128.1 - Letter on Bendigo Branch of Electricity Supply Department of SEC letterhead, dated 3.12.1942 to W.Jack re seeking copy of information supplied to him by Mr. McShane. Signed T.H.McNaught, Manager. 128.2 - Envelope, addressed to W.Jack, cancelled Bendigo 30 Nov. 42, 2 1/2d machine stamp in red ink. Letter on printed letterhead with watermark. Letter and envelope typed. Envelope "Invicta Registered", made in Australia with SEC return address, bottom left hand corner.Signed in ink by "T.H.McNaught"trams, tramways, bendigo, sec

Frances Burke: Designer of Modern Textiles Australia’s most influential and celebrated textile designer of the mid-20th century, Frances Burke (1904-1994), employed Australian native flora, garden flowers, marine subjects, Indigenous culture and increasingly, abstract motifs in her stunning modern fabrics. A confident, determined designer and businesswoman; Burke made the shift from fine art to design in 1937. While she began by designing dress fabrics for Melbourne’s fashionable Georges Department store, printing them on linen using lino blocks, she was an early adopter of the screen-printing process and during the war years began printing on cotton. Burke’s furnishing fabrics took their place in influential modern buildings Australia-wide through collaborations with leading architects and interior designers. They included Robin Boyd’s 1949 House of Tomorrow, Roy Grounds’ Quamby flats, Guilford Bell’s Royal Hayman Island Resort for Ansett Airlines, and Yuncken, Freeman Brothers, Griffiths and Simpson’s Canberra Civic Centre Theatre. In the post-war period, Burke made regular trips to the United States and Europe, on her return advising homeowners and manufacturers on the latest trends in products, colours and home design in lectures and interviews. At New Design her fabric showroom and interior design consultancy Burke introduced furniture by emerging designers Clement Meadmore and Grant Featherston in the early 1950s and presented local and imported homewares, mostly from the United States. She was enthusiastic about the convenient and comfortable lifestyle experienced by ordinary American women. Her fabrics and advice were regularly featured in Australian Home Beautiful, Australian House and Garden and the newspapers of the day. Some of Burke’s designs had remarkable longevity. Tiger Stripe (1938) for example, continued to be produced in a wide range of colours until 1970 and Crete (1946) remained a popular choice for interiors into the 1960s. Drawing from a rich variety of sources including Indigenous culture in Goanna (c.1954) and Pacific Island tapa cloth designs in Bird and Tree (1940), Burke also looked to Japan in designs such as Plum Blossom (1948) and Zen (1965). She loved exploring the potential of native flora, seen in designs including Waratah (1955) and Flannel Flower (1955), while garden flowers were the source for many other designs including Belladonna (1940), Periwinkle (n.d.) and Rose (1947). Burke’s clever interplay of a single striking printed colour with lively gestural lines revealing the white base fabric, gave her designs a vibrancy that characterised the optimistic post-war era. This can be seen in Burke’s fabrics for Hayman Island including Angel Fish and Seapiece (both 1949) which expressed the freshness and excitement of the luxurious new tropical resort and led to further commissions. Burke’s three decades in business (1937-1970) were an unparalleled success in the story of Australian design. Her fabrics have been collected by the NGA, the Powerhouse Museum, NGV, RMIT Design Archives and Sydney Living Museums in addition to Ararat Gallery TAMA. Written by Nanette Carter and Robyn Oswald-Jacobs.

An Ellsworth Vines Match Play tennis racquet. Wilson logo, with winged tennis ball emblem features on the throat. Decal head and neck image of Vines features on stem. Butt cover features 'IT'S A WILSON' logo. Racquet features plain leather handle grip. Engraved on right side of handle is: ORREN W. HYMAN DELTA SIGMA. Materials: Wood, Nylon, Plastic, Ink, Leather, Metal, Glue, Lacquer, Paint, String, Adhesive tapetennis

An Ellsworth Vines Blue Ace tennis racquet. Decal head and neck image of Vines features on throat. Racquet features perforated leather handle grip. Inscription along left side of stem: WILSON SPORTING GOODS CO./MADE IN U.S.A. Scratched name, 'FRANK' features along stem on obverse. Materials: Wood, Plastic, Ink, Leather, Metal, Glue, Lacquer, Paint, Adhesive tapetennis

An Eleanor Tennant, Tennant Jr. tennis racquet. Decal of Tennant trademark features on throat. Butt cover features the 'IT'S A WILSON' logo. Materials: Wood, Gut, String, Ink, Leather, Metal, Glue, Lacquer, Painttennis

A Wilson, English Type Squire racquet, with Wilson patented leather handle grip, and slender, rounded stem. Inscription along right side of stem: PRIDE OF CRAFTSMANSHIP AND FINEST/MATERIALS CREATED THIS SUPERB RACKET. Materials: Wood, Gut, Ink, Leather, Metal, Glue, Lacquer, Paint, Plastic, Adhesive tapetennis

A Wilson Famous Player Series, Don Budge Super Stroke tennis racquet. Shaft features a decal head and neck illustration of Budge. base of head features Wilson logo in banner device behind 'W' trademark. Leather handle grip features four-leaf clover perforations. Materials: Wood, Nylon, Leather, Adhesive tape, Ink, Glue, Lacquer, Metal, Plastic, Painttennis

A Wilson Famous Player Series, Don Budge Super Stroke tennis racquet. Shaft features a decal head and neck illustration of Budge. Base of head features Wilson logo in banner device behind 'W' trademark. Leather handle grip features four-leaf clover perforations. Materials: Wood, Nylon, Leather, Adhesive tape, Ink, Glue, Lacquer, Metal, Plastic, Paint, Stringtennis

