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Ballarat Heritage Services
Painting, Painting by Shannon Gibson, c2008
Shannon GIBSON Balgo, Kukatja, Tjuparalla Shannon is the son of Frances Nowee, and nephew of Theresa Nowee and Geraldine Nowee. Shannon started painting with Warlayirti in 2004, when he was 14 years old. shannon gibson, aboriginal, balgo, warlayirti -
Canterbury History Group
Book, Don Gibb et al, Canterbury: a history, 2022
Canterbury: A History covers the history of the suburb of Canterbury, Victoria from its Aboriginal history as part of the country of the Wurundjeri people to its completed development as a middle-class suburb by the late 1950s. The book had been a labour of love by esteemed historian, Don Gibb, for many years. Don’s sudden death in late 2017 left the manuscript uncompleted. The Canterbury History Group and the Royal Historical Society of Victoria, together with Don’s family, were determined to see Don’s book completed and published. Jill Barnard contributed the final two chapters dealing with the inter war and post-World War II decades.187 pages : illustrations, maps, portraits, facsimilesnon-fictionCanterbury: A History covers the history of the suburb of Canterbury, Victoria from its Aboriginal history as part of the country of the Wurundjeri people to its completed development as a middle-class suburb by the late 1950s. The book had been a labour of love by esteemed historian, Don Gibb, for many years. Don’s sudden death in late 2017 left the manuscript uncompleted. The Canterbury History Group and the Royal Historical Society of Victoria, together with Don’s family, were determined to see Don’s book completed and published. Jill Barnard contributed the final two chapters dealing with the inter war and post-World War II decades.canterbury, canterbury history, residential development, maling road, gibb> don -
Wyndham Art Gallery (Wyndham City Council)
Photograph, Sunil Gupta, The New Pre-Raphaelites #7, 2008
Sunil Gupta is a British/Canadian citizen, (b. New Delhi 1953) MA (RCA) PhD (Westminster) who lives in London and has been involved with independent photography as a critical practice for many years focusing on race, migration and queer issues. A retrospective was shown at The Photographers’ Gallery, London (2020/21) and The Image Center, Toronto. He is a Professorial Fellow at UCA, Farnham. His latest book is “We Were Here: Sexuality, Photography, and Cultural Difference, Selected Writings by Sunil Gupta”, Aperture New York 2022. His work is in many private and public collections including; the Tokyo Museum of Photography, Philadelphia Museum of Art, Royal Ontario Museum, Tate, Metropolitan Museum of Art and the Museum of Modern Art. His work is represented by Hales Gallery (New York, London), Materià Gallery (Rome), Stephen Bulger Gallery (Toronto) and Vadehra Art Gallery (New Delhi).Part of Queer PHOTO (Midsumm x PHOTO 2024) photography, british photography, queer photography, race, migration, portrait -
Wooragee Landcare Group
Photograph, 5 September 2004
Wooragee Landcare Group took a bus trip Sunday 5th September to Samaria, Tatong area (near Benalla) to look at land use on small farms. Around this time, Wooragee Landcare were looking into how small land holders could run some enterprises. This photo was taken at Tatong Tavern where the group had lunch. The Tatong Tavern is an old English style pub situated in the foothills of the Great Dividing Range the small community of Tatong 23km south-east of Benalla. The original weatherboard hotel was originally built in the 1880s by William Worrall who was listed as Hotel Keeper from 1886 to 1910. It was destroyed by fire in 1923 and replaced by the current building, which has undergone many changes over the past 100 years. The name has also changed from the Tatong Hotel or ‘Pub’ to the current name of Tatong Tavern.Tatong is a rural village in north-east Victoria, set in undulating country that rises southwards to the Tolmie ranges. The name is thought to derive from an Aboriginal expression, possibly referring to something unseen. The Tatong pastoral run was taken up in 1847 and farm selections began in the 1870s. A school opened in 1890 (closed in 2006). Dairy herds were grazed on the Tatong flats and a cooperative creamery operated from 1892 until 1918. In 1914 a branch railway line was opened from