Showing 8411 items
matching wool
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Mont De Lancey
Functional object - Wooden Sewing Box, Unknown
The domestic sewing box would have been used in the home.A brown varnished rectangular wooden lidded Sewing Box with a lift out top section which has 16 varying sized compartments for storing sewing accessories. There is a has a hollow area underneath the tray. The lid is attached with brass hinges and it has a brass lock and small key. There are several sewing items included - cotton reels and thread, assorted darning thread for hosiery, wool and nylon threads, a box of black pins, assorted sewing needles, thimbles, small decorative sewing scissors, black rolled tape, mixed buttons, hooks and eyes, nickel plated fittings for hats, vintage stocking hooks, a stick of white chalk, two (one green and one ivory) antique cotton thread winders and a medium sized vintage safety pin.a Variety of brands of items include - 'Rite Tone', 'Della Darn' 'C No Darn', 'Clark's Filosheen' hosiery thread, 'Barbour's Linen Wax Thread', 'The Flora MacDonald Best Steel Bodkins' 'National Hat Guard' nickel plated steel and brass fittings, 'Chadwick's Wool and Nylon' reinforcing mending thread, 'The Myrene Snap Studio' size 1 rustless press studs, 'The Pagoda Brand' rolled tape 5 yds, 'Cross Fox Brand' Best quality Steel Stems (long plastic headed pins), 'Toledo' brass thimble and a black box of 'F. Tayler & Co's Solid Headed Mixed Pins'. The brass lock has 'SECURE PATENT' stamped in to it on the inside of the edge of the front of the box. there is also a small VR with a tiny rounded pattern opposite the Patent sign. sewing equipment, sewing box, sewing, embroidery scissors, functional object -
National Wool Museum
Letter
Letter from the Australian Mercantile, Land and Finance Company Limited, 1944 on behalf of their clients W.H. Treweeke and Sons of Umbercollie, Goondiwindi, Qld requesing a wool sample evaluation from W.R. Lang.wool - testing world war ii, australian mercantile land and finance company ltd, lang, dr w. roy, wool - testing, world war ii -
National Wool Museum
Letter
Letter from F D McMaster, "F D McMaster Pty Ltd", Dalkeith, Cassilis, 1941 to W.R. Lang, Gordon Institute of Technology, Geelong re. wool samples and sheep breedingsheep breeding wool - testing merino sheep - history world war ii, f d mcmaster pty ltd, lang, dr w. roy mcmaster, f d, sheep breeding, wool - testing, merino sheep - history, world war ii -
National Wool Museum
Cardigan
The knitter was Vera Neale,1901 - 1990. Married with three children, Vera knitted with one and two ply wool using piano wire or bicycle spokes as needles, entering the garments in agricultural shows.Child's cardigan knitted by Vera Neale in the 1950s.knitting handicrafts, neale, mrs vera, knitting, handicrafts -
National Wool Museum
Tea cosy
The knitter was Vera Neale, 1901 - 1990. Married with three children, Vera knitted with one and two ply wool using piano wire or bicycle spokes as needles, entering the garments in agricultural shows.Knitted by Vera Neale in the 1950s.knitting handicrafts, neale, mrs vera, knitting, handicrafts -
National Wool Museum
Jumper
The knitter was Vera Neale,1901 - 1990. Married with three children, Vera knitted with one and two ply wool using piano wire or bicycle spokes as needles, entering the garments in agricultural shows.Knitted by Vera Neale in the 1950s.knitting handicrafts, neale, mrs vera, knitting, handicrafts -
National Wool Museum
Jumper
The knitter was Vera Neale,1901 - 1990. Married with three children, Vera knitted with one and two ply wool using piano wire or bicycle spokes as needles, entering the garments in agricultural shows.Child's jumper with cowl neck knitted by Vera Neale in the 1950s.knitting handicrafts, neale, mrs vera, knitting, handicrafts -
National Wool Museum
Jumper
The knitter was Vera Neale,1901 - 1990. Married with three children, Vera knitted with one and two ply wool using piano wire or bicycle spokes as needles, entering the garments in agricultural shows.Ladies' jumper knitted by Vera Neale in the 1950s.knitting handicrafts, neale, mrs vera, knitting, handicrafts -
National Wool Museum
Cot cover
The knitter was Vera Neale,1901 - 1990. Married with three children, Vera knitted with one and two ply wool using piano wire or bicycle spokes as needles, entering the garments in agricultural shows.Cream knitted cot cover made by Vera Neale in the 1950s.knitting handicrafts, neale, mrs vera, knitting, handicrafts -
National Wool Museum
Photograph
Depicts the Hon. Evan Walker unveiling plaque at opening ceremony of National Wool Museum on 21/12/1988 (Contact: Kevin Boyle, editor, Weekly Times, for permission for any further display).national wool museum, photographs -
