HardcoverStamped: Library of John Dowell Davieswalsh st library

Hardcover W/ Dust Jacket"To Patricia + Robin, from Diane + Frederick, Christmas 1962"australian art, walsh st library

This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.A catalogue for an exhibition of Australian Art (1818-1968) at Studley House (Xavier Preparatory School) in 1968. The catalogue includes artist biographies and lists works exhibited. The foreword on the history of Studley House is written by Dorothy Rogersxavier college, australian art, dorothy rogers, art catalogues

This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand.The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.A catalogue for an exhibition of Australian Art (1818-1968) at Studley House (Xavier Preparatory School) in 1968. The catalogue includes artist biographies and lists works exhibited. The foreword on the history of Studley House is written by Dorothy Rogersaustralian art, xavier college

SoftcoverContains painting by Penleigh Boyd, Winter Triumphant, 1920, 45" x 60", Collection of Mr and Mrs Robin Boyd. walsh st library

SoftcoverContains painting by Penleigh Boyd, Winter Triumphant, 1920, 45" x 60", Collection of Mr and Mrs Robin Boyd. walsh st library

As the plaque states it is a depiction of the Australian Army over a 100 year period from 1901 - 2001. This item is on display in the Bendigo District RSL Havilah Road..Framed images of the Australian Army over 100 years, frame is brown timber with a gold edge, background is green with a Rising Sun center top, in top LH corner is the Australian flag, central is a intermixed depiction taken from photos of the history of the Australian Army with a larger colour depiction of a modern soldier to go with the time 2001.Under this is a oval shape with a map of the World centre on each side of the map is 3 rows of campaign ribbons from 1901 -2001. At the bottom on the frame is a small plaque with text in Black.On the plaque,, “The Australian Army 1901 - 2001 - The Spirit - Ordinary people, extraordinary service”brsl, smirsl, bdrslinc

Postcard: coloured postcard painting of 'C' Company raid on Carrier Hill, 22nd. April 1941 by Ivor Hele.postcard, carrier hill tobruk, 'c' company, postcard

Although there was painting from the very early years of Australian settlement, for some time the artists experienced trouble with reproducing Australian conditions. It has taken an input of many artists from many places to form what has become "Australian Painting". A history compiled by SHHS member, Arthur Tonkin.Although there was painting from the very early years of Australian settlement, for some time the artists experienced trouble with reproducing Australian conditions. It has taken an input of many artists from many places to form what has become "Australian Painting". A history compiled by SHHS member, Arthur Tonkin.artists, (mr) theodore brooke hansen, (mr) thomas watling, j a horrocks, (mr) s t gill, (mr) conrad martens, (mr) sydney parkinson, (mr) john lewin, (mr) augustus earle, (mr) wilbraham frederick evelyn liardet, buxtons gallery, (mr) walter withers, (mr) giroloma ballatti nerli, (mr) joseph lycett, (mr) john glover, (mr) thomas bock, (mr) thomas wainwright, (mr) george french angus, (mr) william blandowski, (mr) gerard kreft, (mr) eugene von guerard, (mr) ludwig becker, (mr) william strutt, (mr) thomas clark, (mr) robert dowling, (mr) tom roberts, (mr) fred mccubbin, (mr) louis abrahams, (mr) charles condor, (mr) david davies, (mr) herbert daly, r e falls, (mr) douglas richardson

Hardcoveraustralian painting, australian art, australian artist, walsh st library

Hardcover w/ Dust Jacketaustralian painting, australian art, australian artist, walsh st library

Boyd argues that the Australian cultural split between what he perceives to be cultured tastes and artistic achievements and the tastes of ordinary Australians is wider and more polarised than in other countries. He derides commercial radio, popular women's magazines, public commercial streets etc - elements of the Australian ugliness. He praises the growth of local contemporary art, literary magazines and architecture, whilst calling for the development of community pride amongst leaders of commerce and industry, and government control of the ugliness of popular culture. This may have been published in "Walkabout" magazine.Typewritten (c copy), quarto, 11 pagesart, egalitarianism, sidney nolan, australian painting, pop art, phil may, dyson, low, media, cartoons, australian literature, radio, california cultural heritage board, commercial advertising, robin boyd, manuscript

The catalogue lists 21 oils on canvasRecent Painting 15/7/1985-30/7/1985Contains an insert with Supplementary cataloguearthur boyd, australian painting, walsh st library

This exhibition featured 17 paintings by Arthur Boyd, all in the bride series. Robin and Patricia Boyd were in London at the time of the opening, as indicated by the inscription and Clippings. Boyd also indicates the nine paintings which were sold and the two under offer.Exhibition catalogue for Zwemmer Gallery, London 19 July-20 August 1960. 63 works by Arthur Boyd.Pencil writing of Robin Boyd, and inclusion of five London newspaper Clippings with reviews in July 1960. Robin Boyd writes on list of paintings" We saw this only 4 days after the opening'. arthur boyd, australian painting, walsh st library

Exhibition of paintings by Arthur Boyd, Sidney Nolan, John Perceval and Albert Tucker at the Museum of Modern Art of Australia, Oct 17-Nov 14, 1961arthur boyd, sidney nolan, john perceval, albert tucker, australian painting, walsh st library

