David Armfield studied at the National Gallery School in the 1940s and turned to full time painting in 1965. RMIT printamking. He has won several art awards, including the Ramsay Prize - NGV School, the Redcliffe and in 1980 the Eltham Prize. Armfield is represented in the National Gallery collection, Art Gallery of NSW, Tasmanian Art Gallery, several regional art galleries across Australia as well as private collections. David Armfield first came to Eltham in the late 1903s on painting trips and used to camp on the banks of the Diamond Creed. He returned to Eltham in 1957 with his wife Joan who has subsequently become one of the district's potters, and built a mud brick house and studio in John Street on land adjoining Peter Glass. He has painted many landscapes in the district including intimate studies of the bush floor and the aftermath of bush fires. Painting: oil on canvas. Depicting the desolate aftermath of a bushfire in Eltham. Trees are bare and burnt, foreground is sparse, whilst background is fiery red.david armfield, eltham, bushfire

Colour Photograph: White brick house, Iron roof. Partially hidden by tree. Wooden fence with carved wooden railing iron gateOn Reverse: 14 Seaby St. Morrie Robson

Large white linen tea cosy cover. Blue machine embroidered blossom tree with peacock. Scalloped edge in blue hemstitched hem.domestic items, ornaments / decorative, food storage & preservation

Part of the till collectionTHE TILL COLLECTION SIGNIFICANCE STATEMENT|The significance of the Alwyn Till Collection is that Alwyn was born in Mitcham in 1921. He attended Mitcham Primary School and Box Hill Boys High School. He served his Community mainly through his activities within the Christ Church Anglican Church Mitcham. He joined the Royal Australian Airforce in World War II in September 1939. He trained as a Pilot in Australia and Canada, was posted to England and saw action in Europe. He was shot down over France and rescued by and then joined the French Resistance and while fighting with them was fatally shot. A Baron fighting with him wrote to his mother to inform her of his death.|Alwyn's parents were Evaleen Victoria Till (nee Maggs) and Sydney Norman Till who first lived in Creek Road Mitcham, before moving to 573 Whitehorse Road Mitcham. His father served in World War I where his eyesight was damaged and he was taught by the then Blind Institute in suitcase making of which we have two examples in this collection. He died in 1931. Alwyn took over responsibility for his mother and sister Alison. We can understand how devastated his mother and sister would have been at the news of Alwyn's feeling that he must serve his country in World War 11.|His letters home were so precious to them that they carefully kept all his correspondence, notices of death and condolences from friends. After Alison's death in 2007 her relation Joan Walker transcribed each of Alwyn's letters home into two bound volumes. The executors, Joan Walker and Anne Drew deposited the original letters with the Whitehorse Historical Society. Due to their significance as historical documents of one serviceman's complete correspondence with his family the Whitehorse Historical Society Committee after consultation with the donors deposited the original letters with the State Library of Victoria. The Whitehorse Historical Society retains the copies.|Alison and her mother kept many family memorabilia and personal items which make up this significant collection as they show how people lived, worked and served in the local community and municipality.|This collection represents the love and devotion of the women to their families during the course of two world wars. The father was disabled as a result of World War 1 and died an early death and a son who thereafter took on the responsibility as head of the family at an early age. This young handsome charismatic son served his community in peace time and gave his life in World War 11. This mother and sister were devoted to his memory.A small booklet entitled 'With Him in the Garden' by Mrs E. Pfeifer - John 20:1-18 Cream paper booklet with a tree on the front.'With Him in the Garden' by Mrs E. Pfeiferbooks, religion

Coloured photograph looking from Schwerkolt Cottage Reserve across Deep Creek Road as trees are cut down for construction of new Bridge.deep creek road, mitcham, vicroads

VCAT battle ends for the removal of six protected trees being approved at 203, Canterbury Road, Blackburn to make way for four townhouses.VCAT battle ends for the removal of six protected trees being approved at 203, Canterbury Road, Blackburn to make way for four townhouses.canterbury road, blackburn no. 203, blackburn village residents group, blackburn and district tree preservation society, trees

Black and white photo of gum trees preserved in a street in Blackburn. Photo taken by Jean Studack, Nunawading, in 1980, for the book 'And So Today'.studack, jean, field, jean 'and so today'

Pair wooden shoe trees, probably used in boots, foot and leg shapes divide. L & R marked on top of the upright piece.costume accessories, footwear accessories

Three coloured photographs of the clearing of 38 Highland Avenue, Mitcham in 2006. This is the last piece of land that was originally part of Cherry Tree Farmcherry tree farm, mitcham, highland avenue, no.38, farming

The photograph is of the Jacksons Creek taken in the vicinity of Mill Falls, near the former 'Springvale' winery, which was downstream from the Sunbury township. In 1971 the Shire of Bulla purchased 'Springvale' site and established the town's sewerage plant.The former 'Springvale' winery was one of a number of wineries that were established in Sunbury in the 19th century.A scanned coloured photograph with rounded corners of a valley with a meandering stream with a small dammed section in the foreground. There is a line of trees across the distant hilltops. mill falls, springvale winery, jacksons creek

The tourist track running alongside the creek from Sassafras Mechanics’ Hall to Emerald. In the early 1900s the track started at Rostrevor Guest House.Black & White postcard P1501 from the Rose Series. Shows a log bridge along a tree fern lined section of the Tourist Track.On reverse - POST CARD A Real Photograph. Produced in Australia.rose series, sassafras, track, postcard, mechanics' hall

