Showing 19145 items
matching parades.
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Merri-bek City Council
C-type print, Rennie Ellis, Richmond Fans, Grand Final, MCG 1974, 1974
Rennie Ellis (1940–2003) was as a pivotal figure in Australian visual culture. He was both a documentary photographer and a prominent presence in advertising, television and photography. Ellis was known for his candid documentary images of contemporary Australian life. His photographs of social events, such as music festivals, fashion parades or nightclubs are iconic, but his practice also encompassed the grittier side of life. In his AFL series, Ellis skilfully portrays the nation’s passion for the game, extending his lens beyond the boundary line to showcase the spirited fans alongside the on-field action. -
Merri-bek City Council
Giclee print, Rennie Ellis, Fan escorted by policeman, Jolimont 1974, 1974
Rennie Ellis (1940–2003) was as a pivotal figure in Australian visual culture. He was both a documentary photographer and a prominent presence in advertising, television and photography. Ellis was known for his candid documentary images of contemporary Australian life. His photographs of social events, such as music festivals, fashion parades or nightclubs are iconic, but his practice also encompassed the grittier side of life. In his AFL series, Ellis skilfully portrays the nation’s passion for the game, extending his lens beyond the boundary line to showcase the spirited fans alongside the on-field action. -
Merri-bek City Council
C-type print, Rennie Ellis, Man standing with table of football fans’ merchandise c.1986, c. 1986
Rennie Ellis (1940–2003) was as a pivotal figure in Australian visual culture. He was both a documentary photographer and a prominent presence in advertising, television and photography. Ellis was known for his candid documentary images of contemporary Australian life. His photographs of social events, such as music festivals, fashion parades or nightclubs are iconic, but his practice also encompassed the grittier side of life. In his AFL series, Ellis skilfully portrays the nation’s passion for the game, extending his lens beyond the boundary line to showcase the spirited fans alongside the on-field action.Donated by the Rennie Ellis Photographic Archive -
Merri-bek City Council
C-type print, Rennie Ellis, Kids on MCG after VFL game 1980s, c. 1980
Rennie Ellis (1940–2003) was as a pivotal figure in Australian visual culture. He was both a documentary photographer and a prominent presence in advertising, television and photography. Ellis was known for his candid documentary images of contemporary Australian life. His photographs of social events, such as music festivals, fashion parades or nightclubs are iconic, but his practice also encompassed the grittier side of life. In his AFL series, Ellis skilfully portrays the nation’s passion for the game, extending his lens beyond the boundary line to showcase the spirited fans alongside the on-field action.Donated by the Rennie Ellis Photographic Archive -
Merri-bek City Council
C-type print, Rennie Ellis, Richmond teddy mascot in a car 1982, 1982
Rennie Ellis (1940–2003) was as a pivotal figure in Australian visual culture. He was both a documentary photographer and a prominent presence in advertising, television and photography. Ellis was known for his candid documentary images of contemporary Australian life. His photographs of social events, such as music festivals, fashion parades or nightclubs are iconic, but his practice also encompassed the grittier side of life. In his AFL series, Ellis skilfully portrays the nation’s passion for the game, extending his lens beyond the boundary line to showcase the spirited fans alongside the on-field action.Donated by the Rennie Ellis Photographic Archive -
Merri-bek City Council
C-type print, Rennie Ellis, Three tiers of spectators in stands at game, 1972
Rennie Ellis (1940–2003) was as a pivotal figure in Australian visual culture. He was both a documentary photographer and a prominent presence in advertising, television and photography. Ellis was known for his candid documentary images of contemporary Australian life. His photographs of social events, such as music festivals, fashion parades or nightclubs are iconic, but his practice also encompassed the grittier side of life. In his AFL series, Ellis skilfully portrays the nation’s passion for the game, extending his lens beyond the boundary line to showcase the spirited fans alongside the on-field action.Donated by the Rennie Ellis Photographic Archive -
Merri-bek City Council
C-type print, Rennie Ellis, Carlton Supporter, VFL Grand Final 1982, 1982
