looking towards the family home Lakes Entrance Victoria. Black and white photograph of sealed driveway in Carpenters Camp Park c1970. Also four other black and white photographs of aspects of Carpenters Camp Park 04381.1, 04381.2, 04382.2, 04381.3, 04381.4celebrations, caravan parks

taken inside the Carpenters home Lakes Entrance VictoriaColour photograph of Geoff Carpenter with his wife and two young sonsgenealogy, carpenter family

This is a story of Catherine McMahon, whose home is featured on the coverorange card cover with black and red print above black border, below is a B?w photo of a cabin. On Front cover in red print: below black and white . authors Names.stawell

Weatherboard Home Upper Main Street – Reeve Family. Black and white photgrapgh of a weatherboard house with veranda across the front, around which is a wooden fence, with a gateway on the streetstawell, reeve

Newspaper article: Prices are competitive, Diamond Valley Leader, 29 June 2005, Description of Eltham Home Timber and Hardware, owner Rob Deylen, staff Peter Wilhelm, Roger Kerr, Brian Weaver, Harley Lee. Newspaper article: Their aim is to please, Diamond Valley Leader, 26 October 2005, Description of Eltham Home Timber and Hardware, originally Eltham Hardware and Plumbing Supplies, staff Peter Wilhilm, Lindsay Campbell, Ben Deylan. Newspaper article: Eltham Home Timber and Hardware 35 years of service, Diamond Valley Leader, 5 May 2010, Description of Eltham Home timber and Hardware.main road, eltham, shops, rob deylen, peter wilhelm, roger kerr, brian weaver, harley lee., eltham home timber and hardware, eltham hardware and plumbing supplies, ben delay

Original home of W.J. Taylor and family who owned all the land looking west from the house to the Diamond Creek. Hence, Taylor Street. Located on top of the hill, the home was built c.1885 and still stands today (No. 82). Digital copy of colour photographfred mitchell collection, 1968, bible street, eltham, houses, w.j. taylor, sunnyside

Australia's Home' was first published in 1952. In this book, Boyd crystallised his ideas on what he saw as the historical development of the everyday suburban home. Accompanying the text was a series of drawings of houses by Boyd that documented his ‘Major Steps of Stylism’.HardcoverRBF Acquisitionaustralian architecture, australian history, walsh st library

Australia's Home' was first published in 1952. In this book, Boyd crystallised his ideas on what he saw as the historical development of the everyday suburban home. Accompanying the text was a series of drawings of houses by Boyd that documented his ‘Major Steps of Stylism’.HardcoverRBF Acquisitionaustralian architecture, australian history, walsh st library

Australia's Home' was first published in 1952. In this book, Boyd crystallised his ideas on what he saw as the historical development of the everyday suburban home. Accompanying the text was a series of drawings of houses by Boyd that documented his ‘Major Steps of Stylism’.SoftcoverRBF Acquisitionaustralian architecture, australian history, walsh st library

Australia's Home' was first published in 1952. In this book, Boyd crystallised his ideas on what he saw as the historical development of the everyday suburban home. Accompanying the text was a series of drawings of houses by Boyd that documented his ‘Major Steps of Stylism’.SoftcoverRBF Acquisition. Abebooks invoice within.australian architecture, australian history, walsh st library

Australia's Home' was first published in 1952. In this book, Boyd crystallised his ideas on what he saw as the historical development of the everyday suburban home. Accompanying the text was a series of drawings of houses by Boyd that documented his ‘Major Steps of Stylism’.Hardcover with Dust JacketRBF Acquisitionaustralian architecture, australian history, walsh st library

Australia's Home' was first published in 1952. In this book, Boyd crystallised his ideas on what he saw as the historical development of the everyday suburban home. Accompanying the text was a series of drawings of houses by Boyd that documented his ‘Major Steps of Stylism’.Softcoveraustralian architecture, australian history, walsh st library

