From 1988 to 2021, Legacy held a public speaking contest for young secondary school students. It was initially called the Junior Plain English Speaking Award (JPESA) and later called Legacy Junior Public Speaking Award (LJPSA). Schools were eligible to send along up to 4 representatives to compete in a preliminary round. These photos are from the first National Final on 17 October 1996. They show President Ray Ward congratulating the winner, Ross Ditcham from Flinders Christian Community College. Also Commonwealth Bank's Glenn Haslem presenting prize money. A guest speaker was Channel 7's sports presenter Jim Wilson. Other commended students were Simon Winkler and Penny Mayes and Luke Raffin. The following was taken from a programme in 1996: "The Award aim is to promote enhanced oral communication skills for 12-14 year old students and to help young people appreciate the ideals of Legacy - voluntary service, caring and comradeship - and the need for remembrance. It began in 1988 in the Melbourne area with the support of the Ministry of Education and The Plain English Foundation. Entries have grown from 24 in the 1988 competition to over 300 in schools across the State, plus greater numbers participating in the process of selecting four contestants from each school. In 1995, a successful Interstate Championship was held with contestants from Victoria, New South Wales and Queensland. On 11 November 1996 the first National final was held with contestants from six states."A record of the Junior Plain Speaking contest that has been run by Legacy since 1988.Colour photo x 11 of Junior Plain English Speaking contest State Final in 1996 and an article in the Answer.legacy promotion, speaking contest, answer, jpesa

This file contains six items about this mansion: 1/Three pages of handwritten notes by Peta Darke, dated December 2013, concerning the title and ownership of Repton from 1881 till 2013, earlier called ‘Wahgunyah’ 2/Handwritten list of owners of Repton from various editions of Sands and McDougall Directories compiled by Peta Darke on 06/12/2013 3/Black-and-white photograph of exterior of Repton, undated, photographer unknown 4/Seven copies each of a classified advertisement in The Argus newspaper relating to Repton and its occupiers. Dates are 15/01/1927, 15/12/1928, 07/03/1917, 10/07/1926, 02/07/1940, 10/04/1944, and 28/01/1949 5/Article in Property Review Weekly dated 15/11/2013 advertising forthcoming auction on 30/11/2013. Includes colour photographs of exterior and interior. Also brochure real estate agent advertising forthcoming auction of Repton: includes 4 colour photographs of exterior and interior, description of property and plan of layout. Produced in 2013. 6/Printed information taken from 'Trove' regarding former residents of 'Repton', Elm Street, Elsternwick by Claire Barton. Research is from the Stubss family tree about Dermot Du Moulin Ryan whose mother's address is listed as this property.repton, wahgunyah, elm avenue, elm road, elsternwick, roan andrew, partridge john douglas, partridge alice anna, partridge john roland phelps, phillips ida mary charlotte, steers reuben rivers, mann agnes, gruer william frank, taylor james alexander, marmaras george, marmaras arthur, supported housing, stevens edward, matthews herbert, repton court flats, marmara drive, lehte, fosbery avenue, taylor florence ethel, wood john frances wealth, brick houses, land subdivision, flats, victorian style, stubbs family, ryan dermot du moulin, ryan kate, elm street, house names, ryan h h

A novelty postcard with pull-out strip of 11 miniature photographs that was produced by the Valentine Publishing Co as a souvenir of Marysville.A novelty postcard with pull-out strip of 11 miniature photographs that was produced by the Valentine Publishing Co as a souvenir of Marysville.Greetings from MARYSVILLE WHEN AM I GOING TO HEAR FROM YOU? PRINTED PAPER MAILING NOVELTY TO OPEN RAISE FLAP From VALENTINE'S "MAIL NOVELTY" POST CARD. COPYRIGHT. Printed in Great Britain Tomarysville, victoria, postcard, souvenir, valentine publishing co, acheron way (image 1), keppel's falls (image 2), cumberland falls (image 3), stevenson falls (image 4), mount margaret (image 5), main st (image 6), nicholl's lookout (image 7), the old ford (image 8), the acheron way (image 9), taggerty river (image 10), the road to cumberland valley (image 11)

