Photo of VR Tram 23 with a sign "Merry X'Mas", decorated, being used for a Christmas party on Tuesday 22-12-1953. Appeared in The Age, 23-12-1953. Has many children leaning out of the tram waving, The Conductor has a cash bag.Yields information about VR tram 23 decorated for the 1953 Christmas and used as a party tram.Black and white photograph with notes on the rear.In pencil "No. 4, The Age 23-12-53, relic of first rolling stock on Sandringham - Black Rock line? and a newspaper clipping "All dressed up and somewhere to go"tramcars, tramways, vr, sandringham to black rock, tram 23, christmas trams

We have an original B&W copy donated by Ian Barkla and a larger one copied by Ken Hall. The Barkla original has a sticker with his reference details on the back. The photo records a Vintage Train tour to Healesville on 1 October 1966. The Lilydale to Healesville line opened on 1 March 1889. The last steam train on the line ran in 1957 and the last passenger service was in 1980. The line reopened as a tourist railway in 2010. Although the photo was taken on a misty day, houses in Windsor Crescent can just be seen in the background. It is possibly Lorne Parade in the background with preparatory works for the 3rd rail line underway.A black and white photocopy of a steam train. One person is looking on from the left hand side of the photo. It's a misty day but houses in Windsor Crescent and the pedestrian overpass at Surrey Hills railway station can be seen.surrey hills railway station, windsor cresent, 1966, railfan tour, steam trains, vintage tour train

Item used on the Victorian Railways Sandringham - Black Rock tram line for the short section of the single track of the line between the railway station in Station Street and the depot entrance in Bay Road. Tram drivers were required to carry this to prevent a head-on collision on the single-line section. Image 3 shows the driver placing the item in the "staff box" outside the depot. Image from the DVD "VR Tramways in the 1950s", with permission from Effectch the Producer. The Newport Railway Museum holds the other staffs for this line along with a damaged one (or two) for the same section - see photo 4 for the Black Rock to Beaumaris Section.Demonstrates an item used to safely work trams on the Sandringham - Black Rock - Beaumaris tram line.Two sections of steel intermeshed to form a cross and stamped.Stamped "No. 1 Section" and "Sandringham - Staff Box"trams, tramways, safeworking, sandringham, section staff

Building Watsonia Station circa 1975. This photograph shows the framework for the new station being installed. The new Watsonia Station was opened in 1977 when the rail line was lowered to remove level crossings and duplicate the line between Macleod and Greensborough.Digital copy of colour photographwatsonia station, hurstbridge rail line

This handmade black glass bottle was recovered between the late 1960s to early 1970s from the wreck of the sailing ship Loch Ard. The ship was wrecked in 1878 and its remains are located at Mutton Bird Island, near Port Campbell, Victoria and bottles of liquor were listed as part of the Loch Ard’s cargo. This bottle is now part of the John Chance collection. Black glass is one of the oldest bottle colours and dates back to the early 17th century. In the 1840s to late-1870s black glass bottles were mainly used for liquor and ale. All glass is made from silica, which is found in quartz sand. The naturally occurring sand has impurities, such as iron, that determine the colour of the glass. Residual iron leads to green or amber coloured glass, and carbon in the sand makes that glass appear as ‘black’. A strong light behind the glass will show its colour as dark green or dark amber. This handmade bottle appears to have been made in a dip mould, with the molten glass blown into a seamless shoulder-height mould to give the body a uniform symmetrical shape and size. After the body is blown, the glass blower continues blowing free-form (without the mould) to form the shoulder and neck, then the base is pushed up with a tool, and the finish for the mouth is added with his tools. The dip mould gives the body a slightly textured surface, with the free blown shoulders and neck being smoother and shinier. There is usually a line around the shoulder where the mould of the body meets the shoulder, and a lump or mark in the centre of the base, called a pontil mark, where the push-up tool was removed. The ship Loch Ard was built on the River Clyde in Scotland in 1873 for the prestigious Loch Line of colonial clipper ships, designed for the Australian run. It sailed from England on 1 March 1878 carrying 37 crew, 17 passengers and a diverse general cargo ranging from luxury items to bulk railway iron. On 1 June 1878, emerging from fog and hearing too late the sound of breakers against the tall limestone cliffs, the vessel struck the southern foot of Mutton Bird Island and sank in 23 metres of water. Of the fifty-four people on board only two survived, one young male crewman, Tom Pearce, and one young female passenger, Eva Carmichael. This bottle is historically significant as an example of liquor bottles imported into to Colonial Victoria in the mid-1800s to early-1900s. Its significance is increased by also being an artefact recovered by John Chance, a diver from the wreck of the Loch Ard and other wrecks in the late-1960s to early-1970s. Items that come from several wrecks along Victoria's coast have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. The bottle is also significant for being part of Flagstaff Hill’s collection of artefacts from the Loch Ard, which is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. The collection is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417. The collection has additional significance because of the relationship between the objects, as together they have a high potential to interpret the story of the Loch Ard. The Loch Ard collection is archaeologically significant as the remains of a large international passenger and cargo ship. The Loch Ard collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The shipwreck is one of the worst, and best known, shipwrecks in Victoria’s history.Bottle, black glass. Thick matt body, with slightly bumpy texture, areas with sheen, colour imperfections. Mouth has cork seal. Tooled cork-top finish with ring below, slightly bulged neck. Shoulder has a line with a long bump where shoulder meets body. Body tapers inwards to base. Pushed up base has pontil mark. Handmade, dip mould. No inscriptions.flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, loch ard, mutton bird island, eva carmichael, tom pearce, john chance, bottle, black glass, antique bottle, bulge neck bottle, handmade, dip mould, mouth blown, pontil base, blown bottle, liquor bottle, ale bottle

