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Flagstaff Hill Maritime Museum and Village
Clothing - Nightgown, Eliza Towns, circa 1890's
This nightgown is one of several linen and clothing items that were made and belonged to Mrs. Eliza Towns and donated to Flagstaff Hill Maritime Museum and Village. Eliza was born Eliza Gould in 1857 in South Melbourne (Emerald Hill) and in 1879 married Charles Towns. In the early 1880's they moved to Nhill in western Victoria and remained there for the rest of their married life. Charles was a jeweller and later became an accountant and for many years was involved with the Shire Council, the local show committee (A & P Society), the Hospital Committee and the Board of the local newspaper (the Nhill Free Press). They had three children and lived a life that would be regarded as comfortably "middle class". Eliza probably had a treadle sewing machine and would have made many of her own clothes as well as clothes for her children - adding her own handmade embroidered or crocheted decorative trim. This nightgown is machine sewn by Eliza Towns and she has added a detailed design of pintucks and broderie anglaise lace to the front yoke and cuffs as a decorative element. The 1800's bought a shift in attitude towards modesty as the Victorian era progressed and by the mid to late 1800's it had become more acceptable ladies to wear simple, modest nightgowns. They tended to have a very loose fit and were usually made of linen, cotton or flannel, which had the advantage of providing warmth and also being easy to wash - a necessity for a garment worn next to the skin. Although the basic design of the nightgown was fairly simple, the wearer was free to add various types of trim e.g. lace, crochet, pintucks, embroidery etc.This item is an example of the needlework skills of women in the late 19th century - combining machine stitching with hand embroidery to personalise and embellish a practical item of clothing. It is also significant as an example of a practical solution to the difficulties that women of this era faced with regard to the washing of clothes and household linens.Lady's long, white, cotton nightgown with a V shaped bodice decorated with bands of nine pintucks alternating with strips of broderie anglaise lined with pink ribbon. The opening front placket and neckline are bordered with a simpler broderie anglaise lace. The long sleeves are gathered into cuffs with a matching V shape, pintuck and broderie anglaise design. The front placket fastens with three cream buttons although one is missing. The back of the nightgown has gathered fabric on a plain, narrow V shape yoke. A narrow gusset has been added to the both sides at the bottom of the nightgown.Noneflagstaff hill, flagstaff hill maritime museum and village, warrnambool, great ocean road, shipwreck coast, victorian era clothing, victorian era nightgown, nightgown, nightdress, eliza towns, nhill, wimmera, textiles, clothing, machine sewing, hand sewing, pintucks, broderie anglaise, sewing -
Clunes Museum
Textile - DOLLS CLOTHES, 1932
.1 Hand-sewn pink floral dress with cream trim .2 Hand-sewn beige cotton petticoat, cotton tape shoulder straps, cream lace hemline .3 Hand-sewn cream petticoat, cotton with lade hemline .4 Hand-sewn black georgette dress lace trimmed bodice, handkerchief hemline .5 Hand-sewn petticoat, black, handkerchief hemline .6 Hand-sewn floral dress, full skirt, Bertha collar .7 Hand-sewn salmon pink pants, beige trim Nilbrusaschi, dolls clothes, 1932, hand-sewn -
Brighton Historical Society
Clothing - Dressing gown, Peignoir, Mid 19th Century
This peignoir or morning gown is believed to have belonged to Mrs Thomas Anne Ward Cole, an early Brighton resident and wife of George Ward Cole. George Ward Cole was an early member of the Victorian Parliament and the family featured prominently in Melbourne Society in their time. They established a substantial home known as “St Ninians” at 10 Miller Street in 1841. The family reportedly entertained Melbourne’s first Royal visitor the Duke Of Edinburgh, Queen Victoria’s second son, at St Ninians in 1867. In later years St Ninians was subsequently subdivided and later demolished.A mid blue-green cotton and lace peignoir or morning gown, c.1860. The bodice starts at the neck with a clavicle height, rounded neckline with a turn down flat collar, and is finished with a cream lace frill next to the face. The sleeve starts at the natural shoulder line and its overall silhouette is reminiscent of a soft three quarter length imbecile sleeve constructed of four layers of alternating fabrics. At the shoulder, there is a blue-green flap, which crosses across the top and back of the shoulders towards the centre upper back in a 'v' shape. Here it finishes where it meets with the gathered top of the fabric that creates the train. Underneath this shoulder flap is a gathered, long cream frill that finishes just above the elbow. Underneath this frill is the full gathered blue-green sleeve. Finally falling from this a second gathered long cream frill finishes at the three quarter arm. The bodice buttons with five metal buttons from the neckline to just above the bust. Here it meets a heavily gathered front in two pieces, which falls with fullness to the floor. This full section is secured closed at the centre front with four hooks and eyes over the bust and then continues with shell buttons through the remainder of the garment.st ninians, george ward cole, morning gown, peignoir, brighton, thomas anne ward cole, margaret morrison ward cole, agnes bruce ward cole -
Bendigo Historical Society Inc.
