A collection of stories and artwork.drawing, vietnamese - 20th century, vietnam war, 1961-1975 - art and the war

Since the days of Valley Forge, artists have witnessed and documented the annals of Americans at war.united states. marine corps. - art collections, vietnam war, 1961-1975 - art and the war

Ill, p.160.non-fictionThis book brings the personal stories of the Vietnam war to Australiansvietnam war - 1961-1975 - australian participation, vietnam war - 1961-1975 - works of art

An account of the anti-Vietnam demonstration held in Washington in October 1967 that is 'also about the nature of politics and power, about why the Americans should and should not be in Vietnam, it's about anxiety, middle age and marriage...about the art of writing...' it's about action, totalilarianism, voilence, fear, boredom and all the facets of contemporary American schizophrenia. 1961 - 1975 - united states, 1961 - 1975, personal narratives, american, vietnam war, 1961-1975 - demonstrations-united states

The enigma of the Vietnam conflict...where truth was elusive and confusion rampant. For me separating fact from fiction became an art, knowing it could mean the difference between my life and death. 1961-1975 -- personal narratives, vietnam war, 1961-1975 -- women -- personal narratives, dam pao hospital, vung tau highway, the unknown soldier, iris roser

Viet nam Voices exhibits, for the first time, the art of friend and foe, compatriot and enemy alike.vietnam war, 1961-1975

Viet nam Voices exhibits, for the first time, the art of friend and foe, compatriot and enemy alike.vietnam war, 1961-1975

Laurence SCOTT PENDLEBURY (1914 - 1986) Born Melbourne Laurence Scott Pendlebury studied at the National Gallery of Victoria School between 1932 and 1938 and then at Swinburne Technical College. He served during World War Two with the AIF between 1941 and 1945. Teaching at Swinburne Technical College between 1946 and 1963 Laurence Scott Pendlebury was head of the art school from 1963 until his retirement in 1974. He was president of the Victorian Artists’ Society from 1961 to 1963. Awards include: Dunlop Prize in 1950, 1951, 1953 and 1954; Gibson Prize, Victorian Artists’ Society in 1956; Wynne Prize in 1956, 1957, 1960 (shared with John Perceval) and 1968; Caltex Prize in 1957; Victorian Artists’ Society Artist of the Year (shared) in 1975. Portrait of Nornie Gude, the artist's wife, holding a violin. Nornie Gude was a student of the Ballarat Technical Art School, a division of the Ballarat School of Mines. Nornie Gude was the daughter of Walter Gude, a leding musician, and highly regarded teacher. She grew up in Ballarat and was educated at Loreto College. From 1931 to 1936 Nornie Gude attended the Ballarat Technical Art School, a division of the Ballarat School of Mines. She was accepted into the School at the age of 15 because she was so advanced in painting. Nornie Gude studied at Ballarat for five years before progressing to Melbourne’s National Gallery of Victoria School. As a violinist Nornie Gude played for more than a decade with the Zelman Orchestra. This work was a finalist in the 1978 Archibald Prize.artists, artwork, laurence scott pendlebury, pendlebury, nornie gude, gude, available, alumni