Rennie Ellis (1940–2003) was as a pivotal figure in Australian visual culture. He was both a documentary photographer and a prominent presence in advertising, television and photography. Ellis was known for his candid documentary images of contemporary Australian life. His photographs of social events, such as music festivals, fashion parades or nightclubs are iconic, but his practice also encompassed the grittier side of life. In his AFL series, Ellis skilfully portrays the nation’s passion for the game, extending his lens beyond the boundary line to showcase the spirited fans alongside the on-field action.Donated by the Rennie Ellis Photographic Archive -
8th/13th Victorian Mounted Rifles Regimental Collection
Headwear - Slouch hat Robertson
This slouch hat was worn at the 75th Anniversary of Beersheba parade at the Australian War Memorial, 31 October 1992. VMR Squadron 4th/19th Prince of Wales’s Light Horse provided the Honour Guard under the command of Captain Kelvin Robertson. It was the first occasion on which slouch hats and plumes were worn by the regiment. In 1992, all Corps in the Australian Army were ordered to wear slouch hats. This was a reaction to the high incidence of skin cancer in soldiers. Berets were thought to offer inadequate sun protection. Slouch hats were not practical in AFVs. Not all crewmen had access to helmets, so berets continued to be worn in vehicles. Slouch hats were worn for parade ground and general barracks work. RAAC acknowledged its Light Horse ancestry by wearing the emu plumes. Life continued in this way till 2010 when the wearing of berets was banned. Special Forces were exempt because it was argued they had a special relationship with the beret. Armoured Corps was outraged. Their relationship with the ‘black hat’ went back nearly a century. Submissions and argument ensued until the current workable arrangement was reached where a CO can authorize the wearing of berets but recognising that the slouch hat is the formal Australian Army head dress. Slouch hat with emu plumes and silver Victorian Mounted Rifles badge over and red backing on turned up side.military, hat, plumes, vmr, robertson -
Bendigo Historical Society Inc.
Memorabilia - Lydia Chancellor collection: City of Plymouth 1953 Coronation seals
Unlike regular postage stamps, Cinderella stamps were privately produced and had could not be used for postage. They were produced for a number of reasons:- 1. as souvenirs of a specific event, 2. as promotional tools either for a business our tourism, 3. to raise funds for a particular project. Ref. Stanley Gibbons philately Card by the City of Plymouth for the 1953 Coronation. The card has the logo of E.R. II on the front. Inside a strip of 10 Cinderella stamps showing Plymouth old and new. The designs are: Sir Franci Drake and the Golden Hind, H.M.S. Vanguard, Winstanley's Lighthouse, Smeaton Tower, Mayflower, Ile de France, Elizabethan House 32 New Street, Old Town Street, Buckland Abbey and Royal Parade. The Coronation seals have been issued by the Port of Plymouth junior Chamber of Commerce and the proceeds are in aid of the following charities: the Lord Mayor's Christmas fund, the Patient's Voluntary Welfare fund and the Plymouth Council of Social Service. Price: sixpence.From Kitty 4 Efford Crescent, Plymouth1953 coronation, city of plymouth, cinderella stamps -
Bendigo Historical Society Inc.
Photograph - PALL MALL PROCESSION
Black and White photograph. The photo shows large procession heading north up Pall Mall. On RH side of image: Law Courts, Union Jack flag flying overhead. Conservatory Gardens just visible, picket fence along footpath. In centre of image: procession with horse drawn floats; float in front of image has large ball above an ornate supporting structure. Written on side of ball ' Gold .tained…' (gold contained?) On LH side of image, 'Harry Davey’ and 'F. Davey' written on shop fronts. All shops along Pall Mall have verandahs. Many people are sitting on balconies and rooftops watching the parade.bendigo, streetscape, pall mall -
Clunes Museum
photograph, FROM LCAMP PARADE, LOOKING EAST
PHOTOGRAPH OF CLUNES TOWNSHIP - FRASER STREET FROM CREEK PARADE, CLUNES. C1876 .1 BLACK AND WHITE MOUNTED ON CARDBOARDF .2 BLACK AND WHITE PHOTO PRINT .3 BLACK AND WHITE PHOTO PRINT .4 BLACK AND WHITE PHOTO PRINT .5 BLACK AND WHITE PHOTO PRINT .6 BLACK AND WHITE PHOTO PRINT .7 SMALL BLACK AND WHITE PHOTO PRINT .8 SMALL BLACK AND WHITE PHOTO PRINT .9 SMALL BLACK AND WHITE PHOTO PRINT .10 B LACK AND WHITE PHOTO PRINT .11 SEPIA MOUNTED PHOTO WITH POINTS OF INTEREST WRITTEN ON MOUNTING .12 SEPIA MOUNTED PHOTOlocal history, photography, photographs, clunes township -
Whitehorse Historical Society Inc.