Clothing - VICTORIAN BODICE - CINAMON COLOURED SILK, OVERLAID WITH LACE, 1850's
Light camel coloured silk (in very poor condition). Long sleeves overlaid with fine black lace in a floral design. Stand-up collar, five cm deep is overlaid with the fine black lace, and finished with a corded braid on the upper edge. Sleeves are tightly gathered at the shoulder tapering narrow at the wrist, giving a ''leg-o-mutton'' effect. 12cm wide fine black lace, attached at the neck edge, and shoulders, forms a ''puff'' decorative over the shoulder, and continues in a ''over-panel'' to the waistline. Ten x 1cm diameter plastic buttons, with a floral impression in them (2 missing) and 12 hand stitched button holes form the front opening. From the lower opening, six ''pintucks'' 12 cm deep, open into pleats at the lower edge, giving fullness to the bodice. Four metal hooks are evident on the lower tucked front and seven hand stitched eyelets are indicated, but are now severely damaged. Bodice is boned with ten X 17cm long bones, and is fully lined with cotton.A tiny 8cmX7.5cm, oval-at-one-end, pocket is stitched into the front opening, at the bustline. Back hemline dips to a V shape at centre backcostume, female, victorian bodice - cinamon coloured silk -
Bendigo Historical Society Inc.
Clothing - MERLE HOULDEN COLLECTION: WEDDING DRESS, April 1985
Embroidered silk tulle with an embroidered geometric pattern - .75 cm X .05 cm. 20 cm wide deep frill at hemline. Frill is made of the same fabric, but has a border of embroidered flowers edging the frill.A narrow band of satin ribbon, .05cm wide is stitched midway on the frill. The same frill outlines a deep V shaped neckline front and back, starting 8 cms from the shoulder along the puff sleeves. The main sheer fabric extends to a high round neckline, defined with a band of ribbon and a 3 cm wide frill at the throat. Back neckline fastens with metal hook, and handstitched loop, and a zip extends on the main body of fabric. Back of skirt is gathered, and front has three pleats either side of centre to give fullness to the skirt. Fine elastic marks a frill at the elbow length sleeves, finished with a ribbon bow. Bodice and skirt are lined with silk taffeta fabric, including a frilled skirt, bodice extends to a V shaped waistline. The dress mounted on silk taffeta, extended to a train at the back. Kerryn's dress was made by her mother, Merle Houlden, as a labour of love. Marriage of Kerryn Houlden and Bruce Roberts - April 1985.costume, female, wedding dress -
Bendigo Historical Society Inc.
