Novello's Part-Song Book containing the words and music for 'The Miller's Wooing'. The words by Julia Goddard and the music composed by Eaton Faning. It has music for Soprano, Alto, Tenor, Bass and Piano. More music is listed on the front and back covers with prices. St Paul's Harmony Club stamped in purple at the top of the front cover and at the bottom stamped in blue is Allan's Collins Street Melbourne.Novello Ewer and Co., 1 Berners Street (W) 80 & 81 Queens Street (E.C.) Londonperforming arts, music, singing, german heritage society collection - music - the miller's wooing, novello's part-song book, st paul's harmony club bendigo, allan's collins street melbourne, julia goddard, eaton faning

The Victorian Railways began in 1854 and in the first 14 years up to 1868 had managed to complete about 250 miles of track. The next 60 years saw the system expand to nearly 3000 miles. By 1931 every town with a population over 500 had its own railway station. Early Victorian railway maps indicate that the extension from Colac to Warrnambool and then onwards to Koroit, occurred in the period of the 1880’s when the act known as the Octopus act saw a rapid expansion of lines. At the time there was much debate over where the expansion of the lines should take place, with one of the prime considerations for Warrnambool was the impact it would have on its port.The building of the railway to Warrnambool and onward to Koroit was a significant event for the town. Green cloth cover with tan suede corner points and spine. Title printed in gold on front cover. Title printed in gold on red on spine. 92 pages. The contract is printed and includes handwritten entries with specifications.Handwritten on front cover and inside front cover ” Copy for Engr in Chief” .On Page 2 transferred to Allan Reid * 24/1/88 Co Briscoe & Co Little Collins Street, Melbourne.warrnambool, railways, warrnambool to koroit railway, victorian railways contract no 2937

This is an early 20th century musical composition by a leading Tasmanian composer, Florence Hull (Mrs Arthur Kenny). It is a sentimental song as the ‘sprig of boronia’ is a withered one, kept as a relic of some past event. This music was printed in the Victorian School Paper for Grades 7 and 8 in 1918 and the proceeds of copies of one of the editions of this work were donated to the Hawthorn Red Cross in Melbourne. Florence Hull’s musical works and memoirs are in the Tasmanian Archives. Paul Dufault, who sang this song, was a leading Canadian tenor who toured Australia and Europe. He died in 1930 aged 57. This sheet music has significance as it was composed by a Tasmanian woman in the early 20th century and it represents the type of music popular in concert halls at the time. It has been in the Warrnambool and District Historical Society collection for many years. This is a four page piece of sheet music (cover plus two pages of music). The paper is cream-coloured, discoloured in places, with brown print on the back of the cover and black notation on the music pages. The front cover is in brown, yellow and green tonings, with a chromolithographic illustration of a Boronia flower spray and some music bars. The back of the cover has information on eight of Florence Hull’s other compositions with comments by critics. The pages have been torn and mended with adhesive tape.Front Cover: ‘Sung by Paul Dufault’ ‘A Sprig of Boronia’ ‘Music by Florence Hull’ ‘Copyright, Price 2/- nett, Published by F. M. Kenny, Melbourne, Allan and Co. Pty. Ltd., 276-278 Collins Street, Melbourne, Adelaide, Bendigo, Geelong’ In pencil on front cover: ‘To Mac from ….., 25/8/24’ florence hull, paul dufault, warrnambool, a sprig of boronia sheet music, sheet music, warrnambool history