Newspaper - Article, Old spacious home key to past Mitcham, 24/01/1968
Article in Nunawading Gazette about 'Windouran', a spacious home unchanged since its picture was used to boost Mitcham's first subdivision sale. It has been divided into 2 flats but still looks stately. In 1915 70 big home sites were sold in an area bounded by Mitcham Road, Halls Parade, Orient Avenue and Vernal Avenue. The estate was known locally as 'Mother Foster's Estate'. Mr James Thatcher brought the brochure to the Gazette - his grandfather, Joseph Lloyd bought land at that sale. David Lloyd (Thatcher's uncle) lived there. James Thatcher had an orchard at that time on a hill above Centre Road, Vermont.houses, windouran, windouran drive, mitcham, mitcham, thatcher, james, mitcham road, mitcham, halls parade, mitcham, orient avenue, mitcham, vernal avenue, mitcham, mother foster's estate, lloyd, joseph, lloyd, david, simon, kingsley -
Ballarat Tramway Museum
Photograph - digital Images, Peter Waugh, "The Floral Tram reinvented 2019", 2018 to 2019
Set of seven digital images prepared as part of the nomination of the "The Floral Tram reinvented 2019" by the BTM to the Museums Australia award - sadly we did not receive one. .1 - One of the workshops - 10-6-2018 .2 - attaching the flowers to the tram - Ken - 1-1-2019 .3 - Some of the crew on the tram - 20/2/19 .4 - Official Photograph - at the depot - 9-3-2019 .5 - In Wendouree Parade on a photo run - 24-2-2019 .6 - Official launch day - 20-02-2019 .7 - A study of the materials and the finished product - 24-4-2018 See Reg Item 7513 for the story and associated documents.trams, tramways, floral tram, flowers, btm, community, museums australia -
Ballarat Tramway Museum
Slide - 35mm slide/s, Travis Jeffrey, c1962
Agfa plastic mount (blue base, white cover) of a photograph of No. 27 and 20 at View Point, junction with Macarthur St. and Wendouree Parade. No. 27 has destination of City, has a "Cook with Electricity" roof advertisement and an advertisements for White Horse Whiskey and The Age on the front dash panel. No. 20 has dash panel advertisement for The Age. Photo taken between c1962. Photo of Reg. Item 395, of No. 20 has The Age advertisement in the same style and place - this photo was taken 7/4/1962. Slide rescanned at 3200 dpi 24-10-2020, jpg replaced, tiff file retained. This file was scanned in 2003 and may show colour changes."BAS 22" in penciltramways, trams, wendouree parade, view point, macarthur st, tram 27, tram 20 -
Ballarat Tramway Museum
Photograph - Colour Photograph/s, Travis Jeffrey, 6/11/1962 12:00:00 AM
Colour photograph of Ballarat No. 18 at the View Point terminus in Wendouree Parade. Photograph has the conductor (and driver?) standing by the front of the tram, after the pole has been turned. Destination sign yet to be changed from View Point. Photo shows the tram stop arrangements with painted pole, "End of Section", "Cars Stop Here" sign, timetable sign and on the back of the pole a Section insulator connection box. Tram has two roof advertisements, SEC "Electric Cooking" and the Whites Florist Sturt St. shop advertisement and a "Pay as you Enter" sign. In the background is the Macarthur St. tram line. Photo dated 6/11/1962. On Kodacolor paper."60Ed" in blue ink, date stamp 6 Nov 1962" in red ink.view point, wendouree parade, tram stops, tram 18 -
Ballarat Tramway Museum
Photograph - Colour Print/s - set of 8, Warren Doubleday, 22/03/2003 12:00:00 AM
