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matching museums australia victoria
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Clunes Museum
Book, ANNIE MARTIN, Home Life on an Ostrich Farm, 1890
IN THE YEAR 1881, HAVING OUR NATIVE LAND WRAPPED IN THE COLD FOGS OF NOVEMBER, MY HUSBAND AND I START FOR SOUTH AFRICA: WHERE IT WAS THE INTENTION OF FORMER TO RESUME THE OCCUPATION OF OSTRICH-FARMING...HARADCOVER BOOK WITH GEOMETRIC DESIGN PANEL ON FRONT COVER IN CREAM AND BROWN COLOUR 288 PAGESnon-fictionIN THE YEAR 1881, HAVING OUR NATIVE LAND WRAPPED IN THE COLD FOGS OF NOVEMBER, MY HUSBAND AND I START FOR SOUTH AFRICA: WHERE IT WAS THE INTENTION OF FORMER TO RESUME THE OCCUPATION OF OSTRICH-FARMING...rivett bland, clunes free lending library -
Clunes Museum
Functional object - SPECTACLES
Spectacles were found under the floor boards of a shop in Fraser Street, Clunes, Victoria, Australia, second shop from Service Street corner, at one time it was Haywoods chemist shop.Pair of old style black framed spectaclesspectacles, eye glasses -
Clunes Museum
Print - FRAMED PRINT, BREAKING THE NEWS, 1887
THE NEW PRINT OF CLUNES MOST FAMOUS PAINTING 'BRAKING THE NEWS'BY SIR JOHN LONGSTAFF WAS PRESENTED TO CLUNES MUSEUM BY EUGENE SCHLUSSER ON AUGUST 13TH 2009 AS A GIFT AND A THANK YOU. EUGENE SCHLUSSER AN INDEPENDENT FILM MAKER MADE A SUCCESSFUL SHORT FILM ABOUT CLUNES 'CLUNES GOLD'FOR THE 150TH CELEBRATIONS OF THE FIRST GOLD DISCOVERY IN VICTORIA IN 2001.FRAMED PRINT OF JOHN LONGSTAFF'S PAINTING OF ''BREAKING THE NEWS - SUPPLEMENTARY, PRESENTED TO CLUNES MUSEUM BY EUGENE SCHLUSSER AUGUST 13, 2009(BOTTOM LH CORNER) JOHNLlONGSTAFF (1862-1941) AUSTRALIA, "BREAKING THE NEWS" OIL ON CANVAS 109.7 X 152.8 CM STATE COLLECTION, ART GALLERY OF WESTERN AUSTRALIA. ACQUIRED WITH FUNDS FROM THE HACKETT BEQUEST 1933local history, illustration, prints, longstaff, sir john -
Clunes Museum
Book, CASTLEMAIN MAIL, THE PENNYWEIGHT KIDS 1852 - 1857, 1988
SMALL VOLUME RELATING TO DEATH OF CHILDREN ON THE GOLDFIELDS AT FOREST CREEK, VICTORIA, 1852-1857YELLOW COVER WITH IMAGES DRAWN IN BLACK INK BY THE AUTHOR, OF A SET OF GOLD SCALES, A MAN WASHING GRAVEL THROUGH A CRADLE FOR GOLD AND A WOMENT LOOKING OVER A CHILD'S CRADLEnon-fictionSMALL VOLUME RELATING TO DEATH OF CHILDREN ON THE GOLDFIELDS AT FOREST CREEK, VICTORIA, 1852-1857local history, book, forest creek victoria australia, children on the golddfields -
Clunes Museum
Ephemera - CALENDAR, NATIONAL AUSTRALIA BANK, AUSTRALIANS AT WORK 1835 - 1930, 1991
EACH MONTH HAS A REPRODUCTION OF A DIFFERENT PAINTING BY AUSRALIAN ARTISTS INCLUDING A COPY OF EDWIN STOCQUELER'S WORK OF AUSTRALIAN GOLD DIGGERS CA 1855 NOTABLY, JAMES ESMOND IS REFERRED TO AS THE FINDER OF GOLD AT CLUNES, VICTORIA IN 1855NATIONAL AUSTRALIA BANK CALENDAR 1991local history, document, calendar -
Clunes Museum
Document - CALENDAR/ALMANAC
CALENDAR PUBLISHED AND DISTRIBUTED BY DEIDRE AND GEOFF CHESTNEY REDESDALE VICTORIA TO BENEFIT OF NATIONAL TRUST OF AUSTRALIA [VICTORIA] PHOTOGRAPHS SUPPLIED COURTESYHISTORICAL SOCIETIES AND MUSEUM IN VICTORIAlocal history, document, almanac -
Clunes Museum
Document, THE HISTORY OF GOLDFIELDS COTTAGE, CIRCA 1852
THE ORIGINAL OWNER ROBERT SURRIDGE BUILT THE COTTAGE AND WHEN HIS WIFE JANE DIED THEIR DAUGHTER LAURA WITH HER HUSBAND JOHN LIVED IN THE COTTAGE WITH THEIR DAUGHTERS.A DOCUMENT LISTING THE OWNERS OF THE GOLDFIELDS COTTAGE IN CLUNES, VICTORIA, AUSTRALIA 2 PAGESsurridge family, goldfields cottage clunes -
