The Northern District School of Nursing opened in 1950 to address the issues around nurse recruitment, training and education that had previously been hospital based. The residential school was to provide theoretical and in-house education and practical training over three years. The students would also receive practical hands-on training in the wards of associated hospitals. The Northern District School of Nursing operated from Lister House, Rowan Street, Bendigo. It was the first independent school of nursing in Victoria and continued until it closed in 1989.PTS Formal Photo Training school 47 commenced 3/8/1960. Black and white photograph; of a group of 14 Females students in nurses' uniforms; and Sister in three rows, front row sitting on the chairs, second and third rows standing. Curtain in the background. Inscribed on the rear of the photo in ink: School 47 P.T.S. August 1960 L-R Back: Shirley Christensen, Marg Hogg, Sue Nurke, Beryl Elford, Elizabeth Looney, L-R Middle: Marg Joliffe, Bev Frost, Francis Gibbins, Marg Seingnor, Marg Williams. L-R Front: Jan Brew, Allison Peonis, Sr Reid, Marg Buersel, Jan Williams.nurse training, ndsn, lister house, school 47 1960

The Northern District School of Nursing opened in 1950 to address the issues around nurse recruitment, training and education that had previously been hospital based. The residential school was to provide theoretical and in-house education and practical training over three years. The students would also receive practical hands-on training in the wards of associated hospitals. The Northern District School of Nursing operated from Lister House, Rowan Street, Bendigo. It was the first independent school of nursing in Victoria and continued until it closed in 1989.P.T.S. Training school 54 25/4/1962 Black and white photograph; of a group of 26 female nurses in three rows, the first row sitting and the second and third standing. Back Row: Bev Hay, Doreen Brie, Jill Holland, Peggy Lyons, Pauline Schultz, Lenny Watts, Eileen Coleman, June Phemister, Denise Reade. Middle Row: Maureen Deveraux, Jenny Thompson, Eileen McGauchie, Diane Cutts, Liz Hefford, Elaine Erhardt, Rona Toohey, Kath Thorbridge. Front Row: Elaine Cameron, Dot Foyster, Jan Aitken, Lois Letcher, Dorothy Atkinson, Faye Horneman, Heather McBeth, Elva Fenton, Noeleen Christopher. nurse training, ndsn, lister house, school 54

The Northern District School of Nursing opened in 1950 to address the issues around nurse recruitment, training and education that had previously been hospital based. The residential school was to provide theoretical and in-house education and practical training over three years. The students would also receive practical hands-on training in the wards of associated hospitals. The Northern District School of Nursing operated from Lister House, Rowan Street, Bendigo. It was the first independent school of nursing in Victoria and continued until it closed in 1989.School 59 27 Female Nurses are in uniform and 2 males. Three rows, the front row seated and the second and third row standing. On the rear of Photo: Back Row L-R: R. Baker, J. Thompson, C.Ashman, A. Hassett, B. McMaster, G. Hooton, M. Ellis, J. Lingham, M. Harris. Middle Row L-R: L. Dunn, J. Drummond, J. Bursill, J. Tasker, M. Larmour, D. Boston, W. Epps, L. Rowe, A Dalton, W. Millar, E. 'den Brinker. Front Row L-R: S. Goodear, E. Barich, K. Walker, ? , B. Boyd, ? , A Letcher, M. Dalrymple, L. Stapleton.nurse training, ndsn, lister house, school 59

Yields information a tram that was decorated for the 1938 centenary celebrations of the State of Victoria. Refer to pages 70 & 71 of "The Golden City and its Tramways" for these photographs and others in use and notes. The hand colour and then photographic reproduction adds to the significance of this print.Colour print of an original black and white photo print that has been hand coloured for reproduction of Ballarat (SEC 1st) No. 23, decorated for the centenary of settlement in the Ballarat district in 1938. Tram has female students on board, with conductor alighting. Shows track brakes on the tramcar. Tram has been coloured with pink and green colours, including the conductors uniform and the trees behind the tram. See also Reg Items 1021, 1361 and 1362 for other photographs of this tram, in particular 3861 which is the black and white version of this photograph and See page 70 & 71 of "The Golden City and its Tramways" for these photographs and others in use and notes. Hi Res scan added 25/3/2011.centenary, decorated trams, special trams, floral tram, tram 23