The tourist track running alongside the creek from Sassafras Mechanics’ Hall to Emerald. In the early 1900s the track started at Rostrevor Guest House.Black and white photograph. Rose Series P. 4825 postcard showing a footbridge along a Tourist rack surrounded by bush and tree ferns.rose series, rostrevor, mechanics' hall, sassafras, track

Rose Series post card # P. 90. Sassafras Creek near The Crescent Bridge. View of water and ferns. Post 1920.Rose Series sepia coloured post card showing a small creek running through the centre of the photo edged by rocks and tree ferns.On front: The Rose Series, P. 90. SASSAFRAS CREEK NEAR CRESCENT BRIDGE. VICTORIA.sassafras creek, crescent bridge, creek, bridge, tree ferns, rose series, post card

Rose Series post card # P. 3565 showing the Sassafras - Olinda Road taken outside Rostrevor Guest House. Photograph taken pre 1920 prior to the pine plantation planted by Melbourne High School.Black and white copy of Rose Series post card P. 3565 showing a section of the Olinda - Sassafras Road with a large tree in the foreground.On Front: THE ROSE SERIES P. 3565 THE OLINDA - SASSAFRAS ROAD. VIC.sassafras-olinda road, sassafras, olinda, rostrevor, post card, the rose series, rose series

Rose Series post card # P.69 .The Sassafras - Olinda Road showing giant Eucalypts. The two men in the photograph most probably worked for The Rose Series Post card company. They often appear in photographs - probably to give perspective.Copy of Rose Series post card P. 69 showing two men standing alongside giant trees on the Olinda-Sassafras Road.On front: THE ROSE SERIES P. 69 GIANT EUCALYPTS, OLINDA-SASSAFRAS ROAD, VICTORIA.sassafras, olinda, sassafras-olinda road, olinda-sassafras road, rose series, post cards, eucalypts, road

John Lundy-Clarke grew up in the Kalorama/Mt Dandenong area and later in life (1972-74) began to write a comprehensive history of the area working from an original settlement map in an effort to cover all areas. It was in the clearing on the left that John William (Willie) Richardson built a home for his wife Jeanie Green. It was called Mount Calvin. Jeanie was often ill and the family left the area seeking a warmer climate. They eventually settled in Brisbane. Willie sold the home and 60 acres around it to W. Rowse. Jeanie died in 1916. The remainder of the land was sold by solicitors to cover debts. Black and white photograph showing a treed hillside with a cleared area to the left hand side. Handwritten inscription on reverse by John Lundy-ClarkeLooking towards the site of Jeannie's home from near Doughty’s Road Nov 1973. Her house was in the centre of the clearing on the left. Photo Jan 1974 JLC.mount calvin, jeannie richardson, jeanie green, john william richardson, willie richardson, jeanie richardson, rowse

Taken in 1910, this section of the Olinda Creek is in the gully behind the home of George Barber.Black and white photograph with a creek running through the centre surrounded by ferns and tree ferns. A man is leaning on rocks beside the creek on the RHS.olinda creek, creek, george barber, tree fern

The photograph is from the album of Ivy Child. It shows the homestead where she lived with her parents Ted and Ethel Child. The photograph is presumably taken during the summer. Ivy May Child (1910 – 1989) was the daughter of Arthur Edward (Ted) Child (1878 – 1964) and Ethel May Madden (1888 – 1970). Ted Child was the son of Matthew Francis Child (1839 – 1933) and Martha Jeeves (1857 – 1926). He was the grandson of one of the early pioneers Francis Child. Ivy grew up on the family property on Childs Road and took many photographs. Most of these are glued into her photo album. The album covered the years from c1927 – 1932. Ivy married Henry William Burgess (1906 – 1968) in 1944. The photographs remain in their original state in the album with individual copies made. Sepia photograph with tree ferns in the foreground. A homestead with fence is just visible in the centre with cleared land beyond rising up to thick bush.Handwritten below photograph in album: IN SUMMERivy child, child, homestead, kalorama, summer, tree fern

The new Main Road, now Mt Dandenong Tourist Road, was completed in 1926. This scene is looking towards Montrose down from the intesection of Falls Road.Scene of wagon drawn by two horses on wide dirt road with large trees on side of road. Taken just north of Falls Road.wagon, road, main road, mt dandenong tourist road, falls road, horse

Mountjoy Guest-House showing north and west aspect. The guest house was run by the Jeeves family from 1908 to c1943. After the death of her husband Ellis in 1921, the guest house was run by Eliza Jeeves (nee Hand).Black and white photograph showing large guest house building with gum trees at the side and a cleared area in front. A single chimney is visible.guest house, mountjoy

Colour photograph taken at Barrys Beach, South Gippsland. Features an oil rig under construction. Trees and foliage in foreground. Blockmounted on board.

Colour photograph taken at Barrys Beach, South Gippsland. Features an oil rig under construction. Trees and foliage in foreground. Blockmounted on board.

Belgrave House. Several people can be seen sitting or standing on the L-shaped front verandah. House overlooks a hill. Trees are in the background.

Colour photo: Fortuna gardens, large pine trees, corner of residence on LH side. Written on back 'Fortuna Gardens Bendigo 1990'bendigo, house, fortuna villa

Japanese china milk jug & sugar bowl with lid, acqua colour with gold trim, decorated with palm trees & pink and gold enamel.Made in Japandomestic equipment, table setting, jug

Plaster statue of girl with finger in mouth, barefoot & dressed in green and brown dress with patch on skirt, circular base with tree stump & leaves.ornaments, plaster, statue, d4706