Clunes Museum
Document - CORRESPONDENCE, 18/02/1971
.1 CORRESPONDENCE FROM GOVERNMENT OF VICTORIA, MINSTRY OF TOURISM, A.C. ANDERSON, ACTING DIRECTOR OF TOURISM, TO MR. TOM EVANS M.P., PARLIAMENT HOUSE, MELBOURNE DATED 18TH FEBRUARY 1971 - RE - SUBSIDY FOR TOURISM BROCHURES FOR THE CENTRAL HIGHLANDS REGION OF VICTORIA, AUSTRALIA. .2 CORRESPONDENCE FROM PARLIAMENT OF VICTORIA, A.T. EVANS, M.L.A. TO MR. R. PRYOR, SHIRE SECRETARY, SHIRE OF TALBOT AND CLUNES, DATED 24TH FEBRUARY, 1971 RE - SUBSIDY FOR TOURISM BROCHURElocal history, government, state government, clunes tourism -
Clunes Museum
Photograph
PHOTOGRAPH OF FIRE BRIGADE VOLUNTEERS & BAND TAKEN IN FRASER STREET, CLUNES. SHOPS IN BACKGROUND- RED BOOT, L.HYMAN,SOUTH WARD &SUMPTION, GROCERS..1 TWO LARGE COPIES OF PHOTOGRAPH OF CLUNES VOLUNTEER FIRE BRIGADE ABOUT 1868 .2 SMALL COPIES OF THE FIRE BRIGADE .3 SMALL ORIGINAL PHOTOGRAPH OF THE CLUNES FIRE BRIGADE IN FRONT OF SOUTHWARDS & SUMPTON, WHOLESALE FAMILY GROCERS, AND RED BOOT.1 CLUNES VOLUNTEER FIRE BRIGADE. ABOUT 1868 .3 ON BACK CLUNES FIRE BRIGADE SHIRE OF TALBOT AND CLUNES VICTORIA AUSTRALIAlocal history, photography, photographs, shops, red boot shop, south ward & sumption wholesale family grocers., fire brigade -
Clunes Museum
Memorabilia - WINE GLASS, 2000
ON JANUARY 24TH 2000, WINE SERVED IN GLASS AT INAUGURAL COLOMA DAY AT TWILIGHT GARDEN PARTY HELD IN THE GARDENS OF KEEBLES OF CLUNES GUESTHOUSE, 114 BAILEY STREET, CLUNES. AMERICAN CONSUL GENERAL MR. DAVID LYON AND HIS WIFE MAUREEN WERE GUESTS OF HONOUR. 160 GUESTS ATTENDED.1 X WINE GLASS - GOLD LETTERING DESIGNED FOR PRESENTATION AT FIRST COLOMA DAY AT CLUNES, VICTORIA, AUSTRALIA. JANUARY, 24 AMERICAN FLAG.COLOMA DAY AT CLUNES VICTORIA AUSTRALIA 24 JANUARY, 2000.trophies and awards, events and celebrations, coloma day, wine glass -
Clunes Museum
Document - TIDY TOWN APPLICATION, CLUNES TIDY TOWN COMMITTEE, CLUNES TIDY TOWNS 1989, 1989
WRITTEN APPLICATION TO TIDY TOWNS VICTORIA FOR CLUNES TO BE CLASSIFIED AND RECOGNISED AS A TIDY TOWN FOR 1989TWO COPIES OF A PLASTIC FOLDER CONTAINING COLLECTION POSTERS, PHOTOGRAPHS, ITINERARY ETC. FOR CLUNES TIDY TOWNS 1989non-fictionWRITTEN APPLICATION TO TIDY TOWNS VICTORIA FOR CLUNES TO BE CLASSIFIED AND RECOGNISED AS A TIDY TOWN FOR 1989local history, document, events and celebrations, tidy towns victoria australia -
Clunes Museum
Book, BERRY ANDERSON & CO. PTY. LTD BALLARAT, CLUNES 1839 - 1972, ITS HISTORY AND ITS ORGANISATIONS, 1972
CLUNES HISTORY AND IT'S ORGANISATIONS FROM 1839-1972TWO PAPERBACK, BOUND COPIES OF THIS BOOK. WHITE COVER WITH A COLOURED PHOTOGRAPH OF CLUNES TAKEN BY REV. I W LITTLER. BLACK AND WHITE PHOTOGRAPHS THROUGHOUT TAKEN BY F.C. WEICKHARDTnon-fictionCLUNES HISTORY AND IT'S ORGANISATIONS FROM 1839-1972local history, document, history -
Clunes Museum
Photograph, BARDWELL PHOTO BALLARAT
SEPIA PHOTOGRAPH OF WELL DRESSED MALE SITTING ON A CHAIR, JAMES Y. WILSON. AGENT UNION BANK OF AUSTRALIA, CLUNES.HAND WRITTEN IN INK - JAMES YELVERN WILSON AGENT UNION BANK OF AUSTRALIA CLUNES VICTORIA AUSTRALIA.photographs, bicycle riders, all nations hotel -
Clunes Museum
Book, AUSTRALIA POST, HISTORY OF THE POSTAL SERVICE IN VICTORIA, 1984