Professor Arthur Barrington (Barry) Baker was the first Australian anaesthetist to gain a DPhil in anaesthesia. He completed his DPhil at Oxford University at the Nuffield Department of Anesthesia in 1971, titled, Physiological Responses to Artificial Ventilation. The Waveform Ventilator is the machine developed to illustrate his DPhil. The waveform ventilator was used in several scientific studies on 'the effects of varying inspiratory flow waveforms and time in intermittent positive pressure ventilation (IPPV)', published in the 'British Journal of Anaesthesia'. Professor Arthur Barrington Baker had an extensive career in research and clinical practice including holding the position as the Nuffield Professor of Anaesthetics at Sydney university (1992 - 2005) and also as the Dean of the Australian and New Zealand College of Anaesthetists (ANZCA) (1987-1990).The variable waveform ventilator is of national significance, due to its association with Professor Arthur Barrington Baker (Prof. Baker) the first Australian academic anaesthetist, and the representation of historical social themes and research and design, in anaesthesia. Historic significance – It is a rare type of ventilator in good condition and well provenanced. It is a tangible record of the beginning of the long established and distinguished career of Prof. Baker, the first anaesthetist in Australia to gain a DPhil. Prof Baker has a strong involvement in the Australian and New Zealand College of Anaesthetists (ANZCA) organisation. The object is a product of Prof Baker’s Doctorate of Philosophy (DPhil) on respiratory physiology and is associated with the prestigious Oxford University and the well-known Nuffield Department of Anaesthetics. It also represents the social theme of migration to England from Australia in the 1960s and 1970s to access and experience academic and artistic opportunities limited in Australia at the time. Scientific Value – The object is of scientific value as it offers major potential for education and interpretation in anaesthesia. Although ventilators are common equipment, this specific design and construct prototype is one of a kind, designed and used specifically for research purposes. A rectangular shaped object on a trolley with four wheels. The top half of the object consists of two panels, one of cream coloured painted wood, the other black plastic, both containing several dials of different shapes and sizes. The wood surface also contains several gauges and a safety pressure clear plastic box. The plastic surface also contains a pin board. The bottom half of the object consists of two shelves. The whole object's perimeter is lined with perforated metals. The top wooden surface has several metal pieces of equipment and a long tube. The rear of the object contains numerous types of tubing and wire, a gas cylinder and two leather straps with buckles. The bottom half of one side of the objects has 3 electrical power outlets.Waveform Generator, Drs Colliss N Cowie, Dr Baker Dr Murray Willson, Dr Babbington, Safety Pressure, Error POS F/B, Position, Feedback, Set Balance, Reset, Full Stroke, Velocity, Converter Current, line Pressure, Low Pressure, Bias Pressure, Start, Stop, Stop, Reset Press, Max Press, W/G Output, A/CRO B/2.baker, arthur barrington, baker, barry, professor, academic anaesthetist, oxford university, nuffield department of anaesthesia

