Note by by T.H. Kneen 5 February 1992, "Student is Heather Hill (1949)-working alongside Webb-Way Irrigation System. I believe the Webb-way System was developed by Mrs Webb a progressive citrus grower in the Doncaster district and a good friend of Principal J.L. Provan." See it also in B98.1016.Black and white photograph. Female student working along rows of plants in the Orchard with a hoe. Webb-way irrigation system installed along the row.female students, heather hill, mrs webb, j.l. provan, student working outside, orchard, webb-way irrigation system, hoeing

This gum leaf painting is one of a pair displayed on foil in the same frame. It is typical of many paintings by the self-taught Australian artist Alfred William Eustace (1820-1907). A.W. Eustace, a well-known Australian artist, was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and camped on the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush painting on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skillful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth.An oil painting on gum leaf by the well-known Australian artist Alfred William Eustace. He was a self-taught artist during the 19th and early 20th century and a prominent resident of Chiltern. Oil painting on gum leaf by Alfred William Eustace. A scene of a log cabin on Black Dog Creek Road, Chiltern, with Skeleton Hill in the background. The canvas is a juvenile Red Box (Eucalyptus polyanthemos) leaf. It is one of a pair of Eustace gum leaf paintings mounted on gold foil, under glass in a brown frame. Inscription on back. Labels on back: Rehoused by The Centre for Cultural Materials/ Conservation, University of Melbourne "Oil on Gum Leaf"/ by Alfred William Eustace/ Donor:- Cam & Connie Boadle/ Wales U.K. Crescent/ MUSEUM/ GRADE/ 24 OCT 1998/ CONSERVATION BOARD ALBURY/ PICTURE FRAMERS/ Shop 15 & 16/ AMP Lane,/ Albury, 2640/ Ph: 02 6021 7088black dog creek, chiltern, alfred eustace, skeleton hill, gum leaf, painting, eustace

The Dates we sourced on the flyer were November 15 - 25 with night and matinee shows avaible. This Performnce was in association with AAustralian Drug Foundation, BE YOUR bEST. ,VICHEALTH, Playing Australia ,Arts Victoria ,Australiian Council of the Arts and Punt Hill Spirital Apartments .colored yellow and black flyer in the profile of someone wearing a paper bag on his/her head.back to back theatre, circus oz, freak show, athenaeum theatre two

The earliest known photograph of Patrick Cummings barn - the Primitive Methodist Church and School and the Diamond Creek Gold Mine both established in the early 1860's.Black & white photographnoneprimitive methodist church, methodist church, diamond creek school, nillumbik school

BLACK AND WHITE PHOTOGRAPH OF CLUNES TOWNSHIP. TAKEN FROM CAMERON STREET HILL.local history, photography, photographs, clunes township

BACK TO CLUNES, 1981. SMALL GROUP OF SOME PAST PUPILS OF CLUNES HIGHER ELEMENTARY SCHOOL..1 BLACK AND WHITE COPY OF PHOTOGRAPH OF PAST PUPILS OF CLUNES HIGHER EDUCATIONAL SCHOOL, WITH SCHOOL IN THE BACKGROUND, BACK TO CLUNES 1981. .2 .3 ENLARGED BLACK AND WHITE REPRODUCTIONS OF THE ABOVEOn reverse; Back to Clunes Easter (March 1981) Front Row; Gordon McLennan, Jean Harling (Campbell), Theo Harden Left to Right (sitting down), Mavis Williams (Talbot), Bess Dolan (Pickford), Mary Barry (Pickford), Hebe Morgan (Cottrell), Back Row: Betty McKenzie (Morgan), Harry Toole, Brenda Trembath, Joy Lins Torney (Harden), John Hill, Charlie Morgan, Dolly Torney (May), Bill Birch. local history, photography, photographs, schools, 1552

LEATHER PURSE, BLACK WITH BROWN LININGJ DUNN HILL, CLUNESlocal history, personal effects money containers, money holder

PHOTOGRAPH OF TOWNSHIP OF CLUNES ABOUT 1875. LOOKING SOUTH. WOODEN BRIDGE IN FOREGROUND, 1 SEPIA PHOTOGRAPH MOUNTED ON CARDBOARD .2 SEPIA PHOTOGRAPH MOUNTED EDGES REMOVED .3 BLACK AND WHITE PHOTO PRINT .4 BLACK AND WHITE PHOTO PRINT .5 PHOTOCOPY OF PHOTOGRAPHFROM ANGUS STREET HILL LOOKING SOUTHphotographs, clunes township and mining and footy oval

FRASER STREET 1869PHOTOCOPY OF LITHOGRAPH OF THE PORT PHILLIP GOLD MINING COMPANY'S CLAIM AND THE TOWNSHIP OF CLUNES TAKEN FROM THE ILLUSTRATED AUSTRALIAN NEWS. JUNE 19 1869. THIS PHOTOGRAPH WOULD HAVE BEEN TAKEN PRIOR TO THE FIRES WHICH DESTROYED THE ORIGINAL SHOPS IN FRASER STREET. ORIGINAL PHOTOGRAPH TAKEN FROM HILL BEHIND OLD LIBRARY IN TEMPLETON STREET, CLUNES. .1 BLACK AND WHITE PHOTOGRAPG MOUNTED ON CARDBOARD .2 BLACK AND WHITE PRINT WITH 'LAYING THE VICTORIAN END OF THE TASMANIAN CABLE ON REVERSE 3. PHOTOCOPY BACKED WITH NEWSPAPER AND PRINT FOR SUPPORT .4PHOTOCOPY .5 PHOTOCOPY MOUNTED ON CARDBOARD .6 DOCUMENT GIVEN BY HENRY BASSETT, APPEARS TO BE PART OF BROWN ENVELOPE .7 PHOTOCOPY OF PRINT.4 THIS LITTLE PICTURE PRESENTED TO CLUNES F L BY HENRY BASSETT WHO WAS BORN ON CLUNES IN THE SAME YEAR THAT THE ABOVE INSTITUTION WAS ESTABLISHED, AND IS A SONE OF THE LAT AZARIAH HASSETT AND NEPHEW OF THE LATE CHRISTOPHER BASSETT WHO WERE BOTH OLD RESIDENTS.shops- symons tsymons&co, b.cass maher grocer, pitcher bros., port phillip bakery, bristol mart, and coach office j.h. dalton.

