Consultative report - 8 A4 pages, stapled in the top right hand corner, titled "Public Transport in the Upfield Corridor". Prepared by Ove Arup Transportation Planning, dated May 1989. Provides an outline of the consultation process, dates, gives an outline of the options for the corridor, social costs, access to facilities, shoppers and business, costs and benefits. Two copies held. Second copy stamped 31/5/1989 -WMR Registry HDV.trams, tramways, upfield light rail, sydney rd, north coburg, conversion

Three articles under the title 'Bennelong Designs" (1) Drawing a dream by Mungo MacCallum (2) Dream into sculpture", (3) Consultant's role by Ove Arup. Robin Boyd’s desk cupboard contained two exercise books (item D482.1-D482.2) and assorted articles, essays and other material regarding the building of the Sydney Opera House, inserted inside the front cover of Walkabout magazine, July 1966 (item P1377). This publication is one of those inserts. Many of these were collected by Boyd’s eldest daughter, Mandie, who recalls that her father was writing a book, but was very disillusioned with the way the entire Opera House saga unfolded.Newspaper booklet of 24 pages, Nation No 192. pp. 12-15sydney opera house, utzon, sydney opera house project, walsh st library

Notes regarding sculptural form of Opera House design and Utzon's professionalism; and relationship with ARUPHandwritten, quarto, 1 page. Over a letter from Travelodge confirming cancellation of reservationjorn utzon, sydney opera house, sydney opera house project, arup, bucky, buckminster fuller, robin boyd, manuscript

Colour slide in a mount. Sydney Opera House Section Drawing. (Architects: Jorn Utzon and Arup.)Made in Australia / Encircled 46 (Handwritten)slide, robin boyd

Colour slide in a mount. Image of Sydney Opera House Model. (Architects: Jorn Utzon and Arup.)Made in Australia / Encircled 47 (Handwritten)slide, robin boyd

Colour slide in a mount. Image from a magazine of the Sydney Opera House Model. (Architects: Jorn Utzon and Arup.)Made in Australia / 1 (Handwritten) / Encircled 34 (Handwritten)slide, robin boyd

Colour slide in a mount. Model of the Sydney Opera House, taken of a 1957 photo by John Brine. (Architects: Jorn Utzon and Arup.)Sydney Opera House Model (Handwritten) / Encircled 40 (Handwritten) / From photo by John Brine during student visit, 1957 (Handwritten)mit bemis professorship, mit, robin boyd, slide

Colour slide in a mount. Sydney Opera House Model (specific model and model maker TBC). (Architects: Jorn Utzon and Arup.)Made in Australia / Encircled 48 (Handwritten)slide, robin boyd

In 1964, Robin and Patricia Boyd spent several weeks on a world tour - Boyd took a leading role at the International Design Conference in Aspen and he also visited Chicago, Yale University, and New York’s World Fair. The Boyds then travelled on to England, Finland (especially to see Tapiola), Russia and India to see Le Corbusier's Chandigarh, and also Hong Kong and Thailand.Colour slide in a mount. Leckhampton House, The George Thomson Building under construction, Corpus Christi College, Cambridge University, Cambridge, England, 1964. (Architects: Philip Dowson of Arup Associates.)Made in Australia / 26 / AUG 64M / Encircled 51 (Handwritten)slide, robin boyd

Robin Boyd was asked to write this article, after Jorn Utzon resigned for the Sydney Opera House commission. Description of the tension between Utzon requiring more freedom to develop his ideas, and the pressure applied by Davis Hughes, State Minister of Public Works of NSW Government. Boyd describes the controversy, the outblowing of costs. Robin Boyd’s desk cupboard contained two exercise books (item D482.1-D482.2) and assorted articles, essays and other material regarding the building of the Sydney Opera House, inserted inside the front cover of Walkabout magazine, July 1966 (item P1377). This publication is one of those inserts. Many of these were collected by Boyd’s eldest daughter, Mandie, who recalls that her father was writing a book, but was very disillusioned with the way the entire Opera House saga unfolded. A reprint from The Architectural Forum pp 21-22.Also p23-24, pp 81-84.A reprint from The Architectural Forum, p21.sydney opera house, utzon, davis hughes, arne jacobsen, saarinen, arup, edward herbert farmer, sydney opera house project, walsh st library

