This object relates to Norman Francis /Francis Norman McINTOSH. He was born on 29/03/1895 in Ballarat, VIC though the Date of Birth given on his WWII enlistment is 29/3/1900. McIntosh enlisted on 15/8/1944, in Abbotsford and served in Port Moresby. He was discharged on 4/1/1946 at which time he was posted with the 128 Aust Gen Hosp (624 / 34138; VX149550). He also served with the 3 ARMY BDE as a Army Non-Commissioned DVR (GNR) in WWI, having enlisted on 28/11/1916 in Ballarat, VIC and been discharged on 27/11/1919. Norman Francis /Francis Norman McINTOSH was not a prisoner of war.second world war (ww2), 1939 - 1945, medals, ballarat rsl, ballarat

This object relates to Norman Francis /Francis Norman McINTOSH. He was born on 29/03/1895 in Ballarat, VIC though the Date of Birth given on his WWII enlistment is 29/3/1900. McIntosh enlisted on 15/8/1944, in Abbotsford and served in Port Moresby. He was discharged on 4/1/1946 at which time he was posted with the 128 Aust Gen Hosp (624 / 34138; VX149550). He also served with the 3 ARMY BDE as a Army Non-Commissioned DVR (GNR) in WWI, having enlisted on 28/11/1916 in Ballarat, VIC and been discharged on 27/11/1919. Norman Francis /Francis Norman McINTOSH was not a prisoner of war.second world war (ww2), 1939 - 1945, medals, ballarat rsl, ballarat

This object relates to Norman Francis /Francis Norman McINTOSH. He was born on 29/03/1895 in Ballarat, VIC though the Date of Birth given on his WWII enlistment is 29/3/1900. McIntosh enlisted on 15/8/1944, in Abbotsford and served in Port Moresby. He was discharged on 4/1/1946 at which time he was posted with the 128 Aust Gen Hosp (624 / 34138; VX149550). He also served with the 3 ARMY BDE as a Army Non-Commissioned DVR (GNR) in WWI, having enlisted on 28/11/1916 in Ballarat, VIC and been discharged on 27/11/1919. Norman Francis /Francis Norman McINTOSH was not a prisoner of war.second world war (ww2), 1939 - 1945, medals, ballarat rsl, ballarat

This object relates to Norman Francis /Francis Norman McINTOSH. He was born on 29/03/1895 in Ballarat, VIC though the Date of Birth given on his WWII enlistment is 29/3/1900. McIntosh enlisted on 15/8/1944, in Abbotsford and served in Port Moresby. He was discharged on 4/1/1946 at which time he was posted with the 128 Aust Gen Hosp (624 / 34138; VX149550). He also served with the 3 ARMY BDE as a Army Non-Commissioned DVR (GNR) in WWI, having enlisted on 28/11/1916 in Ballarat, VIC and been discharged on 27/11/1919. Norman Francis /Francis Norman McINTOSH was not a prisoner of war.second world war (ww2), 1939 - 1945, medals, ballarat rsl, ballarat

This object relates to Alwyn Harvey ROBERTS. He was born on 18/02/1925 in Adelaide, SOUTH AUSTRALIA. Alwyn Harvey served in the RAAF (129061) enlisting on, 26/04/1943 in Prahran, VICTORIA before being discharged from duties with the AIRFORCE HEADQUARTERS as a RAAF Non-Commissioned Leading Aircraftman/Aircraftwoman (LAC/W) on 25/07/1946. His next of kin is Charles ROBERTS, father. Alwyn Harvey ROBERTS was not a prisoner of war. Alwyn Roberts was awarded the 1939-1945 Star, Australia Service Medal 1939-1946, Australian Active Service Medal 1945-1975, Pacific Star, War Medal 1939-1945, Service Medal of the Order of St. John.photo/pictures, ballarat rsl, ballarat

In 1977, artist Annette Meikle undertook a commission to illustrate a book recording stories of places and people in the Bayside area. It was published in 1978 as Sandringham Sketchbook, with text by Elizabeth Waters. The sketches were intended to record remaining examples of Bayside’s early architecture and environment, as well as reflect newer architectural changes. Meikle went on to donate 22 of these sketches to Bayside City Council in 2003. All Souls Memorial Church, located at 48 Bay Road, Sandringham, is believed to be the first reinforced concrete church in Australia. The foundation stone laid on 7 September 1919 and was consecrated in December 1921, the church seats 350 and contains an organ loft, a marble chancel floor, and Australian hardwood pulpit and pews.Annette Meikle, Church of England 1977, ink and watercolour, 35.6 x 25 cm. Bayside City Council Art and Heritage Collection. Donated by the artist, 2003annette meikle, sandringham sketchbook, elizabeth waters, all souls memorial church, church, building, architecture, bay road, sandringham, church of england

