The Certificate of Registration of an alien was issued to a non-British subject who was not an enemy but was residing on a permanent basis in Australia. This document was issued to Nicholas Alexander Black who was born on the Greek island of Ithaca in 1885 and had emigrated to Australia and settled in Geraldton, Western Australia in 1916. He was the proprietor of the Federal Coffee Palace, in Geraldton at the time the certificate was issued. The certificates were issued by the Commonwealth of Australia under the Department of Defence as a result of the War Precautions (Aliens Registration) Regulation 1916. The recipient of the certificate was obliged to carry it with him at all times. The Certificate of Registration of an Alien is an example of the regulations in place during the first half of the twentieth century as part of Australia's immigration policy which placed restrictions on non-British European immigration as a means of ensuring that Australia's population remained essentially British. At the time non-British Europeans immigrants to Australia were unassisted. Family members already settled in Australia were required to guarantee the new-comer's support. A certificate of registration of an alien issued by the Commonwealth Department of Defence.

Tan coloured seven page booklet with red print. Flag of South Vietnam National Liberation Front's - Viet Cong - Red and blue with yellow star in centre.Policy Toward the Officers and Men in the US and Alien Army 1966south vietnam, vietnam - foreign relations, vietnam - foreign relations - united states, sgt a moylan, 4 platoon, b coy, 7 rar, 7th battalion, 16063, royal australian infantry corps, arnold george moylan

Tells te story of the first Japanese 'war bride' to be admitted entry to Australia after World War II. This book was owned by Ruby Fort.161 pages. b&w photographs. Brown dust jacket with drawing of bamboo.On fly leaf: "Ruby Fort Emily Rough"world war ii, japanese war brides, cherry parker

non-fictionThis is a true story of Italians interned in England during the war years of 1940-1945. Following the disaster of the sinking of the "Arandora Star" on July 2nd 1940, the survivors were transported to Australia on the "Dunera" and kept in internment camps until the end of the war. Vittorio Tolaini"dunera", world war 1939-1945, internees, italian internees, "arandora star"

National Identity Card. Abraham Van Lier Alien Register, middlesex englanddocuments, general

Mary Leunig painting of some aliens calling all workers to rise up. Arise Ye Workers

The Weeds Poison Plants and Naturalized Aliens of Victoria Author: Alfred J Ewart, Assistant J.R. Tovey Herbarium Publisher: Government Printer Date: 1909 Label on spine with typed text RA 632.5 EWA warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, the weeds poison plants and naturalized aliens of victotia

Cream Booklet with red writing and Vietnamese Flag on cover. South Vietnam Liberation National Fronts Policy toward the officers and men in the US and Akien Army - 1966South Vietnamese flag Policy toward officers and men in the US and Alien Armysouth vietnam army, booklet

Alien Tax Receipt, dated 30/3/37. Matson Navigation Co.-The Oceanic Steamship Co. Received from Mr. R. H. S. Abbott.sciences, instruments - general, scalebuoy, bill ashman collection - correspondence, alien tax receipt, matson navigation co, the oceanic steamship co, r h s abbott, clayden

Individual Income Tax Return for Departing Aliens for Taxable Year 1936 in the name of Richard H. Smith Abbott. Purple U.S. Int. Rev. stamp dated Jun 27 1936.sciences, instruments - general, scalebuoy, bill ashman collection - correspondence, individual incomne tax return 1936, richard h smith abbott, guy t helvering, william welch

The orchestra consisted of German male civilians interned as "Enemy Aliens" during World War 2. Those interned in 1941 were former Australian residents and New Guinea missionaries.The program indicates the caring attitude of the Australian authorities in permitting the acquisition of musical instruments, and the encouragement offered to the internees in order to produce the concert. Original single page paper program with printed list of orchestral items to be performed by the camp orchestra,19th.and 20th. July 1941, in Internment Camp 1, Tatura. Also lists the names of the members of the orchestra and their instruments.Nil.

The four soldiers are members of the Civilian Military Forces recruited as 'Allied Aliens' and are pictured at Camp Pell, Royal Park Melbourne where a large military camp was located during World War 2.A number of Ithacan Greek men and Australian born men of Ithacan descent served in the Australian defence forces during World War 2 and saw active service. Those who had not become naturalised were recruited into the Civilian Military Forces as 'Allied Aliens' and served the war effort on the home front.A black and white photograph of four soldiers standing in front of an open tent at a camp.army

sculpture, surreal, australian artist, alien, metal, dynamo, fibreglass

This book looks at the earliest years of contact between Aborigines and Europeans in the Melbourne area. The contact period saw the Wurundjerei-willam resisting, coping with and adapting to a new and alien culture. A degree of mutual respect seems to have existed, at least for a short time, of each other?s intentions. It appears that the settlement at Port Phillip did not encounter the degree of violence seen elsewhere.maps, b&w illustrations, colourwoiwurung, woi wurrung, wurundjeri, wurundjeri willam, merri merri, william thomas,

Clothing rationing was gazetted in May 1942 and continued until June 1948. It allowed each person 112 coupons per year and each item of clothing had a coupon value. eg. A man's suit was worth 38 coupons and a pair of socks were 4 couponsWW11 Clothing Ration Card: Pink card with blue fleck and black print to G. M. Grylls of Dingee. Civilian Identity No or Alien Registration No. V4F30498. Particulars of supplementary Issues. Ration book or Sheet No. V41D01. Date of Issue 23/10/45. Nature of Issue Special. On the back are Directions for use and signature of Holder Gwenyth M. Grylls. Box 625H.E. Daw, Gov. Print. Melb.government, federal, clothing ration card

Invasion places an imaginative eye in Australian colonial history and turns around the dominant view, taking alien creatures into iconic London-based cityscapes, with white urban residents their victims. Cook's images express the shock that enveloped the Australian continent when European people appeared on Aboriginal shores. Aboriginals as aliens, sci-fi scaled animals - featherless birds, super sized grubs, giant lizards, possums on ufo's, laser shooting fembots, and clouds of rainbow lorikeets - arrive into urban London, the 'mother' country, and wreak havoc. Within the broad narrative are mini narratives that speak to the past, historical references that tease out and reverse the racist practices imposed on Aboriginals. The drama of such an event heightened with the use of vintage-inspired B-grade horror movie aesthetic - an ironic 'spoofy' edge.australian first nations art, photography, colonialisation, sci-fi

Invasion places an imaginative eye in Australian colonial history and turns around the dominant view, taking alien creatures into iconic London-based cityscapes, with white urban residents their victims. Cook's images express the shock that enveloped the Australian continent when European people appeared on Aboriginal shores. Aboriginals as aliens, sci-fi scaled animals - featherless birds, super sized grubs, giant lizards, possums on ufo's, laser shooting fembots, and clouds of rainbow lorikeets - arrive into urban London, the 'mother' country, and wreak havoc. Within the broad narrative are mini narratives that speak to the past, historical references that tease out and reverse the racist practices imposed on Aboriginals. The drama of such an event heightened with the use of vintage-inspired B-grade horror movie aesthetic - an ironic 'spoofy' edge.australian first nations art, photography, colonialisation, sci-fi