MELBURNE'S EARLY POSTMASTERS DID NOT STAY LONG. POOR REMUNERATION AND WORKING CONDITIONS PERHAPS HAD A LOT TO DO WITH THEIR HASTY RESIGNATIONSSMALL BOOK WITH AN IMAGE OF A CARRIAGE AND FOUR HORSEDS FRAMED ON THE FRONT COVER DETAILS THE HISTORY OF THE POSTAL SERVICE IN VICTORIA FROM 1837, 125 PAGESnon-fictionMELBURNE'S EARLY POSTMASTERS DID NOT STAY LONG. POOR REMUNERATION AND WORKING CONDITIONS PERHAPS HAD A LOT TO DO WITH THEIR HASTY RESIGNATIONSlocal history, book, history, australia post -
Clunes Museum
Financial record - BANK BOOKS, 1893 1929
.1 SMALL GREEN/GREY BANK BOOK, STATE SAVINGS BANK OF VICTORIA, CLUNES. CLUNES LADIES - BENEVOLENT SOCIETY 1929. .2 SMALL DARK BLUE BANK BOOK, THE UNION BANK OF AUSTRALIA LIMITED, CLUNES LADIES BENELOVENT SOCIETY ACCOUNT 1893 - 1905state savings bank clunes, union bank clunes, ladies benevolent fund clunes -
Duldig Studio museum + sculpture garden
Sculpture, Karl Duldig, Mask by Karl Duldig 1921, 1921
Karl Duldig carved this marble sculpture of a mask in the Vienna Kunstgewerbeschule (School of Applied Arts) in 1921. His teacher, Anton Hanak, the Professor of Sculpture at the School, encouraged him to carve directly into the stone. It was an accomplished work for the 19 year-old student and was selected by Hanak to represent the students of the School at the Deutschen Gewerbeschau (German Applied Art exhibition) in Munich in 1922, an early accolade for the young artist. The sculpture and another Kneeling Nude were reproduced in the journal Deustche Kunst and Dekoration in 1923-24 in an article on the Hanak-Klasse. In 2011 Mask was exhibited in the National Gallery of Victoria exhibition Vienna: Art and Design. The sculpture is one of ten substantial sculptures in marble and stone, and a larger group terracotta sculptures and masks, portrait busts and small stone sculptures created by Karl Duldig in Vienna that are held in the Museum collection. These art works are complemented by an archive of contemporary documents including letters, photographs, documents and ephemera. In 1938 Duldig’s Viennese sculptures were sent to Paris in 1938 for a proposed exhibition, and were hidden in Paris by Slawa Duldig’s sister Rella, throughout the Second World War, and arrived in Australia post-war over 5 decades. Karl Duldig was a student of the Kunstgewerbeschule from 1921 until 1925, and then attended the Akademie Der Bildenden Künste (Academy of Fine Arts) from 1929 until 1933. He was accepted into the Professor Josef Mullner’s “Meisterschule” at the Academy of Fine Arts from 1929 until 1933. His teacher at the Kunstgwerebeschule was Austria’s foremost contemporary sculptor Anton Hanak, and he was a formative influence on Duldig’s work. Hanak had been a member of Viennese Secession, and worked with Josef Hoffman on architectural commissions prior to the First World War. Hanak shared both his love of the expressive quality of materials and a humanist vision with his students. Various writers have written about Duldig’s interest in masks. His interest may have been stimulated by his classical education, the Greek and Roman antiquities in the Kunsthistoriches Museum in Vienna, or the ethnological collections in Vienna’s Museum of Ethnology (now known as the Weltmuseum). The mask was a motif explored by expressionist and cubist artists whose work was exhibited at the Vienna Secession. Duldig would have been familiar with the psychological investigations of the neurologist and founder of psychoanalysis Sigmund Freud, who established his practice in Vienna. In the Duldig Studio library, Duldig’s