Pipe smoking is the oldest form of smoking. Tobacco was the most common substance used which dated from the mid 1600's. The practice is typically associated with relaxation and is more typically a mans' domain. Pipe of various types and construction were often used in ceremonies in many cultures around the world. The practice has declined in many parts of the world due to the A common item linked to a fairly common practice of the 18th- 20th centuries..1 Brown and caramel coloured pipe separated with a black band and silver overlay engraved with a leaf pattern.The bowl section is dark brown with a fine wood grain. The stem section is amber in colour and is possibly an early composite material such as bakelite. .2 The pipe shaped case is wood and is covered with leather on the outside and lined with greenish velvet with a small metal hinge on one end.W.A.T.with hallmark anchor, lion and unreadable letter.pipe, warrnambool, smoking pipe, gentleman's pipe

A wooden tennis racquet with a solid convex throat, and interesting rounded handle, composed of laminated multi-coloured pieces of wood, creating two vertical bars along the length on each face. Two names, possibly the same person in different marital states, have been scratched into the throat on each face. Materials: Wood, Lacquer, Glue, Metal, Gut, Leathertennis

A wooden racquet with black leather handle grip. Inscription, starting across base of head of obverse, and down the stem, reads: NARRAGANSETT/EIGHTY/NARRAGANSETT MACHINE CO./.../"LIVE-WOOD"/.../PAWTUCKET, R.I. Inscription across base of head on reverse: GOLD COAST. Company symbol features below on stem. Materials: Wood, Glue, Lacquer, Ink, Leather, String, Guttennis

A MacGregor laminated wood tennis racquet, with whipping around shoulders & shaft, handgrip wrapped in leather and a plastic butt cap printed with manufacturer's 'M' logo. Manufacturer name in orange along shaft. Painted black from handgrip to top of shoulders with orange/red details . Materials: Wood, Metal, Leather, Adhesive tape, Vinyl, Plastic, Ink, String, Painttennis

A MacGregor laminated wood tennis racquet, with whipping around shoulders & shaft, handgrip wrapped in leather and a plastic butt cap printed with manufacturer's 'M' logo. Manufacturer name in orange along shaft. Painted black from handgrip to top of shoulders with orange/red details . Materials: Wood, Metal, Leather, Adhesive tape, Vinyl, Plastic, Ink, String, Painttennis

A MacGregor laminated wood tennis racquet, with string whipping around shoulders, handgrip wrapped in leather and a plastic butt cap printed with manufacturer's 'M' logo. Manufacturer name in orange along shaft. Painted black from handgrip to top of shoulders with orange/red details. Materials: Wood, Metal, Leather, Adhesive tape, Vinyl, Plastic, Ink, String, Painttennis

A MacGregor laminated wood tennis racquet, with string whipping around shoulders, handle wrapped in perforated leather, and a plastic butt cap printed with manufacturer's 'M' logo. Manufacturer name in orange along shaft. Painted black from handle to top of shoulders with orange/red details. Materials: Wood, Metal, Adhesive tape, Vinyl, Plastic, Ink, String, Paint, Leathertennis

A Spalding, Impact-180 Model tennis racquet, featuring whipping around shoulders. Manufacturer's name along sides of shaft; model name along shaft (both sides). 'S' symbol spray-painted across net. Hand grip bare wood (missing grip tape and butt cover). Materials: Wood, Metal, Lacquer, Glue, Ink, Nylon, Painttennis

Silver prize box, with wood base. Inscr: 'EHRENPREIS/EDS REGIERUNGSRASIDENTEN KOLN/1960/HERREN DOPPEL/30. INTERNATIONALE DEUTSCHE TENNIS-HALLEN MEISTERSCHAFT'. Adhesive Sotheby's label on base : LOT 113/14...11 July 2002. Another label on base states: 'JUWELIER/A.WORTMANN/KOMODIEN STR.40/KOLN'. Materials: Silver/Metal, Wood, Adhesive labeltennis

Black and white photograph showing steamer Dargo tied up at Kalimna Jetty. The jetty has a trolley on a tram line for carrying goods and a pile of wood on the far end for the steamer's boilers. A few travellers are on board and a man in uniform, possibly the skipper, next to the wood pile. Back of a sign visible across the jetty from the end of the shed on right. Lakes Entrance Victoria'Dargo' Kalimna Jetty 1919? (on back)jetties, ships and shipping

