Stawell Music Ensemble 1991 Oklahomastawell

"Oklahoma!" is the first musical written by Rodgers and Hammerstein and is based on Lynn Rigg's 1931 play "Green Grow the Lilacs'. Music Programme for "Oklahoma!"-an 8 page programme with advertisements, acknowledgements, details of cast and story synopsis (Penned date 1985)programme, concert

Photos are of US Navy ships Visiting Australia in July - Sept of 1925. Shows ships including battleship "Oklahoma" and crowds viewing them in the port.Five black and white original photos of US ships in port in Australia.1-3 - No writing. 4. "On back" - crowd waiting to get on the "Oklahoma". 5. On back. R.941 - "United States of America Battleship".oklahoma battleship, us navy

First performed in 1943, Oklahoma was a Rogers (music) and Hammerstein (lyrics) musical based on the play "Green Grow the Lilacs", written by Lynn Riggs in 1931.Bendigo Operatic Society - "Oklahoma!" Programme. A musical Play by Rodgers and Hammerstein. Produced by Norman Lee, Capital Theatre, Bendigo. Opening Friday, 14th July, 1961, for six Nights. A5 booklet with 15 pages, black print with Red title on the front. programme, music, concert

"Oklahoma" was the first collaboration for Rogers and Hammerstein. It was based on the book "Green Grow the Lilacs" by Lynn Riggs. It was first performed on Broadway in 1943 and won a special Pulitzer Prize in 1944. It was made into a movie in 1955.Bendigo Operatic Society, music programme. "Oklahoma," At the Capital Theatre View Street - Opening for 5 Nights, Commencing 15th October, 1965. A5 booklet with 15 pages. Booklet consists of lists and photos of individuals participating and organizing the event, advertising, advertisements, synopsis of story and scenes. music, programme, concert

This is a program for the 1996 Warrnambool Theatre Company production of ‘Oklahoma’. Amateur theatre groups of various kinds have been operating in Warrnambool since the 1860s and a group called the Warrnambool Dramatic Society was operating in the 1950s. In 1958 this group changed its name to the Warrnambool Theatre Group and at a later stage this became the Warrnambool Theatre Company. The husband and wife team of Cyril and Joyce Hayward contributed to make the theatre company well-known in the area for fine productions for over 30 years in the 1960s, 70s and 80s) . Today the Warrnambool Theatre Company continues to produce plays, musicals and concerts on a regular basis. ‘Oklahoma!’ is an oft-produced musical by Rodgers and Hammerstein (1943).This is a program of interest as an example of the type of show produced by the Warrnambool Theatre Company in 1996. This is a 1996 Warrnambool Theatre Company production of ‘Oklahoma’. It has 16 pages and an orange-coloured cover with an image of a rising sun and a landscape outline on the front cover and a Warrnambool Standard advertisement on the back cover. The program contains black and white advertisements, information on the production, cast and crew and photographs of those involved in the production. The pages were stapled but the staples have been removed. ‘oklahoma!’, warrnambool theatre company

Model of an electric pump (No. 7121-4511 Type U21) and Asahi flow meter bolted on to a wooden block. Electric cord. Used for teaching Arboriculture.Oklahoma City, Okla. Little Giant Pump Company U.S. Patent No. 3411450 Clipsal (electric cord.) Asahi Water Meterarboriculture, motor, teaching, ahahi meter, little giant pump company, flow meter, artifact

Photographs. Gertrude Perry Collection, Seventeen black and white photographs of performers of Oklahoma (12) and Lady Jane (5) including Gertrude Perry, Alf Annison, Wendy Griffith, Annette Wilson, Brian B ?, and Harry Br? & Ruth B? Photographs in a cream envelope with No 271 in the top left corner and addressed to Miss G Perry C/- Fashion House. Oklahoma.entertainment, theatre, gertrude perry collection, alf annison, wendy griffith, annete wilson, brian b ?, harry b ?, ruth b ?