keen interest in the arts of a myriad of visual cultures is apparent. Of particular note are two well-thumbed copies Rudolf Utzinger’s, Masken, published by Ernst Wasmuth in Berlin in 1923, depicting masks from around the world. It is likely that a multitude of influences were at play. Slawa Duldig also worked with this motif, and also carved a smaller mask in Salzburg marble as well as a remarkable mask in clay, and these are held in the collection. Ann Carew 2016The Mask has national and international aesthetic significance. It is one of the earliest works by Karl Duldig in the Studio collection, and is a subject that he would continue to explore throughout his working life. The sculpture demonstrates a high degree of technical skill and mastery at an early age. It is evidence of Duldig’s engagement with the art of his peers during this period – the mask is a motif that inspired contemporary expressionist and cubist artists. It also demonstrates his interests in portraiture, human psychology, and the creation of identity and transformation of personalities. The Mask also provides an important link to the studio practice in the Vienna Kunstgwerbeschule, the teaching of Anton Hanak, and the program of international art exhibitions in Europe during the period. It is also of historical significance: the story of its survival and eventual recovery provides a counterpoint to the story of the Nazis’ confiscation of art during the Second World War. Ann Carew 2016Carving in Salzburg Marble. Holes for eyes and mouth cut through the block. Highly polished finish at front contrasting with rough finish at back and stylised curled hair. Marble base separate (75 x 275 x 198, wt 9000) and added later by artist. Karl Duldig 1921 incised on back -
Nillumbik Shire Council
Drawing (Pastel): Nicholas Nedelkopoulos (b.1955 Melb, AUS), Nicholas Nedelkopoulos, The Sneeze, 1995
Nicholas Nedelkopoulos is an established artist, his work is represented in the Metropolitan Museum of Art, New York, the National Gallery of Australia and in numerous International and Australian Public and Private Collections. His work has been included in major historic exhibitions: the National Gallery of Australia's Federation touring exhibition, The Australian Bicentennial Folio and Victoria's 150th Anniversary exhibition curated at The State Library of Victoria and National Gallery of Victoria. He has a Diploma of Fine Arts from Victorian College of the Arts, a Master of Fine Art from the University of Melbourne (Victorian College of the Arts) and has a Doctorate from Monash University. Nedelkopoulos' work is based strongly in graphic tradition which can be seen throughout all of his media.'The Sneeze' alludes to a feverish response, an irritation, a period of temporary discomfort, or a sign of sickness. On a visit to Eltham in 1995 Nedelkopoulos became aware of the disquiet felt by many residents because local government was not in the hands of elected representatives. 