Culvert at Patullo’s CA 34H1 Sec. B, Parish of Greensborough F. Wood Drott and truck Council crane August 1960Record of various Shire of Eltham infrastructure works undertaken during the period of 1952-1962 involving bridge and road reconstruction projects, sometimes with Eltham Shire Council Project Reference numbers quoted. It was during this period that a number of significant improvements were made to roads and new bridges constructed within the shire that remain in place as of present day (2022). In many situations, the photos provide a tangible visible record of infrastructure that existed throughout the early days of the Shire. The album was put together by or under the direction of the Shire Engineer, J.A. McDonald.infrastructure, shire of eltham, 1960-08, hurstbridge-arthurs creek road, bridge construction, bulldozer, cranes, drott, road construction

A landmark house in the Greensborough area (belonging to Dr Woods in he 1920s), situated on the corner of Diamond Creek and St Helena Roads.Digital copy of colour photograph.diamond creek road, st helena road

The one-man show was presented by Glenn Elston, Greg Hocking and Tim Woods starring Tom Barlow's one-man show.The performance was part of the Melbourne Fringe Festival for 1990.black ,pink and white coloured program in good conditionmy army, program, theatre de complicite, melbourne fringe festival, tim barlow, athenaeum theatre two

There are three programs; all different therefore the date may not be correct. The Season was presented by Bentons International in association with Elston Hocking and Woods.Coloured programmesnow white and the seven dwarfs, athenaeum theatre, program, brothers grimm

Men identified as Ron Wood, and Buzzy Eaton, article appeared in L P Newspaper, page 1, 12 March 1992.Black and white photograph of two men holding contents of time capsule found during removal and relocation of WW1 Memorial, from foreshore on Esplanade, to Marine Parade, Lakes Entrance, Victoria.world war 1914-1918, memorials

Please refer to The Wood Library for further information about this piece. URL: https://www.woodlibrarymuseum.org/museum/item/664/jackson-laryngoscope Chevalier Jackson direct laryngoscope, with attached small light bulb inside the internal blade. Brass coated piece with a large size. This piece has a discoloured and beaten surface with visible hit marks, deformation at the back of the blade and green spots in handle area. The hand anatomic handle is faceted and designed with a thumb rest section at the angle. Welding sections are visible along the blade base external canal and handle attachment area. No inscriptions.Anychevalier jackson, laryngoscope, light bulb, brass

Service medals and ribbons awarded to William T. LAWSON VX148982 of Woods Point who served with the 14/32 Infantry Battalion.Black timber frame with six Medals and ribbons mounted on red feltPlaque - 3401136 / VX148982 William T. Lawson 14/32 Aust. Inft. Battalionwilliam t lawson, woods point, vx148982, 14/32 inf btn, 3401146

Book - Rexene embossed covers, with title embossed in Gold, "Hawthorn Tramways Trust - Rules, Regulations and By-Laws" and "By-Law, No. 1" in top left hand corner. Four sections, stitch bound, 64 pages plus inside covers, printed by J.J. Miller Print Co. Pty Ltd., 19-25 Russell St, Melbourne. See page 58 for date of Board Resolution for By-Law - 2 March 1917 On first page, has details of who the book is loaned to, Name and Employed as. Provides the Rules and Regulations of the Trust concerning Accidents, fire, general instructions, signals, uniforms, staff working, pilot working, special instructions to Motormen and Conductors, tickets, tolls and charges. Details By-Laws, 1916. On page 58 has the Seal of the Trust and those who signed the document and on page 59, as List of doctors along each line, ambulance, Hospital and Telephone directory of senior officers. Signed by D. H. Dureau, J.V.M. Wood, F. F. Read and A. M. Hislop. Extract re Staff and ticket rules added 19-12-2016.1916 in ink in top left hand corner, inside cover.trams, tramways, hawthorn tramways trust, htt, motormen, certificates, rules

‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979. Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981Baskets of closely woven bamboo are used to package miso (soybean paste) from the city of Aizu Wakamatsu. Ordinarily, miso is sold in containers of pottery or wood, but these packages are unusual for another reason. The soup made with miso must be strained through a bamboo sieve if it is not to be lumpy, and these baskets may be used as sieves. Here two baskets are bound together to make a package of uncommon charm. - Professor Hideyuki Oka, curator.japanese art, japanese packaging, tsutsumi, gift giving

Albert Edward Corrie VX 47191. 6th Div. Postal Unit.1. Black and white photograph - 4 uniformed men. 2. Black and white photograph - 3 uniformed men. 3. Black and white photograph - 4 uniformed men with mailbags.1. George Wood, Bill Johnson, Tom Shepherd, Tow Ward. 2. Henry Schablon, Harry Spellman. 3. Henry Schablon, Harry Spellman, Jack Griffiths and myself (Albert Corrie?)photographs, ww2, postal unit

Robin Boyd designed a supermarket and dwelling in Jordanville (now Ashwood). This design was the unique ctesiphon system of construction where walls and roof form one self supporting unit. This building is registered on Heritage Council Victoria. External perspective of a proposed shop and dwelling and environment. Has a mount, unframed.On the top right "Proposed shop and dwelling at the corner of High Street Rd and Cleveland Rd, Jordanville for Mr W. Wood. Sketch from North End. Robin Boyd architect June '53".ctesiphon, jordanville, robin boyd, heritage, ashwood, ohm2022, ohm2022_27

Tim Walker’s work is an eye-catching array of shipwreck artefacts and associated items. They help tell the story of the 19th century ships that travelled across the world full of people and cargo that are now part of our history. The work was commissioned especially for Flagstaff Hill and highlights the famous story of the 1878 ‘Loch Ard’ shipwreck. The images also include two small items from the 1981 ‘Fiji’ shipwreck. Local professional artist Timothy “Tim” Walker was born in Britain in 1970. He was self-taught had the desire to use his talents for full-time work. He specialised in painting local scenes, landscape and people of Warrnambool and district after he moved there in 1990. As he worked at the location of his subjects, people often told him interesting and amusing stories. He soon became involved in the Warrnambool and District Artists’ Society, where he has served for a period as President. In 2010 Warrnambool Art Gallery hosted an exhibition “Nine Lives” with works from nine local artists including Tim Walker. The ‘LOCH ARD’ 1873-1878 - brief history The clipper ship ‘Loch Ard’ was a built in Scotland in 1873. In 1978 the ship was sailing to Melbourne with 54 people on board as well as a mixed cargo of items, some of which were bound for the 1880 International Exhibition in Melbourne. On June 1st 1878 it was very close to its destination when it crashed into Mutton Bird Island, east of Port Campbell. Only two people survived. The wreck was re-discovered in 1967, almost a century later, and the site continues to provide evidence of the range of goods imported into the Colony of Victoria in the post-Gold Rush era. Flagstaff Hill divers in the 1970s reported finds of “Bottles of champagne, window panes, rolls of zinc, barrels of cement, iron rails, clocks, lead shot, corrugated iron, lead, marble, salad oil bottles, ink bottles, copper wire, gin bottles, rolls of carpet, floor tiles, copper rivets, gas light fittings, pocket knives, toys, crystal chandeliers, beer mugs, cutlery, candles sticks, wick scissors, cow bells, and sauce bottles.” The famous Loch Ard Peacock was also on board. The ‘FIJI’ 1875-1891 – brief history The barque ‘Fiji’ was built in Ireland in 1875. The sailing ship left Hamburg in May 1891, bound for Melbourne with a crew of twenty-five plus the captain. The ‘Fiji’ had almost reached her destination after a trip of 100 days at sea when, on September 5th 1891, she struck rock 300 metres from the shore at Moonlight Head, near Cape Otway. Eleven men lost their lives but with the help of locals including members of the Rocket Rescue Crew, the rest of the men were saved. In anticipation of Christmas, the cargo had included a wide variety of children’s toys, amongst which were dolls with china limbs, wooden rocking horses, miniature ships, and red and white rubber balls. There were also cases of dynamite, pig iron, steel goods, spirits, sailcloth, tobacco, fencing wire, concrete, 400 German pianos, concertinas and other musical instruments, artists’ supplies, porcelain, furniture, china and candles. This artwork has historical significance as it shows a small sample of the variety of items on board the late 19th century ships bound for Australia in the Colonial and late God Rush period. The cargo contained personal luggage, items intended as gifts, and goods ordered for domestic, commercial or industrial use. The wreck sites of both vessels, ‘Loch Ard’ and ‘Fiji’ are classified on the Victorian Heritage Register as significant and are now protected by government law. The sites are popular with divers and provide interpretive material regarding social and maritime history. Framed poster of a watercolour painting by Tim Walker, gilt frame, behind glass. Subject is a group of objects, most of which are connected with the 1878 shipwreck Loch Ard, such as items recovered from the shipwreck and the famous ‘Loch Ard Peacock’. Two items are from the wreck of the ‘Fiji’. Inscriptions on ingot, a handwritten letter, bell, clear bottle, and small plaque.On ingot: “PONTIFEX & WOOD. LONDON”. On letter: “Presented to Mr. Thomas Pearce”. On small ingot: “TIM WALKER”. On bell: “LOCH ARD”. On clear bottle “THE SINGER MANUFACTURING COMPANY“. On plaque: TIM WALKER”.warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, flagstaff hill, loch ard, fiji, watercolour, timothy walker, tim walker, warrnambool & district artists’ society, warrnambool art gallery, poster, henna street picture framers, cargo, print

