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matching 2006
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University of Melbourne, Burnley Campus Archives
Booklet, Faculty of Land and Food Resources Career and Campus Guide, 2006
Illustrated booklet describing courses and campusescourses, campuses, faculty of land and food resources -
University of Melbourne, Burnley Campus Archives
Document, Resource Manual for Postgraduate Students, 2006
University of Melbourne, Faculty of Land and Food Resourcesstudents, postgraduates, university of melbourne, faculty of land and food resources -
Hume City Civic Collection
Photograph, 17/05/2006
This is a photograph of Percy Davis and his wife on their wedding day. Percy was the son of Richard and Ellen Jane Davis of Winilba Vineyard.A black and white wedding photographPrinted at the bottom of the photograph: Wedding of Percy Daviswineries, winilba vineyard, vineyards, vintners, davis, richard, ellen jane nee hobson, kevin, sue, percy, george evans collection -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, Fletcher Meredith, Gippsland Heritage Journal, 2006
Issue 30 of a series of journals and containing articles of relevant aspects of local Gippsland history, past and up to present date. This issue child Welfare, Sister Anne Dreyer, Wonthaggi and Sale picture theatres, Briagolong family, a grevillea growersnatural history, welfare services, cinema -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, Orbost Historical Society Inc, Victoria Felix -A Celebration of the 50th. Parliament of Victoria 1856-1985, 2006
Documents the distinctive slatted barns of the Lower Snowy River, Orbost, Victoria. Includes sketch maps, barn plans, history of area and families and personal ineterviews.Ngaire Donald May Leatchland settlement, agriculture, natural disasters, transport -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, Chambers, Don, Exploring the Gippsland Lakes in 1882, 2006
Made after National Trust was alerted to the threats to the state's wooden bridges. Tells the history, location and structural diversity of Victoria's extant timber bridges. Amply illustrated in both colour and black and white.bridges, civil engineering -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, Robertson, Beth M, Black Swan. A Koorie Woman's Life, 2006
A Handbook detailing the practice and methods of oral history, including digital recordingoral history -
Clunes Museum
Photograph, 2006
16 COLOURED PHOTOGRAPHS OF POWDER MAGAZINE, SITUATED IN A PADDOCK ON SMEATON ROAD APPROX, 2KM FROM TOWNSHIP ON LEFT HAND SIDE. IN DISTANCE TREES IN THE FOREGROUND SOME BOULDERS SHOWN.local history, photography, photographs, mining -
Clunes Museum
Mixed media - GRANT APPLICATION, 2006 /2007
APPLICATION FOR GRANT TO RESTORE THE LARGE PHOTOGRAPHIC RECORD OF THE "CLUNES IN MELBOURNE CLUB" IN THE CLUNES MUSEUM.AN APPLICATION TO VICTORIA'S HERITAGE GRANTS PROGRAM COMPILED IN A MAROON BOUND FOLDER, WITH 2 CD'Slocal history, document, grants application, grant application -
Clunes Museum
Document - CONSTRUCTION REPORT, 2006
CONSTRUCTION REPORT BY A.W. NICHOLSON PTY LTD, BUILDERS IN RELATION TO PROPOSED REDEVELOPMENT OF WILLIAM BARKELL MEMORIAL ARTS & HISTORICAL CENTRE INC. [CLUNES MUSEUM]local history, document, reports, nicholson a.w. pty ltd. -
Wangaratta Art Gallery
Sculpture, Rose Wedler, Milagros, 2006
Milagros is inspired by the Mexican tradition of pinning ‘ex-votos’ or ‘milagros’ onto the robes of Patron Saints when requesting a miracle. Ex-votos or milagros are votive offerings of small metal shapes which represent a visual form of people’s prayers. The central question in this piece is:If the creatures of the river could, which ones would be asking their Patron Saints for a miracle or two? Most of the wetland and river fauna which are depicted in Milagros are listed as endangered or vulnerable and are recorded as belonging to the area of the Ovens River stretching from Wangaratta to the Murray.Wangaratta Art Gallery CollectionA rectangular sculpture that features a light wood beam with a brown fabric hang from it, with small golden animal pendants attached to the fabric.rose wedler, sculpture, milagros -
Nillumbik Shire Council
Ceramics (vase): Chris PITTARD, Chris Pittard, Vessel - Flood, 2006
