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Mission to Seafarers Victoria
Photograph - Photograph, Black and white, Mission Launch towing boat - Cup Day picnic 1928, 1928
On page 14 (cut page from fan album)1928, picnic, motor boat, cup day, fan album -
Mission to Seafarers Victoria
Photograph - Photograph, Black and white
on page 141928, life on board, fan album -
Mission to Seafarers Victoria
Journal (item) - Periodicals-Annual, Shiplovers' Society of Victoria, The Annual Dog Watch
This journal provides the reader with glimpses of the adventures and hardships of a seaman's life. Many of the stories are of sailing ships.Contributes to our knowledge of the importance of shipping and places on record those stories of the sea which would otherwise be lost.The foreword is written by the Hon. Sir Arthur Warner then Minister for Transportsailing ships, steamships, shipping, seafaring life, shiplovers' society of victoria, dog watch -
Mission to Seafarers Victoria
Photograph - Photograph, Black and white, Reverend John Reginald Weller, On the Australian Wharf, c. 1925
Black and white photograph with a thin white border depicting the Australian wharf: two horses, steam ship, two men one siting on a barrel. Across the Yarra river: docks and in the background, the Robur Tea House.Stamps: In purple ink: Herschell's Print, Pathe Agents / in blue ink: "384" Handwritten in black ink and in pencil: "6" australian-wharf, yarra-river, robur tea house, weller album -
Mission to Seafarers Victoria
Photograph - Photograph, Black and white, Reverend John Reginald Weller, On board the William Mitchell: On the poop looking for'ard, 1925-26
The photograph probably taken by Reverend Weller on a visit to the ship. The photograph was detached from album page 1595.number 17 ship visit, william mitchell, sail, weller album, reverend john reginald weller (1880-1969), stuart wilkie -
Mission to Seafarers Victoria
Photograph - Photograph, Sepia, Starting for Christmas picnic, 25 December 1913
The sailors, officers and Reverend Gurney Goldsmith (centre) were picked up from the Siddeley Street mission by two double deck motorbuses. On the buses is written: "Motor Tyre, The place for tyre, 400-3-5 Swanston Street, Melbourne - Red Cross Hospital - The Globe". The Mission flag and the Union Jack are brought with the men to the St John's College, St Kilda East. The photograph appears in the Annual Report 1913. In the Age we could read: "SAILORS' PICNIC. The seamen from ships in port, were hospitably entertained on Christmas day by friends of the Victoria Missions to Seamen. The day was spent at St. John's College, East St. Kilda, by invitation of the warden and Mrs. Hart. The sailors enjoyed the treat, and entered heartily into the sports held during the afternoon. The evening was spent at the institute on the Australian wharf when every sailor received a Christmas' present from 'the brig." The photograph was used in the "Jottings fro our log" quarterly publication of the Mission in 1916.Sepia photograph with a thin black frame depicting seamen gathering in front of the Central Institute, Siddeley Street, where buses are waiting for them to take them on an outing.Handwritten at the back in pencil: "168" / Starting for Christmas picnic Handwritten in blue ink: "8" Handwritten twice in blue ink: 1914? at the top and 1914 at the bottom.siddeley street institute, ww1, christmas, transport, rev gurney goldsmith, flag, red cross, the globe, union jack, motorbus, 1913, xmas -
Mission to Seafarers Victoria
Photograph - Photograph, Black and white, 25 December 1917
Gathering of seafarers and two ladies on Xmas day outing to Brighton, 1917. see item 1650/1651/1652/1653Small monochrome outdoor photograph, depicting a small group of reasonably formally dressed men and women, gathered for the photograph to be taken Xmas Day at Brighton 1917 The "Cricketers"brighton, picnic, lhlg, 1917, ww1, first world war, great war, cricket, bats, officers, apprenctices, ladies, xmas, christmas day -
Mission to Seafarers Victoria
Photograph - Photograph, Black and white
Group of ladies of the Guild during a picnic in Brighton, Xmas Day 1917. Sitting in the centre, wearing black is Ethel Godfrey. see item 1649/1651/1652/1653Group photograph of the Ladies Harbour Light Guildethel augusta godfrey, alice sibthorpe tracy, xmas, 1917, wwi, first world war, great war, lhlg, brighton -
Mission to Seafarers Victoria
Photograph - Photograph, Black and white, 1919-1920