Black mand white photographWritten on back of photograph: "Opening of North Ringwood Scout Hall, Saturday 4th Dec. 1965. L-R Mark Clarkson, Graeme Lilly, Dennis Wood, Chris Neyland, Michael Robinson."

The wood sample is one of two pieces in the Collection from the wreck of the sailing ship Schomberg that were carried on the tides and discovered on a New Zealand beach along the coast. The samples have been positively identified scientifically as part of the timber from the Schomberg. ABOUT THE SCHOMBERG (October 6 to December 27, 1855)- When the ship Schomberg was launched in 1855, she was considered the most perfect clipper ship ever to be built. James Baines Black Ball Line had commissioned her for their fleet of passenger liners. The Aberdeen builders designed her to sail faster than the clippers designed the three-masted wooden clipper ship to be fast. The timber used for the diagonal planking was British oak with layers of Scottish larch. This luxury emigrant vessel was designed for superior comfort. She had ventilation ducts to provide air to the lower decks and a dining saloon, smoking room, library and bathrooms for the first-class passengers. The master for Schomberg’s maiden voyage was Captain ‘Bully’ Forbes. He drunkenly predicted at her launch that he would make the journey between Liverpool and Melbourne in 60 days. Schomberg departed Liverpool on 6 October 1855 with 430 passengers and 3000 tons of cargo including iron rails and equipment intended the build the Geelong Railway and a bridge over the Yarra from Melbourne to Hawthorn. The poor winds slowed Schomberg’s sail across the equator. She was 78 days out of Liverpool when she ran aground on a sand spit near Peterborough, Victoria, on 27 December; the sand spit and currents were not marked on Forbes’s map. The ship’s Chief Officer spotted the coastal steamer SS Queen at dawn and sent a signal. The master of the SS Queen approached the stranded vessel and all of Schomberg’s passengers safely disembarked. In 1975, 120 years after the Schomberg was wrecked, divers from Flagstaff Hill found an ornate communion set at the wreck site along with many other artefacts. In 1978 a diamond ring was discovered under the concretion in the lid of the communion set, which is currently on display. Former Director of Flagstaff Hill, Peter Ronald, had salvaged most of the artefacts from the wreck. This wood sample is significant for its connection with the wreck of the Schomberg, as part of the vessel's structure. It is scientifically important as evidence that shipwreck relics can move a long way for the site of the wreck. The Schomberg collection as a whole is of historical and archaeological significance at a State level. Flagstaff Hill’s collection of artefacts from the Schomberg is also significant for its association with the Victorian Heritage Registered shipwreck (VHR S 612). The collection is of prime significance because of the relationship between the objects salvaged, as together they help us to interpret the story of the Schomberg. The collection as a whole is historically significant for representing aspects of Victoria's maritime history and its potential to interpret social and historical themes.Wood sample with layers of different coloured timber. The sample has holes along a portion of the edge and a fur-like appearance along one side. In places it has the appearance of charcoal. The sample is a piece of the hull from the wreck of the Schomberg. The sample was washed up on a beach on the coast of New Zealand. flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, schomberg, 1855, clipper ship, black ball line, luxury ship, emigrant ship, captain forbes, bully forbes, ss queen, wood sample, new zealand, james baines & co