Set of eight colour photographs of the repair of northern end of Wendouree Parade. Photos taken on 22/3/2003, printed on AGFA paper. 2556.1 - Excavating the roadway. 2556.2 - Ditto showing the general length of work and edge problems - about 1.5 pole lengths shown. 2556.3 - Cleaning the web area - Len Millar and Paul Mong. 2556.4 - Installing screw spikes - 2556.5 - Drilling and cleaning - Alan Snowball, Kevin Taig, Len Millar and Paul Mong. 2556.6 - Looking along the length of work. 2556.7 - Getting ready to install a sleeper in the vicinity of the old track drain - Oedf Byslma at the controls. 2556.8 - Digging the old one out. trackwork, wendouree parade, track -
Ballarat Tramway Museum
Photograph - Digital image Set of 5, Alastair Reither, 13/05/2012 12:00:00 AM
Yields information about the operation of the horse tram by the BTM during the Ballarat Heritage Weekend 2012.Set of 5 digital images taken on Sunday 13 May 2012 of the horse tram operating between Gardens Loop and St Aidans Drive by Alastair Reither. From a batch of 112 photos, stored with BTM Photos, used in the web article "Still at work" for the 2012 update. .1 - Returning from St Aidans Drive, looking south east. .2 - scene at Gardens Loop .3 - Running to St Aidans Drive, across the fairy lands area - similar photo used in Fares Please! June 2012 .4 - swapping the horses around at St Aidans Drive .5 - Running to Wendouree Parade, across the fairy lands area trams, tramways, horse tram, btm, wendouree parade, heritage, tram 1 -
Ballarat Tramway Museum
Photograph - Colour Print/s - set of 6, Lloyd Rogers, 1/10/1995 12:00:00 AM
Yields information about the operation by the BTM in Wendouree Parade of horse Tram No. 1.Set of 6 colour prints of BTPS/BTM horse tram No. 1 operating in Wendouree Parade 1/10/1995. All photos by Lloyd Rogers, on AGFA paper. All have a photo number on rear and captions - see images 7 to 9. .1 - the horses and the harnesses and swingle trees. .2 - Interior view with passengers Laura McDuff and Deborah Kirkwood Rogers in the tram. .3 - View of rear of tram with Alan Bradley and Alastair Reither. .4 - interior view of tram. .5 - view showing the Swingle tree. .6 - view of No. 14 and 1 at Gardens Loop with Len Millar on the brake handle and Travis Jeffrey on the rear top.See images i7 to i9 for rear of photos.trams, tramways, horse tram, btm, wendouree parade, gardens loop, tram 1 -
Ballarat Tramway Museum
Photograph - Colour Print/s - set of 10, Earl Ewers, 25/09/2005 12:00:00 AM
Yields information about the centenary celebrations of electric trams in Ballarat in 2005 and some of the people involved.Set of 10 colour prints with a white border of the celebrations for the centenary of electric trams in Ballarat - 25/9/2005. .1 - Scene at the loop with 17, 26 and 28. .2 - Horse tram at the loop with Lyall Drayton standing by the horses. .3 - ditto with onlookers. .4 - Sam Boon on Tram 17 .5 - Horse tram at the loop with Lyall Drayton standing by the horses. .6 - Horse tram and another in the loop .7 - No. 17 at Depot Junction with Darren Hutchesson alongside .8 - No. 17 in Wendouree Parade. .9 - No. 17 at Fairyland .10 - Horse tram at the loop with Lyall Drayton standing by the horses. Printed on Kodak Royal Paper. Earl Ewers photograph.trams, tramways, horse tram, centenary, wendouree parade, btm, tram 26, tram 27, tram 1, tram 17 -
Royal District Nursing Service (now known as Bolton Clarke)
Photograph - Digital image, c.1930