Set of 6 transparencies taken on 21/11/1962 on Kodak mounts. 1189.1 - Bendigo No.11 at Quarry Hill terminus. Photo taken looking in along the route. Tram has destination of North Bendigo. 1189.2 - No. 21 in Pall Mall bound for North Bendigo. Tram has roof ads for Mamouney's furniture and SEC. In the background are the National Bank building, Dad and Dave's Cafe and the Beehive Buildings and the London Pharmacy. 1189.3 - No. 2 in Mitchell St, just after crossing over railway bridge. Photo taken after tram has passed photographer. Has what appears to be an SEC road works crew in the background. Has destination of Quarry Hill. 1189.4 - No. 17 climbing Mitchell St. on the start of the single track section, just before crossing the railway bridge. Has destination of Quarry Hill and the large Maples building sign in the background. 1189.5 - as for 1189.4 but after tram has passed photographer. Has an Ilford film roof ad and an SEC roof ad. Railway bridge in the background. 1189.6 - No. 21 at Charing Cross with passengers boarding. Tram has destination of North Bendigo and roof ads for SEC 'Electric Cooking' and Sandhurst Milk. In background are the buildings on the south side of High St. Also has a SEC worker in white overalls sweeping the track.Information written on in black ink and date stamped on purple ink. 1189.1 - "Birney car No. 11 in High St. Bendigo at Golden Square terminus" 1189.2 - "No. 21 in Pall Mall Bendigo near Charing Cross" 1189.3 - "No. 2 in Mitchell St. Bendigo, just after crossing bridge over railway line (Quarry Hill route)" 1189.4 - "No. 17 in Mitchell St. Bendigo, climbing the hill the bridge over the railway line. (Quarry Hill route)" 1189.5 - "No. 17 in Mitchell St., Bendigo approaching bridge over Railway line (Quarry Hill route)" 1189.6 - "No. 21 at Charing Cross, Bendigo"tramways, trams, bendigo, golden square, pall mall, mitchell st., quarry hill, tram 2, tram 11, tram 17, tram 21

This is a camp of survey workers surveying the railway line . They were camped at Mossiface in 1907. It has been sent as a postcard - "Dear Miss Ross, Just a card, hoping you are well etc, trust you have not forgotten our trip. I forgot to get the name of the street in Hobart of Mr Benjamin or Temple?????? Sufficient. Yours sincerely H.R. Gordon". It has been dated September 30th 1907. There had been men surveying in East Gippsland from the late 19th century. Railway surveyors advocated two lines beyond Bairnsdale – one via Bruthen and the Tambo Valley to Omeo, the other via Swan Reach and Colquhoun to Orbost, then on to Bendoc and the border. With all the argument and feuding between the warring factions, by the end of 1891, the Parliamentary Railways Standing Committee gave up in despair of trying to reach any agreement and abandoned the idea altogether. Finally, with all problems solved, the first sod was turned at Mossiface on 9.1.1912, the government sticking to the original route in the 1890 survey .This is a pictorial record of a surveyors' camp in the early 20th century. The Bairnsdale to Orbost Railway was a significant contributor to the economy of Orbost until it closed.A black / white photograph / postcard of a group of men at a campsite. In the background is a row of tents. on the right side is a clothes line with several sheets hung over it. Two men are studying a map or chart; one man is sitting with a cloth around his shoulders while another is standing behind him cutting his hair; one man is washing cloth in a tin tub; another appears to be stirring a pot; others are sitting reading or just observing.on front - handwritten is " R.L.Y.S. SURVEY CAMP MOSSIFACE 27.7.07" on back is a letter - "Dear Miss Ross.............yours sincerely ????? Gordon"surveying-railway east-gippsland-railway mossiface-survey-camp

Used by station staff on the Bairnsdale to Orbost railway line which closed in 1987. The Bairnsdale-Orbost railway was opened in 1916 to serve the agricultural and timber industry. Because of the decline in traffic and heavy operating costs, the line was finally closed in August, 1987.This item is associated with the history of the Orbost-Bairnsdale railway line and therefore reflects the role that the rail line played in the social and economic history of Orbost.Three stamps used by Victorian Railways, for WAYGARA, BRUTHEN, and ORBOST stations. All stamps have black painted handles. The stamp is made of rubber and the handles are wood.WAYGARA BRUTHEN ORBOSTrailway-stamp railway-history orbost-railway-line