National Wool Museum
Document - Documents, Dennys, Lascelles Limited, 1928
Various bill of lading documents relating to freight and delivery of goods to Dennys Lascelles Ltd per the steamship 'Quiloa' in 1928. Found under stairway (foyer) of Dennys Lascelles 1872 Wool Store.Bundle of documents, large, cream coloured papers, tied up with string.dennys, lascelles limited, shipping, documents -
Port Fairy Historical Society Museum and Archives
Painting - painting, Watercolour, Elsbee?, The Barque Sydney Griffiths, c.1850
This painting of the barque Sydney Griffiths and two smaller ships, ‘the brothers’ and Essington’ graced the offices of Powling solicitors for 3 generations. This painting illustrates the scene of the first export of wool from Belfast to England.Depicts a significant moment in time when the first shipment of wool from the port was being loaded for London.A watercolour painting on paper and linen in a gold and Black frame showing the Barque "Sydney Griffiths" sailing before Griffith island, also shown "Essington" and "The Brothers" John Griffiths House and other buildings on shoreThe Barque "Sydney Griffiths" Capt. Cowtan leaving Port Fairy for London, February 8th 1851. "Essington" "Brothers"local history, illustrations, powlings, watercolours, exports, essington, sydney griffiths, shipping, the brothers, wool export, capt cowtan -
Warrnambool and District Historical Society Inc.
Document, Letter J Kirkham, 1873
From other correspondence in this collection of letters we have established that Mr Kirkham is a breeder of long wool Lincoln sheep who was eager to establish the breed in Australia and New Zealand. Augustus Bostock is mentioned at the bottom of this letter To that end, he speaks of establishing a number of prizes called the Kirkham prizes with the emphasis being on the quality of the wool. He states as an aside at the end of the letter,” I have now determined to export my best sheep leaving the home ** to my father and nephew, I would like to number ** amongst my customersThis letter shows the link between wool breeders in England and their efforts to establish connections and supplies in Australia.Large cream sheet of paper with black ink hand writing .Back of sheet is blank. Folded in half.Signed Kirkham.warrnambool, j kirkham, augustus bostock, long wool lincoln sheep, long wool lincoln -
Marysville & District Historical Society
Photograph (Item) - Colour photograph
A colour photograph of one of the Barree Mud Brick Holiday Cottages in Marysville. The cottages were built of 110 year old recycled Jarrah from the Fremantle Wool Stores. They had 90 year old Mountain Ash (native to the area) posts and beams from the South Melbourne Wool Stores. Old red bricks were used to create feature walls within the cottages which were two bedroom and fully self contained. These cottages, along with the majority of the buildings in Marysville, were destroyed in the 2009 Black Saturday bushfires.A colour photograph of one of the Barree Mud Brick Holiday Cottages in Marysville.marysville, victoria, australia, barree mud brick holiday cottages, accommodation, 2009 black saturday bushfires, photograph -
Marysville & District Historical Society
Ephemera (Item) - Information brochure, BARREE MUD BRICK HOLIDAY COTTAGES, 02-2001
An information brochure regarding Barree Mud Brick Holiday Cottages in Marysville. The cottages were built of 110 year old recycled Jarrah from the Fremantle Wool Stores. They had 90 year old Mountain Ash (native to the area) posts and beams from the South Melbourne Wool Stores. Old red bricks were used to create feature walls within the cottages which were two bedroom and fully self contained. These cottages, along with the majority of the buildings in Marysville, were destroyed in the 2009 Black Saturday bushfires.An information brochure regarding Barree Mud Brick Holiday Cottages in Marysville.marysville, victoria, australia, information brochure, barree mud brick holiday cottages, accommodation, 2009 black saturday bushfires -
Warrnambool Art Gallery
African thumb piano, mid to late 1800s