The Melbourne District Nursing Society After-Care Home was built in 1926 to give short term care to MDNS patients who were too ill to remain in their home, but not ill enough to go to hospital. Melbourne hospitals also sent patients there who required further care after discharge from hospital. After convalescence they returned to their homes. Many children were nursed there, particularly during the Polio epidemic.The Society were pioneers in recognizing the need for premises where patients too ill to be in their own home, but not ill enough to go to hospital, was needed, and the Society built, then opened, the After-Care Home in 1926, (from 1934 called After-Care Hospital), for these patients, and patients from Hospitals. Many children were nursed there, some long term, during the Polio epidemic and the Society employed two School Teachers. The Society now ran two divisions, the After-Care with its own Trained nurses and the District division. The Society were the first in Melbourne, in early 1928, to recognize some patients leaving the After-Care, and many at home, needed further social care and they set up ‘Almoners’ from their Committee to visit these patients and be intermediaries in getting them social assistance. It was late the following year before the first training of Almoners took place in Melbourne. In 1930 the Society employed a full time kindergarten teacher to visit poor children in their homes. That year the Society were pioneers in opening an Ante-Natal Clinic at the After-Care, setting a high standard with equipment, keeping records and providing leaflets with instructions in how to keep healthy during pregnancy, what complications to look for, and what to do when labour commenced. In 1934 the Society were pioneers again when they opened the first Women’s Welfare Clinic in Melbourne giving advice on birth-control, at first attended by their own patients, but then accepting patients from public hospitals until their own clinics were opened. A trained Almoner was employed, but left after twelve months due to the amount of work required. Trained Almoners were in short supply so a Social Service Officer was employed at the After-Care who successfully gained better housing from the Housing Commission for families living under unsuitable conditions. In the 1950s the Hospital and Charities Commission decided to take over the After-Care Hospital, so the Melbourne District Nursing Society and After-Care Hospital separated and the Melbourne District Nursing Service was formed, setting up Headquarters at 452 St. Kilda Road. In 1966 Royal patronage was given and the name changed to Royal District Nursing Service (RDNS).Digital image of the rear of the extended Melbourne District Nursing Society After-Care Home 45 Victoria Parade, Collingwood. It shows a three story brick building with a tiled hip roof and open verandas running along each story with windows seen behind. A zigzag stair case runs down the left hand side of the building and on the right hand side of the image you can see a section set back with one window on each floor. Behind this section, part of another multi story building is seen. A wooden paling fence is seen in the foreground of the photograph. On the far right, part of another brick building with hip roof can be seen melbourne district nursing society, mdns, melbourne district nursing society and after-care home, rdns, royal district nursing service -
Melbourne Tram Museum
Document - Photocopies, Weston Bate and others, "Challenging Traditions - A History of Melbourne Grammar', 2016
Set of three photocopies of photographs from "Challenging Traditions - A History of Melbourne Grammar (Arcdia, Melbourne 2002) showing the cable tram winding house on the corner of St Kilda Road and Bromby St in 1919 and after redevelopment c1930. .1 - looking north with steam coming from the winding house. .2 - looking south east with winding house and surround buildings .3 - after closure and redevelopment of the site, looking north east. .4 - photo of the intersection of Victoria Parade and Gisborne St showing the cable tram track, cable trams, MFB and Eye and Ear Hospital. Shows the track layout partly. A photograph from a book "Melbourne from the Air"trams, tramways, st kilda rd, cable trams, victoria parade, brunswick st, winding houses, fitzroy -