Royal blue rayon long sleeved coat to wear with 11400.524. Fully lined with blue rayon lining, ¾ length set in sleeves with 10cm fold back (fully lined) cuffs. Front opening with no fastening or crossover. Fold back shawl collar. Front darts running from centre shoulder – 24cm vertically Internal pocket of lining fabric. Pockets on either side at hip level. Angled 15 degrees away from side seam with a band along opening edge – 16 cm. Back made from one piece. A line shape. Slightly flared at hem. Machine stitched. Part of ensemble with 11400.524.Created by ZANKO of Melbournecostume, female daywear, coat

BHS CollectionLongitudinal plan of the Sheepshead line of reefs, showing the mines and their sites and depths, along the reef line. Reefs marked on plan: Central Blue Reef, Freehold Reef, Big Blue Slates, Central Clue Reef and Hercules Reef. From the south of the reef : Red, White & Blue Extended, South Blue Consolidated, Old Central Blue, True Blue, Blue consolidated South Shaft, No. 3 Shaft, Blue Consolidated, North Blue, Blue United, sheepshead, Central Blue, Little 180, Ironbark South, Ironbark, Hercules. Written on bottom of plan: ' Longitudinal Section Sheepshead Line of Reefs - Bendigo'.bendigo, mining, sheepshead reef

Probably 1890's to early 1900's. The Dress and Mantle Makers departments was part of F. Davey and Co. and the department was run by Miss Middleton, formerly of the Beehive. F Davey and Co. sold their View Point premises in Oct 1904.Cream coloured silk wedding dress with train. Three flat panels at front and side, lined with polished cotton. Centre tightly gathered panel at centre back lined with stiffened cotton.Other panels lined with stiffened cotton above hemline of skirt. Double layer lace insert inside lower edge to hemline. Back opening with four hook and eye fasteners. Deep pocket on side seam at hip on RHS. Three back panels extended below hemline of skirt to form squared edge train. Two hanging tapes inside waist band. Skirt hand and machine stitched. Matching bodice 11400.314.Label stitched inside skirt waistband - ''F.Davey & Co Dress & Mantle makers, View Point, Sandhurst.costume, female, wedding dress skirt

Handwritten notes on Paddy's Gully Line. Two long Xcuts put in at 642 ft & 1206 ft. (Sea mine). In the Sea ground and the immediate vicinity there were many claims at work on the line in the early 1860's and also from 1870 to 1872. For one of them, owned by the Poaddy's Gully Co $40,000 was refused. Gold-bearing quartz was reached in this mine at 396 feet, but the water was too strong to allow of work being gone on with. On a separate piece of beige paper is written: Origin of Paddy's Gully Line - See Annals of Bendigo 1862, Page 81. Notes prepared by Albert Richardson.document, gold, paddy's gully line, paddy's gully line, notes on paddy's gully line, paddy's gully co, paddy's gully line annals of bendigo 1862 page 81

