The Church of St Michael and All Angels dates from the 15th century and is the Parish Church for Ashton under Lyne. It is believed there was a church on this site before the Norman Conquest as the Domesday Book mentions a St Michael's Church in the east of the ancient parish of Manchester. Much of the structure was re-constructed in Victorian times. The church with large windows in Perpendicular style. Buttresses were required with this type of building as the large window area reduced the strength of the walls. The church boasts boasts some of the best examples of fifteenth century stained glass left in Britain. There are eighteen panels illustrating the life of St. Helena. The church tower is 145 feet high and has a peel of thirteen bells. (From ashton-under-lyne.com) Holy Trinity Church, Bardsley was consecrated on the 10th October 1844 by the Bishop of Chester. The church was only the third church in the Borough of Ashton-under-Lyne to be carved out of the parish of St. Michael & All Angels, Ashton. The church was built on land donated by the Hulme Trustees..1) Sepia photograph mounted onto card showing Holy Trinity, Bardsley, Ashton-under-Lyne. Snow is evident in the foreground and the church is surrounded by a graveyard. .2) Sepia photograph mounted onto card showing St Michael's and All Angels church, alongside a graveyard.Signed lower LHS "J.W. Mellor" Lower RHS "Ashton-under-Lyne"cemetery, st michael s and all angels, ashton under lyne, j w mellor, tombstone, tomb stone, headstone, head stone, holy trinity church, bardsley

The Church of St Michael and All Angels dates from the 15th century and is the Parish Church for Ashton under Lyne. It is believed there was a church on this site before the Norman Conquest as the Domesday Book mentions a St Michael's Church in the east of the ancient parish of Manchester. Much of the structure was re-constructed in Victorian times. The church with large windows in Perpendicular style. Buttresses were required with this type of building as the large window area reduced the strength of the walls. The church boasts boasts some of the best examples of fifteenth century stained glass left in Britain. There are eighteen panels illustrating the life of St. Helena. The church tower is 145 feet high and has a peel of thirteen bells. (From ashton-under-lyne.com) .1) Sepia photograph mounted onto card showing St Michael's and all Angels church and graveyard in Ashton-Under-Lyne. The gravestones shown in the photograph are no longer evident today. The cemetery area is now covered with grass.cemetery, st michael s and all angels, ashton under lyne, j w mellor, church

E.Ashton joined the Victorian Police force in 1896;appointed a horse mounted constable in his first year of service and had a distinguished career that included arresting criminal "Squizzy Taylor in 1919 in Bourke Street, Melbourne. Ernest finished as Superintendent of Sale Police Station. His career is detailed in the Wycheproof family history section of our archive. He married Lucy May Webber at Wycheproof in 1898.Part of Victorian Police History and local Wycheproof History, Constable Ashton had a brilliant police career.In the framed black and white photo Constable Ernest Graham Ashton, in full mounted police uniform, which includes white helmet, sits astride his white steed, long sword hanging below the horses's right flank. Caption on photo: Mounted Constable Ernest Graham Ashton. The Court House Wycheproof.Mounted Constable ERNEST GRAHAM ASHTON THE COURT HOUSE WYCHEPROOF VICTORIA 1870 -1946victoria, ernest, mounted, wycheproof, police, graham, ashton

Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of mayors and town clerks of the former Borough, Town and City of Kew. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series.Framed portrait of Cr. William C. Ashton, Mayor of Kew 1901-2. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.William C. Ashton, Mayor [of Kew] 1901-2mayors of kew (vic), cr. william c. aston, australian photographers - josiah earl barnes, kew (vic.) — municipal collection

Black and white copy of original oval Photograph showing an older man side profile, with full beard and not much hair."Ashton Gartside"ashton gartside

Black and white copy of original photograph showing a gentleman with a short, full beard, wearing light pants and vest with a long dark jacket. He is standing with his left hand resting on a book atop a decorative pillar. A curtain is draped to his right."Ashton Gartside married Jane Linton"ashton gartside

Portraits of Matilda Ashton Goodwinstawell

Two colour photographs of Ashton Grave Stawell Cemeterystawell

Two colour photographs of Grave of Goodwin and Ashton at Stawell Cemeterystawell

1 chrome metal barrel with adjustable parts; black grip and trigger; 1 Instruction manual."ASHTON AUTOMATIC INJECTOR / MANUFACTURER" "ASHTON & CO. LTD." "ADELAIDE, S.A." "PAT. APPN. 37054 / 58" "APP. RD. 39141"

Born: Addlestone, Surrey, England 1851; Arrived: Melbourne, Victoria, Australia 1878; Died: Bondi, New South Wales, Australia 1942VictorianLedger Gift, 1985Interior scene with small figure standing at doorway to outside fenced garden. Unframed.Recto: Signed and dated "J. R. ASHTON / 1877" in red watercolour in l.l.c of compositionwatercolour, interior, exterior, child, door, fence, tree

1971, 142, panto, youth, directed by david ashton, city of heidelberg repertory group, heidelberg theatre company inc