Australia's Home' was first published in 1952. In this book, Boyd crystallised his ideas on what he saw as the historical development of the everyday suburban home. Accompanying the text was a series of drawings of houses by Boyd that documented his ‘Major Steps of Stylism’.SoftcoverBoyd on inside front cover, list of Australian Architecture firms penciled on the last pageaustralian architecture, australian history, walsh st library

Australia's Home' was first published in 1952. In this book, Boyd crystallised his ideas on what he saw as the historical development of the everyday suburban home. Accompanying the text was a series of drawings of houses by Boyd that documented his ‘Major Steps of Stylism’.Softcoveraustralian architecture, australian history, walsh st library

Australia's Home' was first published in 1952. In this book, Boyd crystallised his ideas on what he saw as the historical development of the everyday suburban home. Accompanying the text was a series of drawings of houses by Boyd that documented his ‘Major Steps of Stylism’.HardcoverState Lending Library of Victoria/withdrawnaustralian architecture, australian history, walsh st library

Australia's Home' was first published in 1952. In this book, Boyd crystallised his ideas on what he saw as the historical development of the everyday suburban home. Accompanying the text was a series of drawings of houses by Boyd that documented his ‘Major Steps of Stylism’.Softcoveraustralian architecture, architecture, australia, home, suburbs, robin boyd, walsh st library

taken at their home Inglewood Punt Rd Metung Victoria. Also a sepia toned photograph of all ten children of James and Marion Howlett taken in 1901 c taken at the family home Inglewood Punt Rd Metung by P HancockSepia toned photograph showing James and Marion Howlett with their children Marion, Eva, Arthur, Ethel, Mabel, Maud, Herbert and Alfred . plus two other photos of same family genealogy, families

Seven photographs from a collection of 33 donated by Leonie Brennan. Photographs belonged to Edward (Ted) Sands, hairdresser.Photograph 215-10. Phillip Island Tourist Road (Cowes to Newhaven) in 1940, showing mature eucalypt trees on both sides of the road. Photograph 215-11. Car and tent possibly on a foreshore area on Phillip Island. The car was owned by "Roy". Photograph 215-12. Phillip Island Hotel in Walpole Street, Cowes. Photograph 215-13. Newhaven Boys Home showing farm buildings. Photograph 215-14. Bayview Guest House, The Esplanade, Cowes, with distinctive front fence. Photograph 215-15. The Chapel at Newhaven Boys Home, Phillip Island. Photograph 215-16. The Alvina ferry with passengers on board. Photograph 215-17. Very dark photograph of shops in Cowes. One with sign showing ice-creams and a Grocer Shop next door.Four photographs with "Cowes" month and 1940.main tourist road, phillip island, camp site phillip island, phillip island hotel cowes, hotels, guesthouses cowes phillip island, bayview guesthouse cowes, newhaven boys home phillip island, newhaven boys home chapel, the alvina, ferries, shops at cowes phillip island, mr edward (ted) sands, leonie brennan