Karl Duldig’s ceramic bowl is a particularly interesting example of Karl’s ability to creatively respond to a new environment with a fresh visual repertoire, in this case, the flowering Eucalyptus in a design reminiscent of traditional European folk art. The bowl is an excellent example of the utilitarian and decorative studio pottery produced by Karl and his wife Slawa Horowitz-Duldig between 1944 and 1960. Clay was an important medium for Karl. When he was forced to flee Austria for Switzerland, working with clay became a convenient medium; and he continued to expand his use of clay in Singapore. In Australia his work in clay extended from domestic hand-made pottery to public sculptures and architectural reliefs. In 1944 Duldig purchased a kiln, which was installed in the garage of the family’s St. Kilda flat, soon after a pottery wheel was acquired. It was the beginning of a cottage industry that supplemented the family income during the war years and beyond. Duldig initially sold his decorative ceramic wares through a local florist in St. Kilda, and subsequently through shops such as the Chez Nous French Art Shop (Howey Place) and Light and Shade (Royal Arcade), and the Primrose Pottery shop in Collins Street. The Primrose Pottery shop was an extremely important commercial outlet, and hub, for emerging artists, potters and designers from 1929 until 1974. Its proprietors Edith and Betty MacMillan worked closely with their suppliers, commissioning and taking items on consignment. In the post war period important Melbourne studio potters such as Allan Lowe, Arthur Boyd, John Perceval and Neil Douglas exhibited and sold domestic wares in the Primrose Pottery shop. The Duldigs studio pottery provides a counterpoint to the ceramics produced at Arthur Merric Boyd Pottery in Murrumbeena, which was established in 1944 by Arthur Boyd, John Perceval and Peter Herbst. The emphasis on painterly decoration was important and the AMB potters also produced simple household wares decorated with Australian flora and wildlife, for example Neil Douglas also made small bowls decorated with the fairy wrens, lyrebirds, gumnuts and eucalypts. Ann Carew 2016The Duldig Studio’s collection of ceramics has national aesthetic and historic significance. It contains a representative sample of works of art in ceramics created by Karl Duldig during his lifetime, including small sculptures, as well as functional and novelty items for the tourist market during the 1956 Melbourne Olympic Games. The artist’s working methods and the development of his practice are comprehensively demonstrated in the collection. This in-situ collection demonstrates the philosophy of the Vienna Secession and its inheritors that handcrafted, simple functional domestic wares might enrich both the lives of the maker and the user. This bowl is part of a collection of ceramics that has national historic significance in providing a rich illustration of an immigrant and artistic experience, and touching on the themes of settlement adaptation of artistic practice. The collection is also associated with places of cultural and historical significance in Melbourne such as the Primrose Pottery Shop, and the story of Australian studio ceramics in the post-war years. Ann Carew 2016Cream earthenware bowl with flowering gum motif and sponged green background.Duldig in script incised under.

Postcard showing the Trig Point Observatory on Mt Dandenong. Two women and a man are standing on the rock base. Early 1900s.Printed on front of postcard: "OBSERVATORY," DANDENONG MOUNTAINS (VIC.) Printed on back of postcard: Photographed by ERASMUS B. ALLAN, Fitzroy ASK FOR Allan's "Guide to the Dandenong Mountains." Published Shortly. Price 1/- HUTCHINSON'S Lit. Collins Street Melbourne.mt dandenong, trig point, mt dandenong observatory, erasmus b allan

Song book with musical score for keyboard.Sylvia Schultz written on cover.books, music, musical books, granddad's songs, song book.

Photo shows a view of Collins Street Melbourne between Swanston and Elizabeth Streets. Has W2 No. 220 (West Preston Route 11) in the view along with many motor cars. In the background are Allans, Australia Hotel, Kodak, Howey House and the TAA shop.Yields information about Collins Street in the early 1970s.Black and White Photograph - Collins St with W2 220w2 class, collins st, tram 220, taa, allans, australia hotel, kodak, howey house, tramways, route 11