The gouache was presented to Cr Jill O'Brien, Mayor of Kew in 1983-4, who was instrumental in the purchase of the window. The same Kewriosity article, referred to in the physical description, states that the window was originally commissioned from the artist by a Kew timber merchant, and following ownership by successive owners found its way back to Kew. The framed photograph is part of the Jill O'Brien collection which was gifted to the Kew Historical Society following her death in July 2016. The collection includes important primary sources relating to a number of areas in which Jill O'Brien made a significant contribution including the establishment of the Villa Alba Museum, local government, the Kew Historical Society, the Yarra Bend Trust, and the arts.Framed gouache on paper of the design by the artist Alan Sumner for his window, The Four Seasons. The window, now in Kew Library was purchased to commemorate Kew's 125th Anniversary. An article in a contemporary issue of Kewriosity states: The window is approximately three metres in diameter and divided into one central and four outer panels. Clockwise from the top is Autumn with sinuous lines in yellow and brown, then winter in cool blues and mauves with lines and circles suggesting rain, snow and hail. Spring follows in the bottom left quadrant with organic ovaloid shapes richly coloured and lines evoking growth. Then to the top where summer explodes with the colours of fire and blue of the sky at the height of summer. The centre panel has a powerful image of sun, moon and stars which links the surrounding panels".jill o’brien, public art - kew (vic), stained glass - kew (vic), alan sumner - the four seasons, kew library, public art

The Bendigo School of Mines was opened in 1873 following the first report of the Technological Commission in 1869 which recommended the establishment of schools of design and science to meet the scientific and technical needs of the mining industry on the local gold fields. Initially mining, chemistry, geology, metallurgy and art were taught while a separate school of design was established in c. 1870 but incorporated into the School of Mines around 1883 when it was renamed as the School of Mines and Industry. In 1904 The Mechanics Institute was liquidated and its assets and buildings acquired by the School of Mines. Around 1907 a Junior Technical School commenced to operate at the School of Mines and Industry but ceased operating in 1961 with that function being transferred to the White Hills and Kangaroo Flat Technical Schools.Obverse; Ornate relief design made up of a coat of arms with mining icons in each quarter flanked by flags on either side. Per varios usus artem experientia fecit written in scroll underneath. Translation: Practice has brought skill through different exercises. (Manilius) Reverse; Outer wheel Bendigo School of Mines and Industries. Inner; 1873 /Jubilee /1923Obverse; Per varios usus artem experientia fecit Reverse; Outer wheel Bendigo School of Mines and Industries. Inner; 1873 /Jubilee /1923city of greater bendigo education, bendigo school of mines

This article is from the Swedish ski magazine "Inbjudan" in 1991. In 1977 a group of cross country skiers in Mount Beauty, decided to form a cross country ski club. Some of them had skied in Norway and taken part in the Norwegian Birkebeiner Ski Race in 1979, the Birkebeiner Nordic Ski Club was formed. In 1989, a 42km event named the Australian Birkebeiner Ski Marathon was held and the organisers also included a half distance of 21km called the Birkebeiner and a 7km event called the Birkebeiner Lite. This article outlines the work of Allan Marsland, the Birkebeiner Nordic Ski Club, the Alpine Resorts Commission, the Australian Ski Federation and Tourism Victoria to be accepted into the Worldloppet international series.This item is important as it documents seasonal activities at Falls Creek Alpine Resort A magazine cover and article about the quest to be included in the Worldloppet series, including text and black and white images.skiing, ski, falls creek, victoria, school holidays, winter, snow, winter sport, 1990s, marketing, graphic design