Clothing - BLACK SYNTHETIC SILK DRESS
Long sleeved full length dress of black synthetic silk fabric. Fabric has silken feel with a smooth satin like backing. Front has U shaped neckline with panel of cream silk lace extending from shoulder to below neckline(28cm). Back neckline faced with lace fabric. Front and back have a narrow central panel(16cm) of fabric extending from shoulders to hemline. The panels are extended at the waistline to join the front and back with loose tabs.The centre panel on the front bodice is edged with a finely pleated frill of synthetic fabric. The centre panels at front and back are also edged with finely pleated frills, from 42cms above hemline to the hem. The bodice is completed with side panels attached to the centre panel The skirt is completed with side panels attached to the centre panels. Set in sleeves have a squared extension that extends to the elbow. From the elbow the sleeves taper to narrow fitting at the wrist. The upper seam of the sleeves from the elbow to the wrist are edged with a finely pleated frill of synthetic fabric. The upper seam of each sleeve from elbow to wrist have fifteen decorative back and gold buttons stitched along the lower edge of the frill. Dress is unlinedcostume, female, black synthetic silk dress -
Flagstaff Hill Maritime Museum and Village
Photograph - Portrait, Burlington, Jane Osborne nee Shields, 1870's to 1923
This photograph of Jane Shields was taken at the Burlington Studio, Melbourne in the late 19th to early 20th century. Jane Shields became friends with Eva Carmichael in 1878, a friendship that continued throughout their lives. The item was created by layering fabric glued onto card, the the oval-cut photograph blued onto the fabric. A tea set was given by Eva Carmichael, a survivor of the ship Loch Ard which was wrecked near Port Campbell in 1878, to Jane Shields, who was the young woman who supported Eva during her recovery from the ordeal. Jane was Eva’s close companion while she was convalescing at Glenample Homestead. The friendship between the two women continued after Eva Carmichael returned to her home in Britain, became Mrs Townsend, and had three sons. Jane Shields also married, becoming Mrs John Osborne and bearing four daughters and two sons. In 1926-27, almost forty-eight years after the shipwreck, one of Jane’s daughters (Ella Marie Schulz nee Osborne) visited Eva in England. Eva gave her the tea set to take back home to her mother. Jane died in 1932 and her tea set was inherited by her daughters, who divided it between themselves, a four-piece place setting for each of them. This photograph of Jane Osborne nee Shields is significant for its connection with Eva Carmichael and the wreck of the Loch Ard in 1878. Memorabilia connected to Eva Carmichael are precious and rare. The shipwreck of the Loch Ard itself is of significance for Victoria and is registered on the Victorian Heritage Register (S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulations of artefacts from this notable Victorian shipwreck. The collection gives a snapshot of history, enabling us to interpret the story of this tragic event and the lives of the people involved. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allow us to interpret Victoria's social and historical themes of the time. The collection's historical significance is that it is associated unfortunately with the worst and best-known shipwreck in Victoria's history.Photograph; studio portrait of the upper torso of a female. The photograph has been has been cut into an oval shape, glued on rectangular fabric that was already glued onto card. The woman is wearing a light-coloured jacket, white blouse and bow tie. The figure is Jane Osbourne, nee Jane Shields, a friend of Eva Carmichael. An inscription is handwritten on the matt card. Burlington, Melbourne, produced the photograph."Burlington, Melb." flagstaff hill, warrnambool, flagstaff hill maritime museum and village, shipwreck coast, great ocean road, china tea set, tea cup, tea set, royal blue china, eva carmichael, jane shields, glenample, loch ard, place setting, eva townsend, jane osborne -
Bendigo Military Museum
Uniform - JACKET AND TROUSERS, 1953
Items issued to Tom McCAW VX93 2nd AIF. Refer Cat No 1489.10 for service details. .1) Trousers, Kahki, buttons and waist buckles, 2 side pockets, 2 rear pockets, 1 leg side pocket. .2 Battle Dress jacket, Kahki, plastic buttons, 2 x shoulder patches “Royal Australian Artillery”, 3 x Captains rank, cloth, sewn on each shoulder, 6 x service ribbons WW2 and 1 x Efficiency decoration..2) “D & D Made in Australia 1953” stamped on inside lining. “18 x Patt 1948 Blousee, B/D Kahki, Serge Dept Army” stamped on white sewn on label.uniforms army, battle dress -
Stawell Historical Society Inc
Photograph, Hand coloured photograph of woman in Gold Frame and domed glass
Gray FamilyHand Coloured photograph in gold frame and domed glass. Woman with short curled brown hair parted to right and European complexion. Pale blue eyes. White blouse has collar with floral attachment. Blue jacket with white pattern. Collar attachment. Studio portrait background. Flower is identical to young mans collar attachment in accompanying photo. Related to Deep Lead and Cray family.Frame has gilded floral painted red and blue at top, bottom and two sides. Glass is convex. Has gilded boss between florals. -
