BLACK AND WHITE PHOTOGRAPH TAKEN FROM BRICK HILL, FACING SOUTH, HORSE DRAWN HAY WAGON AT SIDE OF ROAD. GAS LAMP, POST AND RAIL FENCE. POST OFFICE, TOWN HALL, ES&A BANK,STATE BANKANGUS STREET LOOKING INTO TOWN, ABOUT 1900 TO 1905 CLUNESlocal history, photography, photographs, clunes township

BLACK & WHITE PHOTOGRAPH -PANORAMA OF CLUNES, TAKEN FROM HILL IN CAMERON STREET; BUILDINGS INCLUDE WESLEY CHURCH, POST OFFICE, TOWN HALL, R.C. CHURCH AND BUILDINGS IN FRASER STREET.local history, photography, photographs, clunes township

BLACK & WHITE PHOTOGRAPH-MOUNTED-GENERAL VIEW OF CLUNES IN THE EARLY 1860'S , LOOKING TO TWO MILE HILL.local history, photography, photographs, clunes landscape

BLACK AND WHITE PHOTOGRAPH / PANORAMIC VIEW BATTERY , PORT PHILLIP MINE TAKEN FROM CAMP HILL 1880.photography, port phillip mine, battery port phillip mine

PHOTOGRAPH OF CLUNES TAKEN FROM CLUNES SCHOOL HILL 1905. LOOKING WEST, PRESBYTERIAN CHURCH (ST.ANDREWS) METHODIST (WESLEY) Etc..1.2 TWO SEPIA POSTCARD PHOTOGRAPHS OF CLUNES TAKEN FROM THE SCHOOL HILL. - POST OFFICE, TOWN HALL, ST. THOMAS AQUINAS, ST PAUL'S CHURCH,FRASER STREET SHOPS, ALBION HOUSE, CLUB HOTEL, BUTTER FACTORY BRIDGE AND BUTTER FACTORY, LION HOTEL. .3 PHOTOCOPY BLACK AND WHITE OF THE POSTCARDS.1 Addressed to Miss. L. Weickhard C/o Lucas's Cafe Collins Street Melbourne. One penny stamp affixed, postmarked 05 Message: Dear Miss Wieckhard, Many thanks for the post cards you sent me. This is one to add to your collection, With Kind regards From Florrie B .2 Addressed to Mrs. L. McLennan Olive Marlborough Rockhampton Queensland Message With best wishes for a happy New Year E.M.S.photography, town hall, post office, weickhardt

.1 SEPIA ORIGINAL MOUNTED ON CARDBOARD - VIEW OF CLUNES FROM SCHOOL HILL, CAMERON STREET (ON REAR OF ORIGINAL - PHOTO OF HOUSE, LOCATION UNKNOWN .2 SMALL BLACK AND WHITE PHOTOCOPY OF ORIGINAL .3 BLACK AND WHITE PHOTOCOPY OF ORIGINALUNICORN HOTEL. NICHOLS.local history, hotels, unicorn

