Sheet with the four sides of a tea packet printed in dark blue and white. Two sides have Specially Selected Teas from the finest gardens of Ceylon & India. A. Heaney, tea Merchant, 274 Victoria St., North Richmond. The other two sides have Pure Economical Pure Blended Heaney's Teas Fragrant & Refreshing. 1/2 lb. Net Weight printed on them.business, printers, cambridge press, cambridge press collection, a heaney, heaney's teas

Item in the Melbourne Herald Sun newspaper, 25/1/1996 that the State Government had pledged excess W class trams to a planned Ballarat Tramway. Reports on the public meeting on the previous Tuesday, comments on proposals. Notes comments by Vern Robson, Chief Commissioner City of Ballarat, Public Transport Minister Alan Brown. Written by Claire Heaney. Has the newspaper details and date taped alongside item.trams, tramways, feasibility study, w-class trams, ballarat city tramway, ballarat revival

Brown frame with khaki mounting containing photograph of 8 men standing, 3 men sitting with a woman sitting in the centre.Back: Presentation of National Service Medals, Federal Member for Indi Sohpie Panopoulos 22 October 2003. Vin Murray, Barry Harris, Peter Styles, Ray Bliss, Bill Edgar, Les Wood, Ian Stewart, Geoff McClure, Kevin Schulz Sec: Jim Payne, Pres: Tom Heaney, Member for Indi Sophie Panopoulosnasho, wangaratta, national servicemen's association

Bendigo Advertiser "The way we were" from Monday, June 28, 2004. Class of 1968: form four, Church of England Girls Grammar School, Vine Street, Bendigo. Form teacher was Lilian Hocking. Pictured: Linley Grylls, Marrion James,Jean Heaney, Joc Edgar, Libbi Turner, Kerry Larcombe, Lee Snell, C. Jones, Prue Atkinson, Jane Moss, Jenny Porter, Jenny J. Porter, Lilian Hocking, Julie Williamson, Sue Baldwin, Yvonne Hickson, Julie Anderson, Kate Branson, Janet Clarke, Sandra Forbes, June Hayes, Kaye Price, JaneMcDonald, Jenny Gibbs, Nola Maskell and Elizabeth Martin.newspaper, bendigo advertiser, the way we were

The work was installed at the cnr of Bridgport St and the Midland Hwy, adjacent to the Daylesford Library, in 1999. The work was commissioned by the Friends of the Library, Daylesford and funded by Arts Victoria and the Australia Council. Poemscape: a physical anthology is a much loved site specific installation work commissioned by the Friends of the Library, funded by Arts Victoria and the Australia Council, made by Daylesford resident Patrick Jones in response to his interests in the provision of public food, the development of locavore sensibilities and the rethinking of economies of material accountability and regard. Patrick Jones is a poet and non-fiction writer, a visual artist and ecological thinker. In 2013 Patrick Jones was awarded the degree of Doctor in Creative Arts from the University of Western Sydney for his thesis, 'Walking for food. Regaining permapoesis.'Public Art Environmental installation work installed near the Daylesford Library. Poemscape: a physical anthology comprises of 19 apple trees (18 Fuji apple trees and 1 Granny Smith apple tree) planted on the corner of Bridgport St and the Midland Hwy, adjacent to the library. Adjacent to each tree is a hardwood plinth at topped with a laser engraved brass plate that has been screwed in place. The text of each plate is by 19 poets including the artist and Daylesford resident Patrick Jones, local poets Peter O'Mara, Toby Sime and Robert Campbell, Australian poets Geoff Page, Kath Walker, D T Sime, Judith Wright, Ramona Barry, Jack Davis, Robert Campbell, Christopher Brennan and International Poets Dylan Thomas - Welsh, Sylvia Plath - American, Choku Kanai - Japanese, William Blake - English, Duo Duo - Chinese (translated from the Chinese by John Rosenwald), Yannis Ritsos- Greek (translated from the Greek by Kimon Friar & Kostas Myrsiades), Michel Deguy - French (translated from the French by Clayton Eshleman), Seamus Heaney - Irish and Rainer Maria Rilke - German. The title plate adjacent to the Granny Smith apple tree is by the artist/poet - Patrick Jones. See photographs with images of each of the laser engraved brass plates. permapoesis, artist as family, patrick jones, william blake, kath walker, chaku kanai, peter o'mara, sylvia plath, dylan thomas, geoff page, duo duo, d.t. sime, judith wright, yannis ritsos, michel deguy, ramona barry, seamus heaney, jack davis, rainer maria rilke, robert campbell, christopher brennan, hepburn shire, daylesford library, public art, installation art, environmental art, hepburn shire public art collection

In 1988 Her Majesty Queen Elizabeth II and Prince Philip travelled across Australia to take part in the bicentenary celebrations. In April Her Majesty Queen Elizabeth II and Prince Philip arrived in Geelong to open the Wool Week Display in the almost complete National Wool Centre. Crowds gathered to welcome the royal couple, wool shearing demonstrations took place outside the centre and “Spud” the sheepdog exhibited his heading talents. During their visit to the wool centre they were met by the chairman of the Geelong Regional Commission, Mr Colin Atkins and Mrs Monique Atkins. The Queen was presented with a rug woven by the museums 1910 gripper-type Axminster Jacquard carpet loom and the Duke was presented with a woollen jumper. In return the Queen presented three letters from the archives of the Windsor Castle to the museum. The couple left in the afternoon, charming the Geelong crowd. Souvenir newspaper, consisting of one large rectangular pieces of newsprint folded in half to form two pages. It contains articles and photographs relating to Her Majesty Queen Elizabeth II visit to Geelong in April 1988 where she opened the Wool Week Display in the almost complete National Wool Centre.Front page heading: Queen of heartsroyal visit

bib. p.256.fictionIn her colloquial retelling of these stories, Marie Heaney conveys the full dramatic and poetic power of one of Europe's oldest narrative traditions. The most important tales from the three major pre-Christian sequences - the Mythological Cycle, the Ulster Cycle and the Finn Cycle - are followed by lives of the saints Patrick, Brigid and Columcille, and the result is a uniquely accessible compendium. Encompassing both extremes of violence and the most sublime and tender imaginative fancy, the world of Over Nine Waves is one in which the present-day reader will have no difficulty finding his or her bearings. Marie Heaney is the ideal guide, demonstrating with authority what may still be too little known, that the ancient Irish legends are comparable in their force and profundity to any in the world. legends - ireland, tales - ireland

p.201.non-fictionA collection of essays of Seamus Heaney concerning the poems of Irish/Celtic authorsenglish poetry - history and criticism, english poetry - irish authors

Index, p. 240.non-fictionHis is "close-up" poetry - close up to thought, to the world, to the emotions. Few writers at work today, in verse or fiction, can give the sense of rich, fecund, lived life that Heaney does". (John Banville). "More than any other poet since Wordsworth he can make us understand that the outside world is not outside, but what we are made of". (John Carey). "Heaney's voice, by turns mythological and journalistic, rural and sophisticated, reminiscent and impatient, stern and yielding, curt and expansive, is one of a suppleness almost equal to consciousness itselfamerican poetry - history and criticism, english poetry - history and criticism