Group of ladies of the Guild during a picnic in Brighton, Xmas Day 1917. Ethel Godfrey is standing left. Her hands on the shoulder of a young girl. see item 1649/1650/1652/1653Black and white photograph depicting a group of sailors and ladies standing and seating in a park.ethel augusta godfrey 1861-1935, picnic, lhlg, brighton, xmas, 1917, christmas, wwi, first world war, great war, goldsmith album -
Mission to Seafarers Victoria
Photograph - Photograph, Black and white, 25 December 1917
Gathering of seafarers on Xmas day outing to Brighton, 1917. see item 1649/1650/1651/1653xmas, christmas, 1917, first world war, wwi, lhlg, seamen, goldsmith album, brighton, picnics, social events, entertainments -
Mission to Seafarers Victoria
Photograph - Photograph, Black and white, Handing lemon drinks - Boxing Day 1920, 26 December 1920
Around 100 men were welcomed on the grounds of Riversdale bu Mr and Mrs Edward Duckett for Boxing Day 1920. The party went to the house by boat on the Yarra.Small black and white photograph with thin white border depicting 3 ladies standing and handing over some glasses to men sitting on the ground.Handwritten on verson in pencil: Handing lemon drinks - Boxing Day 1920 and the number "893"picnic, wwi, first world war, great war, lhlg, picnics, social events, entertainments, boxing day, 1920, edward duckett, riversdale -
Lorne Historical Society
Map - Subdivision Map, J Batten Lithos, Plan of West Lorne Loutitt Bay Allotments IV and V
One of the early subdivision maps of Lorne.Black and white printed map on cream paper. The map shows allotments from the Erskine River to the Grand Pacific with an inset of allotments between Smith and Otway Streets. Allotments have the owners names.. The sea baths, Cobb and Co stables , Mountjoys Hotel, the Church of England, the telegraph line to Geelong and the jetty are also marked.lorne, subdivisions, -
Lorne Historical Society
Pamphlet - Tourist pamphlet Lorne, Lorne Victoria Australia
Victorian Railways printed a series of brochures publicizing holiday destinations.A folded paper souvenir pamphlet. The cover is a colored picture of Lorne from Scotsman’s Hill with two bathing suited young women in the foreground, and a blurb extolling the virtues of Lorne. On the back is a red, yellow and blue map of Lorne and district. Inside are eight black and white photographs of Lorne attractions,; the Main Street, tennis courts, Erskine River, walking tracks and the George River with the phrase ,” The resort that embraces everything for the perfect holiday.”souvenirs, pamphlets, victorian railways, -
Koroit & District Historical Society
Priest's Robe, Chasuble, late 19th century
This item was used at St Patrick's Catholic Church, Kirkstall from 1910. Although the item is black, black is no longer a liturgical colour after Vatican II.This is of historical significance to the people of Kirkstall and Koroit. It has potential spiritual significance of the local catholic population. it represents a typical item of a small village church in the late 19th Century.A black robe embroidered with black and silver,The chasuble is Roman style also called sandwich board, Pre- Vatican II style. It is watered silk and it may date from the early 20th C but it may date late 19 Century.There is an embroidered symbol on the front that encompasses the letters J H and S. Symbolic braiding.chasuble, robes, kirkstall, catholic, church, st patrick's kirkstall -
Koroit & District Historical Society
Photograph - black and white, S. Baxter
baxter, s. baxter, public men of koroit -
Koroit & District Historical Society
Black Nugget Tin
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Koroit & District Historical Society
Koroit aerial shot
PAR0001 to PAR0003 Photocopy of a black and white photograph. Aerial photograph of Koroit 1936. Writing would probably be by Rhoda Hindhaugh formerly Stevenson nee Barr. Souvenir aerial photograph taken by The Argus newspaper 1936. The buildings have been named in pen entered at a later date. -
Koroit & District Historical Society
Koroit aerial shot
PAR0001 to PAR0003 Photocopy of a black and white photograph. Aerial photograph of Koroit 1936. Writing would probably be by Rhoda Hindhaugh formerly Stevenson nee Barr. Souvenir aerial photograph taken by The Argus newspaper 1936. The buildings have been named in pen entered at a later date. -
Koroit & District Historical Society
Koroit aerial shot