Piers Bateman was a local artist, held in very high esteem by his peers and community. He was born in Perth in 1947, moving to Eltham in 1955 as a young child with his family. In 1966 Bateman moved to London for eighteen months to develop his craft. In 1969 he settled in St Andrews, where he built a studio. The St Andrews locale is said to have been a strong influence on his work. Bateman’s talent was such that he was promoted and mentored by such ilk as Charles Blackman, Clifton Pugh and Arthur Boyd, among others. Bateman’s work is an intimate dialogue with the environment, renowned for his paintings of the outback, wilderness frontiers and the sea. He spent a year in the mid-seventies sailing the Greek Islands and the French canals to Amsterdam. In 1980 Bateman and Marcus Skipper embarked on a trans-Australian venture to the red centre and across northern Australia from Cairns to Broome. In the mid-eighties Bateman returned to the Mediterranean, before returning to the Australian outback in the late-eighties. His international career continued on an upwards trajectory between the Australian outback and European seas, providing a unique contrast throughout the course of his career. Bateman's work questions our relationship with the natural world, and in particular, reconciling our colonial heritage with our indigenous past. This line of questioning and his genuine response to place is the key to Piers Bateman’s work, for which he is lauded and celebrated. On September 4th 2015, Piers Bateman died in a boating accident on the NSW coast line. Piers Bateman was an instinctive painter whose inspiration came from nature. He reworked and scraped off the paint, moving it around until forms and colours of the landscape took shape. Although Bateman lived in Spain and Italy, his time in Europe made him aware of the contrast between the two continents and the bright clear light that defined the Australian landscape. At the time of this work, Bateman was living in St. Andrews, but travelled regularly to New South Wales and South Australia on painting trips. The ‘Grass Tree’ Xanthorrhoea johnsonii (commonly known as ‘blackboy’) is indigenous to these areas. It is a uniquely Australian, slow growing plant with twenty-eight species growing within Australia. Old examples of this tree are survivors of many wild fires, which can cause their blackened trunk, of one to two metres, branch into two or more heads. These heads consist of thick, rough corky bark, surrounded by long, wiry leaves and flowers that produce seed capsules with hard black seeds. The tree’s ability to be one of the first to flower after a wild fire ensures a food source for many insects and birds.Oil on canvas painting. Detail of three grass trees resting on the side of a mountain/hill. Green and gold palette throughout depicting the colours and light of the Australian landscape. Hand written, low right in capitals: 'BATEMAN'bateman, grass trees, xanthorrhoea johnsonii, landscape

It is known that Peterborough House (Hotel) would transport guests by horse and cart from Timboon to their accommodation. This photo shows the tree lined road and horse drawn vehicle, including numerous hatted passengers. The inscription mentions the location as being 'Cordorauh Hill' which is now unknown, and indicates that this is the return route, from Peterborough to Timboon.Significant because it shows the passengers and guests being returned from the Peterborough Hotel, probably to timboonSmall black and white photograph of a horse drawn passenger coachOn the back is handwritten "J Irvine driving coach from Peterborough to Timboon at Cordorauh hill.peterborough, horse drawn vehicles, timboon-peterborough road, irvine family, james irvine

Painter, printmaker and sculptor Rick Amor is one of Australia's most distinguished senior artists. He was a good friend of the late George Baldessin and three times Archibald Prize winner Clifton Pugh, having lived and worked at Pugh's property, Dunmoochin in Cottles Bridge, Nillumbik during the 1980s and 90s. George Baldessin (1939-1978) was born in San Biagio di Callalta, in the Veneto in Northern Italy and arrived in Australia ten years later. A printmaker and sculptor he built his bluestone studio at St Andrews (Nillumbik) in 1971 with his partner Tess and the three Hails brothers, Rob, Doug and Don. Made of recycled materials the studio today contains all of George’s equipment including the large press, which he modelled himself with the help of Neil Jeffrey (Enjay Presses). George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. In 1975 he represented Australia in the Sao Paulo Biennale, before living and working in Paris until his return to St Andrews in 1977. In 1978 George was killed in a car accident aged 39 years. In 2001 Tess returned to St Andrews to reclaim the run-down studio and reconstitute it as The Baldessin Press & Studio - a printmaking retreat. It operates in George’s memory, so that artists may continue to create, perpetuating the generous spirit of George. 'The Ruin' is one of eight prints in the 'Baldessin & Friends commemorative folio. The folio was conceived by Tess Edwards as a fundraising initiative in celebration of the The Baldessin Press & Studio's fifteen year anniversary, and as a way to honour George Baldessin's memory. The folio is a unique coming together of seven very different and acclaimed artists who are connected by their friendship to the missing eighth member, George Baldessin. The Baldessin Press & Studio is a not-for-profit organisation created in memory of the late George Baldessin (1939-1978), whose original studio is now open to the public for creative use and as a practical legacy to living artists. The Studio is located in St Andrews, Nillumbik. Rick Amor has been an ardent supporter of the Baldessin Press & Studio and a great patron of living artists. In 2014 the Press partnered with Amor and the State Library of Victoria to create The Amor Residency at The Baldessin Press & Studio, which is part of the Library's annual fellowship program. 'The Ruin' was based on a plein air painting done by Rick Amor on a trip to Broken Hill in 2001 and reflects on death and the passing of time so eloquently portrayed by the industrial ruins of NSW. In the tradition of a Piranesi, the work emphasises the transience of life and the triumph of time. Black and white drypoint etching in which a small figure, a traveller; located bottom left, points to a large crumbling edifice (building), a stage like space in the background. Ed.14/25baldessin, print, drypoint, amor, 2018 ekphrasis, ruin, etching, ekphrasis2018