Bendigo Military Museum
Uniform - UNIFORM, GERMAN SS, Hat, Bamberger. Mutzen - Industrie, Unknown
It is not sure if this is a real or a replica uniform.1) Jacket woollen, grey colour, left side collar has “SS” insignia, right side collar has 3 silver pips and 2 silver stripes, upper left sleeve has an eagle/NA21. .2) Trousers, wool grey colour. .3) Hat grey colour with black peak. .4) Cap, cotton, navy blue. .5) Tie polyester blackgerman, ss, uniform -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - portrait of a woman, 1880s
Displayed in History House.Black and white ambrotype image of a seated woman holding a small book in her left hand. She is wearing a high-necked black dress with small white collar. At her throat is a broach and at her waist are two button closing the front of her jacket. Both have been tinted gold. Framed in gold mount with a leather-bound hinged case with cream velvet lining.ambrotype, studio portrait, portrait photography -
Ballarat Tramway Museum
Book, William. F. Scott, "Last Tram at Eleven - Tramways of Ballarat, Bendigo Geelong", 2008
Extensive history on the foundation of the three Victorian Provincial tramways, operations, tramcar lists and relationship to their private operation and power stations.. Foreword by Professor Weston Bate Yields detailed information about the history of the three SEC Provincial systems, in particular the construction history and their tramcars.Book - 212 pages on art paper with a gloss finish applied to photographs, sewn with glued end papers, folded dust jacket or cover titled "Last Tram at Eleven - Tramways of Ballarat, Bendigo Geelong". Written by William F Scott, published by Full Parallel Productions 2008. Has a cloth book mark. Has a Table of Contents, Index, many photographs, maps, liststramway history, ballarat, bendigo, geelong, tramcars, trams -
Bendigo Military Museum
Uniform - JACKET, SERVICE DRESS, ARMY, Australian Defence Industries, 1971
Jacket, khaki colour, wool/polyester fabric. Service dress style. No belt or buttons. Collar, shoulder epaulettes, four front pockets - top two with buttonhole and two metal press studs on flap, lower with flap. Rank Insignia on top sleeve - crown and stripes for Staff Sergeant. Lining - khaki polyester fabric with manufacturers label inside left. Label white cotton fabric.Manufacturers information on label - black ink print. "E.W. P/LTD/ SOUTH AUSTRALIA/ 1971/ ^/ SIZE 39 SHORT/ CLASS 8405/ 66-019-8482/ ARMY NO./ NAME/.DRY CLEAN ONLY/.REPRESS USING IRON AND DAMP/ CLOTH OR MEDIUM TO HOT/ STEAM IRON/. CREASE UPPER HALF OF/ LAPELS ONLY"uniform, army, service dress -
Southern Sherbrooke Historical Society Inc.
Photograph - Percy and Cissie Johns at Glen Park Farm
B&W photo of Percy and Cissie Johns at Glen Park Farm. Percy is astride a motorbike, reg # 12169, wearing a light coloured jacket over a shirt and tie, and wearing a peaked cap (similar to a uniform cap). Cissie is seated in the sidecar. She is wearing a light blouse and she is smiling. The sidecar has a folded-down roof and a windscreen. There are sheds and trees behind them. -
Melbourne Tram Museum
Book, Carl Segnit, Hugh Ballment, "Tram Images - of a journey through Australia and New Zealand", 2009
Book - 120 pages+ card cover + jacket, perfect bound, portrait format, titled "Tram Images - of a journey through Australia and New Zealand" by Hugh Ballment, published by Hugh Ballment. Has Hugh Ballment's signature on the title page. Design by Carl Segnit. Published 2009. Has a table of preface by Hugh and table of contents, listing the cities covered and topics and index of localities.trams, tramways, australian trams, new zealand tramways, melbourne, cable trams -
Bendigo Military Museum
Uniform - BATTLE DRESS, ARMY, Rider & Bell, 1988
1. Jacket, Khaki Battle Dress - wool. Cloth Major's badge on epaulette. Royal Australian Corps of Transport cloth badges on shoulders. 2. Shirt, cotton polyester, short sleeved, two breast pockets. 3. Cap, Khaki, peaked. RACT Badge on front. 4. Tie, polyester, khaki with elastic neck band. 5. Lanyard, red and blue. 6. Whistle, metal.cmf, uniforms, passchendaele barracks trust -
Tatura Irrigation & Wartime Camps Museum
Book, A Secretive Century. Monte Punshon's Australia
Tells the life story of Ethel May Punshon, from Ballarat to St Kilda Victoria, spanning over a century and the crucial historical events she witnessed.Soft cover paperback. Front cover has white writing for title and author. Pink and orange speckled background. Lady in a brown jacket and tie, with cream shirt and holding a double barrel shotgun. Spine is speckled orange with book title in white. Authors name in a white section. Back cover is orange and pink speckled with a white section giving a blurb about the book and author.ethel may punshon, monte, miss montague, mickey and erica morley, camp 3 internment camp -
Bendigo Historical Society Inc.