This item was donated to the museum by Joseph Dallimore. Dallimore was brought up at Lake Gillear, and as a young man he left Australia to travel overseas both to help his parent's business in the wool trade and for pleasure. He wrote many letters to his parents keeping them updated with the prices he received from selling wool and on his travels. Later in life Dallimore enlisted in the Australian Army and went on to have a distinguished career during the Boer War. He would have collected this piano whilst on service in South Africa.South African thumb piano from the Zulu culture. It is a wooden panel board with 15 iron finger keys in it. They are stuck onto the wood at one end with some sort of glue and also held in place by an iron rod passing over the top of them. At the bottom of the board is a metal panel and attached to that is a small circular cymbal. There is a string tying the metal panel to the wooden board.There are no original markings on this although the original museum label is still stuck to the bottom which says, ' Native piano ( Mashona)' on it in script.south africa, joseph dallimore. war, boer war, zulu, finger piano, music -
National Wool Museum
Book, Woollen Crafts from Unspun Fleece
Written by Joyce Hucker, this is one of two books about working with unspun fleece, a skill which she developed greatly. She began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.$7.50knitting crochet, hucker, mrs joyce, knitting, crochet -
National Wool Museum
Book, Woollen Crafts from Unspun Fleece Book Two
Written by Joyce Hucker, this is one of two books about working with unspun fleece, a skill which she developed greatly. She began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.knitting crochet, hucker, mrs joyce, knitting, crochet -
National Wool Museum
Taxidermy Sheep, Bilby Bill, c1980
Originating in New Zealand, the Drysdale, represented by Bilby Bill, was developed in the 1930s at Massey University (Canterbury) by crossing a coarse haired Romney and the hardy Cheviot breed. First imported to Australia in 1975, the Drysdale, due to a genetic abnormality, produces coarse, long staple fleece. This same gene also gives them their horns, something that generally does not occur in the parent breeds. Their fleece grows very fast, up to 25cm every six months; as such shearing is carried out twice a year. The coarse and hard wearing wool is mostly used for the manufacture of carpets. The Drysdale is a medium to large stocky sheep, weighing approximately 55kg and produces about 6 to 8kg of fleece per animal annually, which is 35 to 45 microns in diameter. The yarn used on the National Wool Museum’s Axminster Gripper Loom to make the Manor House Rug is spun from the wool of Drysdale sheep.Taxidermied male Drysdale sheep. Medium sized animal with white body coloration. Large horns protruding from the top of the skull. drysdale, sheep, new zealand -
Brighton Historical Society
Clothing - Dress, Visiting dress, Late 19th Century
This gown, one of two similar items in the collection belonged to one of the Ward Cole sisters, Miss Margaret Morison Ward Cole or Miss Agnes Bruce Ward Cole, daughters of George Ward Cole. George Ward Cole was an early member of the Victorian Parliament and the family featured prominently in Melbourne Society in their time. They established a substantial home known as “St Ninians” at 10 Miller Street in 1841. The family reportedly entertained Melbourne’s first Royal visitor the Duke Of Edinburgh, Queen Victoria’s second son at St Ninians in 1867. In later years St Ninians was subsequently sub divided and later demolished. A black and yellow velvet, wool, lace and silk dress from circa 1882. The bodice features a yellow silk, black lace and black velvet collar finishing high on the neck just below the chin finished with a black lace ruffle. The collar has a flap across the front of the throat that attaches at the side with a V-shaped baseline that contributes to concealing the fastenings of the bodice. The dress features a gathered central panel of black lace covered lemon silk, which falls from the neckline to the floor. At either side of this panel are matching panels of black velvet. The remainder of the dress and sleeves are made of black wool featuring a self-striped and spotted pattern. The dress fastens down the centre front with concealed black buttons hidden underneath the right velvet panel. The head of the Amadis sleeve sits on the natural shoulder line and finishes tightly at the elbow. The volume of the sleeve is created by ten pleats at the head of the shoulder, sewn to the bodice and is gathered at the elbow. The sleeve is finished with a black velvet ribbon with a bow and a black lace frill. The base of the dress is finished with a ruffle of the black dress wool. The dress features a small train. The dress is boned at the back waist and features an inset panel just below the waist of gathered fabric which forms the train. st ninians, george ward cole, visiting gown, brighton, margaret morrison ward cole, agnes bruce ward cole -
National Wool Museum
Sign