A Wilson, Don Budge Finalist tennis racquet. Shaft features a decal head and neck illustration of Budge. Base of head features Wilson logo.. Leather handle grip features four-leaf clover perforations. Butt cover features 'W' trademark. Materials: Wood, Nylon, Leather, Adhesive tape, Ink, Glue, Lacquer, Metal, Ribbon, Paint, Stringtennis

A Wilson, Alice Marble Invincible tennis racquet. Base of head features Wilson logo. Throat features decal of Wilson 'W' trademark, with interweaved ribbon device. Shaft features decal illustration of Marble in action pose, receiving the ball. Leather handle grip features four-leaf clover perforations. Butt cover features logo: IT'S A/WILSON. Materials: Wood, Nylon, Leather, Adhesive tape, Ink, Glue, Lacquer, Metal, String, Painttennis

An empty Dunlop Perdriau Rubber Co. (Australia) tennis balls box. Printed on lid: 'ADOPTED 1940 AUSTRALIAN CHAMPIONSHIPS'. Materials: Ink, Cardboard, Papertennis

A 20-page booklet entitled: HOW TO HIT/THE FASTEST/DRIVE IN/TENNIS! Written by Walter Senior. Materials: Paper, Ink, Metaltennis

In August 1940, 13th Light Horse (Gippsland) converted from horse to mechanised initially as 13th Motor Regiment then 13th Armoured Regiment. Trained in Victoria and as the Japanese threat to the mainland declined the regiment was disbanded in October 1943.This object is well provenance and, in its condition and completeness, is a fine example of unusual headgear worn by Australian armoured corps soldiers in World War 2 (39-45).Khaki heavy cloth beret with 'Rising Sun' badge and 13th Armoured Regiment colour patch.beret, 13th armoured regiment

In December 1941, 20th Light Horse (Victorian Mounted Rifles) converted from horse to mechanised initially as 20th Motor Regiment. In 1943 redesignated 20th Pioneer Battalion and deployed to Merauke, Dutch New Guinea. The regiment was disbanded at the end of the war, 1945. 20th Light Horse was the only one of the pre-war light horse regiments to serve overseas in WWII.This object is well provenance and, in its condition and completeness, is a fine example of unusual headgear worn by Australian armoured corps soldiers in World War 2 (39-45).Khaki heavy cloth beret with 'Rising Sun' badge and 20th Motor Regiment colour patch.beret, 20th light horse, 20th motor regiment

the contribution of the RAAF to WWIIKhaki greenWings on bottom of hardcover

"Soldiering On" continues the practise of the soldiers contributing to the development of the bookred coloured hard cover non-fiction bookwater damage to pages

Written and prepared by serving personnel of the RANwritten by serving RAN personnelhard cover book with cartoons, drawings and photos

Alan Tangey IIIstawell education

Date is approximate. His full name was William John Willaton - Service Number - VX68674 : Date of birth - 20 Mar 1909 : Place of birth - SURREY HILLS VIC : Place of enlistment - CAULFIELD VIC : Next of Kin - MURIEL WILLATON He was the son of Herbert Charles Leopold Willaton and Lily Jenkins and had a sister Lille Louise (Lil) who taught callisthenics and dance in Surrey Hills. Photo references also in this collection. Bill married Muriel Pearl Blake in 1935 and they lived at 18 Grovedale Road. He died Heidelberg in 1972. Bill was a driver (carter) for C E Gray & Son, bakers of Canterbury during the 1930's also recorded in this collection.Black and white photo of Bill Willaton in army uniform including a slouch hat. He is standing with his arms behind his back in front of a fairly young deciduous tree beyond which is a boundary fence and a timber building with a tiled roof. A child's pedal-car can be seen adjacent to the house of the garden. world war, 1939-1945, uniforms, william john willaton, bill willaton,

1. Women of Australia medal issued in World War 2 2.Relatives of J.F.Kemp1. Silver medal with bar, crown on top, 'To the women of Australia' around the edge, bronze star on bar. 2. Gold medal with coat of arms, 2 rifles, crown on top1. No 101032 Angus and Coote 942 on back 2. 'Presented by the citizens of Port Fairy to relations of J.F.Kemp who made the supreme sacrifice Great War 1914-18'local history, numismatics, medals - commemorative

It is possible that E.M. Gibson left these photographs at the College when she retired from teaching there. Photographs relate to her work in designing new planting around the Administration Building and a general record of what the whole site looked like during this time. Various numbering systems have been used on reverse of photographs but the most consistent one has been used for cataloguing and sorting. These photographs include some of the missing ones from Series 1, 2, 4, 6 and 76 in B09.0005 and are the same as those in the negatives B09.0001. Possibly one person (J.L. Provan?) has taken the photographs and E.M. Gibson has picked out the ones she wanted. See B09.0005 for slides that have been made of these photographsCollection of black and white photographs stored in a photograph album with plastic pockets. These have been removed and replaced in archival album. Handwritten description attached in T.H. Kneen's writing identifying some of the photographs. Also his handwriting on reverse of many of the photographs. Identified as THK in catalogue. Some photographs have descriptions handwritten on reverse in different handwriting presumed to be that of E.M. Gibson. Identified in catalogue as EMG.See separate cataloguet.h. kneen, e.m. gibson, teacher, administration building, j.l. provan, rock point, luffmann ponds, lily ponds, entrance, garden views, hilda kirkhope rockery, sequioa sempervirens, orchard border, orchard, students working outside