The correspondent of the Argus on 10 May 1901 wrote: "The Parliament of the Commonwealth was opened yesterday by the Duke, of Cornwall and York, under a Commission signed by Queen Victoria and subsequently endorsed by King Edward VII. The ceremony was marked by the splendour and solemn impressiveness which befitted its historic importance. An immense assemblage of spectators, drawn mainly, of course, from this state, but in part also from each of the other federated states, and including representatives of other portions of the British Empire and of foreign powers, thronged the spacious, stately, and joyously decorated edifice. The picture was magnificent. It must have printed itself indelibly on the sensitive minds of the thousands of Australians who were privileged to behold it. We may assume that artists will reproduce it in worthy and imperishable forms, and that from generation to generation it will be familiar in the households of the Commonwealth. Our children's children, we may gladly say to-day, will not be ashamed of the function which inaugurated the self-governing rights of the southern British Nation. Nothing was omitted which could add to the grandeur and significance of the occasion. In a broad sense the proceedings were perfectly intelligible to the vast and sympathetic gathering, though the natural limits of a single human voice had to be accepted. The King's son, with his consort and the Governor-General and Lady Hopetoun by his side, and supported by the Governors of the states and other eminent personages, fulfilled his doubly-attested Commission with a simple dignity and a modest manliness altogether admirable. The ceremony was a brilliant spectacle, and, in its sentiment and suggestiveness, an inspiration to a loyal and patriotic people."The document design has artistic and aesthetic merit. While it is not rare, it is representative of the kinds of formal designs used for the Australian Commonwealth celebrations at the time of Federation, and is in excellent condition. Such items as this invitation have local, state and national historic significance as mementoes of a key moment in Australia's history. Locally, the invitation is part of a group of Federation-related items issued to James Maitland Campbell (and his wife). Campbell was three times mayor of Kew in the second half of the 19th Century and the owner of Ramornie in Pakington Street, one of the significant extant mansions in Kew.An invitation, mounted on card for Mr & Mrs James Maitland Campbell to an evening reception at the Exhibition Building, Melbourne, on 9 May 1901, to meet the Duke and Duchess of Cornwall as part of the celebrations of the opening of the first Federal Parliament. A figure of Britannia, in red dress and mailed vest holding a shield like the Union Jack, is on the left of the invitation; she reaches out her hand towards a younger female figure, representing Australia, who is dressed in blue and holds a shield which is white with a blue cross decorated with stars. The writing is on a scroll in the centre of the certificate, and there is a border of vines and vine leaves. The royal crest is at the base of the certificate. James Maitland Campbell of ‘Ramornie’ in Pakington Street was mayor of Kew on three occasionsFront, printed. gold ink: "His Majesty's Ministers of State for the Commonwealth of Australia request the honour of the presence of / Mr & Mrs J. M. Campbell (handwritten) / In the Exhibition Building, Melbourne, on Thursday, 9th May, 1901, to witness / the Opening of the Parliament of the Commonwealth. / Edmund Barton / Prime Minister." Front, bottom left, printed: "The Young Queen / Her hand was still on her sword hilt - the spur was still on her heel ... (and further text) KIPLING'S COMMONWEALTH ODE."australia -- federation -- 1901, invitations, parliament -- opening -- 1901, james maitland campbell