PAR0001 to PAR0003 Photocopy of a black and white photograph. Aerial photograph of Koroit 1936. Writing would probably be by Rhoda Hindhaugh formerly Stevenson nee Barr. Souvenir aerial photograph taken by The Argus newspaper 1936. The buildings have been named in pen entered at a later date. -
Koroit & District Historical Society
Koroit aerial shot
Photograph hanging in chambers at Koroit libraryBlack and white photograph copy of originalKoroit Vic. July 1985 Ian Oswald-Jacobs -
Mission to Seafarers Victoria
Flyer - The Elephant Room, 1988
Louise Hearman used the Norla Dome and painted a mural which had taken her around a year to complete. The exhibition called Elephant Room was shown from May 1988. The work was vandalised in June 1989 and subsequently demolished.Louise Hearman is a Melbourne born artist and Archibald Prize winner. Hearman first came to public notice in 1987/88 when she spent a year painting the mural in the Norla Dome. The premises of the Mission also served as her studio at that timeBlack and white flyer with dual lengthways ribbings on the back side, possibly indicative of an intent to fold the flyer in three.The Elephant Room You are invited into the dome at the “Mission to Seamen” building, no. 717 Flinders St (ext), painted by Louise Hearman. Opening night Thurs May 28th 6 pm - 9 pm Visiting hours 11am -6 pm Tues to Sun from May 29th to June 11th Or by appointment ph (03) 328 1400 a.h. Sponsored by: Australian Council, Crown Hire, Art Stretchers Oliver-Davey Glass and Box Archer Emery.cultural events, exhibitions, paintings, artists, norla dome, 1988, louise hearman, elephant room, flinders street, melbourne -
Mission to Seafarers Victoria
Article - Clipping, photocopy, Megan Jones, It’s heaven now in the old gym, 1988
Louise Hearman used the Norla Dome and painted a mural painted which had taken her around a year to complete. The exhibition called Elephant Room was shown from June 1988. The work was vandalised in 1989 and subsequently demolished.Louise Hearman is a Melbourne born artist and Archibald Prize winner. Hearman first came to public notice in 1987/88 when she spent a year painting the mural in the Norla Dome. The premises of the Mission also served as her studio at that time.Black and white copy of a newspaper article, printed on A3 paper.louise hearman, exhibitions, 1988, norla dome, flinders street, cultural events, melbourne, elephant room, ian hunter -
Mission to Seafarers Victoria
Photograph - Digital photograph, Black and white, Charles Daniel Pratt (1892-1968), c. 1927
The tennis court was built in 1924, after a suggestion from seamen. It was used until the 50s when it was too damaged and costly to keep. The Hawthorn branch of the LHLG raised the funds. Aerial photograph of the Yarra river depicting the Siddeley and Flinders buildings with the tennis court.tennis court, sports, charles daniel pratt (1892-1968) -
Mission to Seafarers Victoria
Photograph - Digital photograph, Black and white, Charles Daniel Pratt (1892-1968), c. 1927
The tennis court was built in 1924, after a suggestion from seamen. It was used until the 50s when it was too damaged and costly to keep. The Hawthorn branch of the LHLG raised the funds. Aerial photograph of the Yarra river depicting the Siddeley and Flinders buildings with the tennis court.tennis court, sports, charles daniel pratt (1892-1968), fishmarket, spencer street bridge, sailors' home, siddeley street, flinders street, mission to seafarers, seamen's mission, seamen's institute -
Mission to Seafarers Victoria
Photograph - Framed montage, Arthouse - Picture Framing & Gallery, On the Seas, 2013
HUMBLE BEGINNINGS The Mission to Seafarers, which was originally known as the ‘Bethel Union’, was established in London in 1835, a recognition of the spiritual needs of seafarers who live a lonely life at sea. In 1857, the Bethel Union began a mission in Victoria aboard the Emily, a large hulk vessel donated by the government, with the object of establishing a floating church for sailors moored in Hobson’s Bay. The first chaplain, his wife and their eight children, three servants and livestock called the Emily home for two and a half years. Each week, sailors were taken to the Emily via a longboat to join in the Sunday services. Today following the same custom, seafarers are transported by bus to and from the docks by a volunteer bus service run from the Mission building at 717 Flinders Street. This window, named ‘On the Seas’, was installed in 1980 and