These photographs of St Katherine's Anglican Church St Helena were taken in 2013 to show changes over 40 years, based on Ron Reynold’s sketches in the 1973 publication 'Greensborough and Greenhills' published by Cypress Books.Digital copy of colour photographs.greensborough and greenhills, ron reynolds, st katherines church st helena, beale family

This file contains five items. Two original photographs of the remains of Caulfield Park Bowling Club after the fire of 1977, date unknown. An article on the opening of the greens at Caulfield Park Sports Club from the CAULFIELD/ PORT PHILLIP LEADER dated 30/08/2011. An article on a competition that Caulfield Park Sports Club participated in to support the Alcohol Education Rehabilitation Foundation, dated 25/10/2011. An article on the Caulfield Park lawn bowls team being crowned the champions of the Sandbelt region bowls competition and their advancement to the regional playoffs. From the CAULFIELD/ PORT PHILLIP LEADER dated 10/04/2012. An article on the Caulfield Park bowling club ladies team’s win of the 2013 Victorian State Fours Title at Bendigo. GLEN EIRA/ PORT PHILLIP LEADER dated 07/05/2013.caulfield park bowling club, caulfield, caulfield park sports club, entertainment, competitions, aer mixed pairs challenge, alcohol education rehabilitation foundation, mccarthy ann, meltzer sel, sandbelt, pekelman marion, macaulay desiree, victorian state fours title, clubs, associations, organisations, societies, sports, recreations, leisure, cultural events, cultural activities, lawn bowls, sporting clubs, competitions, sports grounds, sports people

Coloured photograph"Written on back of photograph" Replica antimony mine poppet head -Ringwood Lake Park -1987 Similar photographs -Reg 944, Re 118a located in NWD 02-07-08.

Colour photograph of Ballarat No. 40 southbound in Lydiard St. North, between Mair and Sturt St. photographed from a northbound bogie tram. Tram 40 has destination of Sebastopol. Photo on Agfa Paper and taken on Friday 14 August 1971.Stamps with faded green ink: "Photo by Chris Jeffrey / Number" with number "104PC/07" in blue ink and date stamp "Friday 14 August 1971" also in faded green ink.lydiard st nth., tram 40

Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and pencil landscape drawing on paper.Obverse: Charatome / Corning Buggy / Braise & Drag / believed to (illegible) built by Crawford and (illegible) / COBB & CO / WAGONETTE / B'WORTH MUSEUM Reverse: BEECHWORTH NOSTALGIA / BW-07(a) / B 8 / ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program

This is a photograph of the ship "Wiscombe Park", later named "Grief". It is set in a varnished wooden frame. Written on back: steel ship in blue pen; "Wiscombe Park" later "Greif" 2075 tons reg 281 feet by 42 feet 2 ' by 21 feet 7' draught Built by J.Blumer Sunderland in 1892. Broken up in Belfast Ireland 1927. Capt Baxter when 2nd Mate to become 2nd Mate of the barque "Shandon" about 1918. Photo presented to H F Watson for S.S.V by Capt F.K. Baxter, 74 Verdon Street, Williamstown.Photograph of the ship "Wiscombe Park" later named "Grife" set in varnished wooden frame. Written on back: steel ship "Wiscombe Park" later "Greif" 2075 tons reg 281 feet by 42 feet 2 ' by 21 feet 7' draught Built by J.Blumer Sunderland in 1892. Broken up in Belfast Ireland 1927. Capt Baxter when 2nd Mate to become 2nd Mate of the barque "Shandon" about 1918. Photo presented to H F Watson for S.S.V by Capt F.K. Baxter, 74 Verdon Street, Williamstown.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, photograph of ship wiscombe park, ship grief, ship builder j.blumer sunderland, captain baxter, barque "shandon"

This photograph of Ashmead (formerly the Cordner family home) was taken in 2013 to show changes over 40 years, based on Ron Reynold’s sketches in the 1973 publication “Greensborough and Greenhills” published by Cypress Books. Ashmead was built in 1933.Digital copy of colour photograph.greensborough and greenhills, ashmead, cordner family, ron reynolds

Dennis Ward talks about his Nillumbik and Banyule cemetery tours in 2013. Includes information on St Helena Cemetery at St Katherine's Church, the Pioneer Children's Cemetery on the Plenty River and the nearby Batman Apple Tree.2 p., text and colour images. 2 copies.dennis ward, st helena cemetery, batman apple tree, cemeteries, pioneer childrens cemetery