Advertising sign (probably a point of sale sign) for Federal Woollen Mills blankets.Advertising sign for Federal blankets.Federal / THE SUPERIOR BLANKET / 100% PURE WOOL / NEW "DEEP-NAP" FINISH GIVES / NEW DOWNY LIGHTNESS ... / NEW WONDERFUL WARMTH / MADE IN AUSTRALIA BY / FEDERAL WOOLLEN MILLS / MAKERS OF / Federal / Fabricstextile production, federal woollen mills ltd, sign -
National Wool Museum
Ephemera - The Victoria Rug, Albion Mills, Albion Woollen Mills Co. Pty Ltd
Product label in tones of cream, red and maroon showing printed text and a graphic of a woman, lion and shield. front: [printed] THE VICTORIA RUG / ALBION MILLS GEELONG / SUPER ALL WOOL / MANUFACTURED BY THE / ALBION WOOLLEN MILLS CO. / PTY. LTD. / GEELONG, VICTORIA / NO. / SIZE, 72 X 60 / WEIGHT LBS.albion mills, archives, wool industry, blankets, rugs, products, advertising, geelong, packaging, label, graphic design -
Beechworth RSL Sub-Branch
Jumper, Square rig, 2001
This style of jumper has a long history in the Royal Australian Navy, descending from the uniform style of the 19th century Royal Navy.Navy blue long sleeved, heavy-weight jumper with square rig collar. On left sleeve is an embroidered patch with the word "AUSTRALIA," underneath which is an anchor insignia and three downward pointing chevrons in gold embroidery thread. On right sleeve is an embroidered patch with the word "AUSTRALIA" on the upper shoulder, underneath which is an embroidered gold wheel on a semi-circle shaped patch. The jumper has a deep neckline, tied with a cotton navy tie. Accompanying collar (0036.2) attaches to the jumper via three navy blue plastic buttons at the back of the neck, and three navy blue plastic buttons running down both left and right interior neckline. The jumper has a zip on the left hand side which runs from the hem to the waist.On patches "AUSTRALIA" Interior label at back of neck reads "ADA/2001/[broad arrow]/NSN: 8405 66 132 2508/SIZE: 111 L/NO/NAME/WOOL/POLYESTER/DRY CLEAN ONLY"royal australian navy, uniform, marine, shirt, australian defence apparel, ratings -
National Wool Museum
Sample, Cloth, The Australian National Tartan
The Australian National Tartan was designed by Betty J Johnston and registered with the Tartan Register in 2003 (no.2742). Its colours portray Australia as a nation. It was produced in Scotland from Australian wool. See attached media.W7213 An information card about the Australian National Tartan from The House of Tartans. Online entry for Australian National Tartan registration no.2742. Accessed 11/09/2009.textile, the house of tartans, tartan, samples, canberra, australian capital territory -
National Wool Museum
Photograph
One of three photographs of delagates to the 1955 Wool Textile Conference in Australia. Photographed include, W R Lang, F O Howitt, A G Ogston, J B Speakman, H P LundgrenDEPT OF THE INTERIOR - NEWS AND INFORMATION BUREAUwool - research wool - testing wool - measurement, gordon institute of technology, lang, dr w. roy astbury, mr w. t. dillon, mr j h speakman, professor j. b. watt, mr k d lindley, dr hugh, wool - research, wool - testing, wool - measurement -
National Wool Museum
Quilt
The creator was Vera Neale,1901 - 1990. Married with three children, Vera knitted with one and two ply wool, often using piano wire or bicycle spokes as needles, entering the garments in agricultural shows.Quilt crocheted by Vera Neale in the 1950s.crochet handicrafts, neale, mrs vera, crochet, handicrafts -
National Wool Museum
Cardigan
The knitter was Vera Neale,1901 - 1990. Married with three children, Vera knitted with one and two ply wool, often using piano wire or bicycle spokes as needles, entering the garments in agricultural shows.Child's cardigan knitted by Vera Neale in the 1950s.knitting handicrafts, neale, mrs vera, knitting, handicrafts -
National Wool Museum
Gloves
The knitter was Vera Neale, 1901 - 1990. Married with three children, Vera knitted with one and two ply wool, often using piano wire or bicycle spokes as needles, entering the garments in agricultural shows.Gloves knitted by Vera Neale in the 1950s.knitting handicrafts, neale, mrs vera, knitting, handicrafts -
National Wool Museum
Cardigan
The knitter was Vera Neale,1901 - 1990. Married with three children, Vera knitted with one and two ply wool, often using piano wire or bicycle spokes as needles, entering the garments in agricultural shows.Child's cardigan with cables knitted by Vera Neale in the 1950s.knitting handicrafts, neale, mrs vera, knitting, handicrafts -
National Wool Museum
Photograph
Depicts a dog with owner working sheep in pen at official opening of National Wool Museum held on the 21st December 1988. (Contact: Kevin Boyle, editor, Weekly Times, for permission for any further display).sheep dogs, national wool museum, photographs