represents the origins and history of the Mission to Seafarers through the symbols of a cross, maritime and Masonic imagery.Reflections of the Sea was an exhibition of 10 framed montage of photographs from the mission's archive collection showcasing 10 stained glass windows from the St Peter chapel. This exhibition curated by Georgia Melville and Catherine McLay, and funded by PROV and Creative Victoria, was displayed in the World Trade Centre Wharf Gallery in June July 2013 and toured to Queenscliff Maritime Museum. The photographs of the windows were taken by scientific photographer Justine M. Philip. This frame is showcasing the window by Greg Cummins with a photograph of seamen in front of a van and a view of Port Melbourne.Framed and mounted on black cardboard of black and white and colour reproductions from the MTSV collection for the exhibition Reflections of the Sea with brief label signageon label: ABOVE: View of the Princes Pier from the Port Melbourne Mission windows in 1928. BELOW: A group of visiting seafarers standing in front of the Mission bus during an outing to the beach, circa 1950s.reflections of the sea, georgia melville, exhibition, 2013, world trade centre, wtc, creative victoria, prov, mission to seafarers, stained glass windows, justine m. philip, greg cummins, flinders street, catherine mclay, arthouse -
Mission to Seafarers Victoria
Photograph - Framed montage, Arthouse - Picture Framing & Gallery, Missions to Seafarers, 2013
THE HOME OF THE MISSION TO SEAFARERS By 1907 the Mission to Seafarers Victoria had moved from providing its services aboard a floating vessel, the Emily, to three different bases in Melbourne locations: Williamstown, Port Melbourne and the North Bank of the Yarra - opening a central home in 1907, and finally at 717 Flinders Street in 1917. The Mission to Seafarers Victoria complex, includes the landmark domed gymnasium, which opened in 1920. The State heritage listed buildings of the Mission are considered architecturally significant urban examples of two distinct architectural styles: the external Spanish Mission Revival and the Arts and Crafts influence of the interior. This window, titled ‘Missions to Seamen’, was installed in 1980 and depicts a cargo ship, tug and lighthouse representing the working seaman, and is further supported by the Flying Angel emblem of the Mission to Seafarers ministry.Reflections of the Sea was an exhibition of 10 framed montage of photographs from the mission's archive collection showcasing 10 stained glass windows from the St Peter chapel. This exhibition curated by Georgia Melville and Catherine McLay, and funded by PROV and Creative Victoria, was displayed in the World Trade Centre Wharf Gallery in June-July 2013 and toured to Queenscliff Maritime Museum. The photographs of the windows were taken by scientific photographer Justine M. Philip. This frame is showcasing the window depicting a ship and tugboat, two photographs of the Flinders Street building and seamen departing for a picnic.Framed and mounted on black cardboard of black and white and colour reproductions from the MTSV collection for the exhibition Reflections of the Sea with brief label signageon label: ABOVE: A photograph of the Mission to Seafarers complex on Flinders Street with horse drawn carts going by, taken in 1927 BELOW: Visiting seafarers gathered in front of the Mission entrance prior to a picnic on Boxing Day 1926reflections of the sea, georgia melville, exhibition, 2013, world trade centre, wtc, justine m. philip, flying angel flag, tugboat, mission to seafarers, flinders street, creative victoria, prov, stained glass windows, catherine mclay, arthouse -
Mission to Seafarers Victoria
Photograph - Framed montage, Arthouse - Picture Framing & Gallery, Noli Me Tangere, 2013
A GLOBAL PERSPECTIVE Before the increase of air transport, everything that arrived or departed from Australia did so via the ports and wharves. The Mission to Seafarersis not a Victorian initiative, but rather a global network that currently operates in over 260 ports worldwide, assisting over 1.3 million seafaring men and women each year. The importance of the Mission’s role is demonstrated in the Chaplain’s Report 1947, which notes that ships and their crews are: “...inextricably linked with the well-being of Australian industrial and economic life... This, in turn, means that you cannot escape some share in responsibility for their welfare.” This window, titled ‘Noli Me