The Kew Light Opera Company was formed in 1952, and mounted a number of musical and variety productions each year until it was subsumed in the "Q" Theatre Guild in 1957. A partial record of performances by the company includes: 1952 Florodora, 1953 The Cingalee - San Toy or The Emperor's Own, 1954 While the Sun Shines - A Country Girl - Our Miss Gibbs, 1955 The Toreador - The Arcadians, 1956 The Maid of the Mountains - Whiteoaks - Goodnight Vienna!, 1957 A Country Girl. Most of the Company's performances took place in the Kew Recreation Hall in Wellington Street, Kew. The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of female cast members in Sidney Jones' The Geisha by The "Q" Theatre Guild in 1957. The performance in the Kew Recreation Hall was produced by Beatrice Oakley with musical direction by John Trotter. The Kew Philharmonic provided the music during this series of performances. The scenery was constructed by the Company, while the costumes were sourced from the Princess Theatre. An annotation in the scrapbook identifies the following cast members from left: Rita Mandelbaum - Komurasaki San (Little Violet), Sally Wolters - O Kiku San (Chrysanthemum) , Val Breen - leading lady - O Mimosa San (Chief Geisha), Pat Stewart (O Kinkoto San (Golden Harp), Marion Smith - O Hana San (Blossom). Marion Tilley, the creator of the scrapbook, wrote the following names underneath the photograph: "Rita Mandelbaum, Sally Wolters, Val Breen - leading lady, Pat Stewart, Marion Smith"performing arts -- kew (vic.), scrapbooks, marion tilley collection, kew light opera company, kew recreation hall, musical comedy -- melbourne -- victoria

This ship was number 1 of 2 ships named Bangalore and run by P & O. This ship has listed the same tonnage as that on the inscription on the frame of this work. The ship was subsequently sold in 1886 sold to Hajee Cassum Joosub and used for passengers on pilgrimage into Jeddah. Another view of the history of the Bangalore is that to be found at the Maritime Museums of Sydney listing of another painting of the Bangalore which provides a somewhat different history. It is possible that the story of Bangalore 1 and Bangalore 2 have become conflated further research is needed to verify. see Links field. SS BANGALORE was built in 1867 by William Denny of Dumbarton. Owned by P&O, SS BANGALORE operated from Bombay and Galle to Melbourne and Sydney from 1872 to 1886 as a passenger and mail ship. In 1891 BANGALORE was sold to Wilh. Wilhelmsen, Norway and renamed SS CORINGA.Marine art, Maritime artP&O S.S. Bangalore by George Frederick Gregory (1821-1887)Thinly painted image on board featuring centrally a moored, at anchor, 19th C dual masted steamship with black funnel and flying at the stern a red ensign. To either side are conventional rigged clippers or sailing ships. Near the bow of the steamship there seems to be a tug or paddle steamer face on. In the foreground is a small rowing boat with boatman and two passengers, a male and a female. The painting on board is mounted in a large polished or varnished cedarwood frame with edge carving and a decorative pitted slip which holds in place a thin piece of glazing. Backing paper and seal has all been removed except for hanging wire. Central at front lower edge of frame is a small chipped wood plaque with inscription.Painted in black on plaque and coloured black: "P & O S.S. "BANGALORE" / 2342 tons Built 1867"s.s. bangalore, marine painting, sailing ships, 1867, william denny, artwork-paintings, peninsular and oriental steam navigation company, steamship, p&o, sandridge, port melbourne, hobson's bay, charles dickson gregory, centenary maritime exhibition, george frederick gregory (1821-1887), ss bangalore

.1 - Newsletter, large format, special size titled "Express - News from The Met - Autumn 1995", four pages. Has stories about the Cranbourne electrification, female traffic staff on the buses and trams, refurbishment of W class trams, METROL, punctuality, history dates, railways, CSE's and a list of Melbourne events. .2 - as above - Express - News from The Met - Summer `1995/96" - rail timetable changes, night rider buses, police, fares and a list of Melbourne events. .3 - as above - Express - News from The Met - Autumn 1996"- Grand Prix, Franklin St terminus replaced by Melbourne University Superstops, railway power supply and a list of Melbourne events.trams, tramways, the met, women, cse, customer service employees, railways, w class, buses, fares, police, security, franklin st, victoria st, melbourne university, grand prix