Owned and played by Barbara Gardiner at the time of the Musical being performed at Her Majesty's Theatre during the 1950'sCircular record - 45 (R.P.M.) Recording from Musical 'Oklahoma', featuring Howard Keel and original London cast. Record encased in cardboard cover with the story of the Production.His Master's Voice - Extended Playmusical instruments, accessories

A white booklet with red and black print titled 'Oklahoma!' and presented by the Bendigo Operatic Society at the Capital Theatre View Street for five nights commencing on the 15th October, 1965. The Producer is Mr. Cid Ellwood and the lead actors are: Patricia McCracken, Leonard Carr, Ferd Lorenz, Heather Lindhe, Joan Crane, Fred Trewarne, Brian Thomas, Emily Houston, Graham Filcock, Reg Boromeo, Peter Houston and Douglas Sayle. Also included within the booklet are two Bendigo 'Advertiser' articles. One article is titled 'Pert 'Oklahoma Is Not At All Amateurish.' 16/10/1965. The second article is titled 'Interest in 'Oklahoma' is Mounting.' 9/10/1965.performing arts, music, oklahoma, lydia chancellor collection, collection, stage show, drama, musical, theatre, bendigo, clubs and associations, entertainment, performing arts, programme, program, bendigo operatic society, music, actors, actresses, acting, person, societies

Coleman Lamp Stove Co Ltd possibly making irons by arrangement with Coleman Lamp & Stove Co Ltd in Canada. Origin of these companies - started by William Coleman of Oklahoma and Kansas, USA. Iron has chrome plated sole - blue enamel body with white speckles and hemispherical tank (probably copper - has typical green verdigris appearance) for the lighting fluid that would have supplied the heat. The wooden handle is painted blue. Top screw is missing from the fuel tank.clothes iron

16 page soft cover programme for the Bendigo Theatre Company's performance of 'Oklahoma' in Aug/Sept 2007 at the Capital Theatre. Lists and B&W photos of cast, crew, orchestra and producers etc. Coloured rural picture on front coverBendigo Theatre Company

Goff Richards was a prominent brass band arranger and composer from Cornwall22 Parts on A3 paper with full score for Brass BandThompson's Foundry Band inc. Stamp in Red on top Breezin' Down Broadway! arr Goff Richards - Another Opening Another Show There's No Business Like Show Business Get Me To Church On Time (from My Fair Lady) Oklahoma! That's Entertainment Seventy Six Trombones goff richards, broadway, irving berlin

Photographs. Gertrude Perry Collection. Eleven black & white photographs of people in various plays. Named photographs: k) - Final Rehearsal 'Show Boat' 1961. a) - Scene, 'You're in Love'. d) - Final Rehearsal 'Oaklahoma'. e) - Final Rehearsal 'Oaklahoma'. h) - Alf Annison & Me 'Rose Marie'. i & j) - Alf Annison Lutz, Grand Duchess Me. f) - Katinka. b & g) - Alf Annison, Me Aunt Ella. One has Oklahoma 1961. c) - Alf Annison, Me 'Aunt Ella' Dawn Beckwith Oklahoma 1961. Photos enclosed in a Powneys paper bag. It is red, white, blue and yellow. It has the address Hargreaves Mall Bendigo Phone 43 4738 and 42 2061 printed on it.gertrude perry collection, show boat, katinka, oaklahoma, rose marie, you're in love, alf annison, dawn beckwith

Bendigo Operatic Society Production Oklahoma Capital Theatre Bendigo Opening Friday, 14th July, 1961 For Six Nights. Produced By Norman Lee. A Rodgers & Hammerstein Musical based on Lynn Rigg's play 'Green Grow the Lilacs.' A Chappell & Co. Ltd Production. Songs Include: 'Oh What a Beautiful Morning,' 'The Surrey with the Fringe on Top' 'Many A New Day' People Will Say We're in Love,Oklahoma. Cast: Gertrude Perry, Harry Brewer, Dawn Beckwith, Leonard Carr, Peter Houston, Gerald Gleeson, Bryan Brewer, Brian Thomas, Annette Wilson, Alfred Annison, Wendy Griffiths, Emily Westgarth, Joan Crane, Carol McKenzie, Aileen Simmonds, Patricia McCraken, Frederick Trewarne, Reginald Boromeo, Gerald Hayward, Victor White, Peter Haines, Terry Carr, Bronwen Townsend.Cambridge Press.clubs and associations, theatre, bendigo operatic society, https://en.wikipedia.org/wiki/oklahoma!_(1955_film)

Vicki Spicer collection, including a short note and her return address, of programmes illustrating performances by the Bendigo Operatic Society. The Student Prince, Lilac Time, Brigadoon, Carousel, The New Moon, South Pacific, Anything Goes, Oklahoma, Victoria and Her Hussar, Show Boat, Seagulls Over Sorrento, Rose Marie, You're in Love, The Student Prince, No! No! Nanette, The Lilac Domino, The Desert Song, Jack and The Beanstalk, No Rhyme or Reason, Morning Departure, Stalag 17.Vikki Spicervikki spicer, bendigo operatic society