Tangere’, was installed in memoriam of Moira Oliver, the wife of the Reverend Frank Oliver, chaplain at the Mission 1930-60, and whose dedication in life and service to the welfare of seafarers was inspirational to many.Reflections of the Sea was an exhibition of 10 framed montage of photographs from the mission's archive collection showcasing 10 stained glass windows from the St Peter chapel. This exhibition curated by Georgia Melville and Catherine McLay, and funded by PROV and Creative Victoria, was displayed in the World Trade Centre Wharf Gallery in June July 2013 and toured to Queenscliff Maritime Museum. The photographs of the windows were taken by scientific photographer Justine M. Philip. This frame is showcasing the memorial window to Moira Bird Oliver, wife of Padre Oliver , a photograph of Padre Oliver listing a ship and a photograph of sailors playing tug-of-war during a picnic.Framed and mounted on black cardboard of black and white and colour reproductions from the MTSV collection for the exhibition Reflections of the Sea with brief label signageon label: ABOVE: Mission to Seafarers' chaplain Frank L Oliver, visiting a ship whilst in port, c1950s BELOW: The crew of the motor ship Nyhaugin a tug-of-war with the crew of the SS Madgeburg at the 1926 Boxing Day picnicreflections of the sea, georgia melville, exhibition, 2013, world trade centre, wtc, creative victoria, prov, mission to seafarers, stained glass windows, justine m. philip, moira bird oliver, moira bird oliver (nee good), padre frank leslie oliver, picnic, tug-of-war, flinders street, catherine mclay, arthouse -
Mission to Seafarers Victoria
Photograph - Framed montage, Arthouse - Picture Framing & Gallery, Light of the World, 2013
THE CHAPLAINCY Although fostered by the Anglican Church since 1906, the work of the Mission to Seafarers’ is inter- denominational and is not limited by the physical space of its buildings. When the old Melbourne wharves and their moorings were still in use, chaplains would also visit ships to look after the welfare of those who could not visit the Mission. Today, the Mission’s ‘Ship Visitors’ provide a similar service. The Flinders Street central complex was purpose built to meet with seafarers’ needs: “...the first thing a sailor would see before the traps and temptations of the city would be the Institute and its comfortable rooms.” (The Argus, ND). Today, the Mission continues to offer its comfortable, safe spaces and a friendly ear to seafarers, alongside other services that extend well beyond those traditionally offered - including TV, phone cards, and access to the internet. This window, titled ‘Light of the World’, was installed in 1935 in memory of a former ‘M.V. Manunda’ captain and represents chaplaincy support to the seafaring community.Reflections of the Sea was an exhibition of 10 framed montage of photographs from the mission's archive collection showcasing 10 stained glass windows from the St Peter chapel. This exhibition curated by Georgia Melville and Catherine McLay, and funded by PROV and Creative Victoria, was displayed in the World Trade Centre Wharf Gallery in June July 2013 and toured to Queenscliff Maritime Museum. The photographs of the windows were taken by scientific photographer Justine M. Philip. his frame is showcasing the memorial window to Captain Robert Sunter and a photograph of a chaplains conférence in the 1950s.Framed and mounted on black cardboard of black and white and colour reproductions from the MTSV collection for the exhibition Reflections of the Sea with brief label signageon label: Taken in the courtyard at Flinders Street in the early 1950s, this photo shows eighteen individuals, fifteen of whom are wearing white clerical collars, illutsrating the integral relationship between the Mission to Seafarers ministry and the Anglican Churchreflections of the sea, georgia melville, exhibition, 2013, world trade centre, wtc, captain robert sunter, chaplaincy, conference, mv manunda, creative victoria, prov, mission to seafarers, stained glass windows, justine m. philip, flinders street, catherine mclay, arthouse -
Mission to Seafarers Victoria
Photograph - Framed montage, Arthouse - Picture Framing & Gallery, Jesus in the House of Martha and Mary, 2013