4-page typewritten letter dated 28 May 2012 from Richard Carter (Carter Real Estate) to Mr John Close, Archivist, Yarra Valley Grammar School, Kalinda Road, Ringwood Vic 3134 detailing research findings relating to the history of the school site and previous ownership by the Larkin Family.28 May 2012 Mr John Close Archivist Yarra Valley Grammar School Kalinda Road RINGWOOD VIC 3134 Dear John. Re; The Larkin Family I read with interest the article in the Link about the history of the school site and the previous ownership by the Larkin Family. That interest was influenced, of course, by the fact that the site was acquired on behalf of the school by my father Allan Ballard Carter who was an inaugural and foundation member of the School Council. I set about undertaking my research. Crown Grant Volume 1700 Folio 927 shows that "Thomas Larkin of Ringwood" purchased 51 acres 2 roods 22 perches(about 20.9 hectares) being Crown Allotment 40 in the Parish of Warrandyte from the Crown on 9 March 1885 for 52 pounds, being the prevailing rate of 1 pound per acre or part thereof. That land fronted two government roads, now known as Kalinda Road and Plymouth Road but earlier known as Wonga Park Road and Wonga Road. The distinctive kink in the school's Plymouth Road frontage dotes from that time. Adjacent to the land, on the corner of those two roads, was Crown Allotment 40A which you identify as having been acquired by Richard Wilioughby in 1876. That title contained an area of exactly 20 acres (8.09 hectares). Larkin's Crown Grant then notes that Michael Larkin of Victoria Street Camberwell, Gentleman, and Norah Larkin of Warrandyte, Widow, took title on 22 June 1892 as Executor Executrix of the Will of Thomas Larkin who died on 10 May 1891. Norah Larkin was presumably the widow of Thomas Larkin. The address ("of Warrandyte") is significant. She might not have been living on the land. Alternatively, the North Croydon locality could easily have been referred to as "Warrandyte". Was Michael Larkin the son, brother or even the father of Thomas Larkin? The title holds a few clues. -2- The next transfer was Norah Larkin as surviving executor of the Will of Thomas Larkin. That endorsement is dated 9 August 1909, obviously after the death of Michael Larkin. Perhaps he was, indeed, Thomas' father. That endorsement immediately proceeded the transfer on the same day of the date of the title into Norah's name absolutely, and not simply as Executrix of her late husband's estate. Norah Larkin died on 5 April 1918 and probate of her Will was granted to Thomas Larkin of Wonga Road Warrandyte, Fruit-grower. We can surmise that this Thomas was the son of Norah and her late husband Thomas and that the address "Wonga Road Warrandyte" could in reality have been what would be regarded as Plymouth Road Croydon, Thus, we can surmise that Thomas Larkin was operating an orchard on the land he was living in on 1918. Thomas Larkin took title to the property in his right in 1923 and held it until his death in August 1939. Probate of Thomas Larkin's Will was granted to Eileen Molloy of Healesville Road Ringwood and title was transferred into her name on 1 December 1939. Who was Eileen Molloy? Clearly she was not Thomas Larkin's daughter (she was a spinster), The address 'Healesville Road' refers to what is now Maroondah Highway, In fact the Molloy family lived on Maroondah Highway, west of Oban Road, not far from the land. Regardless of whether she was family or merely a friend, Eileen Molloy continued to hold the land until the land was sold for development, firstly to Parkmore Proprietory Limited in about 1958 and finally to Dehay Pty Ltd on 26 October 1960. Dehay Pty Ltd was a land development company of Mr David Hains of the Portland Property Group in Collins Street Melbourne. The company had land along Kalinda Road which was later subdivided into Grayling Crescent and into Chesney Drive and surrounding streets. Clearly the intention would have been to subdivide the Larkin and Molloy lands (together with Willoughby's land) into residential allotments. -3- !t was at about this time that Mr A Robin Clarke had conceived the idea of an independent boy's school in the location and has approached my father, presumably both to select a suitable site and to serve on the school council which was about to be formed. Allan Carter was obviously aware in his professional capacity of the land and its ownership and identified it as a suitable site for a school. He approached Mr Hains with a proposal to sell and was able to secure an agreement. I recall my father some years later commenting to me that Mr Hains could well have regarded the approach as ill-conceived and an approach merely by a loose consortium with many bright ideas, hopes and aspirations but no money! It is probably a testament to the calibre of Robin Clarke and those around him that David Hains was persuaded of the greater good in selling the land and enable the school to take root. The school took title of three parcels of land, being the whole of the Larkin Land and the Willoughby Land (which had been split in two in 1890) on 13 January 1964. The entire site which totalled 71.6376 acres was purchased for a price of t52,750. The transfer was signed by David Hains as Vendor on behalf of Dehay Pty Ltd and by J B Harper & R F Hughes on behalf of the school. The rest, as they say, is history. As an aside, I understand David Hains is still alive with active business interests. As perhaps the last survivor of events surrounding the purchase of the site, it might be prudent for the school to ascertain whether he would care to detail for the record the circumstances which lead to his purchase of the Larkin/Molloy/Willoughby lands and his sale to the school. The Willoughby Land also holds some history. Richard William Willoughby held his 20 acres on the corner from the date of the Crown Grant in 1876 only until his death in 1877. His executors continued to own it until 1890 when it was split in two and the northern portion of about 10 acres sold to Hugh Ta\A4on Knight of Spencer Street Melbourne, That portion was later sold in 1897 to William George Long of Melbourne, Fruit Merchant who. in turn, in 1903 sold it to his neighbour. "Thomas Larkin of Ringwood, farmer" on 27 May 1903. It was then held by the Larkin/Molloy family until 1960 when it was sold to Parkmore Pty Ltd and then, in 1961, to Dehay Pty Ltd. -4- Meanwhile the southern portion of the Willoughby Land was sold to William George Long in 1897 (who held the northern portion) before being sold to James Maggs of Wonga Park Road (now Kalinda Road) Ringwood. It ultimately was also purchased by Dehay Pty Ltd. Yours faithfully Richard Carter

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.