Programme of the Bendigo Operatic Society. A Musical Play by Rodgers & Hammerstein ''Oklahoma'' Produced by Norman Lee. Capital theatre Bendigo Opening Friday 14th July 1961 for six Nights. Cast in Order of Appearance: Gertrude Perry as Aunt Eller - Harry Brewer as Curly - Dawn Beckwith as Laurey - Leonard Carr as Ike Skidmore - Peter Houston as Fred - Gerald Gleeson as Slim - Bryan Brewer as Will Parker - Brian Thomas as Jud Fry - Annette Wilson as Ado Annie Carnes - Alfred Annison as Ali Hakim - Wendy Griffiths as Gertie - Emily Westgarth as Ellen - Joan Crane as Viviene - Carol McKenzie as Faye - Ailleen Simmonds as Virginia - Patricia McCracken as Suzanne - Frederick Trewarne as Andrew Carnes - Reginald Boromeo as Cord Elam - Gerald Hayward as Ed - Victor White as Mike - Peter Haines as Jud (In Ballet) - Terry Carr as Curly (In Ballet) - Bronwen Townsend as Laurey (In Ballet). Musical Director: Max O'Loghlen. Society Pianist: Mrs. P.House. Ballet Mistress: Miss M.Welch. Synopsis: ''Oklahoma'' is a musical based on Lynn Rigg's play ''Green Grow the Lilacs''. The Story is set in Indian Territory just after the turn of the century and revolves around the lives of Curly, a cowboy, and Laurey. Laurey is in love with Curly, but to make him jealous pretends to be attracted to Jud fry. Everything is settled at the Annual Box Social.program, theatre, bendigo operatic society

Don McClanen, who founded the Fellowship of Christian Athletes (FCA) in 1954, has died at the age of 91. “Don’s unwavering commitment and vision truly enabled FCA to grow to where it is today, encouraging millions of coaches and athletes to lead lives that are dedicated to Christ,” said Les Steckel, FCA president and CEO, in a statement. “Sixty-two years later, that vision is alive and well through FCA, influencing lives for Christ across the globe—an amazing legacy.” McClanen was born on February 3, 1925, in Trenton, New Jersey. He served in the Navy during World War II, then attended Oklahoma State University. After graduation, McClanen coached high school basketball before becoming the athletic director and men’s basketball coach at Eastern Oklahoma University. McClanen’s dreams of using sports to influence young people began after a speaker at a physical education conference he attended warned the audience that they could either lead youth “up a mountain or down a drain.” From FCA’s statement: McClanen was challenged to be a better model of his Christian life and told the Lord he would surrender to His will. Inspired by the conference, he began saving newspaper and magazine articles about Christian athletes and coaches. After reading that 30 million American youth had no religious training, McClanen began posting his articles in the locker room and praying before games. Soon, he was dreaming of a way for well-known Christian athletes to advertise their faith on television and in magazines the way they advertised other household products. McClanen’s relationship with Louis H. Evans, who later became the pastor at First Presbyterian Church in Hollywood and the leader of the Presbyterian Board of National Mission, helped spark what later became FCA. From FCA: Evans...encouraged McClanen to write to Christian athletes who were strong in their faith—greats like football stars Doak Walker and Otto Graham; baseball players Carl Erskine, Robin Roberts and Alvin Dark; Olympians Bob Mathias and Bob Richards; coaching and front office legends Amos Alonzo Stagg, Bud Wilkinson and Clarence “Biggie” Munn; and even broadcasters Tom Harmon and Red Barber. Fourteen of those 19 men told McClanen they were interested. But [Branch] Rickey, the then-Pittsburgh Pirates general manager who had signed Jackie Robinson when he led the Brooklyn Dodgers, didn’t answer the letter. McClanen, however, pressed on for a meeting with him. He promised to drive to Pittsburgh to meet with Rickey on his own dime for a five-minute face-to-face conversation. The meeting lasted five hours, and three months later and with a $10,000 gift from a Pittsburgh businessman, FCA became a reality, chartered in Oklahoma on Nov. 10, 1954. Died February 2016.Don McClanen, head & shoulders portrait.Don McClanendon mcclanen; fellowship of christian athletes 1954