This glass milk bottle was manufactured and used mid to late 1900's (1834 Victorian dairy industry was founded), until the time that cheaper containers were invented(plastic bottles and polyethylene plastic lined cardboard cartons). In 1909 the supply of pure bottled milk was required for babies to overcome infant mortality due to unhygienic milk sources (unclean containers and unpasteurized milk). Due to the volume of milk being processed and hand milking could not keep up with demand, dairy farms introduced milking machines in the late 1930's. The great increases in dairy herds from the average of 18 cows per heard in 1950's to 142 cows per herd in 1996 required milk tankers to pick up the regions milk supply. This bottle was so constructed to be easily moved within the milk processing plants from the delivery vats/holding tanks to the final corking/sealing of the bottles for eventual distribution. From 1958 the milk bottle slowly became phased out of production. At this point in time Melbourne was drawing 160,000 bottles per week from the two major glass bottle works companies, e.g. Melbourne Glass Bottle Works Co.Victoria was the major state supplier of cows milk in the history of Australian milk production from the early 1800's. The Kiewa Valley and its region was a major contributor to meet that demand. Each bottle was "branded" during manufacturing to show the contents (pasteurized milk) and where it originated from (region and supplier). This method of recycling the bottles back to specific dairy farms was a good control method but an uneconomical "on cost" which was replaced by the "throw away" less costly plastic and cardboard containers. Kiewa Valley dairy herds had marked bottles bearing "90/9", "6/18", "6/33", "6/35" and "6/36" Found under the house at 1 Beauty Ave., Mt BeautyThis heavy gauged glass milk bottle has a rim and a distinctive head at the top. This head has been manufactured to facilitate the movement of the bottled along the milk production line. The method of pouring milk into the bottle has been part of the "production line". This bottle has a one pint capacity and is made from "light green" coloured glass(a protection against light penetration). There are other milk bottles that do not have a "green" tint in them. This thick glass bottle, to contain milk, required its thickness because of the extensive handling (man and machine) before final consumption. Milk was delivered by the "milk man" direct to the homes of consumers. During this period delivery to homes in cities and towns was made initially by horse and cart and later by truck.On the bottom end of this bottle is a circle within it "6/35" and next to this "MILK" and opposite "ONE PINT". Below this "THIS BOTTLE BELONGS TO MILK BOTTLE RECOVERY LTD" and below this "AND CANNOT BE USED WITHOUT WRITTEN PERMISSION" on the base "M" underneath this "20"milk, dairy, glass bottle

Clothing. All over floral cotton dress, in a ''shirt-maker'' style. Short sleeves, high round neck at back, and pointed revers at front. Inserted band at front waistline, with a pointed overlap, shaped to 3.5 cm wide stitched down around front. Front opening bodice has a four press-stud closure, and two 1.75 cm white plastic buttons, sewn over the closure. Buttons impressed with a ridged pattern. Two darts on either side of lower edge of bodice, one dart from shoulder on either side of bodice. Six gores in skirt. Probably home stitched. Band inserted at waistline, extends to a 3 cm wide ''belt'' at back, fastening with two press-studs. A home stitched dress.costume, female, short sleeved floral dress

Magazine titled 'The Australian Standard'. Dated November 2002 Volume 23 Number 10. Contains new and revised Australian Standards, publications and projects. Front cover has a part sketch of the Beehive Building, home of the Bendigo Stock Exchange, in Sandhurst (now Bendigo). Above and below the sketch is a part coloured picture of a fireman at a fire. An article mentions that on 25 August 1871, 18 year old Edward Hope Kirkby, watched the burning of the Beehive Building, home of the Bendigo Stock Exchange, this may have been his motivation to become one of the most prolific inventors of communication apparatus and fire protection equipment in Australia. Has a small full picture of the Burning of the Beehive Stores and Chambers, Sandhurst and picture of the E H kirkby Fire Alarm System.magazine, organization, standards australia, the australian standard november 2002 volume 23 number 10, felicity pontoni, tom godfrey, mark elder, pmp print, beehive building, bendigo stock exchange, edward hope kirkby, la trobe picture collection, state library of victoria, barry lee oam, brian kirkby, david michel