As per another example in better condition displayed on shelf above Drawers 1+2 in Chemist ' Beechams Pills as sold by the proprietors St.Helens, Lancashire England. Beechams Pills Ltd. Melbourne VIC'. Earliest mention in Victorian Newspapers TROVE : Argus (Melbourne, Vic. : 1848 - 1957), Friday 19 December 1884, page 7 'A WONDERFUL MEDICINE BEECHAMS PILLS Are admitted by thousands to be worth above a guinea a box for bilious and nervous disorders such as wind and pain in tho stomach, sick headache, giddiness, fulness and swelling after meals dizziness and drowsiness, cold chills, flushings of heat, loss of appetite, shortness of breath costiveness, scurvy, blotches on the skin, disturbed sleep, frightful dreams, and all nervous and trembling sensations, &c The first dose will give relief in 20 minutes This is no fiction, for they have done it in thousands of cases. Every sufferer Is earnestly invited to try one box of these pills, and they will be acknowledged to be WORTH A GUINEA A BOX. For females of all ages these pills are invaluable as a few doses of them carry off all humours and bring about all that is required No female should be with-out them There is no medicine to be found to equal Beecham's Pills for removing any obstruction or Irregularity of the system. If taken according to the directions given with each box they will soon restore females of all ages to sound and robust health For a weak stomach, impaired digestion, and all disorders of the liver they act like "Magic, and a few doses will be found to work wonders upon the most important organs of the human machine They strengthen tho whole muscular system, restore the long lost complexion bring back the keen edge of appetite, and arouse into action with the rosebud of health, the whole physical energy of the human frame These are ' facts ' admitted by thousands embracing all classes of society, and one of the best guarantees to the nervous and debilitated Is Beechams Pills have the largest sale of any patent medicine in the world Full directions are given with each box Sold by all druggists and patent medicine dealers throughout the colonies'. Most recent article in Victorian newspapers : TROVE : Wodonga and Towong Sentinel (Vic. : 1885 - 1954), Friday 24 December 1954, page 1. 'MUM KNOWS BEST SHE KEEPS THE FAMILY FIT WITH BEECHAM'S PILLS SAFE because Beecham's Pills contain no harmful habit-forming drugs-they are a purely vegetable laxative. Pills balanced formula gives natural laxative action without harsh purgative effects banishes constipation. MOTHERS know how to keep growing children in their teens fit and happy-with Beecham' s Pill, the family laxative. TAKE Beecham's Pills WORTH A GUINEA A BOX'. Relevant local newspaper article reference : TROVE : Gippsland Times (Vic. : 1861 - 1954), Thursday 29 October 1942, page 1 'ln times like these old friends are best You will not have to go far before finding a friend who can tell you by personal experience how gentle and reliable Beecham's Pills are--and how effectively they banish head aches. digestive upsets and liverish ness. Purely vegetable....1/-....2/...per box Worth a guinea a box' Cylindrical wooden box with the remains of an orange, red and white printed label on top, containing small orb shaped pills.Label on lid : Beecham's pills...............Beecham's Pills Ltd., Melbourne, Vic.laxitive, pills

1. B&W negative of tram 468 in Ballarat Rd Footscray. Tram has destination Explosives Factory. Driver stepping down from cab and passenger walking from tram to kerb. 2. B&W negative of tram 468 in Ballarat Rd at Gordon St Footscray. Tram has destination Railway Station. Tram shelter shown in front of Powell Hotel. 3. B&W negative of tram 468 in Gordon St Footscray. Tram has destination Railway Station. Tram is shown at corner of River St on wrong side of road, so appears to be ready for shunting. 4. B&W negative of tram 468 at Ordnance Factory West Maribyrnong. Tram has destination Ordnance Factory. W2 454 is in background. 5. B&W negative of tram 468 in River St Footscray. Tram has destination Explosives Factory. 6. B&W negative of tram 468 in Raleighs Rd West Maribyrnong. Tram has destination Explosives Factory. Tram is shunting. 7. B&W negative of tram 468 in Somerville Rd Footscray. Tram has destination Russell St. Tram is shown with driver and female conductor posing for photographer. 8. B&W negative of tram 468 at Ordnance Factory West Maribyrnong. Tram has destination Explosives Factory. 2nd unidentified Tram is shown in background. Female conductor walking the trolley pole around. NOTE: - dates are not as marked on some photo envelopes recorded below as the Footscray closed March 1961.1. Paper folder that contained the negative had "NR30A" written in red ink, "F9" written in pencil, "20A" written in blue ink, and date stamped 11 Jun 1960. On rear, dates stamped 26 Sep 1962 (twice). 2. Paper folder that contained the negative had "NR36A" written in red ink, "F8" in pencil, "26A" in blue ink, and date stamped 11 Jun 1960. On rear, dates stamped 26 Sep 1962 and 6 Oct 1962. 3. Paper folder that contained the negative had "NR47A" written in red ink, "F10" in pencil, "37A" in blue ink, and date stamped 23 Sep 1961. 4. Paper folder that contained the negative had "NR32A" written in red ink, "F14" in pencil, "22A" in blue ink, and date stamped 11 Jun 1960. On rear, dates stamped 26 Sep 1962 and 6 Oct 1962. 5. Paper folder that contained the negative had "NR54A" written in red ink, "F15" written in pencil, "44A" written in blue ink, and date stamped 28 Sep 1961. On rear, dates stamped 26 Sep 1962 and 6 Oct 1962. 6. Paper folder that contained the negative had "NR56A" written in red ink, "F13" in pencil, "46A" in blue ink, and date stamped 28 Sep 1961.2. 7. Paper folder that contained the negative had "NR64A" and "NR105A" written in red ink, "F11" in pencil, "64A" in green ink, and date stamped 1 Jan 1963. On rear, date stamped 26 Sep 1962. 8. Paper folder that contained the negative had "NR62A" written in red ink, "F12" in pencil, "52A" in blue ink, "damaged" in purple ink, and date stamped 11 Jun 1960.trams, tramways, x1 class, footscray, ballarat rd, gordon st, ordnance factory, somerville rd, trolley poles, crews, drivers, conductors, tram 468, tram 454