This bonnet is part of a collection of clothing donated to the Brighton Historical Society by Dr William and Helen Wells. It is believed to have belonged to William's grandmother Winifred Marshall (nee Hayball, 1886-1971). William's family has had a long association with Brighton, dating back to the town's earliest days in 1843 when his ancestors Robert and Eliza Hayball, who had emigrated to Melbourne two years prior, established a wattle-and-daub hut in what is now New Street, close to Tovell Street. Robert established a business as a timber merchant on the opposite side of New Street. His sons, Robert, William and Edwin took over the firm following his retirement, trading as the Hayball Bros. Hayball Court, which runs off New Street, is named after the family. Robert's son William (1855-1926) married Jessie Robertson and had four children. Their eldest, Winifred Grace Hayball (1886-1971), married Andrew Hollingsworth Marshall at the Black Street Congregational Church in 1907. They subsequently lived in Hill Street, Hawthorn, before moving into a house designed by Andrew and Winifred's brother Robert at 39 Bay Street, Brighton in 1915. Their daughter, Dorothy Marshall (1910-2000) married Robert George (Argie) Wells in 1937 at Wesley College Chapel. They lived in East Malvern until 1947, when they moved into a newly built home in Hawthorn Road, East Brighton, where they lived for the rest of their lives. Their son, William Wells (b. 1939) married Helen Pickering in 1968 and the couple have lived together in Brighton ever since.Pale pink silk bonnet (sleeping or house cap) with cream lace edging. The bonnet is embellished with oval-shaped embroidered appliqué on either side, featuring floral design in white and pale yellow, blue and green. A cream silk ribbon and a row of pale blue and green rosettes run along the top edge between the two appliquéd segments. A length of elastic is sewn through the bottom edge.wells family, winifred grace hayball, winifred grace marshall, bonnet, 1900s

Unveiling stone tablet on completion of Pioneers’ Memorial 1938. Black & white photo showing His Excellency, Sir Frederick Wollaston Mann, K.C.M.G., and Lieutenant Govenor of Victoria, unveiling of stone tablet on the completed Pioneers Memorial in c 1938. Mr. W.G. Sharpley the Town Clerk on the right, holding his hat. The Memorial is situated at the top of the Big Hill, which gives a spectacular 360-degree view of the area.Unveiling stone tablet on completion of Pioneers’ Memorial c 1938. The black & white photo showing His Excellency, Sir Frederick Wollaston Mann, K.C.M.G., and Lieutenant Govenor of Victoria, unveiling of stone tablet beside the Town Clerk Mr. W.G. Sharpley. Dedicated to the Pioneers of Stawell and District - by - His Excellency Sir Frederick Woolaston Mann, K.C.M.G. Leiut. Governor of Victoria Aug. 6th 1938.stawell

Opening of Pioneers’ Memorial c 1938. The photo was taken to commemorate the crowd gathering at the opening of the Pioneers' Memorial. To the right in the photo, people are seated, while on the right the majority of the crowd is standing. Black & white photograph of the opening of Pioneers' Memorial c 1938. The photo is taken from the memorial looking down into the crowd. To the right in the photo, you can see the sides of the steps and people seated in cane chairs. On the left side the majority of the crowd is standing. In the background the moonlight dam can be seen plus a ladder leaning against a pole to the right.Opening of Monument on Big Hill. stawell