This bottle was one of the items salvaged from the wreck of the Fiji in 1891. Joseph Bosisto began manufacturing Eucalyptus Oil in Australia from 1854. This bottle is marked ‘J. BOSISTO”, which probably dates it from 1885 when the company J. Bosisto & Co. was formed. The marking on the bottom of the bottle “GERMAN/B_ _ E” could mean that the bottle was imported by J. Bosisto from Germany. In the early years bottles were imported from overseas countries including England and Germany. In 1872 the Melbourne Bottle Works was established to supply the bottles locally and more cheaply but had difficulty keeping up with the supply. From 1865 Australian-made Bosisto’s Eucalyptus Oil began to be exported to England then later to Germany and other countries. Bosisto’s Eucalyptus Oil won many prizes at exhibitions between 1854 – 1891. The three-masted iron barque Fiji had been built in Belfast, Ireland, in 1875 by Harland and Wolfe for a Liverpool based shipping company. The ship departed Hamburg on 22nd May 1891 bound for Melbourne, under the command of Captain William Vickers with a crew of 25. The ship’s manifest shows that she was loaded with a cargo of 260 cases of dynamite, pig iron, steel goods, spirits (whisky, schnapps, gin, brandy), sailcloth, tobacco, coiled fencing wire, concrete, 400 German pianos (Sweet Hapsburg), concertinas and other musical instruments, artists supplies including brushes, porcelain, furniture, china, and general cargo including candles. There were also toys in anticipation for Christmas, including wooden rocking horses, miniature ships, dolls with china limbs and rubber balls. On September 5th, one hundred days out from Hamburg in squally and boisterous south west winds the Cape Otway light was sighted on a bearing differing from Captain Vickers’ calculation of his position. At about 2:30am, Sunday 6th September 1891 land was reported 4-5 miles off the port bow. The captain tried to put the ship on the other tack, but she would not respond. He then tried to turn her the other way but just as the manoeuvre was being completed the Fiji struck rock only 300 yards (274 metres) from shore. The place is known as Wreck Bay, Moonlight Head. Blue lights were burned and rockets fired whilst an effort was made to lower boats but all capsized or swamped and smashed to pieces. Two of the younger crewmen volunteered to swim for the shore, taking a line. One, a Russian named Daniel Carkland, drowned after he was swept away when the line broke. The other, 17 year old able seaman Julius Gebauhr, a German, reached shore safely on his second attempt but without the line, which he had cut lose with his sheath-knife when it become tangled in kelp. He rested on the beach a while then climbed the steep cliffs in search of help. At about 10am on the Sunday morning a party of land selectors - including F. J. Stansmore, Leslie Dickson (or Dixon) and Mott - found Gebauhr. They were near Ryans Den, on their travels on horseback from Princetown towards Moonlight Head, and about 5km from the wreck. Gebauhr was lying in the scrub in a poor state, bleeding and dressed only in singlet, socks and a belt with his sheath-knife, ready for all emergencies. At first they were concerned about his wild and shaggy looking state and what seemed to be gibberish speech, taking him to be an escaped lunatic. They were reassured after he threw his knife away and realised that he was speaking half-English, half-German. They gave him food and brandy and some clothing and were then able to gain information about the wreck. Some of the men took him to Rivernook, a nearby guest house owned by John Evans, where he was cared for. Stansmore and Dickson rode off to try and summon help. Others went down to the site of the wreck. Messages for rescuing the rest of the crew were sent both to Port Campbell for the rocket rescue crew and to Warrnambool for the lifeboat. The S.S. Casino sailed from Portland towards the scene. After travelling the 25 miles to the scene, half of the Port Campbell rocket crew and equipment arrived and set up the rocket tripod on the beach below the cliffs. By this time the crew of the Fiji had been clinging to the jib-boom for almost 15 hours, calling frantically for help. Mr Tregear from the Rocket Crew fired the line. The light line broke and the rocket was carried away. A second line was successfully fired across the ship and made fast. The anxious sailors then attempted to come ashore along the line but, with as many as five at a time, the line sagged considerably and some were washed off. Others, nearly exhausted, had to then make their way through masses of seaweed and were often smothered by waves. Only 14 of the 24 who had remained on the ship made it to shore. Many onlookers on the beach took it in turns to go into the surf and drag half-drowned seamen to safety. These rescuers included Bill (William James) Robe, Edwin Vinge, Hugh Cameron, Fenelon Mott, Arthur Wilkinson and Peter Carmody. (Peter Carmody was also involved in the rescue of men from the Newfield.) Arthur Wilkinson, a 29 year old land selector, swam out to the aid of one of the ship’s crewmen, a carpenter named John Plunken. Plunken was attempting to swim from the Fiji to the shore. Two or three times both men almost reached the shore but were washed back to the wreck. A line was thrown to them and they were both hauled aboard. It was thought