Image from CD (Compact Diskette for use in computers) - see Reg Item 135. Image titled "Kew Barkers Rd" on CD, looking west from over Kew Junction towards Victoria Bridge over the Yarra River. Has a W class tram, eastbound in Victoria St, about to cross the bridge. c1930 (Cable conversion late 1929)trams, tramways, kew, barkers rd, victoria st

Mrs Emily Lord gifted £1500 to the building construction which had a total cost of £2000.Soft black dimpled leather covered bible with gilt page edges. There is a calligraphic inscription in coloured ink inside the front cover."To My Friend Emily Lord in happy remembrance of Laying Of Foundation Stone Barkers Road Kew Sunday School by "Mother" November 9th 1935"barkers rd methodist church, barkers road kew sunday school, emily lord

Gold plate on silver plated EPNS kite shaped commemorative trowel with a turned wooden handle with an engraved inscription. The trowel is in a blue cardboard box."Presented to Mrs Richard Lord on the occasion of her laying the foundation stone of the "Youth Welfare" building at Barkers Road Methodist Church. Nov. 9th 1935"mrs richard lord, barkers rd methodist church

Folder with papers or file with manila covers, secured with white cloth shoelace type retaining mechanism and red Bakelite type clips containing papers concerned with the construction of the tramway extension at Victoria Bridge (to run alongside the cable tram), the conversion of Kew Horse Tramway and construction of a new electric tramway to Burke Road - titled "16/298 - Tramway Along Victoria St, Barkers Road and High Street to Burke Road". Compiled by the Public Works Department of Victoria - generally dated 1914 to 1916 Shows the nature of the paperwork required for an Act of Parliament to authorise the work, orders in Council, drafts, actual copies of Parliamentary documents, letters to and from Councils, Members of Parliament, PMTT, plans, bridges and footpaths. Includes letters with the City of Collingwood, Kew and Richmond.trams, tramways, kew, high st, victoria st, bridges, collingwood, barkers rd, construction, cable trams, burke rd, pmtt, public works department, parliament

Set of papers, handwritten concerning the development and timing of the "PMTT", Prahran and Malvern - about 30 sheets. Prepared by H. S. McComb - gives layout of the PMTT system, of track layout, opening dates, sketches of various junctions, bridges, track miles, junctions: Kew Junction, Glen Huntly Road, Glenhuntly Road, Victoria St cable tram terminus, Barkers Road, Commercial Road, Malvern Road, Hawthorn Road, Balaclava Junction, Caulfield station loop, Glenferrie Road. Items 2041 to 2052 within box 72.3 in a brown folder marked "PMTT" in red pencil.trams, tramways, pmtt, malvern, routes, track, kew junction, victoria st, barkers rd, glenhuntly rd, malvern rd, caulfield, hawthorn rd, balaclava rd, balaclava junction, glenferrie rd

Set of 2 Agfa colour blue white plastic mount slides, photo by Keith Caldwell of: .1 - W2 566 climbing the hill in Barkers Road, Kew, running a Mont Albert, route 452. In the background is the Vicker Ruwolt works. The tram has a milk advert. .2 - W2 434, ditto - note the passengers leaning on the barrier rail. Tram has White Crow tomato sauce adverts. 19/3/1966In ink "19 iii 66"trams, tramways, w2 class, barkers rd, mont albert, route 42, tram 566, tram 434

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 305 Barkers Road, Hawthorn by Margaret Picken.305 Barkers Rd, Haw, Picken c2000. Fletchers.artist - margaret picken 1950-