Mixed media - The Golden City Record and Songs, 1981
Australian musician and television presenter, Ray Burgess, shot to the top of Australia’s fledgling pop-rock scene following a successful appearance on television’s talent show, New Faces (the 20th century equivalent of Australian Idol). It was 1970 and Ray soon became a founding member of popular show band, Red Time, touring Australia for several years before the band was signed up as backing band to then-King of Pop, Johnny Farnham. An accomplished singer in his own right, Ray undertook a solo career in 1974 and his very first recording, ''Touch Me'', became a huge Australian hit. Jane Bretherton Collection: The Golden City Record and Songs - 45 inch record and jacket. On the Front "The Golden City by Ray Burgess" On the Rear " The Golden City and Words to the lyrics, Lyrics reproduced by kind permission of Leeds Music. Words and Music: Don Mudie, Vocal: Ray Burgess, Production: Don Mudie, Copyright: Leeds Music." There are two tracks on the record: "The Golden City" and "Rachel's Song".history, bendigo, ray burgess, rachel's song, the golden city song -
Bendigo Historical Society Inc.
Photograph - PETER ELLIS COLLECTION: WEDDEBURN CHARMING EMUS
Colour photograph. Peter Ellis Playing with the Gay Charmers. Men in candy jackets. Banjo. Accordion. Emu Creek bush band banner. Back of photo reads: Ron McFarlane banjo, Maurie Gierisch accordion, Stuart Simms Piano / violin. Gay Charmers. Peter and rest of Emu Creek often played with them as 'Wedderburn Charming Emus' eg NFF Canberra 2016.entertainment, music, emu creek bush band -
Bendigo Historical Society Inc.
Book - Bendigo Pottery by Paul A. Scholes
A history of the Bendigo Pottery by Paul A.Scholes beginning in 1858. 283-page hard cover book, illustrated with many B&W and colour photos of people and products. Dust jacket has a colour photo of a kiln furnace front and back and is covered in plastic sheet. Full page colour portrait of the pottery founder, George Duncan Guthrie on first page. Lowden Publishing Co. 1979 bendigo pottery, george duncan guthrie -
Bendigo Historical Society Inc.
Clothing - BABY CLOTHES COLLECTION: BED JACKET, early 1940s
Hand knitted salmon pink coloured ladies woollen bed jacket with set in long sleeves. All over feather and fan pattern with rib pattern on yolk. Fold over collar. Front opening. Pink satin ribbon tie at neck. Apricot coloured ribbon ties at cuff.This collection of knitted and sewn garments were made in the early 1940s and were intended for a baby that was stillborn.costume, female, ladies bed jacket -
Bendigo Historical Society Inc.
Photograph - FAMILY PORTRAIT
Small family portrait. The lady is seated on a chair and holding a baby in her arms. The man is standing beside her. The lady is wearing a dress with a voluminous skirt. The baby's dress is similar and the man is wearing a three piece suit and watch chain. The man's jacket has only one button at the neck. The photographer's name and a border is printed in gold on the front. On the back is the photographer's printed in black.Bent late Batchelder, Centre of Pall Mall, Sandhurstphotograph, portrait, family, family portrait, bent late batchelder -
Bendigo Historical Society Inc.
Photograph - MEMORIAL CARD: A.H. GOGGIN, 1897
black and white photo with dark brown paper mounted on balck board. Male in suit with flower in buttonhole. White tie, pocket handkerchief. Top button fastened on jacket. Goatee beard and moustache. Inscriptions surround photo memorial card. ' Died 16th Dec, 1897. Aged 51 years' 'In affectionate remembrance of Albert Henry/the dearly beloved husband of /Elizabeth Ellen Goggin.'person, individual -
Bendigo Historical Society Inc.
Photograph - PORTRAIT, MAN, c1900
Black and white photo. Photo of gentleman with waxed moustache. Probably prior to first world war. Eyes, Tie, lapel, left arm seam of jacket , left ear, hair, eyes and right eyebrow have been detailed. Green colouring has been added to tie. Gentleman is wearing a pocket watch and handkerchief in pocket. Markings/Inscriptions: Sticker on back, Photo 3.person, individual, portrait male -
Bendigo Historical Society Inc.