that Wilkinson struck his head on the anchor before s they were brought up. He remained unconscious. The carpenter survived this ordeal but Wilkinson later died and his body was washed up the next day. It was 26 year old Bill Robe who hauled out the last man, the captain, who had become tangled in the kelp. The wreck of the Fiji was smashed apart within 20 minutes of the last man being brought ashore, and it settled in about 6m of water. Of the 26 men on the Fiji, 11 in total lost their lives. The remains of 7 bodies were washed onto the beach and their coffins were made from timbers from the wrecked Fiji. They were buried on the cliff top above the wreck. The survivors were warmed by fires on the beach then taken to Rivernook and cared for over the next few days. Funds were raised by local communities soon after the wreck in aid of the sufferers of the Fiji disaster. Captain Vickers was severely reprimanded for his mishandling of the ship. His Masters Certificate was suspended for 12 months. At the time there was also a great deal of public criticism at the slow and disorganised rescue attempt to save those on board. The important canvas ‘breech buoy’ or ‘bucket chair’ and the heavy line from the Rocket Rescue was in the half of the rocket outfit that didn’t make it in time for the rescue: they had been delayed at the Gellibrand River ferry. Communications to Warrnambool were down so the call for help didn’t get through on time and the two or three boats that had been notified of the wreck failed to reach it in time. Much looting occurred of the cargo that washed up on the shore, with nearly every visitor leaving the beach with bulky pockets. One looter was caught with a small load of red and white rubber balls, which were duly confiscated and he was ‘detained’ for 14 days. Essence of peppermint mysteriously turned up in many settlers homes. Sailcloth was salvaged and used for horse rugs and tent flies. Soon after the wreck “Fiji tobacco” was being advertised around Victoria. A Customs officer, trying to prevent some of the looting, was assaulted by looters and thrown over a steep cliff. He managed to cling to a bush lower down until rescued. In 1894 some coiled fencing wire was salvaged from the wreck. Hundreds of coils are still strewn over the site of the wreck, encrusted and solidified. The hull is broken but the vessel’s iron ribs can be seen along with some of the cargo of concrete and pig iron. Captain Vickers presented Bill Robe with his silver-cased pocket watch, the only possession that he still had, as a token for having saved his life and the lives of some of the crew. (The pocket watch came with 2 winding keys, one to wind it and one to change the hands.) Years later Bill passed the watch to his brother-in-law Gib (Gilbert) Hulands as payment of a debt and it has been passed down the family to Gilbert Hulands’ grandson, John Hulands. Seaman Julius Gebauhr later gave his knife, in its hand crafted leather sheath, to F. J. Stansmore for caring for him when he came ashore. The knife handle had a personal inscription on it. A marble headstone on the 200m high cliffs overlooking Wreck Beach, west of Moonlight Head, paying tribute to the men who lost their lives when Fiji ran aground. The scene of the wreck is marked by the anchor from the Fiji, erected by Warrnambool skin divers in 1967. Amongst the artefacts salvaged from the Fiji are china miniature animals, limbs from small china dolls, rubber balls, this glass bottle, sample of rope from the distress rocket and a candlestick holder. These items are now part of the Fiji collection at Flagstaff Hill Maritime Museum, along with Captain Vickers’ pocket watch and Julius Gebauhr’s sheath knife. The glass bottle is registered as “Artefact Reg No Fiji/1”. Flagstaff Hill’s Fiji collection is of historical significance at a State level because of its association with the wreck Fiji, which is on the Victorian Heritage Register VHR S259. It also represents aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The Fiji collection meets the following criteria for assessment: Criterion A: Importance to the course, or pattern, of Victoria’s cultural history. Criterion B: Possession of uncommon, rare or endangered aspects of Victoria’s cultural history Criterion C: Potential to yield information that will contribute to an understanding of Victoria’s cultural history. Clear glass oval medical bottle with rounded corners and flattened sides on front and back surfaces. Opening of bottle has a lip around it and could have been sealed with a stopper. There is a chip in the lip. One face of the bottle has a rectangular border with a name embossed vertically on it, “J. BOSISTO / RICHMOND”. The oval base of the bottle also has letters embossed on it “GE_ _AN” “B _ _ _ _ _”. There is also a large chip out of the base. The sides of the bottle have a vertical joining line. The bottle was recovered from the wreck of the Fiji.Flat side of bottle has rectangular border with “J BOSISTO / RICHMOND” embossed in the centre. The base of the bottle has “G E . . A N/B . . . . . .” embossed on it. Other letters have been removed with the chip. (probable wording was ‘GERMAN/BOTTLE)warrnambool, shipwrecked coast, flagstaff hill, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, shipwrecked artefact, fiji, 1891, glass bottle, medicine bottle, bosistos, j bosistos, german bottle