'The Sneeze' is an allegorical work, which serves as a reminder of this period in our municipal history. Nedelkopoulos has constructed an environment similar to a theatre set in which every element is a symbol to be deciphered. Whether you read the red-nosed figure as democracy being challenged by the political circumstance, as representing the unelected commissioners surrounded by the criticism of the community, or as another player in the story, to unravel the meaning of individual elements will provide direction and add weight to your interpretation. Without knowledge of the artist's intention the work can convey quite straightforward messages and responses. For example, the misery of hayfever in Spring, or how germs spread from a single sneeze. Such ideas are relevant and provide the metaphoric basis for a more in-depth analysis.Pastel drawing on paper. Image depicts a small black figure with a small monkey on a lead. The figure has a red nose to which he is holding a tissue. He is walking through what appears to be a flowering forest.nedelkopoulos, the sneeze -
National Wool Museum
Animal specimen - Taxidermy Merino Sheep
A 45kg Spanish Merino from Mt Bute at Linton, Victoria. It is a descendant of the original Spanish Merino brought to Australia by John MacArthur in 1797. John and Elizabeth MacArthur undertook breeding experiments at Camden Park, Parramatta, crossing the Spanish Merino with Bengal and Irish sheep already in the Colony. The resultant merino became the foundation of Australias sheep industry. Although of little commercial value, the Mt Bute station has ensured the survival of the Camden bloodline.Taxidermy figure of a Spanish merino ram on display in Gallery 1. Ram has curved horns and is mounted with crooked front legs.sheep, taxidermy, spanish merino, irish sheep, camden, mt bute station -
National Wool Museum
WWI and WWII Knitting books, Australian red Cross, Australian Red Cross Society Knitting Book and Australian Comforts Fund Guide to Knitting, Early 20th Century
Knitting Books provided by The Red Cross for women to contribute to the war effort by knitting garments for soldiers to stay warm. Second booklet also contains a list of donations accepted such as tinned food.Green Folder containing three knitting books. Knitting pattern for wounded soldiers or soldiers currently serving eg air pilots neck muff, airmens wollen gloves and bed socks. Newspaper clipping about knitting.On outside green folder " L.A Anderson, Sutherland's Creek." First Booklet. " Australian Red Cross Society Knitting Book" Second Booklet. " Australian Comforts Fund Victorian Division Guide to Knitting" Index of knitting patterns. Third Booklet. "Red Cross Society Australian Branch"wwi, wwii, australian red cross, red cross society, australian comforts fund, knitting, knitting patterns, victoria -
National Wool Museum
The Australian Estates Company Ltd. Coat of Arm Certificate
May have been given to The Australian Estates Company in the 1970's when sold to CSR or Elders.Bronze framed certificate coat of arms with smaller frame below explaining coat of arms.The shield shows the Southern Cross (being the Arms of Victoria) but on a white background to indicate wool and to avoid being identical with the Victoria Arms (which have a blue background). The inner shield shows the conventional way of indicating estates with green and gold squares. The sword is the sword of St Paul, indicating the London activities of the company. The Shorthorn Bull and Merino Ram explain themselves, as does the sugar cane. The helmet and decoration above are conventional, green and gold being chosen to indicate land and the wealth derived therefrom. -
National Wool Museum
Certificate