Pamphlet - two A4 sheets - may not have been issued at the same time, titled "Upfield Corridor Public Transport Study", looking at a fourth option for the Upfield line. Lists the four options and gives details of the 4th option - retaining a tram services in Sydney Road between Bell Street and Park St during business hours. Notes the consultative period has been extended to June 1989, gives advice that Ove Arup Transportation Planning has been recently appointed, prior appoints and contact details.trams, tramways, upfield light rail, sydney rd, north coburg, conversion

Press Release - 12 A4 photocopied pages, stapled in top left hand corner, titled "National Trust media release - Independent report favours retention of W-class trams", dated 18/8/1993. Press release supports the retention of W class trams over Z class trams, references a report by Ove-Arup and Cam Com. Provides quotes from Simon Molesworth, Chairman of the Trust's W Class Tram committee, Don Gibson. Provides copy of Report - looks at cost of maintaining and operating W and Z class trams. No reference to other types of trams. Gives history of the trams, notes withdrawal from service, spare parts, storage in North Melbourne. No mention of low floor trams or disability access.In top Right hand corner in ink "KS 9-9-93"trams, tramways, w class, scrapped trams, national trust

Melbourne Design Week: 14-24 March 2019 Sat 16 Mar 19, 2pm–10pm Norla Dome The Mission to Seafarers Victoria 717 Flinders St Docklands Indulge in a fleshy live experience. Reconnect with your primal being through a progression of sensorial confrontations. Recalibrate your connection to the world around you – the future depends on it. Sensory Experiments is a call for change – a Manifesto for Sensory Intelligence. Part social experiment, part philosophical inquiry and a fully immersive performance piece, this innovative project is forged from a collaboration between two of the city’s (and, indeed, the world’s) most progressive and inquiring minds. An eclectic cohort of creative contributors has been assembled to design a provocative experience intended to awaken the senses. Allow internationally renowned chef Justin James (Executive Chef of Vue de monde and Iki Jime and previously of Eleven Madison Park & Noma Copenhagen) to reignite your sense of taste. Avail yourself to floral artist Hattie Molloy’s interrogation of sensual perception with her reckoning of the Sublime. Absorb and participate in live-choreographed performances, and be aurally challenged by the masters behind the Sydney Opera House’s iconic acoustics. Come, bear witness, bring curiosity. Immerse yourself in this never-before seen collective. Guided by Sense Whisperers, you’ll wander through a series of live, uniquely designed corporeal experiences. Your emotional and physical responses will leave a digital imprint as the results of Sensory Experiments are transmitted in real time. Connect to self, connect to others, and connect to nature – and leave your mark on a living, breathing manifesto for living. Project Partners Matt Tambellini, More Studio and Mr. Kyle Mac, Design and Web Amara Speechley, Curated by, Marketing, PR & Partnerships Damien Boecasse and Erika Hirzinger, Event Production & Project Management Event Partners Justin James, Edibles Hattie Molloy and Emma Proudfoot, Flower Art Mihan Aromatics, Scent Design Chelsea Kate Evans, Performance Direction Samantha Iliov and Holly Simpson, Ensemble Studio, Costume Rachelle Austin, Olivia Reddan and Holly White, Set Stylists Isabel Johnson, Ed Supreme, Messaging and Copy Arup, Soundscape Design Hayden Sommerville, Videography Belle Nowak, Social Media Pord, Wine Tasting Noomi, Seating Website inscapesprojects.com Instagram: @inscapesprojectsA4 size flyer on creamy colour papercultural events, sensory experiments, ngv, national gallery of victoria, melbourne design week, 2019, community, norla dome, incas projects

Discusses the influence of background, temperament and creativity on an architect as well as the three phases in the development of architecture in 20th century and the theme of space. A long critique on the issue of the sails of the Sydney Opera House. The question of art versus technology in the future of architecture is argued. (Is this related to D020)This is an untitled speech, annotated with numbers indicating markers for slides, "Lights".Typewritten (carbon copy), with major pencil edits, quarto, 21 pages. Starts on page 2.On page 2, the title 'The Phases of Modern Architecture' is crossed out.creativity, functionalism, ornament, romanticism, fragmentation, space, computer, beauty, sydney opera house, sigfried giedion, jorn utzon, ove arup, super-functionalism, robin boyd, manuscript