Two part (bottle & lid) glazed ceramic trophy for 'CLINT EASTWOOD/INVITATIONAL/CELEBRITY TENNIS/TOURNAMENT'. Trophy is also a bottle of Beam whiskey, as per label on base: 'BEAM/100 MONTHS OLD/KENTUCKY BOURBON WHISKEY/86 PROOF/ BOTTLED BY JAMES B. BEAM DISTILLING CO. CLERMONT- BEAM, KENTUCKY'. Sticker on front stating:'OKLAHOMA/LIQUOR TAX PAID/12 GALLON'. Text on rear of vessel states: 'PEBBLE BEACH/JULY, 1973'. Text embossed under base states: 'CREATION OF JAMES B. BEAM/DISTILLING CO./KY-DRB-230/GENUINE REGAL CHINA 1973/C.MILLER/REGAL CHINA CORPORATION/145/LIQUOR BOTTLE'. Materials: Ceramic, Cork, Adhesive labeltennis

Photographs. Gertrude Perry Collection. Three black & white photographs. Two are full length photos of a lady dressed in a white dress with dark shoes and handbag. She is wearing a small hat with a bow on the top. She is also wearing a long necklace. Behind her is a wicker basket and bunches of flowers. On the back is written Mrs Helen Hopper Katenka 1956. However, this image looks like Gertrude Perry. The second photo is of the same lady with a gentleman dressed in white trousers, shirt and hat with a dark jacket and shoes. He is also wearing a bow tie and glasses and has a cigar in his mouth. The photographs are in an envelope with No 122 on the top left edge. On the front Oklahoma has been crossed out. Addressed to Miss G Perry Katenka.photograph, person, gertrude perry, gertrude perry collection, mrs helen hopper, mr hopper, katenka.

Sad-irons or "solid" irons were made by blacksmiths and used to smooth out material by pressing the hot iron over it. A piece of sheet -iron was placed over the kitchen fire and the irons placed on it could be heated whilst remaining clean of ash.. The women used 2 irons - one heating while the other was used. Thick cloth or gloves protected their hands from the hot irons. The handle was removed from the cool iron and re- attached to remove the hot iron from the fire. The cool iron was replaced on the fire or stove to heat again. These irons were cleaned with steel wool to prevent them marking the material. If the iron was too hot the material would scorch. Most homes set aside one day for ironing and some large households had an ironing room with a special stove designed to heat irons. However, most women had to work with a heavy, hot iron close to the fireplace even in summer. Late in the 19thC designers experimented with heat retaining fillings for these irons. William Coleman began selling Kerosene lanterns in 1900 in Kingfisher, Oklahoma, USA. He moved to Wichita, Kansas in 1902 and the company became world wide. The company also produced a range of cooking stoves and domestic irons. This spirit- fuelled flat iron was very popular in 1920s - 30s These sad irons remind us of the difficult circumstances experienced in their daily routines by the pioneers and early settlers of Moorabbin Shire The family of Miss M Curtis were early settlers in Moorabbin ShireA) spirit- fuelled, sad iron with chrome plated sole c1920, and metal trivet The iron is blue enamel with a white speckled body, with a hemispherical tank for the Coleman 'Lighting Petrol' that provided the heat for smoothing the material B) Coleman Fuel measuring can and funnellMetal Trivet/stand " COLEMAN" ; Petrol can " COLEMAN" / MEASURING CAN / for INSTANT LIGHTING IRON/ with printed instructionssad iron, kitchen equipment, coleman william, kansas, oklahoma, pioneers, early settlers, market gardeners, sewing, craftwork, clothing, moorabbin, brighton, bentleigh, fireplaces, stoves, petrol fuelled irons, spirit flat irons, coleman lamp stove co. ltd.

Language - Preservation and use. Language - Social function. [Maori: New Zealand Latin]. Language planning. [Language planning in a trans-national speech community]. [The way of the drum - when earth becomes heart] [The need for an ecological cultural community] Community language management. [Methods of madness: The Tuscarora Language Committee] [Daghida: Cold Lake First Nation works towards Dene language revitalization] [The Jicarilla Apache language summer day camp] [Report on the workshop "World of Inukitut"]. Arizona. New Mexico. Oklahoma. Adult education. Women's literacy. [Teaching reading with puppets] [Assessing Lakota language teaching issues on the Cheyenne River Reservation] [Incorporating traditional Nehiyaw/Plains Cree education in the university] [Collecting texts in Crao and Portuguese for teaching] [Early vocabularies and dictionary development: A cautionary note] [The process of spelling standardization of Innu-Aimun (Montagnais)] Pidgin. Creole. [Ojibway hockey CD-ROM in the making] [The use of multimedia and the arts in language revitalization, maintenance and development: The case of the Balsas Nahuas of Guerreo, Mexico] [The languages of Indigenous Peoples in Chukotka and the media] [Meeting of the Inukitut and Yupik family of languages on May 12, 2000]B&w photographs, diagrams,international language forum, community based practice, language research, conference papers, language policy, language and whole community development, literacy development, media, educational advances, canada, united states, new zealand, zimbabwe, mexico, russia, caribbean, inui, yupik