.1.2 BLACK AND WHITE PHOTOGRAPH OF PORT PHILLIP HILL TAKEN CIRCA 1859. .1 HANDWRITTEN ON BACK: PORT PHILLIP MINE AND HILL TAKEN CIRCA 1859 PORT PHILLIP MINE SOUTH SHAFT CLUNES HOTEL IN MIDDLE OF P.P. PADDOCK CLUNES UNITED MINE CRITERIAN MINE CRITERIAN BRIDGE WOOSTERS BALLARAT RESTAURANT, DOES NOT SHOW IN LATER PICTURES PORT PHILLIP MINE FIRST BATTERY PORT PHILLIP HOTEL OPENED IN 1859, CONTINUED UNTIL LATE 1890'S CRITERION HOTEL, FIRST MASONIC MEET UP, BURNT JAN 1871 NEGATIVE OF THIS PHOTO IS AT LATROPE LIBRARY MELBOURNE SIGNED: J CONRAD WEICKHARDT .2 HANDWRITTEN ON BACK: PHOTO OF PORT PHILLIP MINE AND HILL TAKEN ABOUR 1859 OR 1860 THE NEGATIVE OF THIS PICTURE IS AT LATROBE LIBRARY MELBOURNE FROM CAMP PARADE photography, mining, port phillip hill, port phillip

PHOTOGRAPH TAKEN 1880. THE WINDMILL ON CORNER OF PADDOCK STREET AND SMEATON ROAD OPERATED A FLOUR MILL FROM 1870 TO ABOUT 1883 BY JOSEPH WHYTE.A FADED BLACK & WHITE PHOTOGRAPH OF PORTION OF CLUNES SCHOOL NO. 1552, WINDMILL AND DWELLING ON SCHOOL HILL.local history, photography, photographs, schools -1552, flour mill

BLACK & WHITE PANORAMIC VIEW OF CLUNES TAKEN FROM SCENIC ROAD LOOKING TOWARDS TWO MILE HILLlocal history, photography, photographs, clunes township

PHOTOGRAPH TAKEN IN CLUNES BOWLING CLUB CLUBROOM AT CELEBRATION CLUNES BOWLING CLUB CENTENARY ON JUNE 1ST, 1978BLACK AND WHITE PHOTOGRAPH OF CLUNES BOWLING CLUB 1978 REAR - K. KINNERSLY, J. HILL, B. KINNERSLY, K. DELMENICO, C. HENDER, R. DOLAN, B. DOLAN, T. HARDEN SEATED - B. DELMINICO, K. FRASER, D. HILL (PRES) I. HILL, F. BOURKE, N. HILLlocal history, photography, photographs, sport, bowling club clunes

.1 SEPIA PHOTOGRAPH CAMP PARADE, CLUNES, SOUTH WEST TAKEN FROM PORT PHILIP HILL, NEAR NORTH SHAFT. PERIOD;1865 MOUNTED ON CARD .2 LARGE BLACK AND WHITE COPY .3 SMALL BLACK AND WHITE COPY .4 MOUNTED PHOTO PRINT OF CAMP PARADE CAMP PARADE CLUNES, SOUTH WESTphotographs, mining, camp parade, port phillip hill

LAMINATED BLACK AND WHITE PHOTOGRAPH OF CLUNES HIGHER ELEMENTARY SCHOOL 1931. Back Row; Colin Kerr, Len Teague, Standon Nelson, John Hill Second Row; Jean Annear (Porta), Lucy Pascoe, Isobel Sparks, S. Oliver, Mavis Talbot (Williams), Ida Pickford (Leishman) Middle Row; Isabel Nicholson, Leila Sparks, Amy Dunn (Vinecombe), Amy Cottrell, Aver Aberhard, Dorothy Carter, Enid Davidson, Melba Hutchins (Harvey) Front; Harry Toole, Dave Richards, Tom Kerr, Justice Eberhard, Garland Hancock Absent; Leila McDonald, Brenda Trembatch, Eilliam (Bill) Birch, Jim Sanderslocal history, photography, photographs, schools - higher elementary., 1931

FRASER STREET,CLUNES, PROBABLY TAKEN ABOUT 1920'S. NOTE SHINGLES ON A ROOF.BLACK AND WHITE PHOTOGRAPH OF PART OF FRASER STREET, CLUNES. SCHOOL ON HILL IN BACKGROUND.TAKEN ABOUT 1920'S MAYBE MUCH EARLIER. NOTE SHINGLE ROOF.local history, photography, photographs, clunes township.

BLACK AND WHITE POSTCARD - PANORAMA OF CLUNESCLUNES ABOUT 1950 FROM PORT PHILLIP HILLlocal history, document postcard, clunes township