Certificate commemorating The Geelong Wool Sales at the National Wool Centre 1995 durring which Aoki International paid 1,030,000 cents per kilogram for 13.8 micron wool. Wool was grown by the Appledore Family at Brim Victoria. Aoki International purchased the wool through their agets G.H. Michell & Sons (Australia) Pty. Ltd. Relates to Million Dollar Wool Bale on display in Gallery OneTimber framed certificate with gold inlay and glass covering. Certificate is cream coloured paper with gold printed text and decorative boarder. Hand Signed by K.L. Jackson on bottom left corner. Back of the frame has a horizontal hanging string -
National Wool Museum
Certificate
Diploma for Gold Medal won by John Baker for best Lincoln Wool in show at the Earls Court Greater Britain Exhibition, London, 1899. John Baker owned a Lincoln sheep stud with 300 ewes and rams in Pomborneit, Victoria. The property was named Lakeside and the stud was Flock No. 5 in the first Flock Book of British Breed Sheep published in 1898. Lakeside rams and ewes were awarded Champion Ram and Ewe at the Sydney Show in 1892. By 1919 Lakeside was the largest registered Lincoln stud in Australia. The stud was dispersed in 1925.Brown timber frame with glass covering at front. Pale gold timber framed paper certificate inside. Certificate has a painting of a man being drawn by four horses beneath and arch with more people in the background and a tall ship. Front foreground depicts three men, one carrying a tray of food, another with a tray of gold and a third shearing a sheep. There is an embossed gold medal on the right centre of the page.EARL'S COURT, LONDON. 1899 GREATER BRITAIN EXHIBITION DIPLOMA FOR GOLD MEDAL AWARDED TO Mr J Baker FOR Wool, pure Lincoln BY THE LONDON EXHIBITIONS LIMITED DIRECTOR GENERAL. CHAIRMAN WEINERS LTD LONDON N.W -
National Wool Museum
Quilt, Ms Suzanne Reid, Klimt Print #2, 2017
Called "Klimt Print #2". Winning quilt in the 2017 Expressions Wool Quilt Prize Statement: "Every finger print is unique just as the art of Gustav Klimt is unique leaving an imprint for us which only he could leave." Art Quilt Australia 2017, held at the Queen Victoria Art Gallery (Royal Park location) Launceston, Tasmania, includes the 2017 winners of the prestigious Expressions Wool Quilt Prize (sponsored by the National Wool Museum) and the OZQN Award of ExcellenceWhole cloth painted quilt, hand wool embroidery, wool thread and metallic thread quilting.Klimt Print #2 Sue Reid -
National Wool Museum
Rug, The Egyptian
A rug designed to celebrate the exhibition of Egyptian art 'Life & Death Under the Pharaohs' from 'The National Museum of Antiquities' in Leiden, The Netherlands. It was made onsite at the National Wool Museum on the 1910 Axeminister loom. The rug was gifted to Brintons Carpets in 1999 as a gesture of thanks along with framed photographs and a certificate of authenticity.W7185 'The Egyptian' Rug Photograph of the wool bobbins on the loom Photograph of the wool bobbins on the loom Photograph of design being prepared for loom Photograph of design being prepared for loom Photograph of design being prepared for loom Photograph of rug being manufactured. Photograph of rug being manufactured. Photograph of rug being manufactured. National Wool Museum Catalogue Worksheet for W7185 page 1 National Wool Museum Catalogue Worksheet for W7185 page 2 Page 1 of a history of Brintons Carpets. Page 2 of a history of Brintons Carpets. A list of catalogues/items in the Brintons Collection donated after closure of Fellmongers Road factory in July 2008.furnishing textile industry, brintons australia pty ltd, carpet, geelong, victoria, furnishing, textile industry -