1. Language Revitalization: An Overview /? Leanne Hinton 2. Diversity in Local Language Maintenance and Restoration: A Reason For Optimism /? Anna Ash, Jessie Little Doe Fermino and Ken Hale 3. Federal Language Policy and Indigenous Languages in the United States /? Leanne Hinton 4. "... To Help Assure the Survival and Continuing Vitality of Native American Languages" /? Robert D. Arnold 5. Language Planning /? Leanne Hinton Introduction to the Pueblo Languages /? Leanne Hinton 6. Native Language Planning: A Pilot Process in the Acoma Pueblo Community /? Christine P. Sims 7. The Key To Cultural Survival: Language Planning and Revitalization in the Pueblo de Cochiti /? Regis Pecos and Rebecca Blum-Martinez The Navajo Language: I /? Ken Hale 8. Navajo Head Start Language Study /? Paul R. Platero 9. Introduction to Revitalization of National Indigenous Languages /? Leanne Hinton Introduction to the Welsh Language /? Leanne Hinton 10. Welsh: A European Case of Language Maintenance /? Gerald Morgan Introduction to the Maori Language /? Ken Hale 11. Te Kohanga Reo: Maori Language Revitalization /? Jeanette King An Introduction to the Hawaiian Language /? Leanne Hinton 12. The Movement to Revitalize Hawaiian Language and Culture /? Sam L. No'Eau Warner 13. "Mai Loko Mai O Ka 'I'ini: Proceeding from a Dream": The 'Aha Punana Leo Connection in Hawaiian Language Revitalization /? William H. Wilson and Kauanoe Kamana 14. Teaching Methods /? Leanne Hinton The Karuk Language /? Leanne Hinton 15. Teaching Well, Learning Quickly: Communication-Based Language Instruction /? Terry Supahan and Sarah E. Supahan The Navajo Language: II /? Ken Hale 16. Tsehootsooidi Olta'gi Dine Bizaad Bihoo'aah: A Navajo Immersion Program at Fort Defiance, Arizona /? Marie Arviso and Wayne Holm 17. The Master-Apprentice Language Learning Program /? Leanne Hinton 18. Linguistic Aspects of Language Teaching and Learning in Immersion Contexts /? Ken Hale 19. New Writing Systems /? Leanne Hinton An Introduction to Paiute /? Leanne Hinton and Ken Hale 20. Language Revitalization in the San Juan Paiute Community and the Role of a Paiute Constitution /? Pamela Bunte and Robert Franklin 21. Audio-Video Documentation /? Leanne Hinton Australian Languages /? Ken Hale 22. Strict Locality in Local Language Media: An Australian Example /? Ken Hale The Arapaho Language /? Ken Hale 23. Reflections on the Arapaho Language Project, or When Bambi Spoke Arapaho and Other Tales of Arapaho Language Revitalization Efforts /? Stephen Greymorning Irish /? Ken Hale 24. Continuity and Vitality: Expanding Domains through Irish-Language Radio /? Colleen Cotter The Mono Language /? Ken Hale 25. On Using Multimedia in Language Renewal: Observations from Making the CD-ROM Taitaduhaan /? Paul V. Kroskrity and Jennifer F. Reynolds 26. Can the Web Help Save My Language? /? Laura Buszard-Welcher 27. Training People to Teach Their Language /? Leanne Hinton Inuttut and Innu-aimun /? Ken Hale 28. The Role of the University in the Training of Native Language Teachers: Labrador /? Alana Johns and Irene Mazurkewich Languages of Arizona, Southern California, and Oklahoma /? Leanne Hinton 29. Indigenous Educators as Change Agents: Case Studies of Two Language Institutes /? Teresa L. McCarty, Lucille J. Watahomigie and Akira Y. Yamamoto /? [et al.] The Navajo Language: III /? Ken Hale 30. Promoting Advanced Navajo Language Scholarship /? Clay Slate 31. Sleeping Languages: Can They Be Awakened? /? Leanne Hinton 32. The Use of Linguistic Archives in Language Revitalization: The Native California Language Restoration Workshop /? Leanne Hinton The Ohlone Languages /? Leanne Hinton 33. New Life for a Lost Language /? Linda Yamane.Maps, b&w photographs, tables, word listslanguage policy, language planning, language maintenance, language revitalization, language immersion, language literacy, media and technology, language education and training, sleeping languages, navajo, arapaho