Benalla to Tatong that carried farm produce and timber to Tatong, which had two sawmills in the 1920s. There was also a general store, a police station, and a livestock trucking yard. St Albans Church of England was built in 1921. Most of those buildings have now disappeared. The Tatong Tavern along with the Hall built in 1904 are the only remaining buildings. The Tatong Tavern is a significant tangible and visual representation of the area’s cultural and social history over the past 100 years. Coloured rectangular photograph printed on paperReverse: WAN NA E0NA2N2. NNN- 14240/ (No. 20) 373/ tatong, tatong pub, tatong tavern, tolmie ranges, tatong flats, benalla, wooragee landcare, wooragee landcare group, bus trip, samaria, land use, william worrall, 1800s, 2004, mount samaria -
Clunes Museum
Artwork, other - LIZARD
A LIZARD CARVED FROM WOOD WITH DECORATIONSlocal history, aboriginal artifact -
Clunes Museum
Book, WESTON ARTHUR BATE, LUCKY CITY - THE FIRST GENERATION AT BALLARAT: 1851 - 1901
IN 1854, ATTRACTED TO THE AREA BY WORLD FAMOUS GOLD DISCOVERIES, A EUROPEAN ARTIST SKETCHED AND ABORIGINAL AT WORK I THE FOREST AT WARRENHEIP NEAR BALLARAT...GREEN FABRIC COVER WITH GOLD LETTERING ON SPINE, COMPLETE WITH DUST COVER WHICH DISPLAYS A COLOURED ENGRAVING OF NINE PEOPLE IN A LANDSCAPE OF HILLS AND STREETSCAPE IN THE DISTANCE (AN ILLUSTRATION OF BALLARAT FROM BLACK HILL) non-fictionIN 1854, ATTRACTED TO THE AREA BY WORLD FAMOUS GOLD DISCOVERIES, A EUROPEAN ARTIST SKETCHED AND ABORIGINAL AT WORK I THE FOREST AT WARRENHEIP NEAR BALLARAT...the first generation of ballarat 1851-1901, gold fields of central victoria -
Darebin Art Collection
Artwork, other - Maree Clarke, River reed necklace, 2014
Maree Clarke is a pivotal figure in the reclamation of south-east Australian Aboriginal art and cultural practices and has a passion for reviving and sharing elements of Aboriginal culture that were lost – or lying dormant – as a consequence of colonisation. She a leader in nurturing and promoting the diversity of contemporary Koorie artists through her revival of traditional possum skin cloaks, together with contemporary designs of kangaroo teeth necklaces, river reed necklaces and string headbands adorned with kangaroo teeth and echidna quills. River Reed Necklace forms a key element of the artist’s practice regenerating cultural practices and strengthening cultural identity and knowledge. Maree Clarke has exhibited widely both nationally and internationally, and in 2021 she was the subject of a major survey exhibition Maree Clarke – Ancestral Memories at the National Gallery of Victoria. Other recent exhibitions include Tarnanthi, Art Gallery of South Australia, Adelaide (2021), The National, Museum of Contemporary Art Sydney (2021), Reversible Destiny, Tokyo Photographic Museum, Tokyo Japan (2021) and the King Wood Mallesons Contemporary Art Prize, for which she was awarded the Victorian Artist award. In 2020 she was awarded the Linewide Commission for the Metro Tunnel project and was the recipient of the Australia Council Aboriginal and Torres Strait Islander Arts Fellowship. -
Ballarat Heritage Services
Photograph - Image, John Batman's Dwelling on the Yarra, c1887
BLack and white drawing of John Batman's house in Melbourne with a group of Aborigines in the foreground. aboriginal, aborigines, john batman, melbourne, yarra river -
Ballarat Heritage Services
Photograph - Image, Aborigine with Kangaroo
An Aborigine behind a tree points a tree towards a kangaroo.aborigine, aboriginal, spear, kangaroo -
Ballarat Heritage Services
Photograph - Photograph - Colour, Aborigine with Kangaroo and Emu
Gold representation of an Aborigine wearing a possum skin cloak holding a spear, with kangaroo, emu and platypus.aborigine, aboriginal, kangaroo, platypus, emu, possum skin cloak -
Federation University Historical Collection
Photograph, Launch of the Koori Education Unit, c1980s
Left to right: ?, Jock, Albert Mullett (Standing) and Barry Murphy (hand on right) at the opening of the Koori Studies Centregippsland campus collection, churchill, gippsland institute of advanced education, koori education unit, aboriginal, aboriginal education centre -
Federation University Historical Collection
Photograph - Collection of Slides, Koorie Art and Design, 1994
