Various PartiesReference, Research, InformationArranged by Secondary Values (value of records to users)The Pallotine religious order was founded in Italy in 1835, and first arrived in Kew in 1938 through German missionaries. The society still exists in the area, albeit with much fewer numbers than ever recorded. The file includes: Newspaper articles about the Pallotine Missionary College. The mansion in Studley Park Road where the mission had its headquarters has now been demolished.pallotine missionary college – kew (vic.), pallotine aboriginal mission – kew (vic.)., religion -- kew (vic.), religious orders -- kew (vic.)pallotine missionary college – kew (vic.), pallotine aboriginal mission – kew (vic.)., religion -- kew (vic.), religious orders -- kew (vic.)

ISBN: 1875527419aboriginal australians -- communication, aboriginal australians -- criminal justice system, court interpreting and translating -- australia

ISBN: 0644459425aboriginal australians -- legal status: laws:etc, customary law -- australia

Previous owner: T. H. Smithcentral australian aboriginal legal aid service -- history, aboriginal australians -- legal status: laws: etc. -- northern territory -- alice springs, aboriginal australians -- northern territory -- alice springs -- interviews, legal aid -- northern territory -- alice springs -- history, lawyers -- australia -- interviews

stawell

stawell

Nicholas PASCOE (1967- ) Country: Maningrida (Burarra) This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed limited edition print by Nicholas Pascoe.art, artwork, nicholas pascoe, aboriginal, printmaking, maningridia, burarra

Leoda ATKINSON A student in the Koorie Art and Design at the School of Mines and Industries, Ballarat, she was taught batik by Val D'Angri. Val D'Angri purchased the batik from Leoda Atkinson after teacher her the technique at the Ballarat School of Mines. In 2003 she donated to the University's At Collection. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed batik in red, yellow and white. Gift of Val D'Angriart, artwork, leoda atkinson, batik, aboriginal, available, koorie art and design

This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork, minnie pwerle, aboriginal

This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork, minnie pwerle, aboriginal

Walala Tjapaltjarri (b. c1960) Language: Pintupi Region: Kiwirrkuru In late 1984 Walala Tjapaltjarri and several other members of the Pintupi Tribe walked out of the remote wilderness of the Gibson Desert in Western Australia and made contact for the first time with European society. Described as 'The Lost Tribe', he and his family created international headlines. Until that day in 1984, Walala and his family lived the traditional and nomadic life of a hunter-gatherer society. Their intimate knowledge of the land, its flora and fauna and waterholes allowed them to survive, as their ancestors had for thousands of years. It is this sacred landscape, and its significant sites, that Walala so strikingly describes in his paintings. His style is generally highlighted by a series of rectangles set against a monochrome background. He paints the Tingari Cycle (a series of sacred and secret mythological song cycles) which are associated with the artist's many dreaming sites - they are Wilkinkarra, Maruwa, Tarrku, Njami and Yarrawangu, to name a few. These Dreamings are the locations of significant rockholes, sandhills, sacred mountains and water soakages in the Gibson Desert. (http://www.kateowengallery.com/artists/Wal90/Walala-Tjapaltjarri.htm, accessed 18 May 2015) Walala Tjapaltjarri started painting in 1997. His earliest works were in a classical Tingari style usually reserved for body painting, ground painting and the decoration of traditional artifacts. Within a couple of months his painting had evolved into his own innovative style of work, including the abstraction of classical Pintupi designs which resulted in a highly graphic language to speak of his country and ceremonial sites. The rectangles so prominent in his paintings form both a physical and spiritual map establishing Walala as a discerning draughtsman for his ancient country. (http://www.kateowengallery.com/artists/Wal90/Walala-Tjapaltjarri.htm, accessed 18 May 2015) This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Tingari Cycle - During the Tjukurrpa (Creation Era) Tingari ancestors beings gathered at a series of sites for Malliera (Initiation) Ceremonies. They travelled vast stretches of the country, performing rituals at specific sites that in turn created the diverse natural features of the environment. The Tingari men were accompanied by novices and usually followed by Tingari Women. The creation stories and rituals are venerated in the song cycles and ceremonies of today, forming part of the teachings of the post initiatory youths, whilst also providing explanations for contemporary customs. Walala Tjapaltjarri uses a highly personalised and minimal style to represent aspects of the sacred Tingari Cycle, an epic journey of Ancestors of the TJukurrpa (Creation Era). He paints aspects of the Tingari Cycle which are associated with the artist's many sacred sites - such as Wilkinkarra, Maruwa, Tarrku, Njami and Yarrawangu, to name a few. These are locations of significant rockholes, sandhills, sacred mountains and water soakages in the Gibson Desert. (http://www.kateowengallery.com/artists/Wal90/Walala-Tjapaltjarri.htm, accessed 18 May 2015)art, artwork, walala tjapaltjarri, aboriginal, dreaming, creation era, acrylic on linen, pintupi, kiwirrkuru, tingari, wilkinkarra, tarrku, njami, yarrawangu