Chris Pittard is a painter who has been working with clay for over 15 years. Pittard studied Fine Arts at RMIT and VCA and has exhibited paintings for a number of years. Pittard divides his time between teaching, drawing and painting and working in the ceramics studio where he creates distinctive pieces. Chris Pittard's ceramic pieces translate the narrative to the vessel. His vessels speak to us about our place and even his personal stories become more universal expressions.In early 2005 there was a flood which raged through the creeks cutting through the Shire of Nillumbik (Eltham). Not usually affected by catastrophe, these surging waters destroyed bridges and threatened roads. When the water subsided along the banks of the creek, trees had fallen, flotsam and jetsam piled up and even weeks later the long grass flattened by the flood continued to map the raging waters flow. The combination of slightly threatening and destructive forces and eerie beauty interested me. This at a time when world events of a far more horrific and tragic nature where presented to us by strangely beautiful coloured photos in our daily papers. These connections may not be obvious but it was certainly something I was thinking about while making this ceramic piece.flood, chris pittard, eltham, nillumbik -
Nillumbik Shire Council
Public Art: Wayne ALFRED (b.1958 Alert Bay, British Columbia), Wayne Alfred C/- High Commision of Canada, Commonwealth Games Totem Pole, Location: Eltham Library Foyer, Panther Place, Eltham, 2006
Wayne Alfred is a member of the Namgis Tribe of the Kwakwaka'wakw people. As a master carver he has an extremely high level of carving skill and knowledge about his peoples cultural objects, customs, tribal stories and legends. The Totem Poles of the North Pacific Coast in British Columbia and Alaska are traditionally carved out of red or yellow cedar, which has a spiritual and practical purpose. The wood was known for its durability, its resistance to rotting and the inner bark was utilised in ropemaking, clothing, hats, baskets and so forth. The Kwakitul People consider the cedar tree to be among the most sacred of all things provided by the Creator. They believed the Cedar tree to be the axis of the world and a pathway to the upper world. The wood is shaped using implements such as adzes, axes, chisels, carving knives, and chainsaws. Misinterpreted as Gods and idols to be worshipped, totems usually serve six purposes, such as a house pillar for support, a memorial or mortuary pole to commemorate (and house) the deceased, a potlatch pole (used for important traditional indigenous celebrations), a ridicule pole used to shame and a heraldic or family crest pole. Characters and symbols on these totem poles usually display family crests, history, wealth, social rank, inheritance, and privilege, as well as animalistic imagery derived from native animals and mythological creatures. Their sequence are indicative of past family events, ancestors, myths, and heraldic crests, with the bottom figure usually being the most prominent. In this work the 'thunderbird' is symbolic of power, strength and of ancestory. The Commonwealth Games Totem Pole was presented to the people of Nillumbik on behalf of the Canadian Government in recognition of Melbourne as the hosts of the Melbourne Commonwealth Games Team in 2006. Carved in cedar wood, this totem pole incorporates bold cuts and colours (such as red and green) offset by strong black. A relative degree of realism is used to depict the alligator located on the bottom of the pole, a man and a 'thunderbird'/eagle located on the top. With protuding element. No inscriptions. Bold cuts used to outline the characters and symbols as well as decorative and stylised features all over the pole. public art, kwakwaka'wakw, namgis, alfred, north pacific coast, british columbia, canada, totem pole, carved, commonwealth games, melbourne festival, cedar -
Nillumbik Shire Council
Sculpture: Jane ANNOIS, Jane Annois, Evolution, 2006
