Diaries of Tim Burstall November 1953 to December 1954. Tim Burstall lived in Eltham. Tim Burstall, the celebrated director of Stork, Alvin Purple and numerous other definitive 'ocker' comedies, is credited with shaking the moribund Australian film industry out of its torpor. But long before that, in the early 1950s, he began keeping a diary to record the world of the group of 'arties' and 'intellectuals' he was living among in Eltham, then a rural area outside Melbourne, where cheap land was available for mudbrick houses and studios, and where suburban rigidities could be mercilessly flouted. Burstall was in his mid-twenties, with two young sons and an open marriage with his wife, Betty. Eager to become a writer, to go against the grain, he kept a record almost daily-of the parties and the talk in pubs and studios, about art and politics and sex, of Communist Party branch meetings and film societies, of political rallies and the first Herald Outdoor Art Show. Somehow, while holding down a public relations job in the Antarctic Division and juggling his love affairs and obsession with the beautiful, brainy Fay, he wrote 500 words almost every day. Betty, according to the diaries, kept the show on the road, feeding friends after the pub, milking goats and working in her pottery making bowls and mugs, which Tim sometimes decorated at weekends. These Memoirs of a Young Bastard, as Burstall dubbed himself and them, are among the most evocative Australian diaries of modern times. Burstall can write. He has an eye for the telling detail, an unerring ear for cant and pomposity and, most endearingly, an ability to mock himself-always from the perspective of a bloke of his generation. Source: Publisherxxiv, 343 p., [18] p. of plates : ill., maps, ports., facsims. ; 27 cm.ISBN 9780522858143diary, motion picture director, film director, author

Local newspaper articles on the Reverend Hilary Roath, among the first women priests ordained by the Anglican Church, and the first female chaplain in the City of Ringwood

Soft cover foolscap size book. 96 pages with b & w illustrations, images and maps (some folded). Part of Occasional reports series (Victoria Archaeological Survey) ; No. 27. Published by Department of Conservation and Environment, Melbourne, 1990. Author, Hilary Du Cros. BMDHS Loc. AR/SU5This study aimed to locate and document Aboriginal archaeological sites in the western region of Melbourne. This area was defined by the study as extending out from the western suburbs of Melbourne to the Brisbane Ranges and north beyond Bacchus Marsh. The specific aim of the study was to investigate the Aboriginal archaeology of the Western Plains area in the vicinity west of Melbourne. The Bacchus Marsh, Melton and Werribee shire boundaries of the time defined the areas of the study. The study contains extensive lists of the types of artifacts found the the locations where they were found. aboriginal australians victoria western plains, aboriginal artifacts, archaelogical sites victoria western plains, aboriginal artifacts bacchus marsh region

1996, 290

Copy from Mrs Jessie Williams scrapbook of article from Nunawading Gazette 12 February 1969 about the subdivision of Trove Park Drive Estate by Mr Hilary Watson.Article on Council decision to demolish Moreton Park Hall (used as Regal Theatre) in order to build a branch library (ca 1965). williams, jessie, trove park drive estate, vermont, land subdivision, watson, hilary, cantley lane, brentford square shopping centre, forest hill, nunawading swimming pool, nunawading memorial swimming pool, nunawading pool, aqualink nunawading