The wood sample is one of two pieces in the Collection from the wreck of the sailing ship Schomberg that were carried on the tides and discovered on a New Zealand beach along the coast. The samples have been positively identified scientifically as part of the timber from the Schomberg. ABOUT THE SCHOMBERG (October 6 to December 27, 1855)- When the ship Schomberg was launched in 1855, she was considered the most perfect clipper ship ever to be built. James Baines Black Ball Line had commissioned her for their fleet of passenger liners. The Aberdeen builders designed her to sail faster than the clippers designed the three-masted wooden clipper ship to be fast. The timber used for the diagonal planking was British oak with layers of Scottish larch. This luxury emigrant vessel was designed for superior comfort. She had ventilation ducts to provide air to the lower decks and a dining saloon, smoking room, library and bathrooms for the first-class passengers. The master for Schomberg’s maiden voyage was Captain ‘Bully’ Forbes. He drunkenly predicted at her launch that he would make the journey between Liverpool and Melbourne in 60 days. Schomberg departed Liverpool on 6 October 1855 with 430 passengers and 3000 tons of cargo including iron rails and equipment intended the build the Geelong Railway and a bridge over the Yarra from Melbourne to Hawthorn. The poor winds slowed Schomberg’s sail across the equator. She was 78 days out of Liverpool when she ran aground on a sand spit near Peterborough, Victoria, on 27 December; the sand spit and currents were not marked on Forbes’s map. The ship’s Chief Officer spotted the coastal steamer SS Queen at dawn and sent a signal. The master of the SS Queen approached the stranded vessel and all of Schomberg’s passengers safely disembarked. In 1975, 120 years after the Schomberg was wrecked, divers from Flagstaff Hill found an ornate communion set at the wreck site along with many other artefacts. In 1978 a diamond ring was discovered under the concretion in the lid of the communion set, which is currently on display. Former Director of Flagstaff Hill, Peter Ronald, had salvaged most of the artefacts from the wreck. This wood sample is significant for its connection with the wreck of the Schomberg, as part of the vessel's structure. It is scientifically important as evidence that shipwreck relics can move a long way for the site of the wreck. The Schomberg collection as a whole is of historical and archaeological significance at a State level. Flagstaff Hill’s collection of artefacts from the Schomberg is also significant for its association with the Victorian Heritage Registered shipwreck (VHR S 612). The collection is of prime significance because of the relationship between the objects salvaged, as together they help us to interpret the story of the Schomberg. The collection as a whole is historically significant for representing aspects of Victoria's maritime history and its potential to interpret social and historical themes.Wood sample with layers of different coloured timber. The sample has holes along a portion of the edge and a fur-like appearance along one side. In places it has the appearance of charcoal. The sample is a piece of the hull from the wreck of the Schomberg. The sample was washed up on a beach on the coast of New Zealand. flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, schomberg, 1855, clipper ship, black ball line, luxury ship, emigrant ship, captain forbes, bully forbes, ss queen, wood sample, new zealand, james baines & co

This fishing reel belonged to Arthur Smith (1874- 1955). About 1908 he was employed by the Western District Co-Operative at the corner of Raglan Parade and Kepler Street as a field representative. In this capacity he became one of the earliest motorists in Warrnambool. In 1928 he took on a similar job with Saltau and Son in Kepler Street. This fishing reel is of some interest as it belonged to Arthur Smith who was a resident of Warrnambool for many years. His son, Reg, was a Life Member of the Warrnambool and District Historical Society. Fishing was and is a popular pastime for many Warrnambool residents. This is a wooden fishing reel with a metal holder and screw and a bakelite turning handle and a gut line. The wood and the gut are painted a dark red. There is some rust in the metal.arthur smith, warrnambool, saltau and son