Signed and and dated 31.10.1934 copy of Book - Solo Flight by Jean Batten / Book- Hard covered blue cover with black printing / paper dust cover showing Jean Batten and pictures of Australia and England .Solo flight contains newspaper cuttings of her flights and facsimile of her log written while in the air, published in Australia by Jackson & O'Sullivan Ltd, first published October 1934.Jean Battenbooks, biography, jean batten, lydia chancellor collection, collection, jean batten / solo flight by jean batten, flight, aeroplane, aviation, female, pilot, jean batten

A box with a picture of three young women on the front. Contains cuttings from various newspaper about famous people and other people in the community. Despite the marking on the box there are no cuttings on homes and antiques. Sources include, 'The Sun,' 'The Age' and 'The Bendigo Advertiser.'HOMES AND ANTIQUES PEOPLEperson, individual, famous people, lydia chancellor, collection, famous people, people, person, individual, male, female, history

A box containing newspaper cuttings on people with a high profile in the community. Sources include 'The Sun' and 'The Age.' 1954 - 1959.Clippings include photos of sculptures -clay models created by John Frith.One interesting article (scanned ) covers Horace Clement Hugh Roberson who led the 10th Lighthorse in a 'spectacular helter skelter cavalry charge that ripped through the Turkish defences at Sinai - the first cavalry charge ever made by AustraliansPROFILESperson, individual, famous people, lydia chancellor, collection, profiles, people, male, female, person, famous people, individual

A set of handwritten notes, typed notes and correspondence by Miss J.C. Burnett in relation to the book she wrote titled, " History of Bendigo Teachers' College, 1926-1973." The book was published by Cambridge Press in 1973. part c & d are College songs. Part e Honour Roll.bendigo, education, bendigo teachers' college history, la trobe university bendigo collection, collection, bendigo teachers' college, bendigo, history, education, teaching, female, miss j.c. burnett

A decorated box containing 'Bendigo Advertiser' articles dated 1970-72, relating to life in Bendigo.The Bendigo Advertiser.bendigo, history, community activities, lydia chancellor, collection, bendigo, community life, 'bendigo advertiser, ' eaglehawk, male, female, place

A Herald newspaper article titled 'Melbourne's First Christmas by John Lahey.' This is Lahey's account of the first year of settlement of Melbourne. Six people landed first in Melbourne - Mary Gilbert, the first white woman to land in Melbourne plus five men landed from Fawkner's boat in August 1835. Mary gave birth to the first white child born in Melbourne - John Port Phillip Gilbert. The trials and tribulations of the first settlers in Melbourne are outlined in this article. There are photos or illustrations of Fawkner's house by the Yarra, John Pascoe Fawkner and John Batman. 24/12/1960.melbourne, lydia chancellor collection, collection, melbourne, melbourne history, history, mary gilbert, woman, female, john batman, john pascoe fawkner, john port phillip gilbert