Watsonia couple Laurence and Jean McQuade have spent their 50-year marriage volunteering and have been recognised for their work with CFA, St John's Ambulance and Scouts. They were awarded the Nillumbik Citizen of the Year Award in 2013.Recognition of volunteers.Newspaper clipping, text and colour image.watsonia, mcquade family, volunteers, nillumbik citizen of the year

Former Parade College student Wally De Backer, also known as Gotye, won 3 Grammy Awards in 2013. This article is an interview with his former music teacher Stuart Brownley. Wally grew up in Montmorency.Local musician honoured for his work.Newspaper article. Front page colour image and report page 13.montmorency, wally de backer, gotye, grammy awards 2013, parade college, stuart brownley

A cylindrical mould-formed white opaque glass jar that possibly originally contained Marmite, a yeast extract, made as a by product from beer brewing. It has a threaded lip to fit screw-on lid. Base of the jar has 'PROPERTY OF SANITARIUM HEALTH FOOD CO' AGM 21 V888jar storage container sanitarium-health-food-co. australian-glass-maunufacturers

An early black and white photograph of Steavenson Falls in Marysville in Victoria.An early black and white photograph of Steavenson Falls in Marysville in Victoria. The Steavenson Falls is named after the Victorian Assistant Commissioner of Roads and Bridges, John Steavenson who arrived in Victoria in the early 1860's.Stevenson's Falls Marysville 21/5/35 J 562 Kodak/ Print VELOXsteavenson falls, stevenson's falls, marysville, victoria, waterfalls, photograph, john steavenson

Item re Capt Gladys Mole VX17199 A.A.N.S. Refer Cat 1901.4 for other service details.Newspaper cutting, copy of original detailing Capt Gladys Moles military career.“Riverine Herald Features” “Page 2 Riverine Herald Friday October 21 1994”newspaper, nurses

Item relates to Herbert Edgar HEWSTON No 40 3rd Pioneer Battalion AIF. Refer Cat No 2759.2 for his service history. Part of the HEWSTON collection WW1 & WW2.Photo, black & white, showing 3rd Pioneer Battalion on parade receiving their colours. Photo is on greyish cardboard background.“Presentation of Colours to 3rd Pioneer Battn” “Melbourne Cricket Ground 21 May 1916”photography-photographs, military history - army, colours

Written on back of photograph,"21/4/82. Work on Staley Gardens, looking west."

Written on back of photograph, "21/4/82. No.5 Menzies Drive, North Ringwood".

Written on back of photograph, "21/4/82. No.3 Menzies Drive, North Ringwood"

Written on back of photograph, "21/3/73 - Eastland across Aird's house block."

Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of a man wearing trousers and a white trimmed blazer. He is standing on the platform at the Goulbourne railway station. The man is Frank Wright.Written in pen on the back - Frank Wright 21, on Goulbourne station N.S.W., Easter 1923frank wright, cornet, conductor, ballarat, goulbourne railway station, blazer

Born: Westbury, Wiltshire, England 1890; Arrived: Melbourne, Victoria, Australia 1893; Died: Warragul, Victoria, Australia 1923InterwarGift of Mrs E.E. Ledger, 1975Beachscape with rocks, trees, water, piers, buildings, sky and sailing boat. Gold wood moulding with fabric and gold insert frame.Recto: Signed and dated "Penleigh Boyd / 21" inscribed in paint l.l.c of composition; Not titledpainting, beachscape, boats, building, trees, rocks, marine, australian art

Signed and dated, l.r. corner, red oil "EMB" in monogram, "21/4/88"

Dr Leonhard Adam was a Dunera internee in Camp 2 Tatura.RomanticismWatercolour self portrait by artist Leonhard Adam. He is wearing a pink/light red collared open shirt with a white vest underneath. His hair is black with streaks of grey through it. He has blue eyes and a ruddy complexion.Ipse Feci . Leonhard Adam. Tatura (Victoria) Austr. 18-21 Januar 1941tatura, dunera, internee camps, leonhard adam, ipse fici

This folder contained some documentsRed soft plastic, clear coverMrs Patricia Davies The Australian Opera Board of Directors Meeting 21/2/86

Reverend Voumard was an exit student in 1985.B & W photograph of Marg Giddings and Michael Voumard in conversation. "Marg Giddings and Michael Voumard C&N 30/10/1985 page 21"voumard, michael, marg giddings