Melbourne Tram Museum
Newspaper, Keith Dunstan Herald Sun, ”Tram Day - A Celebration of Trams”, 19/04/1995 12:00:00 AM
... Parades ...Two sheets or four pages from The Herald Sun, 19/4/1995 about the Parade of historic trams in Swanston St that day, titled ”Tram Day - A Celebration of Trams” , with event details, some history of the tramcars and an item “Our Landmark on wheels” written by Keith Dunstan - about his thoughts on Melbourne and its trams, cable trams and that they are a Landmark (see also reg Item 1873). Photos of V214, HTT 8, S 164, B1 2001, L 104, W2 510, W 380, X2 676. Has advertisements from ABB and Gonanin. see Reg Item 3639 for some photos of the event.trams, tramways, melbourne, tourism, w class, parades, swanston st, tram 214, tram 8, tram 2001, tram 104, tram 510, tram 380, tram 676 -
Melbourne Tram Museum
Document - Memorandum, Melbourne & Metropolitan Tramways Board (MMTB), "Victory Day Parade, through city streets", Apr. 1946
... Parades ...Parade of units of victory march personnel through city streets Monday 10 June 1946 - 11:00AM to 12:30PM Memos from JM Harry, Dist Traffic Supt SS regarding tram arrangements to Mr Mazolettti, Malvern Depot, Mr McLean, Hanna St, Mr Cliff, Glenhuntly Depot, Mr Fisher, Hawthorn Depot, Mr Head, Camberwell, Mr Lawrence, Port Melbourne, Mr McRae, Central Bus Garage Memos dated 3 June 1946. Letter from JM Harry regarding bus services. Letter from HS Wootton, town clerk. Documents from ADFNotations written in pencil on memo.trams, tramways, events, parades, malvern depot, hanna st depot, hawthorn depot, central bus garage -
Melbourne Tram Museum
Document - Memorandum, Melbourne & Metropolitan Tramways Board (MMTB), Procession of RAN personnel through city streets, Friday 31 March, 1944, 27/03/1944 12:00:00 AM
Parade of RAN personnel through city streets Friday 31 March 1944 - 1:20PM to 1:55PM Memos from JM Harry, Dist Traffic Supt SS regarding tram arrangements to Inspectors Irvine & MacRae, Glenhuntly, Snr Insp Whitelaw, Hawthorn Depot, Snr Insp Oprey, Snr Insp Brown, Malvern Depot, Insp Hicks, Insp Sumpton, Insp Taylor, Snr Inps Conkey & Parkinson, Mr Fischer. Memo dated 27 March 1944 2 copies of letter from HS Wootton, Town Clerk, to M&MTB regarding arrangements for march. Memo from Assistant Manager to Officers Concerned.Notations written in pencil on several memos.trams, tramways, events, glenhuntly tram depot -
Warrnambool and District Historical Society Inc.
Functional object - Printing plate: Visitor Card
This printing plate was made for Dr Horace Holmes to be used by him as a calling card. Dr Horace Holmes, born in Tasmania in 1877, came to Warrnambool in 1905 taking over the practice of Dr Fleetwood at ‘Ierne’, at the corner of Spence and Kepler Streets. In 1906 he built a new home at the corner of Liebig Street and Raglan Parade and moved his practice there in 1912 (Currently occupied by Oz Child in 2024). Dr Holmes retired in 1939, briefly returned to medical practice as a locum during the war years, and died in 1959. He was a foundation member of the Warrnambool Rotary Club. This printing plate is a significant item as it belonged to Dr Holmes, a prominent doctor and a leading community member in Warrnambool for 50 years. It also is a good example of a custom of the time – the use of a calling card when visiting homes or contacting clients and business people. (This practice continues today)This is a printing plate for Dr Horace Iles Holmes. It is made of brass and is quite worn, particularly on the reverse side where the name of the manufacturer is almost obliteratedDr Horace Iles Holmesdr horace holmes, printing plate -
Warrnambool and District Historical Society Inc.