Originating from Scotland pre-1950, this wool winder is ornately decorated featuring a male figure at its peak and a cherub at its base. Wool Winders are practical objects typically with minimal decoration; however, Wool Winders with ornate design features do exist. Scrimshaw (whale ivory) was a popular choice of material in the 18th and 19th century. It is smooth, preventing yarn from getting caught when unwinding, as well as having artistic beauty. Wool winders require a heavy base, as to not topple over when in use. It is popular to decorate these bases on more elaborate winders, such as shown in this example. The bows featured to tie the wood segments together is another feature of more elaborate models of wool winders, also highlighted in this example. This winder began life in the possession of Annie Crawford. The Crawford name has a strong connection with the town of Paisley, Scotland, and its Woollen Mills. The Crawford name can be seen working at the Woollen Mills in the 1851 Scotland Census, with Robert and his brother’s James and John working as Wool dyers. Their father Alexander also worked as a Loom Weaver. The winder immigrated with Annie when she, her husband and 3 children travelled to Australia, ready to start a new life. Most of their possessions were left behind in Scotland. This winder accompanied the family on their journey; so it stands to reason that the winder was special to them. Annie Crawford passed the winder onto her eldest daughter Joan Crawford. Joan did not have any children and so she passed the winder onto the eldest female grandchild, Fiona Crawford. Fiona Crawford continued the connection of the Crawford name with textiles, with an exhibition titled "When you go looking for me, I am not there". Utilising medieval embroidery tradition of ‘Punto Assisi, the exhibition was a reflection on the lack of women recorded in history, particularly their contribution to the domestic arts. Her work investigates both the absence of women while also honouring the unknown female makers of this now highly desired art. The Wool Winder was donated to the National Wool Museum in 2021 by Dianne Crawford, the sister of Fiona Crawford. Umbrella swift style wool winder made of metal, wood, and ribbon. Decorated at its highest point with a sculpted man standing on one leg, holding what is perhaps a rolled newspaper as though he may be bidding at an auction. Or perhaps he is holding a hank of wool. The man stands upon a three-tier platform of decreasing size and design which leads to the central metal shaft. At the base, the winder is decorated with an engraved cherub. Both figures have a small hole in one of their hands, indicating that they originally held something. Unfortunately, it is not known what this is. From the central metal shaft, this winder has 2 rows of 6 arms radiating out. These arms cross in the middle to form an X. These arms are also connected horizontally with additional arms which cross. This all forms an intricate web design, tied together with ribbon. The size of the web these arms create is adjustable, to accommodate yarns of different length. Beneath the second row of arms is a locking screw which holds this row at the desired height and width. This entire top section, beginning at the central metal shaft, can be unscrewed from its base for easier storage. The base begins in a wooden circular shape growing into a smaller ornately designed raise on which the cherub sits. From the head of the cherub the central metal shaft begins.paisley, scotland, wool winder, immigration

The Young Workers' Patriotic Guild was formed in Victorian schools in 1916. Each child who raised one pound 'by personal productive effort' received a certificate. The money was used for the war effort. This certificate was presented to Eileen McDougall, a pupil of Lochend School, in 1917 in recognition of becoming a member of the Young Workers' Patriotic Guild.This item reflects the war efforts of Victorian children during WW1.A coloured certificate framed in dark plain wooden frame. The certificate is from the Young Workers' Patriotic Guild, and includes mythical representations of 'Justice' and 'Peace' at the top, together with a female face wearing a laurel wreath. Below the banner headline are two young girls, one shown knitting a black and red sock, and the second holding what appears to be a hammer and a block of wood. The certificate commemorates the work done by a pupil at a Victorian school as a member of the Guild. It is dated 1917, and signed by the Minister of Education, the Director of Education, and the Headmaster of Kennington school. The name of the designer appears at the bottom of the certificate; it appears to be Harold Herbert. Laurel leaves and berries, and the initials 'EVD' [Education Department Victoria] appear at the base of the certificate. (from Museum Victoria)mcdougall-eileen ww1 certificate-young-workers'-patriotic-guild education fundraising