This image appeared in the Australasian Sketcher on 2nd July 1883. This issue had several illustrations relating to the meeting of the railways at Albury and Wodonga. The item was accompanied by the following text:- Wodonga consists of two principal streets lying parallel to each other seemingly desirous of outstripping the other in length and the straggling character of its buildings. After carrying on this contest for the length of three quarters of High Street, of which we give a view, bears off the palm. Between the township and Albury there is a distance of three miles, which in summer has the reputation of being the dustiest three miles in Australia. This distance is traversed by omnibuses and cabs, which ply between the two towns, and until the junction of the railways did a good business in carrying all travellers from station to station. The dwellers in Wodonga, who are Victorians to the backbone, complain severely of the disadvantages under which they labour, owing to the border duties, in comparison with their more fortunate neighbours in Albury, but though they grumble they have no intention of giving in, and confidently look forward to the brighter days which they say are in store for Wodonga. In the lower right hand corner are the initials J. R. A. These are the initials of Julian Rossi Ashton (1851-1942). Ashton was born in England and emigrated to Melbourne in 1878 to work as an artist for the Illustrated Australian News. In 1881 he worked at the Australasian Sketcher and in 1883 moved to Sydney to work on the Picturesque Atlas of Australasia and the Bulletin. He became an influential patron and supporter of Australian Art through his roles as trustee of the National Art Gallery of New South Wales. He was awarded the Society of Artists’ medal for distinguished services to Australian art in 1924, appointed as Commander of the Order of the British Empire in 1930, and won the Sydney Sesquicentennial Prize for a watercolour in 1938. Ashton dominated artistic circles in Sydney for over 50 years. He established his own Art School in Sydney and became a teacher and mentor to many now prominent Australian artists. Julian Rossi Ashton died on 27th April 1942 This item is significant because it depicts an early view of Wodonga and was created by a future prominent artist and influential patron and supporter of Australian Art .A print from a Wood Engraving which was published in the Australasian Sketcher 1883. It features a street scene in Wodonga.wodonga town 1883, early wodonga

A collection of stories compiled by Aston Family Members.A Collection of Stories compiled by Aston Family Memebrs.Dedicated to Pa and Ma Aston and other loved ones gone before usfamily history aston

1985, 230, director david ashton, heidelberg theatre company inc.

1983, 216, director david ashton, moomba, heidelberg theatre company inc.

1982, 214, director david ashton, double bill, heidelberg theatre company inc

1981, 206, director david ashton, heidelberg theatre company inc

1980, 196, director david ashton, heidelberg theatre company inc

heidelberg theatre company inc, city of heidelberg repertory group, 1979, 190, directed by david ashton

1978, 185, city of heidelberg repertory group, heidelberg theatre company inc, directed by david ashton

1974, 158, city of heidelberg repertory group, heidelberg theatre company inc, directed by david ashton

Element of Ashton's Circus c.1870s showing crew staff, wagons and a circus tent in the background, and a man seated in the foreground with four small dogs standing on their hind legs (poodles?). This photo details the noteworthy entertainment, specifically Ashton's Circus or now known 'Circus Joseph Ashton', that would travel to Beechworth and be enjoyed by its citizens in the late 1800s. Black and white rectangular photograph printed on matte photographic paperReverse: 3718 / Ashton Circus / About 1870beechworth, burke museum, circus, ashton's circus, travelling circus, entertainment album, circus joseph ashton

Printed invitation one of 4 invitaions in the set ,to invite Mr & Mrs H. H. Bradley from His Majesty's Ministers of State for Australia to Celebrtae the Opening Parliament of the Commonwealth of Australia to meet their Royal Highness The Duke and Dutchess of Cornwell and York. To an evening reception at the Exhibition Building Melbourne on the 9th of May 1901, at 8 o'clockSignficant collection of 4 invitatons of national signficance Plus a printed Momento from the Duke and Dutchess 00533 Evening reception to Meet the Duke and Dutchess 00534 Invitaion from the Govenment of Victoria 00535 Invitaion from Edmund Barton the Prime Minister 00536 Invitaion from the Govenment of Victoria for a conversazione 07/05/1901 at 8 pmMounted offset print. The print is mounted on brown mount board. The print has an embossed seal of Duke and Dutchess of Cornwall and York. Printed invitation from the miniters of state to invite Mr and Mrs H H Bradley to attend the reception.Invitaion hand written. On the left is a maiden , dressed in red with a helment carrying a British Shield on the Right hand side is a maiden dressed in purple carrying a St shield . The print is bordered by vines and leaves with scrolls for text details. The print has silver and gold highlights.Printed: His Majesty's Ministers of State for the Commonwealth of Australia/ request the honour of the presence of... / in the Exhibition Building, Melbourne, on Thursday, 9th May, to witness/ the Opening of the Parliament of the Commonwealth./ Edmund Barton/ Prime Ministermelbourne, australia, commonwealth, printed offset, invitaion, celebrate opening parliament commonwealth australia, parliament, duke dutchess cornwall york, mr mrs h h bradley, exhibition building, 1901, 09 05 1901

1855 British Lancaser No 10 pattern Sword Bayonet. Long straight blade swelling out beyond the back edge towards the point witha single edge and a pipe back. Brass hilt with chequered compressed leather hand gripsSerial No. 945 Stamps on blade.