Document: Loose documents - draft and three carbon copies of a three page document. New Moon Extension - Garden Gully Line of Reef 9 miles north of Eaglehawk by H. E. Jones, 12/7/1933, report on the possibilities of the Garden Gully Line of Reef at Sebastian, by Robert Bentley, agreement Bassett and John Severn Barker for lease of 5 acres mining site.MCCOLL RANKIN & STANISTREETorganization, business, gold mining - legal, mccoll rankin & stanistreet

This object relates to Herbert Swain GREENING. He was born on 1/01/1891 in Ballarat, VIC. Herbert Swain served in the AIF (3292) enlisting on, 13/07/1915 in Ballarat, VIC before being discharged from duties with the 5 BATTALION as a Army Non-Commissioned Private (PTE) on 15/02/1918. Herbert Swain GREENING was not a prisoner of war. His next of kin is Mrs. M. Greening - Mother. Herbert Greening was awarded the 1914-1915 Star, British War Medal, Victory Medal.Brass coloured, circular badge with a crown protruding from the top centre. The symbol of the rising sun can be seen at the centre of the badge in relief with the letters A I F written just below. One line of text follows the top perimeter of the badge, while another line of text follows the lower perimeter (also in relief). On the back of the badge are two eyelets and a pin, as well as engravings.Front of badge (top perimeter): "ISSUED BY DEPT OF DEFENCE" Front of badge (bottom perimeter): "RETURNED FROM ACTIVE SERVICE" Back of badge: "54676" and "6TOKF68SON?" / "MFL8"first world war (ww1), 1914 - 1918, personal items, ballarat rsl, ballarat

Photograph black & white, Bert Graham Collection, Annual Club Picnic 1961, Lake Jubilee, Daylesford. A Mother's race with 4 mothers, lined up and ready to go, one man at rear standing with hands on hips, another getting ready , and another sitting near the start line. In the background are 2 buses and a FX Holden sedan possiblty black.Trees surounding the water's edge.bendigo, clubs, bendigo east swimming club

Lined wool jacket manufactured by "Apex (Reg.) Tailored Dress Wear Specialists, The Myer Store for Men Melbourne & Adelaide" There are wide grosgain lapels and jacket is closed with a single button. An extra button inside allows for extension if needed. Three buttons line each cuff. There ae two deep pockets either side of the jacket and one smaller top pocket on the RHS. The shoulders are padded.men's clothing, formal wear, jacket

Without bridges, Kew remained cut off from the City of Melbourne, only being accessible by Punt. Private and public bridges were constructed from the 1850s, beginning with the Hawthorn Bridge linking Bridge and Burwood Roads. A bridge across the Yarra at Burke Road was created as early as 1873. Since that first wooden bridge, a number of later bridges, typically on concrete pylons have been built, in 1926 and again during the 1970s.Angle view of the new Yarra bridge [ie. The Burke Road bridge] taken from the Kew side, showing the bridge’s structure. Trees line the river’s edge. In the distance can be seen a distant line of houses stretching to the horizon. The river appears to have an S-shaped bend beyond the bridge. The postcard, No. 227, was produced by the Valentine Publishing Co. Pty Ltd., of Queen Street, Melbourne.burke road bridge - kew (vic), bridges - kew (vic)

Single sheet of A4 white paper, printed both sides and folded to A5 size titled, and a A3 version, folded to A4 "A Short History of the Black Rock Trams", written by David Frost, 1st Edition, 2001. Printed by photocopying process. Published by the Sandringham and District Historical Society, has photographs, drawings, map and history of the tram line. The line was operated by the Victorian Railways.trams, tramways, black rock, vr, sandringham, melbourne, beaumaris

A property illustration by Margaret Picken Commissioned by a real estate agency for the purpose of advertising 19 Ronald St., Mitcham. This property is listed as having sold for $230,000 in 1997 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of 19 Ronald St., Mitcham depicting a black and white line drawing of a single story weatherboard house with a bay window and porch with decorative facia. To the right is a driveway leading to a carport running alongside the house. In the foreground is a picket fence enclosing a front yard. There are two holepunch holes on just under the upper edge 19 Ronald St., Mitcham Margaret Picken - 97 Woodards - Boxhillwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, mitcham