Sepia photograph. Interior group studio portrait of football team. Five in front row, seven seated, seven standing and four men at rear not in football clothing. General pose is arms folded across in front of body. Mounted on fawn card with family photo on back. Inscriptions: Front 'RHSV stamp GP49', 'Presented to Mr F Richardson by the members of the St Andrews Football Club, First of October 1894'. On back - RHSV stamp. Photograph of family group - father, mother, children and young adults. Rear row: two males, four females. Middle row: mother, father? And two boys. Front row: baby held by mother, boy and two girls. 'STKing, Bendigo'. History Prev. Acc. No. GP49cottage, miners

Black and white photograph on grey mount board. Cohn Bros. Vic. Brewery Picnic. Men dressed in suits and various styles of hats, females in dress of the period (1903). Large hats with decorations. Boys in long socks and boots, garments with sailor type collard. Girls in frilly dresses and some with aprons. Inscriptions: Printed on mount at front 'Cohn Bros. Victoria Brewery Col. Ltd. Employees Picnic, held at Cherry Tree on Saturday 7th March, 1903', 'Magnus Cohn, Julius Cohn (central)', hand written on back. 'From WL Newell 30/07/1974 (written in black lead pencil), 'Royal Historical society of Victoria, Bendigo Branch' in circular stamp (on reverse). History: Previous Acc. No. GP25WH Robinson Photo, Bendigoperson, group, cohn's brewery, see also 2001.201.01, 2001.202.01, 2001.203.01, 2001.207.01, 2001, 208.01

8 black and white photos, mounted on rigid board, Sports Team 1973 Laurel Street Golden Square Primary School students. Students are un-named but name of team placed in front of image. (a) Netball A, 1973 9 girls seated in front of school building;(b) Div Winners 1973 ( sport unnamed) 19 students; c. Athletics 1973 50 male students; e. Athletics 1973 female team; e. Football 1973, 23 boys, male teacher on LH side; f. Swimming 1973, 9 girls in bathers, seated g. Swimming 1973 g. Swimming 1973, 22 boys in swimming costumes, h. Netball B. 8 girls in netball tunics.bendigo, education, golden square primary school, golden square primary school, 1973

Date is approximate; early Empire Day celebrations were held in May each year between 1906 and 1911 to commemorate Queen Victoria's birthday. Headmaster, George Bennett was later headmaster at Balwyn State School, which his son Gordon (later General Gordon Bennett) attended. Miss Amy Wise was a teacher at Surrey Hills State School for her entire career. (There is information in filing cabinet re Amy Wise). Note (undated) from John Reaburn states that an issue of SHNN claimed Major General Bennett was a pupil at SHPS. He stated: "I very much doubt this, as he was 19 years of age when his father was headmaster in 1906. Before that the whole family attended Balwyn State School. The statement should be substantiated or corrected".Black and white photo copied from a postcard of staff and students assembled outside Surrey Hills Primary School for Empire Day celebrations. Some children carry Union Jack flags. The cadet corps of the school stands in line on the path against the picket fence of the school carrying drums and 'rifles'. The male students are assembled in line at the edge of the road and the female students are assembled in the middle of the road. There are a number of adults in the background, presumably teachers and parents; two are identified. Centre is headmaster, Mr George Bennett and at the right is teacher, Miss Amy Wise. The photo is taken in Beatrice Avenue looking towards Canterbury Road. An Edwardian or Victorian style house can be seen on the corner of Beatrice Avenue and Canterbury Road.Within the original image: State School, Surrey Hillssurrey hills primary school, empire day celebrations, education, primary education, schools, cadets, beatrice avenue, post card, mr george bennett, miss amy wise, mr john reaburn