Memorial entrance to St. Matthew’s Church. Erected by family of Robert Hill McCracken. Plaque inscription - To the Glory of God, and in memory of Robert Hill McCracken. Session clerk of this Church 1935 - 1955. The brick dwelling on the right is the Baptist Manse built 1935.Black & white photo of entrance to a Church with a building next door.stawell religion

Scene showing soil erosion after 1939 bushfire. Black and white photograph of a ravine down the side of a hill. The erosion has resulted from the 1939 bush fire.stawell

Rose Series P1646 Panorama of Stawell Victoria c1918Black and white photograph of town very similar to 176. There is also a duplicate of the photo in the file. The rose series. P. 1646 Panorama of Stawell Victoria

Heatherlie Quarry. Engine and carriages on rail trackTwo Black and White Photgraphs 213-4 One showing two people. One woman in the fore ground and one Male standing on the back of a Steam eanine behind carraiges. This photo is estimated to be taken between 1923- 1925.. 213-4a Black and White Photgraph showin train carriages in bushland with hills behind the carriages, and train tracks in foreground.stawell grampians industry

Panorama of Stawell from Big Hill. Open Cut in foreground, tree on right. Grampians in background. The Rose Series. P. 2723Black & white photograph depicting a Panorama of Stawell town. The image shows a large tree on the right above a cutting. The Rose Series, P 2723 copyright. Panorama of Stawell Victoria on the front. On the back "The Rose Series De Luxe" Published by The Rose Stereograph Armidale, Victoriastawell, panorama

Diamond House Stawell Built by John HearneThis is a Photograph of the Diamond House, corner of Seaby and Princes Streets. It's almost as old as Stawell. Built by Mr John Hearne. Brown and White stones that were gathered from Church Hill were cut and carefully fitted to from Diamonds.Black and White Photograph of a very unusual home built in a pattern of Diamonds, in shades of stones. 7 different photos, Various years (1 Coloured)The Diamond House-Built of quartz and sandstone. the Diamond House, so called from its peculiar construction, is situate in Seaby Street, Stawell. and was built over 30 years ago by Mr. Hearne. The quartz and sandstones used in its construction were carted by him from Church Hill, which is just across the street. Screws were used instead of nails. It was when built intended for a wine shop and is now used as a private residence. stawell

Pioneers’ Memorial under construction. The foundation stone was laid in 1935. This photo was loan for copying by Gwen ReeveBlack & white photograph of Pioneers memorial under construction. Scaffolding is under the dome of the building. There is also a jacket on the railing leading to the dome. stawell

Original Vicarage 30 Seaby Street c1863. Used by the Anglican Church until 1923 when it was sold. This house is one of the oldest in Stawell. It was built in 1863 as the residence of the Church of England Vicar. Separate to the original Vicarage the Christ Church of England was built on the hill opposite in the same year. Many couples were married in the Drawing Room of the vicarage as was the custom at the time. In 1872, 9 years later a new church called Holy Trinity Church of England was built in Main St. Stawell to replace Christ Church which had become too small and too far from the main population. The Vicarage remained until 1922 when the house next door to Holy Trinity Church was purchased as the new Vicar's residence. Black and white photograph of a brick home with cement render. Veranda around three side of the house with a corrugated iron roof. Garden in forground. stawell

Methodist kindergarten Sunday School Pupils in a garden c 1912. It was custom to take the kindgarden Sunday School children (Methodist) before the older senior Sunday school. The picture was taken beside the Anglican church in Dr. Aitkens Garden. Dr. Aitkens dwelling later became the Anglican Manse now demolished and replaced by a new Manse. Adult center back row. Left to Right Triss Phillips (Later Mrs. Mac Neil) Back row Ruby Peart, XX Shepherd, Fred Smit, Jean Smith, Jean and Win Langsford, Vernon Hill, Jean Tomlinson, Mary Moulden, Phyliss Wood, Richards (Female), Kit Wilson, Jim McLeod, Eric Phillips, Ann Leyshon, Wilfred Waters. XX Female Phillips, Female Collins, Amy Lewis, Thelma Williams, XX Williams, Muriel Shepherd, Bob Phillips. Black & white photograph depicting a group of children in a garden.stawell religion