Two invoices from J. Frank Mamouney - Home Furnishers - One dated 01/11/1956 the other 11/08/1960.business, retail, frank mamouney

This book was launched on 21 February 2016. It details the history of the City of Warrnambool Rowing Club (CoWRC) and includes the five rowing clubs that have operated on the Hopkins River, Warrnambool and been absorbed by CoWRC . This book details the history of five rowing clubs on the Hopkins River, Warrnambool. It includes the clubs importance to the community, coloured and black and white photographs, table of committtees from 1871 and the first documented boating club on the river in 1850. An 85 page A4 book, black and white cover with coloured photographs, table of committees.city of warrnambool rowing club, warrnambool rowing club, warrnambool ladies rowing club, faugh-a-ballagh, hopkins boating club, gordon rowing club, susan finnigan, hopkins river, warrnambool, hopkins river warrnambool

Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and pencil landscape drawing on paper.Obverse: ABBOT BAGGY / B'WORTH / CARRIAGE MUSEUM Reverse: B7 / Beechworth Nostalgia / BW - 07 B (crossed out) / 008ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program

Yields information about the tram operation in 1961 and the appearance of the trams during the application of the dash canopy lights.Digital image from the Wal Jack Ballarat Album of a photograph of No. 39 turning from Drummond St North into Sturt St (Mt Pleasant) and No. 42 turning into Drummond St North at Hospital Corner, 11-3-1961. Photo Wal Jack. No. 42 has a Vic Wendt Motors roof advert for the Peugeot 403 motor car. See image i2 for rear of photograph. See image i3a for hi res scan of print. See image i4 for hi res scan of negative .1 - part of the same photograph with most of 39 cropped out - poor image - see i3On rear of photograph in ink "SEC, Ballarat Loading No. 39 to Victoria St, No. 42 from Mt Pleasant, Sturt and Drummond Sts, Ballarat 11-3-61" and Wal Jack stamp in top right hand corner with number "T1260" written in. .1 - has 'BTPS Sales Department" stamp on rear.trams, tramways, hospital corner, sturt st, drummond st, tram 39, tram 42

History of first 150 years of St Margaret's Anglican Parish Eltham24 p. : ill. (some col.), ports. ; 21 x 23 cm.ISBN 9780646562674 [signed by author on inside front cover and dated 17/11/11]st margaret's anglican parish