Book, hard cover, 12 sections, sewn with end papers, 210 pages, titled "Destination unknown", written by Agatha Christie, published by The Crime Club, 1954. Has the stamp of the Footscray Tramway Library, asking it to be returned within 14 days inside the front cover and in many places throughout the book, along with Number "606" on the inside front cover and on the spine of the book. The book was part of a library run by the depot staff to provide materials during broken shifts and to take home. From Wikipedia - accessed 26/12/2019: Plot summary Hilary Craven, a deserted wife and bereaved mother, is planning suicide in a Moroccan hotel, when she is asked by British secret agent Jessop to undertake a dangerous mission as an alternative to taking an overdose of sleeping pills. The task, which she accepts, is to impersonate the wife of Thomas Betterton, a nuclear scientist who has disappeared and may have defected to the Soviet Union. Soon she finds herself in a group of oddly-assorted travellers being transported to the unknown destination of the title. The destination turns out to be a secret scientific research facility disguised as a modern leper colony and medical research center at a remote location in the Atlas Mountains. The scientists are well-treated, but they are not allowed to leave the facility, and they are locked in secret areas deep inside the mountain whenever government officials and other outsiders visit. Hilary Craven successfully passes herself as Betterton's wife Olive, because he is miserable and wants desperately to escape. Hilary discovers that the facility was built by the fabulously wealthy and somewhat villainous Mr Aristides, for financial rather than political ends. He has lured the world's best young scientists to it with various deceptions so that he can later sell their services back to the world's governments and corporations for a huge profit. She falls in love with Andrew Peters, a handsome young American who was in the group with her on their journey to the facility. With the help of clues she has left along the way, Jessop eventually locates and rescues her and the others held there. Peters turns out also to be on a mission, intent on bringing Betterton to justice for the murder of his first wife. Betterton, revealed to also be a scientific fraud who plagiarized his work, is arrested. Hilary no longer wants to die, and she and Peters are free to begin their life together.On the top of the first page "13/3" indicating the price, "m/arz"? on the bottom left hand corner and inside the front cover the label of "Robertson & Mullens Ltd" booksellers.trams, tramways, footscray depot, libraries, novels, personnel, crews, shifts

Introduction: The significance of international law /? Sarah Pritchard.-- Linking international standards with contemporary concerns of Aboriginal and Torres Strait Islander peoples /? Mick Dodson.-- The UN Charter-based human rights system: The UN Charter-based human rights system: an overview /? Garth Nettheim.-- Working Group on Indigenous Populations: mandate, standard-setting activities and future perspectives /? Sarah Pritchard.-- The UN treaty-based human rights system and individual complaints: The UN treaty-based human rights system: an overview /? Hilary Charlesworth.-- Individual complaints: an overview and admissibility requirements /? Hilary Charlesworth.-- Individual complaints: historical perspectives and the International Covenant on Economic, Social and Cultural Rights /? Philip Alston.-- Individual communications under the Optional Protocol to the International Covenant on Civil and Political Rights Elizabeth Evatt.-- Individual communications: the Convention against Torture and the Convention on the Elimination of All Forms of Racial Discrimination /? Michael O'Flaherty.-- The UN treaty-based human rights system and periodic reporting: Periodic reporting: the International Covenant on Economic, Social and Cultural Rights and the Convention on the Rights of the Child /? Philip Alston.-- Periodic reporting: the International Covenant on Civil and Political Rights and the Convention on the Elimination of All Forms of Discrimination against Women /? Elizabeth Evatt .-- The Committee on the Elimination of Racial Discrimination: non-governmental input and the early warning and urgent procedure /? Michael O'Flaherty.-- Indigenous peoples and some relevant human rights standards: Substantive provisions of the International Convention on the Elimination of All Forms of Racial Discrimination /? Michael O'Flaherty.-- The International Covenant on Civil and Political Rights and Indigenous peoples /? Sarah Pritchard.united nations -- history. indigenous peoples -- legal status, laws, etc. aboriginal australians -- civil rights. aboriginal australians -- legal status, laws, etc. human rights.

139 pagesnon-fictionDirectory which contains more than 600 organisations and individulas throughout Australia which have collections of pictorial material of Australian subjects. From fine art modes such as paintings or prints to photographic forms ranging from early glass negatives to video formats.directories, photographic collections

ill (b/w, col), p.49.non-fictionA descriptive and pictorial history of the PzKpfw 38 (t) light tankarmoured warfare - germany - history, pzkpfw 38 (t)

I am interested in the history and practice of weaving and textile production and the growing of cotton in different areas of the world, especially as it relates to my Lancashire, UK heritage. The cotton painting drop cloth has been dyed with Australian native plants and the warp threads exposed by removing the weft showing the simple robust structure of this fabric characteristic of the interlacing of warp and weft in plain weave. This work can be hung or can stand on a plinth or table.Wangaratta Art Gallery Collection. Donated by June Brown.A textile work that features a piece of cotton drop cloth that has has sections of the warp threads removed and other sections plant dyed brown to create a radial effect.hilary buckland, textile, plant dyed

Ring bound paper manual with clear front cover.non-fictionThe Small Museums Cataloguing Manual is a guide to the hands-on process of documenting objects and visual material in heritage collections such as those in regional and community museums and historical societies.