Photos of the Legacy Garden of Appreciation at the Shrine of Remembrance from various angles and three plaques that explain the garden and flowers. It is called the Garden of Appreciation 'marking the generosity of Victorians in supporting Legacy in its work of assisting widow sand children of deceased veterans'. The 'Widow and Children' statue was commission by Legacy and installed in 1998. The Garden is in a cruciform shape and is on the eastern side of the Shrine Reserve near Birdwood Avenue. It was formerly called the Garden of Memory from 1980-1986 according to Monument Australia website. One plaque explains 'the garden features the Flanders Fields poppies, the seeds which came from Villers-Bretonneux, France'. Photos were in a scrapbook of photos spanning 1983 to 1991.A record the Legacy garden at the Shrine before the statue was installed.Colour photo x of the Legacy Garden of Appreciation at the Shrine of Remembrance.Printed on reverse '

Photos of the Legacy Garden of Appreciation at the Shrine of Remembrance from various angles and a plaque that explains the garden and flowers. It is called the Garden of Appreciation 'marking the generosity of Victorians in supporting Legacy in its work of assisting widow sand children of deceased veterans'. The 'Widow and Children' statue was commission by Legacy and installed in 1998 (so these photos are before 1998). The Garden is in a cruciform shape and is on the eastern side of the Shrine Reserve near Birdwood Avenue. It was formerly called the Garden of Memory from 1980-1986 according to Monument Australia website. One plaque explains 'the garden features the Flanders Fields poppies, the seeds which came from Villers-Bretonneux, France'. Photos were in a scrapbook of photos spanning 1983 to 1991. A record the Legacy garden at the Shrine before the statue was installed.Colour photo x 3 of the Legacy Garden of Appreciation at the Shrine of Remembrance.Printed on reverse '

1973 comprehensive statistical survey of likely numbers of Legatees, widows and children projected for 15 years, by W.K. Roberts, an Actuary at AMP, Melbourne. This was commissioned in order to consider the future of Legacy at a meeting in Hobart on March 24, 1973. The paper is identified as Appendix E, but the document it is appended to is missing. For the first time figures included the post 1945 conflicts, making the decline in child numbers more gradual, increasing the widow numbers more steeply, and predicting that Legatee numbers would be maintained until 1983 with the caveat that their capacity would change as they aged. Pinned to the printed survey is an anonymous handwritten note giving the number of children in residence at Harelands, Stanhope and Blamey House in 1972-4.Part of the history of Melbourne Legacy's involvement with residential care for children, indicating their awareness of the need to plan for the future.01666.1 White printed double sided sheets, black on white. 01666.2 Yellow copy paper with handwritten text in blue ink. residences, review, blamey house, harelands, stanhope

A cutting from from a Melbourne Legacy President's report showing a photo of Legatee Don Simonson (President of Melbourne Legacy in 1970). It was collected to be a record of a photo of past presidents. Legatee Simonson saw active service as a commissioned officer in the South-West Pacific area and was awarded the Military Cross. He was part of the Owen Stanley Campaign and also served in Bougainville and New Britain. He was inducted into Legacy in 1953. His father was also a Legatee, Paul W Simonson was inducted into Legacy in 1925. The article was part of an album of past presidents from 1965 to 1989. The folder included biographical details and obituaries, eulogies and death notices of prominent Legatees. The items have been catalogued separately.A record of Legatee Don Simonson a past president of Legacy. The information was collected to record the lives of prominent legatees in a folder.Article with a black and white photo of Legatee Don Simonson - President 1970past presidents, don simonson

Sensory Integration Invention A, by Cathy Smith public art sculpture, commissioned by Nillumbik Shire Council, in Fergusons Paddock,12 Arthurs Creek Road Hurstbridge was officially unveiled in 1999. Councillors Penny Mullinar and Margaret Jennings in attendance. "Smith's work has strong references to humans' sensory and practical relationship with the land through the built environment. Wind entering the structure's tubing operates like a flute, generating sounds such as bird calls that resonate into the surrounding wetland areas." Source: Highlights from the Nillumbik Public Art Collection, NSC, n.d. Part of a slide show presentation "A Trip Down the Diamond Creek" by Russell Yeoman to the Eltham District Historical Society meeting of 14 Nov. 200135mm colour positive transparency Mount - Black and Whiteart in public places, arthurs creek road, cathy smith, ferguson's paddock, hurstbridge, public art, sensory integration invention a