Samantha Robertson 1988 Entrant No. 1 Ref: Series 34 Items 1, 2, 42-45 The images in this record were not selected for inclusion. SHIRE OF ELTHAM COMMUNITY PHOTOGRAPHIC SURVEY Photography is an artform which many of us practice, sometimes purely for artistic pursuit, sometimes to record the people and events in our lives. In 1988, as part of a local Bicentennial project, the Shire of Eltham conducted the Eltham Community Photographic Survey. Up to 100 entries were to be selected by a panel of photographers for entry into the Eltham Photographic Survey Exhibition. Entries had to be submitted by May 13, 1988. Entrants whose images were selected for the exhibition were contacted and requested to further submit an entry form providing entrant’s name, area of residence, age, and proposed captions. These details were then used to produce labels for the exhibition mounts. Where negatives had not been supplied, these were requested to support the display of printed enlargements mounted on 10” x 8” cardboard. The mounted prints were made available post exhibition for sale at $8.50 each for colour prints and $7.00 for B&W prints. Residents in the Shire were invited to collect a free roll of film and take a photograph of what they either liked or did not like about the area. A total of 160 entrants submitted multiple entries for the exhibition. Of those selected for exhibition, entrants ranged in age from 9 to 70 years. All custom colour and black and white printing for the exhibition was completed by Wattle Studios of Eltham. The Eltham Photographic Survey was jointly auspiced by the Shire of Eltham and Wattle Studios, of 953 Main Road, Eltham. The project was greatly assisted by: • David McRitchie, Media Studies Lecturer Victoria College, Rusden Campus. • Ian and Annette Toohill of Wattle Studios • Tracy Naughton, Eltham Community Arts Officer • Neville Emerson Pty. Ltd. • Superior Press, Eltham • Kodak Australasia Pty. Ltd. • Agfa Gevaert Ltd. • Townsend Colourtech Pty. Ltd. • The Australian Bicentennial Authority • Eleanor Bowers, Secretary, Eltham Arts Council The exhibition was placed on display in the Woolworths Arcade, Eltham between Monday June 6th and Saturday June 11, 1988. It was also intended to hold the exhibition at a venue in the Shire’s North Riding from Monday, June 20 to Friday June 24. It was then displayed at the Were Street Theatre, Montmorency from Friday, June 24 to Thursday, July 7. Series 34: Eltham Community Photographic Survey 1988 - Prints & Documentation Series consists of 117 photographs of Shire scenes taken by members of the community. Items I - 41 are larger photographs mounted on card, which were exhibited. Items 42 - 117 are unmounted copies, alternative takes and other entries. Corresponding negatives contained in Series 35: Eltham Community Photographic Survey 1988 – Negatives which consists of 267 colour and B&W negatives and one colour slide of Shire scenes taken by members of the community. The negatives are arranged by the entrant number of the photographer. The Eltham Community Photographic Survey collection is significant to the local community as it was curated by the local community - ordinary people of all ages - representing what they liked and did not like in the area where they lived. It represents an unfiltered representation of the Shire of Eltham as it was in 1988. It also represents one of many projects as part of the national programme of events and celebrations to commemorate the bicentenary. It is a time capsule of life in the 1980s of this urban and rural municipality in Melbourne's north. shire of eltham archives, bicentennial project, eltham, eltham community photographic survey, samantha robertson, series 35, film - ilford xp1 400, scan - 35mm negative, sundial, eltham trestle bridge, central park, panther place, graffiti, eltham senior citizens centre, eltham shire office, eucalyptus tree, main road, sign, arthur street, commercial place, eltham village, safeway carpark

This object relates to Douglas Ewart HARRIS. Douglas Ewart served in the Commander 11 Platoon 'B' COY The South Wales Borderers SRN 324910 before being discharged from duties as a Army Commissioned Lieutenant (LT). Douglas Ewart HARRIS was not a prisoner of war. Douglas Harris was awarded the Military Cross.This object relates to Douglas Ewart HARRIS. Douglas Ewart served in the Commander 11 Platoon 'B' COY The South Wales Borderers SRN 324910 before being discharged from duties as a Army Commissioned Lieutenant (LT). Douglas Ewart HARRIS was not a prisoner of war. Douglas Harris was awarded the Military Cross.medals, ballarat rsl, ballarat

Document. The Owen Williams Collection. Receipt headed Mitchell St Bendigo 21/11/99 'from Mr Williams for the sum of eleven pounds seven shillings and nine pence being payment of the first bill at three months on purchase of lot 2 in the Grand View Estate Bendigo.' Signed 21/11/99 by J.W? Daley. With red one penny stamp.bendigo, industry, owen williams & co.