Group of ladies and children in front of church. Methodist Sunday School Pupils taken around 1910-1912. The superintendent Miss Kelly XX, teacher Alma Tomlinson. Front row Vernon Hill, McLeod, Fred Smith, Eric Phillips.Black & white photographic post card of a group of ladies and children in front of a church. There are 2 copies of the post card, one is an enlargement.Empire Post Card stawell religion

Panorama with elaborate border of Stawell from Big Hill 1918 – 1920. Remnants of mining in foreground.Black and white photograph of a town scene. An photo has an elaborate border with greeting from Stawell at the base. This is possible and enlargement of a post card taken in c 1918. Worksheet states Rose Series P 1646.Greetings from Stawellstawell

Main Street Looking East 1880 from weigh bridge area, taken from Coffee Palace verandah. Two story buildings with veranda's. Horse drawn vehicle center of image. Post office and Town Hall visible in background. Bond Drapery. J & A Price Wine Spirits. Bond Draper sign on right. Two Poppet Heads on Big Hill are the No2 North Waterloo and the Waterloo and Argyle Mines.Black and white photograph looking East along Main Street from Weighbridge area where two streets join. Horse drawn buggy in center of street with buggy. Big Hill in distance with two poppet heads just visible.stawell businesses streetscape

Set of four black and white photographs mounted on cardboard when placed sisde by side give a panoramic view of Mulwala and the Lake circa 1974 taken from the factory hill.None

Scene from Big Hill. Shows Stawell looking to West c 1878 Patrick Streets and Sloane Street intersection. Back of Royal Exchange Hotel Kays Foundry in Wimmera Street. Coffee Palace formerly Castlemaine Hotel at right of photo. Mining poppet heads in foreground Three Whims in the foreground are North Scotchmans No 6 & 7 and South Cross in CentreSepia toned print & also a Black & White print (these photos are similar to 29.9). Photos show Western view of mining activity in Stawell c 1878. Kays Foundry on upper left and Upper Main Street on very right of photo.Stawell 1878 in Victoria.stawell, mining, panorama, streatscape

Three views from Big Hill December 9th 1928 Davis Open Cut in foreground Black Range at Back. Stawell Court House with mining holes in foreground. Water Reservoir between trees. 3 Black & White photos of Stawell water supply dam taken from Big Hill.(29.11). Stawell from Big Hill Dec 9th 1928. - (29.11a) Nov 1928. L.C. Langford. - (29.11b). Stawell from Big Hill Dec 9th 1928. stawell

1966 Panorama from Big Hill. New technical school prominent in photo. Grampians and Black Range in background. Visible are St Patrick's Church, Kinsella, Nalders Garage, Town Hall, St Matthews, Upper Main Street. Trees in foreground.Panorama of Stawell from Big Hill in 1966Magnificent View of Stawell from Big Hill c 1966stawell, education, panorama, streetscape

Colour Panorama of Stawell c 1998 Overlooking Stawell. Black Range and Grampians visible in background. Panorama photo was taken by Irene Read for Barbara Bennet, a member of the "Big Hill Action Group" The group were fighting Stawell Gold Mines proposal to "Open Pit" the Big Hill area. SGM was at that time owned by an American Company - Pitston-Brinks. Laminated panorama of Stawell from Big Hill c 1998 -- Coloured photographs producing a panorama of Stawell. stawell, panorama

Panorama of Stawell from Big Hill. Murray Views No. 4. View from Pioneer Memorial Post c 1939Black & White photo of Stawell from Pioneers Memorial post c 1939. Murray Views No. 4, View from Pioneer's Memorial Stawell, Vic.stawell, panorama