Bushfire Prevention Week was initiated by the Forests Commission in 1930. Victoria’s State Governor, Lord Somers, the Lord Mayor of Melbourne, Sir Harold Luxton and the newly appointed Minister for Forests, William Beckett launched the innovative campaign with great flourish to 250 invited guests at Melbourne’s opulent Town Hall on Monday 13 January 1930. Special church sermons had been held previously on Sunday. The packed program of gala events included lavish luncheon talks at city clubs, scholarly lectures broadcast on the wireless, together with daily articles in the Melbourne and country press about the pressing need for fire prevention. The slogan for the ground-breaking campaign was… Prevent Bush Fires – It Pays… The Shell Petrol Company of Australia supplied 15000 windshield stickers, the British Australasian Tobacco Company donated a large supply of stamp stickers, while many other companies drew attention to the campaign in their newspaper advertisements. The Victorian Railways and many city firms displayed special fire posters, while Bryant and May posted messages on their limited-edition matchbox covers which are now highly prized by phillumenists (i.e. matchbox collectors). The Postmaster General's Department franked postage stamps and letters with special bushfire slogans. While plainclothes police were secretly deployed to the bush to arrest potential arsonists. Canvas and enamel fire prevention signs were erected on most roads leading to forest areas. Letters to the Editor later appeared in many city and country newspapers extolling the virtues of Bushfire Prevention Week and urging for its continuation as an annual event. Although a new idea for Australia, the Canadian Forest Service had been running a similar program for a few years. The Forests Commission in its 1929-30 Annual Report, under the title of "Propaganda", noted with some glee… "One of the most gratifying features of the ''Week" was its low cost to the Government, the major part of the publicity material being donated by private firms." And so for the next 50 years until the 1980s, Bushfire Prevention Week continued unabated with the Forests Commission producing a series of coloured “Magic Lantern” slides which were manufactured by Alex Gunn and Sons in Collins Street Melbourne for screening at Val Morgan cinemas. The slides famously introduced the menacing character, Willy Wildfire, warning motorists to be careful with matches. Now known as Fire Action Week, it remains a key event in the annual calendar for both DEECA and the CFA and is still going strong... These canvas fire awareness signs were used right throughout the period of the Forests Commission until the mid 1980sBushfire awareness signbushfire

Bushfire Prevention Week was initiated by the Forests Commission in 1930. Victoria’s State Governor, Lord Somers, the Lord Mayor of Melbourne, Sir Harold Luxton and the newly appointed Minister for Forests, William Beckett launched the innovative campaign with great flourish to 250 invited guests at Melbourne’s opulent Town Hall on Monday 13 January 1930. Special church sermons had been held previously on Sunday. The packed program of gala events included lavish luncheon talks at city clubs, scholarly lectures broadcast on the wireless, together with daily articles in the Melbourne and country press about the pressing need for fire prevention. The slogan for the ground-breaking campaign was… Prevent Bush Fires – It Pays… The Shell Petrol Company of Australia supplied 15000 windshield stickers, the British Australasian Tobacco Company donated a large supply of stamp stickers, while many other companies drew attention to the campaign in their newspaper advertisements. The Victorian Railways and many city firms displayed special fire posters, while Bryant and May posted messages on their limited-edition matchbox covers which are now highly prized by phillumenists (i.e. matchbox collectors). The Postmaster General's Department franked postage stamps and letters with special bushfire slogans. While plainclothes police were secretly deployed to the bush to arrest potential arsonists. Canvas and enamel fire prevention signs were erected on most roads leading to forest areas. Letters to the Editor later appeared in many city and country newspapers extolling the virtues of Bushfire Prevention Week and urging for its continuation as an annual event. Although a new idea for Australia, the Canadian Forest Service had been running a similar program for a few years. The Forests Commission in its 1929-30 Annual Report, under the title of "Propaganda", noted with some glee… "One of the most gratifying features of the ''Week" was its low cost to the Government, the major part of the publicity material being donated by private firms." And so for the next 50 years until the 1980s, Bushfire Prevention Week continued unabated with the Forests Commission producing a series of coloured “Magic Lantern” slides which were manufactured by Alex Gunn and Sons in Collins Street Melbourne for screening at Val Morgan cinemas. The slides famously introduced the menacing character, Willy Wildfire, warning motorists to be careful with matches. Now known as Fire Action Week, it remains a key event in the annual calendar for both DEECA and the CFA and is still going strong... These canvas fire awareness signs were used right throughout the period of the Forests Commission until the mid 1980sBushfire awareness signHelp Prevent Bushfiresbushfire

