Tells te story of the first Japanese 'war bride' to be admitted entry to Australia after World War II. This book was owned by Ruby Fort.161 pages. b&w photographs. Brown dust jacket with drawing of bamboo.On fly leaf: "Ruby Fort Emily Rough"world war ii, japanese war brides, cherry parker

National Identity Card. Abraham Van Lier Alien Register, middlesex englanddocuments, general

Mary Leunig painting of some aliens calling all workers to rise up. Arise Ye Workers

The Weeds Poison Plants and Naturalized Aliens of Victoria Author: Alfred J Ewart, Assistant J.R. Tovey Herbarium Publisher: Government Printer Date: 1909 Label on spine with typed text RA 632.5 EWA warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, the weeds poison plants and naturalized aliens of victotia

Cream Booklet with red writing and Vietnamese Flag on cover. South Vietnam Liberation National Fronts Policy toward the officers and men in the US and Akien Army - 1966South Vietnamese flag Policy toward officers and men in the US and Alien Armysouth vietnam army, booklet

Alien Tax Receipt, dated 30/3/37. Matson Navigation Co.-The Oceanic Steamship Co. Received from Mr. R. H. S. Abbott.sciences, instruments - general, scalebuoy, bill ashman collection - correspondence, alien tax receipt, matson navigation co, the oceanic steamship co, r h s abbott, clayden

Individual Income Tax Return for Departing Aliens for Taxable Year 1936 in the name of Richard H. Smith Abbott. Purple U.S. Int. Rev. stamp dated Jun 27 1936.sciences, instruments - general, scalebuoy, bill ashman collection - correspondence, individual incomne tax return 1936, richard h smith abbott, guy t helvering, william welch

The orchestra consisted of German male civilians interned as "Enemy Aliens" during World War 2. Those interned in 1941 were former Australian residents and New Guinea missionaries.The program indicates the caring attitude of the Australian authorities in permitting the acquisition of musical instruments, and the encouragement offered to the internees in order to produce the concert. Original single page paper program with printed list of orchestral items to be performed by the camp orchestra,19th.and 20th. July 1941, in Internment Camp 1, Tatura. Also lists the names of the members of the orchestra and their instruments.Nil.

This book looks at the earliest years of contact between Aborigines and Europeans in the Melbourne area. The contact period saw the Wurundjerei-willam resisting, coping with and adapting to a new and alien culture. A degree of mutual respect seems to have existed, at least for a short time, of each other?s intentions. It appears that the settlement at Port Phillip did not encounter the degree of violence seen elsewhere.maps, b&w illustrations, colourwoiwurung, woi wurrung, wurundjeri, wurundjeri willam, merri merri, william thomas,

Clothing rationing was gazetted in May 1942 and continued until June 1948. It allowed each person 112 coupons per year and each item of clothing had a coupon value. eg. A man's suit was worth 38 coupons and a pair of socks were 4 couponsWW11 Clothing Ration Card: Pink card with blue fleck and black print to G. M. Grylls of Dingee. Civilian Identity No or Alien Registration No. V4F30498. Particulars of supplementary Issues. Ration book or Sheet No. V41D01. Date of Issue 23/10/45. Nature of Issue Special. On the back are Directions for use and signature of Holder Gwenyth M. Grylls. Box 625H.E. Daw, Gov. Print. Melb.government, federal, clothing ration card

sculpture, surreal, australian artist, alien, metal, dynamo, fibreglass

Invasion places an imaginative eye in Australian colonial history and turns around the dominant view, taking alien creatures into iconic London-based cityscapes, with white urban residents their victims. Cook's images express the shock that enveloped the Australian continent when European people appeared on Aboriginal shores. Aboriginals as aliens, sci-fi scaled animals - featherless birds, super sized grubs, giant lizards, possums on ufo's, laser shooting fembots, and clouds of rainbow lorikeets - arrive into urban London, the 'mother' country, and wreak havoc. Within the broad narrative are mini narratives that speak to the past, historical references that tease out and reverse the racist practices imposed on Aboriginals. The drama of such an event heightened with the use of vintage-inspired B-grade horror movie aesthetic - an ironic 'spoofy' edge.australian first nations art, photography, colonialisation, sci-fi

Invasion places an imaginative eye in Australian colonial history and turns around the dominant view, taking alien creatures into iconic London-based cityscapes, with white urban residents their victims. Cook's images express the shock that enveloped the Australian continent when European people appeared on Aboriginal shores. Aboriginals as aliens, sci-fi scaled animals - featherless birds, super sized grubs, giant lizards, possums on ufo's, laser shooting fembots, and clouds of rainbow lorikeets - arrive into urban London, the 'mother' country, and wreak havoc. Within the broad narrative are mini narratives that speak to the past, historical references that tease out and reverse the racist practices imposed on Aboriginals. The drama of such an event heightened with the use of vintage-inspired B-grade horror movie aesthetic - an ironic 'spoofy' edge.australian first nations art, photography, colonialisation, sci-fi

This type of card was issued to British subjects who were civilians. During World War II everyone in Australia was issued with a personal identity card and was required to report changes of address to the government. These cards were particularly important in the identification and monitoring of Aliens (non-citizen residents) , particularly non-Europeans and Asian residents.Emma Marriott was the daughter of a pioneer family of the City of Moorabbin. Her father was a Market Gardener.Brown card identified as an identity card, one side stamped Carnegie 1942 and addressed to Emma Rebecca Marriott; reverse side signed by E Marriott and witnessed by M Smith.world war ii, bentleigh, moorabbin, pioneer, identity card

Diggers & Mining. Gold. The Chinese soon became very unpopular with the white diggers on the goldfields. (1) Much of the hostility to them was the result of sheer prejudice directed against people who were alien in race, religion, and language; whose standard of living, by European criteria, was low; and who did not mix with other diggers, but lived - preforce - in separate camps in the diggings. Markings: 22 994.GOL. Used as a teaching aid.hanimounteducation, tertiary, goldfields

Tells the stories of those immigrants who experienced detention during World War 2 as enemy aliens in these allied nations. Some Italian families whose husbands were arrested as "security risks" were sent to internment camps such as Loveday S.A hundreds of miles away leaving their wives and families to cope alone during W.W.2Cover has colours of the Italian flag, green, white and red. Across the centre of the flag is a photo of Italian internees arriving at a camp.For our surrogate mother, Lurline Knee. Thank you for bringing the Tatura story to us. beast wishes from Claudia (Marsella) Barker may 2018.world war two, italian internees