A property illustration by Margaret Picken Commissioned by a real estate agency for the purpose of advertising 8 Victoria Ave., Mitcham Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of 8 Victoria Ave., Mitcham depicting a black and white line drawing of a single story weatherboard cottage, with corrugated roof. In the foreground is a picket fence enclosing a heavily planted front yard. On the right a weatherboard 'cubby' can be seen over the garden fence. There are two holepunch holes on just under the upper edge 8 Victoria Ave., Mitcham Margaret Picken - 95 Woodards - C'wellwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, mitcham

A property illustration by Margaret Picken Commissioned by a real estate agency for the purpose of advertising 5/16 Florence St., Nunawading Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of a black and white line drawing of a single story brick house with a path leading to the front door, from the public footpath. To the right is the separate garage. Trees and shrubs grow in garden beds in front of the buildings and in the background, while in front of the house is a front lawn. There are two holepunch holes centred just under the upper edge.5/16 Florence St., Nunawading Margaret Picken - 93 Woodards - C'wellwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, nunawading

A property illustration by Margaret Picken Commissioned by a real estate agency for the purpose of advertising 27 Crest Gve., Nunawading Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of a black and white line drawing of a single story weatherboard house, with a front facing chimney . To the left is a driveway and on the right is a picket fence enclosing a front lawn with garden bed around the edges. The date listed in the title inscription has been overwritten from 95 in black ink, to 97, the 7 being in red ink. 1/9 East India Ave., Nunawading Picken © 2003 Realtorwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, nunawading

A property illustration by Margaret Picken Commissioned by a real estate agency for the purpose of advertising 10 Holberry St., Nunawading. This property is listed as having sold for $139,000 in 1992 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of a black and white line drawing of a right hand side corner block single story weatherboard house with a footpath from the corner leading to the front door. At the start of the path are two pillars, one serving as a letterbox. The front yard is edged with garden beds. There are two hole punch holes on just under the upper edge.10 Holberry St., Nunawading Margaret Picken - 92 Woodards - Boxhillwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, nunawading

Pamphlet - special size - printed on orange paper, four fold titled "Getting Trams Moving - Improved Traffic Management on Tram Routes" giving details of new road traffic regulations for line marking on roads used by trams. Gives background to the work, traffic signals controlled by SCRAM and dates. Has diagrams of the various roads and line markings. Published by the Ministry of Transport 1984.trams, tramways, traffic control, traffic lights, tramways, rta

Black China cup or mug with black handle, gold rim and gold line under the rim and a line drawing of a W class tram No. 777 front, with destination "University" with the words "Malvern Tram Depot" around the top and "85 Years" along the bottom. Has the C. R. Hose label as manufacturers and decorators on the base of the cup. Made to celebrate the 85th Anniversary of Malvern Depot - 1995trams, tramways, crockery, malvern depot

Hand written notes and typed copy . The Tyson's Line, known for a great part of its length as the Flora. It is noteworthy for two mines, the Tyson's Reef and the Thanet. Water was a problem on this line. A Worthington pump, which was installed to combat the water, fell down the shaft. Second page is missing. Ref: A. M. S. Sp. Ed. 1-6-1899. Notes prepared by Albert Richardson.mine, gold, tyson's line and flora, tyson's line, the flora, tyson's reef mine, thanet mine, eldorado co, worthington pump, a m s sp ed 1/6/1899

Plan of Monument Hill Co., and Deborah Co. leases on the Deborah line. Black line drawing, showing longitudinal section. 'Deborah shaft to Nth Deborah 1100 ft ' noted in pencil . 'Nth Deborah shaft to Central Deb shaft 2000ft' in pencil. Other pencil notation on map re distance of leases. Map is attached to back page of booklet, rest of information missing.business, mining, mccoll rankin & stanistreet

A property illustration by Margaret Picken Commissioned by a real estate agency for the purpose of advertising 65 Lisbeth Ave., Mitcham This property is listed as having sold for $152,000 in 1994 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of 52 Lisbeth Ave., Mitcham depicting a black and white line drawing of a three story house made up of rectangular sections, staggered up a sloop. there is a set of stair up the sloop on the right of the house, and a lawn in the foreground, surrounded by encroaching vegetation. There are two holepunch holes centered just under the upper edge52 Lisbeth Ave., Mitcham Woodards - b/burn - M.Pickenwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, mitcham