Ill, p. 263.non-fictionLocal history and family origins in Co. Wexford, Irelandwexford - ireland, geneology - ireland

The Kew Historical Society’s collection includes a wide range of leisure objects. Many of the items are European-made, generally of British origin, however there are a number that were made for the Australian market by Australian manufacturers. There were clearly a huge range of toys produced for the Australian and International children’s market in the Nineteenth and Twentieth centuries. The examples of toys in the collection include examples of alphabet toys, arcade toys, baby toys, construction toys, dolls, doll accessories, educational toys, soft toys, tin toys, toy animals, toy blocks, toy machines, toy typewriters, etc. Boxed children's construction toy, suitable for children 2-2.5 yearstoys, games and puzzles, hilary page, kiddicraft

"These prints are the first series of many that I intend to create documenting my travelling companions on the 86 tram as I come and go from my studio in Northcote. I see them as a continuation of the tradition of portraits that capture so much more than likeness." - Hilary Jackman Artist Bio Hilary Jackman studied Illustration at RMIT (1960-1963), assisted by the John Story Junior Memorial Scholarship. Scholarships enabled her to study and work in Europe on three occasions during her career. Hilary returned to RMIT (1997-2001), completing a degree in Printmaking followed by an Honours year in Sculpture. Influenced by the artistic community of Eltham, Hilary developed a creative practice focused on the natural environment, realised through direct observation. She began painting mostly landscapes in the seventies, switching to a studio practice focused on still life in the nineties. Hilary has exhibited consistently, presenting around eighteen solo exhibitions to date. Hilary’s practice is based at Artery Cooperative studios in Northcote since 2004. Hilary’s work has been acquired by Nillumbik, Banyule, Manningham and Darebin Municipal collections, the National Gallery of Victoria and the Ballarat Regional Gallery. She has been awarded the Centenary Medal for service to the community as an artist.86 tram

"These prints are the first series of many that I intend to create documenting my travelling companions on the 86 tram as I come and go from my studio in Northcote. I see them as a continuation of the tradition of portraits that capture so much more than likeness." - Hilary Jackman Artist Bio Hilary Jackman studied Illustration at RMIT (1960-1963), assisted by the John Story Junior Memorial Scholarship. Scholarships enabled her to study and work in Europe on three occasions during her career. Hilary returned to RMIT (1997-2001), completing a degree in Printmaking followed by an Honours year in Sculpture. Influenced by the artistic community of Eltham, Hilary developed a creative practice focused on the natural environment, realised through direct observation. She began painting mostly landscapes in the seventies, switching to a studio practice focused on still life in the nineties. Hilary has exhibited consistently, presenting around eighteen solo exhibitions to date. Hilary’s practice is based at Artery Cooperative studios in Northcote since 2004. Hilary’s work has been acquired by Nillumbik, Banyule, Manningham and Darebin Municipal collections, the National Gallery of Victoria and the Ballarat Regional Gallery. She has been awarded the Centenary Medal for service to the community as an artist.86 tram

"These prints are the first series of many that I intend to create documenting my travelling companions on the 86 tram as I come and go from my studio in Northcote. I see them as a continuation of the tradition of portraits that capture so much more than likeness." - Hilary Jackman Artist Bio Hilary Jackman studied Illustration at RMIT (1960-1963), assisted by the John Story Junior Memorial Scholarship. Scholarships enabled her to study and work in Europe on three occasions during her career. Hilary returned to RMIT (1997-2001), completing a degree in Printmaking followed by an Honours year in Sculpture. Influenced by the artistic community of Eltham, Hilary developed a creative practice focused on the natural environment, realised through direct observation. She began painting mostly landscapes in the seventies, switching to a studio practice focused on still life in the nineties. Hilary has exhibited consistently, presenting around eighteen solo exhibitions to date. Hilary’s practice is based at Artery Cooperative studios in Northcote since 2004. Hilary’s work has been acquired by Nillumbik, Banyule, Manningham and Darebin Municipal collections, the National Gallery of Victoria and the Ballarat Regional Gallery. She has been awarded the Centenary Medal for service to the community as an artist.86 tram