Photograph - GILBERT RULE COLLECTION: PHOTO OF G. RULE
Gilbert Rule Collection: photo of G. Rule dressed in Masonic garb: dinner suit type jacket with wide turned back cuffs. Large chain around neck, resting his left hand on an open book. Photo has tissue paper overhang over photo. Written on rear of photo in pencil "Gilbert Rule - Gladys Rule cousin of Dorothy Rule - Bryan Wardle".Kalman, 57 - 59 Pall Mall, Bendigoperson, individual, gilbert rule -
Bendigo Historical Society Inc.
Photograph - GILBERT RULE COLLECTION: PHOTO OF G. RULE, l
Gilbert Rule Collection: photo of G. Rule dressed in Masonic garb: dinner suit type jacket with wide turned back cuffs. Large chain around neck, resting his hands on an open book. Photo has tissue paper overhang over photo. Written on rear of photo in pencil "Gilbert Rule - Gladys Rule cousin of Dorothy Rule - Bryan Wardle".Kalman, 57 - 59 Pall Mall Bendigo.person, individual, gilbert rule -
Bendigo Military Museum
Uniform - UNIFORM, NURSES WW2, 1939 - 1946
The uniform belonged to CAPT GLADYS MOLE VFX17199 AAMC 2nd AIF. Refer 1901.4 for Service History. Items were all numbered 215.01 from a previous institution. See also Reg No 1899 & 1900.2P.WRANC .1) Jacket. Grey, fine wool tailored jacket & skirt. Jacket has full belt fastened with press studs. Front fastened with military buttons, also pocket flaps & 2 buttons on each sleeve. Shoulder epaulettes of dark brown felt with a button 'Australia' badge & 3 captain's pips. Colour patch on each sleeve - brown square on light grey square with central angled blue bar. Service ribbons on right breast. Upper back section & fronts lined with rayon. Hanging tab centre back neck. .2) Shirt. Long sleeved cream cotton shirt with tail, epaulette tabs on shoulders fastened with a button. Front button fastening semi stiff collar. .3) Skirt. Fastens at side with hooks & eyes & 1 button on waist band. .4) Tie. Made of dark brown crepe with silver Rising Sun badge pinned to it. .5) Hat. Grey/green felt velour with band of brown edged both sides with narrow stripes of pale grey & red. Unlined with petersham sweat band & black hat elastic double chin strap. Signs of wear at inner front. .6) & .7) Gloves. Pair, dark brown leather with stitching detail in 3 decorative lines on backs. Previous number 215.01 has been inked inside. .8) & .9) Shoes. Pair, brown leather lace up with stitched soles by Duncan. .2) Self coloured label: V109 MADE IN AUSTRALIA 1942 Inside back neck in ink: G? HOLLOW .5) On label in black: V558 Made in 1943 Australia Size 6-3/4"uniforms, costumes - female uniform, essential services - hospital, nurses -
Ithacan Historical Society
Photograph, Ithacan family gathering, 1926
The photograph features many prominent members of the Ithacan Philanthropic Society during the early 1920s a number of whom were founding members of the Society, including A. J. Lucas (Lekatsas) the founding president and Angelos Lekatsas (Lucas) who was the second president. Archimandrite Irineos Kassimatis is pictured with the group. Most of the group are wearing a buttonhole pin on their jacket lapels which indicates the photo was taken at gathering to celebrate a baptism. It was traditional that following the baptismal service a small icon or cross was pinned on each of the guests to symbolise they were witnesses to the baptism. This pin is called a 'martiriki' derived from the Greek word 'martiras', which translated means a witness. A black and white photograph of eighteen men gathered together in a garden and posing in front of a weatherboard building. Three of the men are sitting on the ground in front of the group. Hand written signature - ? Varvarigos - written in Greek in the bottom left hand corner. Written on the back: STRONG MEN OF THE ITHACAN COMMUNITY -
Royal District Nursing Service (now known as Bolton Clarke)
Photograph - Photograph, black and white, Barry Sutton, 25.07.1972
