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Victorian Railway History Library
Book, Burgess, John, C17 An Ipswich Portfolio, 1982
A portrait of the C17 4-8-0 steam locomotive working in the Ipswich area of Queensland in the 1960s.ill, maps, p.32.non-fictionA portrait of the C17 4-8-0 steam locomotive working in the Ipswich area of Queensland in the 1960s.locomotives - queensland - history, c17 locomotive - queensland - history -
Victorian Railway History Library
Book, Renton, Roger, East Coast Diesel Pictorial, 1989
A pictorial history of diesel locomotives on the east coast of Australia in Victoria, New South Wales and Queensland.ill, p.64.non-fictionA pictorial history of diesel locomotives on the east coast of Australia in Victoria, New South Wales and Queensland.locomotives -- australia -- pictorial works, railroad operations - australia - history -
Victorian Railway History Library
Book, Stocks, Ian, The Last of the Hudswells, 1982
A pictorial tribute to the last ten years of CSR Limited's 2' gauge Hudswell Clark steam locomotives working on the sugar mill railways of the Herbert River Valley around Inghamill, maps, p.98.non-fictionA pictorial tribute to the last ten years of CSR Limited's 2' gauge Hudswell Clark steam locomotives working on the sugar mill railways of the Herbert River Valley around Inghamsteam locomotives - queensland - history, sugar tramways - queensland - history -
Heidelberg Golf Club
Book, Oxley Golf Club, Our first 75 years: history of Oxley Golf Club 1928-2003, 2003
A history of Oxley Golf Club, Oxley, Queensland, founded 1928.140 p., illus. (some col,), maps.non-fictionA history of Oxley Golf Club, Oxley, Queensland, founded 1928.golf clubs - history, golf clubs - queensland, oxley golf club, -
Merri-bek City Council
Ceramic - Ceramic, acrylic paint, gold lustre and mix media, Bundit Puangthong et al, FLESH, 2018
In creating these pieces, Vipoo Srivilasa initiated the process by sculpting three figures with bare surfaces. Bundit Puangthong then added his artistic touch by painting each sculpture. The artists' conceptual visions harmonized perfectly, especially considering their shared commitment to Buddhist principles, which frequently inspire their respective artistic practices. After Bundit completed his painting, Vipoo enlivened the pieces by adding eyes to the figures. He also embellished the works with pom-poms, lending them a softness that makes them appear both approachable and innocent, despite the weightiness of their themes. Each sculpture embodies a specific teaching from Buddhism: "FLESH" features a golden umbrella, serving as a metaphor for sex. -
Merri-bek City Council
Ceramic - Ceramic, acrylic paint, gold lustre and mix media, Bundit Puangthong et al, FOOD, 2018
These captivating pieces are part of a series called "FOOD / FLESH / FAME," a collaborative effort between Melbourne-based Thai artists Bundit Puangthong and Vipoo Srivilasa. Drawing from Buddhist teachings, the series explores the three elements of attachment: Food (consumption), Flesh (sex), and Fame (power). Although these elements are known to cause suffering, they remain persistently alluring, a paradox that the artists intend to explore further in the future. In creating these pieces, Vipoo Srivilasa initiated the process by sculpting three figures with bare surfaces. Bundit Puangthong then added his artistic touch by painting each sculpture. The artists' conceptual visions harmonized perfectly, especially considering their shared commitment to Buddhist principles, which frequently inspire their respective artistic practices. After Bundit completed his painting, Vipoo enlivened the pieces by adding eyes to the figures. He also embellished the works with pom-poms, lending them a softness that makes them appear both approachable and innocent, despite the weightiness of their themes. Each sculpture embodies a specific teaching from Buddhism: "FOOD" depicts a durian, the king of fruits, painted by Bundit Puangthong. He notes, "Despite its pungent aroma, many people still love to eat it."Donated the by the artists