Digital Image of a newspaper cutting from The Courier, 14/11/2018 titled "Tram project in bloom", with a photo of Pam Waugh holding some of the plastic flowers for March 2019 Floral Tram project. Gives details of the project, community involvement and re-cycling. Written by Siobhan Calafiore, photo by Lachlan Bence. Original copy of newspaper added 27-11-2018floral tram, btm, community, begonia festival

Newspaper clipping from The Courier, 20/11/1971(based on item Reg. No. 939, dated 22/11/1971) about the opening of the Zion Kindertram, No. 42, at the Zion Congregational Sunday school, Walker St. Sebastopol the following day. Mentions Kindergarten leader, Mrs. Betty Curtain. Item not dated. See Reg. Item 2920 about the delivery of the tram.trams, tramways, kindertram, zion congregational church, tram bodies

Full colour, A4 foldout, 8 parts, printed onto an A2 sheet, Begonia Festival program, for the 2016 Begonia Festival. Has a map with Wendouree Parade in the gardens area and shows the tram track and depot. Also shows the Park & Ride area in Victoria Park and notes the bus service from the railway (train station). Two copies held.trams, tramways, begonia festival, festival program

Book - 96 pages+ card cover + jacket, perfect bound, portrait format, titled "Please step inside - a nostalgic look at Australian tramways in the 1950's", compiled by Carl Segnit 2016 with photos from Adelaide, Ballarat, Brisbane, Melbourne and the VR system in Melbourne. All photographs by Clive Coram, Kevin Rette and a few by Keith Kings.trams, tramways, melbourne, work trams, mmtb, adelaide, brisbane, ballarat, vr

Newspaper clipping from The Age, 19/2/2016, written by Clay Lucas, titled "Call for $190m tram bridge at Docklands", about a report by Port Phillip Council, recommending a lifting bridge over the Yarra. Refers to a AECOMM report, increase in land values. The line would serve the Fisherman's bend area. Quotes the Councillor Mayor, Cr Vosstrams, tramways, bridges, docklands, fishermen's bend

A collection of photographs/postcards donated by Dorothy Hurst. Her grandfather, Rev. Garthshore Stirling Home, was the vicar at the Anglican Church in Cowes - possibly in the early 1930's.235-01. Black & White photograph of Forrest Caves, Phillip Island. 235-02 & 03. Black & White photographs (identical) of two koalas up a tree. 235-04. Black & White photograph of the road to the Back Beach, Phillip Island. 235-05. Black & White photograph of a view of Cowes Pier taken through the trees on the foreshore. 235-06. Black & White photograph of Cape Woolamai Granite quarrie with people on the granite and in a boat. 235-07. Black & White photograph of waves breaking over the rock possibly near the Nobbies, Phillip Island. 235-08. Black & White photograph of The Vicarage at Cowes, Phillip Island - 1930's 235-09. Black & White photograph of a coastal scene at Phillip Island. 235-10. Black & White photograph of a coastal scene of the beach at Cowes. 235-11. Black & White photograph of waves breaking over the rocks near The Nobbies. 235-12. Black & White photograph of The Nobbies with Seal Rocks faintly in the distance. 235-13. Black & White photograph of The Nobbies with Seal Rocks in the background. 235-14. Black & White photograph of The Isle of Wight Hotel in the background. Cenotaph in foreground with a crowd of people, portable organ/piano plus music stands, people standing, children and others sitting on grass for Anzac Day or Remembrance Day. Possibly 1920s from fashions.235-01 Forrest Cave, Phillip Island 235-02 & 03 Native Bear (Koala) 235-04 The Road to the Back Beach, Cowes. 235-05 A Glimpse Thro' the Ti-Tree, Cowes. 235-06 The Quarries, Cape Wollomai, Phillip Island 235-07 The Beach near the Nobbies, Phillip Island. 235-10 The Beach at Cowes, Phillip Island. Valentine's Series M4847forrest caves, phillip island, wildlife - koalas, the nobbies phillip island, seal rocks phillip island, granite quarries, cape woolamai granite quarry, cowes cenotaph, phillip island, cowes pier phillip island, cowes beach phillip island, the isle of wight hotel cowes phillip island, cowes anglican church vicarage,phillip island, rev garthshore stirling home, dorothy hurst