National Wool Museum
Picture
The object was presented to Brintons Carpets in 1999 as a thankyou gift for ongoing support along with one 'The Egyptian' Rug.W7186 Page 1 of a history of Brintons Carpets. Page 2 of a history of Brintons Carpets. A list of catalogues/items in the Brintons Collection donated after closure of Fellmongers Road factory in July 2008.To all at Brintons Carpets to thank you for your ongoing support of the National Wool Museum February 1999 E.Triarico Curator Michael Jerinic Old Weaver Andrew Moritz Director Bill Vos x Brintons Weaver 1960 Annette Welkamp Pharaohs Project Manager National Wool Museum Rug The Egyptian A unique wool rich product Certificate of Authencity This is to certify that Brintons Carpets is the owner of a National Wool Museum Limited Edition Rug No. 106.national wool museum brintons australia pty ltd, triarico, ms elizabeth - national wool museum moritz, mr andrew - national wool museum, geelong, victoria -
National Wool Museum
Card, Design
The template is design no. 4/8280 designed for Brintons Australia. The object was acquired after the closure of the Brintons Geelong factory.W7187.1 W7187.2 Page 1 of a history of Brintons Carpets. Page 2 of a history of Brintons Carpets. A list of catalogues/items in the Brintons Collection donated after closure of Fellmongers Road factory in July 2008.4/8280 Not to be used for 14/8280 4/8280furnishing, brintons australia pty ltd brintons pty ltd (geelong), carpet, geelong, victoria -
National Wool Museum
Photograph
An early photograph of Brintons factory on Fellmongers Road. Hung in premise until closure in 2008.W7200 Page 1 of a history of Brintons Carpets. Page 2 of a history of Brintons Carpets. A list of catalogues/items in the Brintons Collection donated after closure of Fellmongers Road factory in July 2008.Robin Hockley Studios Geelong Brintons Carpets 6075 Raylumbrintons australia pty ltd brintons pty ltd (geelong) brintons ltd (uk), geelong, victoria -
National Wool Museum
Bobbin
A bobbin used at the Brintons Carpets factory at Fellmongers Road, Breakwater.W7203 Page 1 of a history of Brintons Carpets. Page 2 of a history of Brintons Carpets. A list of catalogues/items in the Brintons Collection donated after closure of Fellmongers Road factory in July 2008.textile machinery weaving, brintons australia pty ltd brintons pty ltd (geelong), carpet, geelong, victoria, textile machinery, weaving -
National Wool Museum
Bobbin
A bobbin used at the Brintons Carpets factory at Fellmongers Road, Breakwater.W7205 Page 1 of a history of Brintons Carpets. Page 2 of a history of Brintons Carpets. A list of catalogues/items in the Brintons Collection donated after closure of Fellmongers Road factory in July 2008.textile machinery weaving, brintons australia pty ltd brintons pty ltd (geelong), carpet, geelong, victoria, textile machinery, weaving -
National Wool Museum
Bobbin
A bobbin used at the Brintons Carpets factory at Fellmongers Road, Breakwater.W7206 Page 1 of a history of Brintons Carpets. Page 2 of a history of Brintons Carpets. A list of catalogues/items in the Brintons Collection donated after closure of Fellmongers Road factory in July 2008.weaving textile machinery, brintons australia pty ltd brintons pty ltd (geelong), carpet, geelong, victoria, weaving, textile machinery