Waa Waa – Crow Feathers is a painting from Aunty Marlene Gilson’s 2022 exhibition ‘Bunjil Wour Kun Ya – Spirit of My Ancestors’. This work tells the story of Waa-Waa, the first Wadawurrung to see a white man, Matthew Flinders and his crew surveying the southern Australian coastline near the You Yangs on 1 May 1802. Speaking to Wyndham Art Gallery’s curatorial framework themes of Foregrounding, Habitat and Localism, the work portrays in Wadawurrung lore the first sighting of a European and acknowledges Australian First Nations peoples original and ongoing connections with land, history, politics and knowledges of place. The scene is overlooking the You Yangs which is deeply connected with the local place and habitat of the Werribee Plain. Aunty Marlene Gilson is a Wathaurung (Wadawarrung) Elder living on country in Gordon, near Ballarat. Marlene Gilson’s multi-figure paintings work to overturn the colonial grasp on the past by reclaiming and re-contextualising the representation of historical events. Learning her Wathaurung history from her grandmother, Gilson began painting while recovering from an illness. The artist’s meticulously rendered works display a narrative richness and theatrical quality akin to the traditional genre of history painting. Gilson, however, privileges those stories relating to her ancestral land, which covers Ballarat, Werribee, Geelong, Skipton and the Otway Ranges in Victoria. Often including her two totems, Bunjil the Eagle and Waa the Crow, Gilson’s paintings not only reconfigure historical narratives, but display her spiritual connection to Country. australian first nations art, cultural story, australian painting, wathaurung, female artist

A blue leaflet titled ' Inez Abbott 1896 - 1957.' A catalogue of her work exhibited at the Bendigo Art Gallery June/July 1983. Bottom left corner of front cover has a number sticker 0138 ART.person, individual, inez abbott, inez abbott, person, female, individual, bendigo, bendigo art gallery, art, artwork, bendigo artist, painter, watercolourist, australian art, painting, catalogue, exhibition. bottom left corner of front cover has a number sticker 0138 art.

(verso) Metropolis #13, R .JACKS 1985australian artist, painting, abstract, triangles, jacks

Not signed Not datedaustralian artist, painting, abstract, port, port liardet, port melbourne

Not signed Not datedcontemporary art, conceptual art, australian artist, painting, looking, bendigo, central victoria, charing cross

Pro (Kevin Charles) HART (30 May 1928 – 28 March 2006) Born Broken Hill, New South Wales Pro Hart drew upon a variety of techniques in his paintings, including layering, chiaroscuro, glazing, scumbling, scratching and Alla prima. Insects, particularly ants and dragonflies, are among Hart’s most popular and most identifiable images. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.A framed red, blue and coral asbstract painting featuring one ant. Signed lower left "Ant" 1967art, artwork, ant, pro hart, australian outback painting, oil on board, ballarat teachers' college collection

Born in Melbourne in 1950, Vafiadis studied at Prahran College of Advanced Education and has been exhibiting since 1971. Solo shows include Rigoletto at Fitzroy Gallery, Melbourne in 2005 and Mary Chirnside at Wyndham Cultural Centre in 2004. She has participated in various group exhibitions. She won the Wyndham Now Acquisitive Art Prize in 2000 and her work is held in several state and local council collections.This piece was acquired by our human rights lawyer and Mayor at the time of our campaign, Frank Purcell. Frank organised the plaque and for many years, it was hung in Wyndam council chambers. australian art, painting

Born in Melbourne in 1950, Vafiadis studied at Prahran College of Advanced Education and has been exhibiting since 1971. Solo shows include Rigoletto at Fitzroy Gallery, Melbourne in 2005 and Mary Chirnside at Wyndham Cultural Centre in 2004. She has participated in various group exhibitions. She won the Wyndham Now Acquisitive Art Prize in 2000 and her work is held in several state and local council collections.Portrait of Joanne Ryan ( MP, member for Lalor). Jo was chair person of the Toxic Dump movement. A very strong and pivotal community leader during the campaign . Hence the use of metal. australian art, painting, portrait, australian politics

australian bush, painting

The Heidelberg School of Painting worked in the Yarra Valley area between Box Hill and Heidelberg in the late 19th Century and produced a number of famous artists. This article outlines the history of the School and also lists some paintings.The area in which they worked abuts our area of interest and may have overlapped it in the lower Plenty River area.Foolscap double sided typed document of 6 pages; includes list of paintings..Blue biro word on front page, "Fraser"heidelberg, yarra river, walter withers, heidelberg school of painting, australian art.

A white catalogue titled ' Four Bendigo Watercolourists : Arthur T. Woodward 1865 - 1943, R.W. Bugg 1853 - 1937, T.H. Bone 1901 - 1953, Madge Freeman 1895 - 1977.' The exhibition at the Bendigo Art Gallery 7th March - 30th March 1985. Bottom left corner of front cover is a number sticker, 0414 ART.person, individual, watercolourists, arthur t. woodward, r.w. bugg, t.h. bone, madge freeman, artists, bendigo artists, watercolourists, bendigo art gallery, male, female, person, individual, australian art, artworks, painting, art. bottom left corner of front cover is a number sticker, 0141 art.

An invitation in the form of a card with black print. ' The Opening of the First Parliament of the Commonwealth.' 'By Tom Roberts. The honor of your presence is requested at the Queen's Hall, Parliament House, on Friday next (13th inst.) at Three o'clock, to view the progress of the Picture prior to its departure for London. John Rowe for Australian Art Association Pty. Ltd.' Handwritten in black ink are the words 'His Worship the Mayor of Bendigo & Lady.'event, official, painting, lydia chancellor, collection, australian art, art work, australian history, history, painting, tom roberts, politics, australian politics, australian parliament, event

Artwork. Norman Penrose collection: brown art folder with darker brown spine. Contains notes on Painting Schools and art. Also pronunciation of artists names. Also contains cuttings from magazines & papers relating to women's and men's fashions. Also some cuttings of armchairs. Some drawings of women and notes and illustrations of proportions of the head for fashion drawing. Some of the cuttings are pages from the Australian Women's Weekly.drawing, pencil, norman penrose collection, australian women's weekly, painting schools, women's and men's fashions.