Hilary Jackman studied Illustration at RMIT (1960-1963), assisted by the John Story Junior Memorial Scholarship. Scholarships enabled her to study and work in Europe on three occasions during her career. Hilary returned to RMIT (1997-2001), completing a degree in Printmaking followed by an Honours year in Sculpture. Influenced by the artistic community of Eltham, Hilary developed a creative practice focused on the natural environment, realised through direct observation. She began painting mostly landscapes in the seventies, switching to a studio practice focused on still life in the nineties. Hilary has exhibited consistently, presenting around eighteen solo exhibitions to date. Hilary’s practice is based at Artery Cooperative studios in Northcote since 2004. Hilary’s work has been acquired by Nillumbik, Banyule, Manningham and Darebin Municipal collections, the National Gallery of Victoria and the Ballarat Regional Gallery. She has been awarded the Centenary Medal for service to the community as an artist.painting

Hilary Reardon Collection; Garment made by Mrs. Margaret RobinsonEvening dress of cream self-spotted silk with beaded neck and hem with piped waistline. Full length- Hand finishedlocal history, costume female, dress, robinson, margaret, reardon, hilary, fashion

1959 was the first issue of 'Threshold'. In 1951 thirty girls started a junior technical course for the first time in Ballarat, under the Principal of the Ballarat School of Mines. By 1959 it had increased enormously with an enrolment of 284 students, and its own headmistress. The early school took place in the Dana Street Primary School and a large portion of the Ballarat Technical Art School. It was not thought necessary for girls to produce a magazine, but Joan Hood (Kirner) was determined that the girls would have the same opportunity as the boys. “When I went out teaching, I went to Ballarat Girls Tech, where I met [husband] Ron who was at Ballarat Boys Tech. They were seen as tough schools, and I saw the disadvantage faced by these girls who were at the lowest of the low of the education rung – and yet there were some fantastic girls there who needed equal opportunity. So I think it was teaching that cemented in my mind that people don’t get an even go – and in particular girls. It didn’t take me too long to realise blokes were largely empowered. And it was teaching that cemented how equity and empowerment for women could be achieved through education.” Sarah Capper: You graduated from Melbourne University in 1958, and as mentioned, began work as a teacher in Ballarat. You married Ron in 1960 and received one of those government letters asking you to resign - JK: Yes, I think it burnt a hole in my pocket when I brought it home! We were both teachers, and I said to Ron, “Well, you got married – where’s your letter?!” That really clarified that the world wasn’t quite even, even in this profession that I’d always wanted and loved. I didn’t get superannuation – I think I got something like 100 pounds as pay in lieu of permanent service. And that wasn’t just me – that was a whole generation. Fancy that – that’s what it said – “pay in lieu of permanent service”. So that made me livid. If I hadn’t been a feminist before then, I certainly was by then. I realised the distribution of power was different for women and men. http://sheilas.org.au/2014/02/a-bonza-joan-kirner/, accessed 06/06/2015 The four houses of the Ballarat Girls' Technical School were Bass House, Sturt House, Flinders House and Mitchell House. Orange and green soft covered magazine of 24 pages. Includes a message from the headmistress, Fay Moore, and a photograph of the Magazine Committee featuring teacher Joan Hook (later Joan Kirner, Premier of Victoria). Information and a photograph is given for the following personalities: Sandra McHenry, Sylvia Rowe, Heather Young, Beverley Davis, Lorna Robertson, Janice Hunter, Margaret Ayars, Margaret Veal, Heather O'Brien, Hilary Batt, Leone Davies, Marlene Drever, Janet Smith.ballarat girls' technical school, joan hood, joan kirner, fay moore, i.e. harris, faye hilton, marilyn miller, lesley cutts, margaret jones, moira blair, rosemary davies, lorraine button, vivienne guy, lorraine krankovich, loralie crabbe, beverley davis, shirley dean, lorrice campbell, hilary batt, valerie stewat, sandra mchenry, joy henderson