FRIENDS OF THE MISSION The Mission has always relied heavily on the patronage of its volunteers and sponsors who are kind enough to donate much-needed funds, time and expertise. In its first year, the Mission had only 99 pounds to its name, 90 pounds of which was taken up by the chaplain’s salary! Today the Mission is overseen by a Board of Directors and is run by a dedicated team of employees and volunteers. Even though developments such as containerisation in the shipping industry have meant that the number of seafarers on each vessel and their time spent in port has been drastically reduced, the needs of seafarers are just as pressing today as they were when the Mission first began. This window, titled ‘Jesus in the House of Martha and Mary’, was installed in 1947 in memory of Karen Brady, a volunteer and friend of the Mission, dedicated to providing for the needs of seafarers. This window is symbolic of the continuation of such needs in modern times.ontextual or historic information Reflections of the Sea was an exhibition of 10 framed montage of photographs from the mission's archive collection showcasing 10 stained glass windows from the St Peter chapel. This exhibition curated by Georgia Melville and Catherine McLay, and funded by PROV and Creative Victoria, was displayed in the World Trade Centre Wharf Gallery in June July 2013 and toured to Queenscliff Maritime Museum. The photographs of the windows were taken by scientific photographer Justine M. Philip. This frame is showcasing the memorial window to member of the Guild, Karen Brady, who died during a black out hit by a car while she was on her way back home from the Mission, and two photographs of social activities organised for seafarers.Framed and mounted on black cardboard of black and white and colour reproductions from the MTSV collection for the exhibition Reflections of the Sea with brief label signageon label: ABOVE: Ladies handing out light refreshments to seafarers during an outang at the Melbourne Zoo in 1907 BELOW: A full house awaiting New Years Eve dinner followed by entertainment in 1927reflections of the sea, georgia melville, exhibition, 2013, world trade centre, wtc, creative victoria, prov, mission to seafarers, stained glass windows, justine m. philip, flinders street, karen brady, lhlg, picnic, social events, catherine mclay, arthouse -
Mission to Seafarers Victoria
Photograph - Framed montage, Arthouse - Picture Framing & Gallery, Thou of Little Faith, 2013
A KEY MELBOURNE LANDMARK Although primarily dedicated to providing for the welfare of visitors from abroad, the Mission has always been a community-based organisation, and its doors are always open to the general public. Today, the Flinders Street complex lends its ample space to a variety of community pursuits – including yoga classes, religious sermons and gallery exhibitions. The Mission also continues as a popular venue for weddings and other social events, mainly due to the endearing historical connections and unique architecture and ambience. It is a distinctive and significant feature of Melbourne’s riverside streetscape. This window, titled ‘Thou of Little Faith’ is part of a pair that were installed at around the time the Mission was built in 1917. It is dedicated to a prominent family member of the ‘Forges of Footscray’ store fame, who were great supporters of the Mission’s work.Reflections of the Sea was an exhibition of 10 framed montage of photographs from the mission's archive collection showcasing 10 stained glass windows from the St Peter chapel. This exhibition curated by Georgia Melville and Catherine McLay, and funded by PROV and Creative Victoria, was displayed in the World Trade Centre Wharf Gallery in June July 2013 and toured to Queenscliff Maritime Museum. The photographs of the windows were taken by scientific photographer Justine M. Philip. This frame is showcasing the window in memry of James Leslie Forge, a photograph during a service in the chapel and a wedding photograph.Framed and mounted on black cardboard of black and white and colour reproductions from the MTSV collection for the exhibition Reflections of the Sea with brief label signageon label: ABOVE RIGHT: Sunday services in St Peter the Mariner's chapel, attended by seafarers and the public, circa 1950s BELOW RIGHT: Mr and Mrs Lee under the arches after their wedding at the Mission on May 1st, 1967reflections of the sea, georgia melville, exhibition, 2013, world trade centre, wtc, creative victoria, prov, mission to seafarers, stained glass windows, justine m. philip, flinders street, james leslie forge, weddings, service, chapel of saint peter, catherine mclay, arthouse