Schuss was advertised as Victoria’s Official Ski Journal It was issued monthly from 1935 to 1961 except during the war when summer issues covered two months. This continued after the war, but it averaged 10 issues annually over its 25 year life. Schuss was published by the Ski Club of Victoria which had a membership of 38 Ski Clubs and demanded to be recognised as the prime authority on skiing in the state. The other 30 ski clubs with 85% of the members disagreed and the politics of skiing became heated. These clubs formed the Federation of Victorian Ski Clubs with their own journal, Ski Horizon. With the establishment of the Victorian Ski Association, Ski-Horizon published its last issue in Nov - Dec. 1955 and the role of the official journal was fully taken over by “Schuss”. This item is significant because it contains stories, images and information documenting the development of the ski facilities at Falls Creek.The journal includes stories and events chronicling developments in Victoria and internationally. The cover features a photo of a female skier passing beneath trees, which was provided by the Herald newspaper. Pages 323 - 329 included an extensive report of the Australian National Ski Championships held at Falls Creek In August 1960, written by R. J. Zatorski. Results were included with this report. Fred Griffith contributed a report and results of the N.E.D.S.A. Junior Championships on pages 334 - 338. A selection of photos from both Championship events was included. Finally Falls Creek was able to boast of the existence of three electricity- powered street lights in the Village. After a long wait Skyline Lodge was also fully connected to electricity on 25th August 1960.schuss journal, skyline lodge, n.e.d.s.a. events at falls creek, national ski championships

The Superb Lyrebird is a large ground-dwelling bird with powerful legs and long tail. Found in rainforest habitats in southeastern Australia, it forages in leaf litter for food. It has a very powerful song and is known for mimicking other species. The males have spectacular long tail comprising a variety of feather types, where juveniles and females lack the longer tail feathers. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This male Superb Lyrebird is primarily grey/brown. It has striking tail feathers that are white, beige and darker brown that vary in size. Aside from the middle of its tail feathers, the parts of the bird which are darker brown include the top of its head, wings and back. The bird has strong legs and a small beak. This specimen stands upon a wooden platform.taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, superb lyrebird

The Superb Lyrebird is a large ground-dwelling bird with powerful legs and long tail. Found in rainforest habitats in southeastern Australia, it forages in leaf litter for food. It has a very powerful song and is known for mimicking other species. The males have spectacular long tail comprising a variety of feather types, where juveniles and females lack the longer tail feathers. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This male Superb Lyrebird is primarily grey/brown. It has striking tail feathers that are white, beige and darker brown that vary in size. Aside from the middle of its tail feathers, the parts of the bird which are darker brown include the top of its head, wings and back. The bird has strong legs and a small beak. This specimen stands upon a wooden platform. taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, superb lyrebird

Pipe smoking has been in vogue for centuries, and in Australia it was a symbol of the "discerning smoker" such as the landed gentry, men of professional status or student. This pipe, however,of the "corncob" style, would have suited the younger professional or student/undergraduate(male or female) of the mid and late 1900s because it was relatively inexpensive to purchase and was regarded as a "beginners pipe". It is the type of pipe well suited to the rural backdrop. In the late 1900s, with the health related restrictions placed on public smoking these tobacco pipes were not immune from the legislation, and even though the pipe smoke was not as offensive as cigarette smoke it still came under the umbrella of smoking. Pipes were also used in the process of inhaling illicit drugs i.e. marijuana, but this use was limited to a very few. Smoking in the second millennium is being phased out as a social habit in Australia but may affect the few "private" smoker and has, as the United States prohibition era (alcoholic drinks) did, spawn an illicit trade in cheap contraband tobacco.This type of pipe lends itself well to the rural setting of the Kiewa Valley and although it is a bit rough in appearance its corncob barrel blended into the environment. The Kiewa Valley region was up until the late 1900s part of the Australian Tobacco Industry and the levels of men smoking pipes was enhanced by the ready supply, "off the fields", of tobacco leaves and the attitude to city based smoking restrictions was one of resentment.This pipe has a straight stem and its "style" is corncob. Originally made from corn cobs the pipe was light in weight and easy to hold in the mouth. The pipe has a permanent filter and a black coloured tin band at the stem/shank junction. The stem fits into the wooden shank which is fastened into the bowl. The stem is made from clear plastic (orange in colour). This stem is longer(70mm) than the shank(45mm). Both are horizontal and extrude 7mm from the bottom of the bowl.tobacco, pipe smoking, smoking accessories