Jane Annois had a long involvement with Potters Cottage in Warrandyte, where she taught for many years. Potters Cottage was established in the late 1950s in Warrandyte as an artist co-operative. Founding members included Reg Preston, Phyl Dunn, Gus McLaren, Artur Halpern, Sylvia Halpern and Elsa Ardern. These talented artists had the ingenuity and foresight to create a teaching studio, gallery shop and restaurant to experiment, make, promote and sell predominantly domestic wares of the time. These activities helped financially sustain each member’s individual creative practice. Potters Cottage was influential in the development of contemporary ceramics, building and developing practices that experimented with traditional ceramic processes, raw materials and locally sourced clay. The group mentored and nurtured many interested in the art of ceramics, producing alumni and teachers such as Peter Laycock, John Dermer, Greg Daly and Jane Annois. Jane Annois is a ceramic artist who has lived and worked locally in Warrandyte for many years. She focuses primarily on exploring the art of Japanese raku, adapting the technique to develop the typical characteristics of crackle glazes and lustres, with contrasting areas of black. Jane also applies a fine slip called terrasigillata which gives soft, warm ochre colours. This technique was once used by the Greeks over 2000 years ago to seal and decorate their pots. She is also strongly onfluenced by the French potters, particularly in the style of terre vernissee, a decorative form of terracotta tableware. Three piece stoneware and raku fired ceramic sculpture. The first piece is a hollow, dome shaped object. It is orange (terracotta slip) in colour with a copper metallic band and a black edge on one side with a small yellow glazed rounded triangle and metallic strip of colour on the otherside. The second piece is shaped like a traditional vase. It is orange (terracotta slip) in colour with white crackle on the inside. It has a yellow slip edge with a dark glazed square on one side and on the other side a black thick edge that mirrors the contour of this shape. The third piece is shaped loosley in the form of the letter 'z'. It compliments the second piece with a yellow slip edge and black glazed square to its lower left side and top right as well as on its' other side a black thick edge that mirrors the contour of this shape. This piece has a very small skewed square opening at its' top. All three pieces have elements of crazing and variations of colour and lustre, caused by the raku process. 2006.52.1VA has the artist name/signature 'J. Annois' inscriped small (with fine point ceramic tool?) on the front of the piece, bottom right; 2006.52.2VA has the artist name 'Jane'? inscribed (unlegible - with fine point ceramic tool?) underneath; 2006.52.3VA has the artist name/signature 'Jane Annois' inscriped (with fine point ceramic tool?) inside its hollow form. evolution, raku, stoneware, terrasigillata, terracotta, glazes, slip, terre vernissee -
Stawell Historical Society Inc
Document - Annual Report, Northern Grampians Shire 4 Annual Reports, 1999 - 2006
4 Annual reports of the Northern Grampians shire. Reports for 1999, 2003, 2004-05, 2005-6. Northern Grampians shire Spiral BoundShire Norther Grampiansnorthern grampians shire, stawell -
Stawell Historical Society Inc
Photograph, Jim Melbourne Stawell Historical Society, 20/04/2006
6971-1 Jim Melbourne stawell historical society, museum -
Stawell Historical Society Inc
Photograph, Dorothy Brumby, Liz Driscoll, Wendy Melbourne, 20/04/2006
6971-2 Dorothy Brumby, Liz Driscoll, Wendy Melbourne. in the Interior of museumstawell historical society, museum -
Stawell Historical Society Inc
Photograph, Aboriginals at Carrs Plains, 2006
5563-1a Anthony Anderson 5563-1b King of Birchip 5563-1c Weapons demonstrated by Blind Tommy 5563-1d Carrs Plains Aboriginals 1870's 5563-1e Carrs Plains Aboriginals with Holford W 1870s 5563-1f Carrs Plains photos of Aboriginals from Vic Museum via Steve WettenhallPhotographs of Aboriginals at Carrs plains on CDstawell -
Stawell Historical Society Inc
Photograph, Carrs Plains Wettenhall CD, 2006
