the 1880s Hoover set up a complete plant specialising in chromatography, the process of producing colour prints from lithographic plates. The coloured prints he produced were affordable to business and private customers. In 1893 his son Henry L., a trained lithographer, joined the company as overseer and it was called J. Hoover & Son. It became one of the largest in America by the turn of the century. Hoover won a medal for Excellence for his Chromolithographs of James Queen’s works. In 1904 Joseph’s other son, Joseph W, joined the business as a partner and the company was called Jos. Hoover & Sons. Hoover died of a heart attack in 1913. He was survived by his wife and six children: two sons who were also his business partners, and four daughters. The firm continued in production until around 1985. Hoover’s prints included scenes, still life and landscapes of America and other locations. They were sold in America and overseas to countries including Canada, Germany, Mexico and England. The three-panelled screen in the Lighthouse Keeper’s Cottage was made by the Assistant Lighthouse Keeper, Thomas Hope during one of his two terms at the Lighthouse Keepers' Quarters. It is the only object in the collection known to be connected to Hope. The Lighthouse Keeper's Cottage is part of the Lady Bay Lighthouse Complex, which is listed on the Victorian Heritage Register for being of historical, scientific (technological) and architectural significance to the State of Victoria.Fire screen comprising three black wood framed panels hinged together. Each panel contains a glass-encased print depicting a rural landscape. Ornate stencil cut wood edging and quilt-inspired parquetry sits above each panel. The central panel is taller than those either side. Screen is lined in black-painted cardboard.Printed at the base of each of the three prints “COPYRIGHT 1896 BY J. HOOVER & SON, PHILAD’’A.”flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, firescreen, thomas hope junior, ellen (nell) hope, nora hope, william hope, marion hope, alan hope, jos. hoover & sons of philadelphia, lighthouse keeper, assistant lighthouse keeper, carved screen, merri street, lighthouse keeper's cottage, lighthouse residence, lighthouse, wood carving, lighthouse complex, lady bay lighthouse, fire screen

50th Anniversary of the end of WWII certificate issued to J B REID. Son of J B REID, Bruce Reid signature as Federal Member in 1995.Commemoration Certificate to recognize 50 years since end of WWII. Paper certificate, gold / khaki border, cream background with black print & coloured emblem.In the centre, emblem has words: “AUSTRALIA REMEMBERS 1945 - 1995” Bottom: “3 signatures”certificate, 50th, remembers