Miss Evans is the Director of Nursing of Royal District Nursing Service (RDNS). She and the group of RDNS Sisters are standing on the staircase inside RDNS Headquarters, 452 St. Kilda Road, Melbourne.The photograph on the right rear is of a full view of 452. They are wearing the new winter uniform of a blue/grey skivvie worn under a V neck tunic style herringbone winter material dress with the RDNS insignia on the upper left. Their beret style hats are made of the same herringbone material. Miss Evans is wearing her uniform of a grey blouse, and a skirt and long jacket made of the blue/grey herringbone winter material.From its earliest years when Melbourne District Nursing Society (MDNS) began to wear uniforms the chosen colour was grey, though the style changed throughout the years as fashions changed from the late 1800s through to the 1970s. Their Trained nurses (Nurses) firstly wore long grey frocks, and later a white collar, cuffs and white belt was added, and on their heads they wore a white cap with a long white tail hanging from the centre back. When bicycles were introduced in 1903 the headgear changed to a white pith helmet adorned with a red Maltese cross in the centre front. This was held on with a veil going over the hat and tied under the chin. Over the years there were complaints that the veils became wet in the rain and they asked for a change of uniform, but this did not happen until 1921. Twelve years later the Trained nurses (Sisters) complained their skirts became wet when riding their bicycles in the rain and asked, when raining, to be able to wear breeches and gaiters. This was granted provided they wore aprons when attending patients. It was not long before the uniform changed to a shorter length grey frock, red cardigan, grey coat and grey brimmed hat; later changed to a peaked grey hat. In 1966 MDNS were granted Royal patronage. Now as Royal District Nursing Service (RDNS), Sisters Liz Thomson and Bev Armstrong, in 1971, designed a new uniform and the colour was changed. By 1972 the Sisters were wearing the new winter uniform of a blue/grey skivvie under a V neck tunic style frock made of blue/grey herringbone winter material with the RDNS insignia on the upper left, and a beret style hat of the same material. In summer the uniform became a royal blue V neck tunic style frock, with the RDNS insignia on the upper left, worn over a short sleeve white blouse. A royal blue peaked hat with the RDNS insignia in the centre front was worn at first and then only worn on official occasions. This uniform was worn until changed to a corporate style in the mid 1980s,Black and white photograph showing Royal District Nursing Service (RDNS) Miss Mary Evans amid a group of RDNS Sisters standing down the steps of an internal staircase. They are wearing their new winter RDNS uniforms of a light grey skivvy under a V neck tunic style grey frock with the RDNS insignia on the upper left, and a beret style hat of the same material. Sisters from top to bottom:- P. Rowley, who is wearing glasses and has short dark hair, next down is F. Hoey, who has short dark hair and then in pairs L-R A. Tyler, wearing glasses and with dark curled hair and B. Watson, who has shoulder length blonde curled hair. Next down is B. McDonald with short dark hair and J. Peter, with curly dark hair. Next down is Miss Evans, who has short curled hair, On the next step down is V. Sheehan, who has short wavy blonde hair, down further is M. Gawith, who has short dark hair and is wearing below the knee black boots. and in front is M. Lambert who has short dark hair and has her hospital badge attached under the centre neck of her skivvy. The staircase has dark wooden turned balustrades topped with a matching curved handrail and below this is white woodwork. In the rear of the photograph part of a stained glass window can be seen and on the right is part of a large photograph. Photographer stamp. Quote No. LA 4melbourne district nursing society, mdns, royal district nursing service, rdns, rdns uniform, miss mary evans, sister pat (paddy) rowley, sister fonce hoey, sister a. tyler, sister barbara watson, sister betty mcdonald, sister judy peter, sister mary gawith, sister v. sheehan, sister m. lambert -
Forests Commission Retired Personnel Association (FCRPA)
Uniform - Forests Commission Victoria (FCV) tie and epaulets (to be worn on polyester shirt) as dress uniform, pre 1984
Polyester shirts plus a green tie and epaulets were the only form of dress unform issued to FCV staff. In later years a brown tie was available. Blue work overalls and safety boots were issued for bushfire work. These were replaced with the now familiar bright green overalls in about 1984. There were no dress pants, jumpers, jackets or shoes issued. This led to a long running dispute between the staff association and the Commission over departmental uniform policy at the time. David Parnaby was a District Forester and accomplished cartoonist who provided insightful and humorous commentary on uniforms through the Victorian State Forester’s Association Newsletter.Example of early staff uniform.Green polyester tie with yellow stripe and round FCV logo. Green FCV epaulet to be worn on polyester shirt as dress uniform. uniforms