These are most likely student works from Koorie Art and Design course, 1994. Please note, scanned images are for archive reference only. Images may appear flipped or rotated, and colours may not be accurate.Series of 11 35mm mounted slides, from Koorie Art and Design classes, 1994. university of ballarat, federation university australia, graphic design, art, koorie, aboriginal art, indigenous art, first peoples, bill, rubina, kylie, abraham -
Clunes Museum
Book - NOVEL, CONRAD H SAYCE, THE SPLENDID SAVAGE
THE STORY OF A YOUNGMAN ARRIVING BY SHIP IN AUSTRALIA AND HIS LIFE ON THE LAND WITH ABORIGINALS AND WHITE PEOPLERED-BROWN COVER. A YOUNG MAN WITH A RIFLE AND A BLACK MAN BEHIND HIMfictionTHE STORY OF A YOUNGMAN ARRIVING BY SHIP IN AUSTRALIA AND HIS LIFE ON THE LAND WITH ABORIGINALS AND WHITE PEOPLEthe splendid savage, conrad h sayce -
Glenelg Shire Council Cultural Collection
Painting, Within the Serpent Creation
An image of a serpent in the centre of the work. The serpent is depicted in white dots. Its body has sections of yellow and blue. It's head is burgundy. Surrounding the serpent in each corner there are four handprints. The background of the work is painted blue, red and yellow areas which look sponged. Surrounding the artwork is a border of black and white also with a sponged effect. It is framed in dark brown plain wood.first nations, aboriginal art, serpent -
Glenelg Shire Council Cultural Collection
Painting, Tina Saunders, Bushfire, 2013
Always wanting to paint the bushfire. Seen heaps of things with burning of heath land for Alcoa and went running through it like we were in the fire. It was beautiful but we were crying as we didn’t want them to do it. We were right in the middle of it as it was all glowing everywhere. Always fascinated by that fire when I think about it as we tried to stop it but they bought the police out and we couldn’t get in there as they had security and we were surrounded. We camped out there for four years we had the camp and would come and go from the house in town. Zac Martin and heaps of people in and out and good times with Uncle Banjo and newspaper journalists. 30 years ago this was, late 70’s and took 6 years to get them to court. Flew a guy out from America (the equaliser) who interviewed us about why we were doing it. They burnt right along the cliff whilst we were camped there and we had seen the seasons and got into the spirit of the land with native blossom and it was beautiful – and they burnt it all, all the little animals, it was incredible as the heathland was absolutely beautiful, it was magic and they could not see that. They pegged it out to do it all and we would sneak out and move the pegs and we tried to fight them every which way. Amy was there with all her kids in a massive striped tent but she moved them out when the police came to move us out. They had us surrounded, police from everywhere. We had no water and people would bring us water and food. Another time a big bushfire came through and we had to get in the dam at Lake Condah Mission. I was aged around 10 or 11.” June 2014 As recorded by Anna Louise Sheba for the entry in the Victorian Indigenous Arts Award Ballarat. Ms. Christina Isabel Saunders Traditional Landowner Elder Gundij Mara Tribe (South Western Victoria, Australia) Descendant of Kilcarer – Cape Bridgewater Clan and Gilgar - Lake Condah Mission Clan A depiction of bushfire. Red, yellow, orange and black paint. Swirls and shapes to represent the flames.Tina Saunders (bottom right in orange paint)aboriginal art, first nations, bushfire, bush, landscape -
Clunes Museum
Container - COOLAMON
COOLAMON, VERY SMALL POSSIBLE USED FOR NUTS.local history, aboriginal artifact, aboriginal artifacts, tools -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, Morrissey, D.W and Morrissey E.W, Lakes Entrance a Short History revised Edition, 1980
History of Koorie inhabitants through to fishing industry, timber industry, early settlers and survey and sale of land. The opening of the entrance to allow shipping industry to operate bringing much trade and movement of primary produce etc. Local schoolHistory of Koorie inhabitants through to fishing industry, timber industry, early settlers and survey and sale of land. The opening of the entrance to allow shipping industry to operate bringing much trade and movement of primary produce etc. Local schoolMargaret Campbell''land settlement, religion, aboriginals