5563-2a Sheep Carrs Plains 5563-2a1 Carrs Plains on bank of Richardson River 5563-2a2 Carrs Plains Molly with Calf 5563-2b Richardson River in Flood 5563-2b1 Carrs Plains 5563-2b2 Arthur Whettenhall at front door 5563-2c Slush boxes Carrs Plains 5563-2c1 Carrs Plains 5563-2c2 Wettenhall Family1890 Viola on Holford's lap 5563-2d Seven Bros 5563-2d1 Carrs Plains 5563-2d2 Snow at Carrs Plains about 1896 5563-2e Carrs Plains 5563-2e1 Carrs Plains 5563-2e2 Carrs Plains Quarters 5563-2f Sheep 5563-2f1 Carrs Plains 5563-2f2 Sheep & Fleece 5563-2g Sheep 5563-2g1 Carrs Plains 5563-2g2 Carrs Plains Staff 5563-2h Alan Wettenhall 5563-2h1 Carrs Plains 5563-2h2 Portrait of 5563-2i Carrs Plains Grp 5563-2i1 Mr Tom Thumb the pony at Carrs Plains 5563-2i2 CP Top Sheep 5563-2j Roland Viola Alexander 5563-2j1 H H Wettenhall 5563-2j2 Carrs Plains Riding 5563-2k Sheep 5563-2k1 H H Wettenhall 5563-2k2 Carrs Plains sheep 5563-2l Carrs Plains front door on R 5563-2l1 H H Wettenhall false left arm 5563-2l2 Carrs Plains slush box 5563-2m Carrs Plains Rams 5563-2m1 H H Wettenhall 5563-2m2 Carrs Plains wool away 5563-2n Carrs Plains 5563-2n1 Carrs Plains 5563-2n2 Snow at Carrs Plains 5563-2o Carrs Plains Shearing 5563-2o1 Shoot 5563-2p Carrs Plains Shearing 5563-2p1 Party At Dam possibly Lake Lonsdale 5563-2q Carrs Plains Sheep 5563-2q1 Carrs PLains 5563-2r Carrs Plains Sheep 5563-2r1 Carrs Plains 5563-2s Carrs Plains Flood 5563-2s1 Carrs Plains 5563-2t Carrs Plains Flood 5563-2t1 Carrs Plains Duck 5563-2u Carrs Plains Flood 5563-2u1 Carrs Plains Sheep 5563-2v Veranda Carrs Plains 5563-2v1 Mrs Tom Thumbs Foal Tempus 5563-2w Carrs Plains Flood 5563-2w1 Molly and her Kemp family ,her mother Euphemia and Gd Mother Kemp 5563-2x Carrs Plains Flood 5563-2x1 Jean Kemp Molly's oldest sister 1909 5563-2y Carrs Plains Barns 5563-2y1 G G Mother Kemp 94yrs Herbert on R 5563-2z Carrs Plains Playing 5563-2z1 Carrs Plains Buggy Photographs of Carrs Plain on CDstawell -
Stawell Historical Society Inc
Photograph, Glen Holford Wettenhall CD, 2006
5563-3a Glen Holford 5563-3a1 Floie William 5563-3a2 Glen Holford Door 5563-3b Viola 5563-3b1 Florence 5563-3b2 Glen Holford Pomonal pre 1939 5563-3c Glen Holford Group 5563-3c1 Florence 5563-3d Glen Holford 5563-3d1 Glen Holford 5563-3e Glen Holford 5563-3e1 Glen Holford 5563-3f Glen Holford View 5563-3f1 Glen Holford 5563-3g Glen Holford Apples 5563-3g1 Florence Wedding 5563-3h Glen Holford View2 5563-3h1 Wedding Croquet 5563-3i Glen Holford 5563-3i1 Wedding 5563-3j Glen Holford 5563-3j1 Wedding 5563-3k Glen Holford View3 5563-3k1 Wedding 5563-3l Glen Holford 5563-3l1 Wedding 5563-3m Social Day 5563-3m1 Wedding 5563-3n Florence Viola 5563-3n1 Wedding 5563-3o Glen Holford Tennis 5563-3o1 Glen Holford 5563-3p Glen Holford Tennis 5563-3p1 Holford 5563-3q Halls Gap Party 5563-3q1 Holford W W Lempriere 5563-3r Glen Holford Party 5563-3r1 Glen Holford Picnic 5563-3s Glen Holford Party 5563-3s1 Glen Holford 5563-3t Viola 5563-3t1 Horses Foals 5563-3u Viola Granny Mary Wettenhall 5563-3u1 Holford Viola 1896 5563-3v Viola Roland 5563-3v1 Glen Holford Grp 5563-3w Glen Holford 5563-3w1 Glen Holford Mounted Grp 5563-3x Glen Holford Summer House 5563-3x1 Milton Arthur + 5563-3y1 Wettenhall Family C1900 5563-3z1 Wettenhall Family C1889 Photographs of Glen Holford near Pomonal on CDstawell -
Stawell Historical Society Inc
Photograph, Mafeking Wettenhall CD, 2006
5563-4a Gold Digging Mafeking 5563-4b Gold Digging Mafeking 5563-4c Going Down For What Mafeking 5563-4d Going Down Sequel Mafeking Photographs of Mafeking on Wettenhall CDstawell -
Stawell Historical Society Inc
Photograph, Swinton on Wettenhall CD, 2006
5563-5a Swinton1907 5563-5b Swinton Party at Carrs Plains 1907Photographs of Swinton on CDstawell -
Stawell Historical Society Inc
Photograph, Wallaloo Park on Wettenhall CD, 2006
5563-6a Wallaloo Park 5563-6b Wallaloo Park 5563-6c Wallaloo Park Photographs of Wallaloo Park on CDstawell -
Swan Hill Regional Art Gallery
Photograph, AUTIO, Narelle, Barmah Forest, 2006
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Swan Hill Regional Art Gallery
Photograph, AUTIO, Narelle, Cod Pool, 2006
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Swan Hill Regional Art Gallery
Photograph, AUTIO, Narelle, Swimming Cod, 2006
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Swan Hill Regional Art Gallery
Photograph, AUTIO, Narelle, Murray Cod Hatcheries, 2006
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Swan Hill Regional Art Gallery
Photograph, AUTIO, Narelle, Agro, 2006
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Swan Hill Regional Art Gallery
Photograph, AUTIO, Narelle, Trophy, 2006
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Swan Hill Regional Art Gallery
Photograph, AUTIO, Narelle, The Big Cod, 2006