Sepia photograph mounted on fawn board. Bendigo Post Office, Boer War Memorial, crowd of people, horse drawn vehicles. Inscriptions: on front - printed 'GL Massingham, View Street Bendigo', on back - circular stamp 'Royal Historical Society of Victoria, Bendigo Branch'. History: James Lerk 'Unveiling of the Boer War Memorial' by J Walker, Sculpture at the corner Pall Mall and Williamson Street. Helen Mainka August 2001 'Unveiled by Brig. Gen. Gordon 11/11/1904GL Massingham, View St, Bendigoplace, streetscape, pall mall, prev. acc no. gp51

The Grave of Alfred Mapleton, aged 4 months (died 14/07/1879), Maberly Ann Ellis (died 14/10/1883), Ann Mapleton (died 24/12/1884) and Frederick William Ellis (died 28/09/1890), St Helena Cemetery.St Helena Cemetery was originally the burial place of the Beale family and friends. The first burials took place in the 1850s. There are now over 200 burials.Digital copy of colour photograph (grave)st helena cemetery, mapleton family, ellis family

Honour the Work, Bendigo School of Domestic Arts to Bendigo South East College 1916-2016, 108 pages in soft cover with colour and black & white photographs.Michele Matthewsbooks, school, bendigo south east

The Big Deborah Mine situated in Abel Street, Bendigo, operated from 1860 to 1952, producing 51,935 ounces of gold.Six colour photographs of the surface assets at the Big Deborah Mine, Bendigo; date circa 2016. Mine assets remaining on site at Big Deborah Mine, Bendigo.big deborah mine, machinery

This object relates to Gladys Hilda NEAL. She was born on 10/07/1922 in Ballarat, VIC. Gladys Hilda served in the RAAF (103766) enlisting on, 10/03/1943 in Shenton Park, WA before being killed in action on duties with the 4 RAAF T&MO as a RAAF Non-Commissioned Aircraftman/Aircraftwoman (LAC/W) on 10/11/1943. Gladys Hilda NEAL was not a prisoner of war. Her next of kin is Albury NEAL.second world war (ww2), 1939 - 1945, literature, ballarat rsl, ballarat

This object relates to Gladys Hilda NEAL. She was born on 10/07/1922 in Ballarat, VIC. Gladys Hilda served in the RAAF (103766) enlisting on, 10/03/1943 in Shenton Park, WA before being killed in action on duties with the 4 RAAF T&MO as a RAAF Non-Commissioned Aircraftman/Aircraftwoman (LAC/W) on 10/11/1943. Gladys Hilda NEAL was not a prisoner of war. Her next of kin is Albury NEAL.medals, ballarat rsl, ballarat

This object relates to Gladys Hilda NEAL. She was born on 10/07/1922 in Ballarat, VIC. Gladys Hilda served in the RAAF (103766) enlisting on, 10/03/1943 in Shenton Park, WA before being killed in action on duties with the 4 RAAF T&MO as a RAAF Non-Commissioned Aircraftman/Aircraftwoman (LAC/W) on 10/11/1943. Gladys Hilda NEAL was not a prisoner of war. Her next of kin is Albury NEAL.medals, ballarat rsl, ballarat

This object relates to Gladys Hilda NEAL. She was born on 10/07/1922 in Ballarat, VIC. Gladys Hilda served in the RAAF (103766) enlisting on, 10/03/1943 in Shenton Park, WA before being killed in action on duties with the 4 RAAF T&MO as a RAAF Non-Commissioned Aircraftman/Aircraftwoman (LAC/W) on 10/11/1943. Gladys Hilda NEAL was not a prisoner of war. Her next of kin is Albury NEAL.first world war (ww1), 1914 - 1918, eequipment/gear, ballarat rsl, ballarat

Right hand side of a 2 page spread with the story of the re-enactment train journey celebrating the 150th anniversary of Geelong to Ballarat railway.Page 5 of The Courier, Wednesday 11 April 2012, with the story and photos of the re-enactment train journey celebrating the 150th anniversary of Geelong to Ballarat railway.geelong ballarat railway, railway 150th anniversary, the courier