Household, Ceremonial Regalia, 1930s
This ceremonial regalia belonged to Captain Charles Rogers of the Australian Army (Light Horse Regiment). He wore this regalia when he was part of the mounted Guard of Honour during the visit of the Duke of Gloucester in 1934. The visit was part of Victoria’s Centenary celebrations and the Duke officially opened the Melbourne Shrine of Remembrance. Charles Rogers was a well-known Warrnambool identity in the 1930s, 40s and 50s as a horseman and Army identity and he and his horse frequently led parades and celebrations in the city. He was a long-serving Warrnambool Agricultural Show official as a judge of equine events. Rogers died in 1961. These items are of great interest as examples of the regalia worn by Australian military personnel in the 1930s. They are also good mementos of Charles Rogers, a notable personality in Warrnambool in the 1930s, 40s and 50s.1 This is a piece of ceremonial regalia worn over the shoulder and called an aigullette. It has a plaited silver-coloured cord ending in silver metal tagged points. The metal points or stakes are highly decorated. The cords also have an accompanying smaller silver-coloured cord and another attachment of cord with an end of interwoven material in the shape of an elongated pear or acorn. The item is a little tarnished. .2 These are epaulettes worn on the shoulder. One is attached to the aigullette and the other is detached. They are made of silver plaited cord with a brown felt backing and have two star-shaped gold and yellow badges indicating the rank captain charles rogers, duke of gloucester visit, centenary of victoria, history of warrnambool -
St Vincent's Hospital Melbourne Archives
Postcard, C.W. Series, Melbourne, St Vincent's Hospital, Victoria Parade, Fitzroy, Circa 1914
The postcard shows St Vincent's Hospital, on the northern side of Victoria Parade, Fitzroy, circa 1914. At left is the original hospital building, a converted terrace house, alongside the first purpose-built wing opened 1905 and the Cullen Wing (with facilities for medical students and residents) on the right. A group of two men and three boys stands on the footpath outside the Cullen Wing and a car is parked outside the main hospital building in the centre of the photograph. The reverse of the postcard is a letter from a niece to her uncle and aunt detailing their day trip into Melbourne, the places they saw, the people they met and the activities they took part in.This postcard is significant since it provides a rare view of the hospital from this location at this point in its history.Black and white postcard showing photograph of St Vincent's Hospital Melbourne on the front and a letter is written in pencil on the reverse.On the reverse is a handwritten letter in pencil from a niece to her aunt and uncle about a day trip they took into Melbourne. The message is dated January 27, 1914.st vincent's hospital melbourne, streetviews, postcards, hospital buildings, fitzroy -
Ballarat Heritage Services
Photograph - Photograph - Black and White, Theatrical Troup, c1865
Tom Thumb and Lady were performers in P.T. Barnum’s circus. Once they became engaged, the public developed a fascination for them—nicknaming them the “little couple.” Barnum used their engagement to publicize his show, parading the couple around to different nations’ leaders and placing newspaper announcements detailing their upcoming wedding ceremony. On their wedding day in New York City, over 2,000 people entered the church to watch the couple say their vows. Fellow performers Minnie Warren (the bride’s younger sister) and “Commodore Nutt” (George Washington Morrison Nutt) served as the maid of honor and best man.Photographic tintype portrait of a child.General Tom Thumb and Wife, Commodore Nutt and Miss Minnie Warren, In the indentical costumes worn before Her Majesty Queen Victoria at Windsor Castle, June 1865.fullarton, tom thumb, theatre, commodore nutt, minnie warren, queen victoria -
Hume City Civic Collection
Photograph, Sunbury Fair c 1977, c1977
The photograph was taken at the Sunbury Fair possibly in 1977 when Bert Kelly, who is the man in the foreground, was the Shire President. Every year in March the Shire of Bulla held the fair in which community groups participated in a parade in the morning and the afternoon was given over to entertainment by local groups and displays on the Village Green. The lady, wearing a dark patterned dress and standing immediately behind Bert Kelly is Shirley McKerrow. Mrs Mommsen is standing next to him and the young man 2nd from extreme right is Graham Gibb. Her husband, Frederick Christian Mommsen was a former Shire of Bulla councillor.The Sunbury Fair was a popular annual event that took place in Sunbury and allowed local groups to participate.A black and white photograph with rounded corners of a group of people in a parkland. gathered around an elderly lady and a man. bert kelly, sunbury fair, village green, shirley mckerrow., graham gibb, mrs. mommsen -
Melbourne Legacy
Photograph, Annual Demonstration 1956, 1956
Black and white photo of a finale of an Annual Demonstration at the Melbourne Town Hall. Part of the set design were the Olympic Rings and sign saying Olympic Games. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and eurythmics, the Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to the late 1970's, usually held at Melbourne Town Hall or Olympic Pool Stadium. The beautiful costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association. A record of a Junior Legacy Demonstration.Black and white photo from the 1956 Melbourne Junior Legatees Annual Demonstration at the Melbourne Town Hall.junior legatee, annual demonstration