Cheltenham is a suburb in the City of Kingston that was originally established as a rural market gardening community. The area is bordered by Highett, Mentone and Heatherton. The market gardens, farms and paddocks have gradually been sub-divided into housing and industrial estates. The Southland shopping centre is a major feature of the area.Cheltenham was established as a rural market gardening community. The Le Page family lived in Cheltenham since 1854 when Nicholas Le Page, a tailor from the Channel Island of Guernsey, bought two acres of land on Chesterville Road near Bernard Street to establish a market garden. Over the years the Le Pages purchased more land in the area. In 1875-76 Nicholas' son Frank and his wife Mary built 'Daphne Cottage' near the corner of Bernard and Wilson Streets. n the 1940s Frank's son, Everest Le Page, bought five more lots of land in Chesterville Road from the Tuck family. The Le Pages grazed horses, ponies and cows on this land, and grew pumpkins, carrots, parsnips, onions, potatoes and cabbages. Many buildings and locations within in Cheltenham commemorate the Le Page family's contribution to the Cheltenham community.Aerial photograph taken in 1945 of the Cheltenham district within the City of Kingston. The image includes Chesterville Road, the future site of Turner Road pool (now Waves) and Highett Reserve, (top left), Jellicoe Street, Argus Street, Bernard Street, Wilson Street, the Methodist Children Homes (now Southland), McIvor Street, Goulburn Street, Nepean Highway, Jamieson Street and Barker Street (bottom left), market gardens and paddocks. In the top centre of the image, "Daphne Cottage", the home of Frank T. Le Page is visible on the corner of Bernard and Wilson Streets. Much of the land depicted in this image was owned by the Le Page family. This image is possibly from the collection of aerial photographs commissioned by the Department of Crown Lands and Survey and taken by Adastra Airways.Black and white ink: 57250 White print: VIC-170 57250 20.12.45 Run 6 PROJ. No. 5 MELB. METROP AREA Black type 10200 FTS 30' LENS 20.12.45cheltenham, market gardens, industry, le page family

Ron Setford and his wife Grace Setford lived in Tanner Avenue, East Kew, from c.1946 to c.1995. A keen photographer, he recorded the changing face of Kew over a 20 year period. Apart from 30 photographs of built structures and places in Kew dating from 1960 and 1961, 145 of his 35mm colour slides chronicle the development of the Eastern Freeway through the Yarra Valley over a five year period from c.1972 to c.1977. This important collection was donated to the Society by his granddaughter in 2025.This collection of 175 35mm slides is of local and statewide significance, owing to its subject matter, particularly the major development of road transport infrastructure during the 1970s with the construction of the Eastern Freeway. The photographer also took care to annotate and date most of his slides which enable the researcher to pinpoint temporal and spatial locations.Yarra Street was not made a trafficable thoroughfare until October 1956. Until then, the gully was used as a dump, a shortcut to the river, and for communal Guy Fawkes night bonfires. The open landscape in the photo reflects near-total clearing by the original estate owners for grazing livestock. Post-war homes fronting Stawell St dot the landscape. Of particular note are the Broons House (c.1952–54) by Anatol Kagan (top right), and the homes of two architects, Kurt Elsner (c.1950) (middle) and Geoffrey Danne (c.1954) (lower right). Dual carriageways made blocks accessible, but building was difficult due to steeply sloping land and complex drainage easements.  Nevertheless, these challenges resulted in highly innovative designs, making Yarra Street the core of the Yarra Boulevard Heritage Precinct."Yarra St Kew"ron setford, photographs -- kew (vic.) -- 1960s, yarra street -- kew (vic.)

Photo taken at the front of the family home of 19 Thomas Street (since replaced by a new build). The entrance from Thomas Street was at the back. Thomas Street was named after their grandfather, Thomas Teagle and many of the Teagle family homes were in this street.pamela lorraine ingram, eltham, thomas street, kenneth albert ingram, dogs, pam thoonen (nee ingram) collection

Home made emblem of 3rd Division created by RAASC Servicemen.Metal black sign with sticker of 3rd Division attached. Sticker is red background with gold crossed swords. No. 3 in Roman numerals at bottom. Rising Sun emblem in gold at top.Crossed swords, No 3 in Roman numerals and Rising Sun emblem.passchendaele barracks trust collection, sign, raasc, 3rd div

Photographic postcards of Brighton & Folkestone, England sent home in WWI.Postcards B & W of Southern England.Descriptions of tourist sites in Southern England, some with handwriting.photography-photographs, military history