Bushfire Prevention Week was initiated by the Forests Commission in 1930. Victoria’s State Governor, Lord Somers, the Lord Mayor of Melbourne, Sir Harold Luxton and the newly appointed Minister for Forests, William Beckett launched the innovative campaign with great flourish to 250 invited guests at Melbourne’s opulent Town Hall on Monday 13 January 1930. Special church sermons had been held previously on Sunday. The packed program of gala events included lavish luncheon talks at city clubs, scholarly lectures broadcast on the wireless, together with daily articles in the Melbourne and country press about the pressing need for fire prevention. The slogan for the ground-breaking campaign was… Prevent Bush Fires – It Pays… The Shell Petrol Company of Australia supplied 15000 windshield stickers, the British Australasian Tobacco Company donated a large supply of stamp stickers, while many other companies drew attention to the campaign in their newspaper advertisements. The Victorian Railways and many city firms displayed special fire posters, while Bryant and May posted messages on their limited-edition matchbox covers which are now highly prized by phillumenists (i.e. matchbox collectors). The Postmaster General's Department franked postage stamps and letters with special bushfire slogans. While plainclothes police were secretly deployed to the bush to arrest potential arsonists. Canvas and enamel fire prevention signs were erected on most roads leading to forest areas. Letters to the Editor later appeared in many city and country newspapers extolling the virtues of Bushfire Prevention Week and urging for its continuation as an annual event. Although a new idea for Australia, the Canadian Forest Service had been running a similar program for a few years. The Forests Commission in its 1929-30 Annual Report, under the title of "Propaganda", noted with some glee… "One of the most gratifying features of the ''Week" was its low cost to the Government, the major part of the publicity material being donated by private firms." And so for the next 50 years until the 1980s, Bushfire Prevention Week continued unabated with the Forests Commission producing a series of coloured “Magic Lantern” slides which were manufactured by Alex Gunn and Sons in Collins Street Melbourne for screening at Val Morgan cinemas. The slides famously introduced the menacing character, Willy Wildfire, warning motorists to be careful with matches. Now known as Fire Action Week, it remains a key event in the annual calendar for both DEECA and the CFA and is still going strong... These canvas fire awareness signs were used right throughout the period of the Forests Commission until the mid 1980sBushfire awareness signProtect your forests from firebushfire

Commissioned by George W. Bell, designed by Anthony Harvey. An old gold mining and wine growing district eighteen miles from Melbourne, now notable for its arts, crafts, good food and historic buildings. On the reverse side printed in 8 panels (3 half-folds) advertising for Montsalvat, Eltham; Kutta Mahal Gallery, Warrandyte; Country Art Store, Eltham; Eltham Crafts. Monstsalvat, Eltham; Tantoon native plants and culinary herbs, Eltham; The Claypot, Warrandyte; Research Trading, Research; Potters Cottage, Warrandyte; Graeme Law & Associates Pty Ltd, Kew.. In addition is provided The Shire of Eltham Cenenary 1871-1971 , Centenary Celebrations Programme of events from March through to August 1971.44..8 x 57.5 cm (Four copies) On the reverse side (of one copy only) is printed in 8 panels (3 half-folds) advertising and Centenary Program.eltham, warrandyte, map, advertising, montsalvat, kutta mahal gallery, country art store, the claypot, research trading, potters cottage, graeme law & associates pty ltd, eltham crafts, tantoon, shire of eltham centenary, program

The Eltham Community and Reception Centre was Australia's first public mud-brick building. Commissioned in 1977 by Eltham Shire Council, led by Shire president (and architect) Robert Marshall, architects Whitford and Peck were asked to design a multipurpose facility in mud-brick and timber. The official opening was performed by the Hon. R.J. Hamer; E.D., M.P., Premier of Victorai on Saturday, April 22, 1978. Architects: Whitford & Peck Pty Ltd Quantity Surveyor: D.J. Cant & Associates Structural Civil Engineers: Charlett & Moore Pty Ltd Landscape: Peter Glass, Dennis Edwards Mech Elec: Lobley Treidel & Partners Pty Ltd Acoustics: Riley Barden & Kirkhope Builder: L.U. Simon Pty Ltdjim connor collection, eltham community and reception centre, eltham community centre, mudbrick construction