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 27 Barkers Road, Kew by Margaret Picken.27 BARKERS RD., KEW / MARGARET PICKEN ~95 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 27 barkers road -- kew (vic.)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 93 Barkers Road, Kew by Margaret Picken.93 BARKERS RD., KEW / MARGARET PICKEN ~96 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 93 barkers road -- kew (vic.)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 9/309 Barkers Road, Kew by Margaret Picken.9/309 BARKERS RD., KEW / MARGARET PICKEN ~96 / WOODARDS ~artist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 9/309 barkers road -- kew (vic.)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 373 Barkers Road, Kew by Margaret Picken.373 BARKERS RD., KEW / MARGARET PICKEN ~97 / WOODARDS ~ C'WELLartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 373 barkers road -- kew (vic.)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 3/287 Barkers Road, Kew by Margaret Picken.3/287 BARKERS RD., KEW / MARGARET PICKEN ~93 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 3/287 barkers road -- kew (vic.)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 4/287 Barkers Road, Kew by Margaret Picken.4/287 BARKERS RD., KEW / MARGARET PICKEN ~92 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 4/287 barkers road -- kew (vic)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 2/552 Barkers Road, Kew by Margaret Picken.2/552 BARKERS RD., KEW / MARGARET PICKEN '90 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 2/552 barkers road -- kew (vic.)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 101 Barkers Road, Kew by Margaret Picken.101 BARKERS RD., KEW / MARGARET PICKEN (c) 2000 / FLETCHERS REAL ESTATEartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 101 barkers road -- kew (vic.)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2003. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of Units 9, 13 and 14, 103 Barkers Road, Kew by Margaret Picken.9,13,14 / 103 BARKERS RD., KEW / MARGARET PICKEN (c) 2001 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 103 barkers road -- kew (vic.)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 3/385 Barkers Road, Kew by Margaret Picken.3/385 BARKERS RD., KEW / MARGARET PICKEN (c) 2001 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 3/385 barkers road -- kew (vic.)

1 photo of upper level of shops including Barkers, Eddies Butcher, Big N Discountelsternwick, buildings, glen huntly rd, barkers, eddies butcher, big n discount, o’donnell, jenny

Back Row (L-R): Russell Smart, John Mead, Peter Norman, Kim Hunter, Richard Lynch, Stephen Short, Gilbert McGloughlin, Don Muir, Jeff Steele, Geoffrey Thorpe, Ian Murray, Marcus Skipper, Ray ( ? ), Robert Spencer Third Row (L-R): Bruce Martin, Neville Myers, Nelson (Smart?), George Sutherland, Robert Dowdell, David Campbell, Ken Dickerson, Kit Hill, Wayne Brodford, Martin Fowler, Michael Kilpatrick, Colin Graham, Ken Brown, David Boss, Greg Lewis Second Row (L-R): Bora Meredith, Heather Dyke, Linda Morris, Janne Miles, Biddy Quinlan, Cheryl Croft, Terry Croft, Margaret Box, Shelley Barker, Wendy Bradley, Sandra Black, Lynette Pitcher Front Row (L-R): Sally Lewis, Faye Harris, Elizabeth Jolley, Wendy Rainsbury, Helen Corrie, Bronwen Cavistock, June Skippington, Gloria Oldfield, Anna Jacka, Ruth GangellNames written on reverse and photographer's stamp1958, anna jacka, biddy quinlan, bora meredith, bronwen cavistock, bruce martin, cheryl croft, class photo, colin graham, david boss, david campbell, don muir, elizabeth jolley, eltham state school no. 209, faye harris, faye walker (nee harris) collection, geoffrey thorpe, george sutherland, gilbert mcgloughlin, gloria oldfield, grade 2, greg lewis, heather dyke, helen corrie, ian murray, janne miles, jeff steele, john mead, june skippington, ken brown, ken dickerson, kim hunter, kit hill, linda morris, lynette pitcher, marcus skipper, margaret box, martin fowler, michael kilpatrick, nelson smart, neville myers, peter norman, richard lynch, robert dowdell, robert spencer, russell smart, ruth gangell, sally lewis, sandra black, shelley barker, stephen short, terry croft, wayne brodford, wendy bradley, wendy rainsbury

Handwritten document giving former church address and inscription on foundation stone Melbourne Weekly Bayside article dated 20/10/2010, showing the use of the former church now.gardenvale congregational church, magnolia road, greenwood and bradbury, gardenvale road, architects, foundation stones, melbourne meccano exhibition, barker newman j., gardenvale

Kathy Barker, Ann Austin, Helen Hillas, Gavin Phillips, Kingsley Berry, Eltham Christian School, 1981 From series of photographs from a magnetic photo album relating to the staff, students and activities of the Eltham Christian School which operated as part of the Eltham Christian Church at Nyora Road, Eltham. See also entries for each photograph.Colour Photographeltham christian school, ann austin, gavin phillips, kingsley berry, kathy barker, helen hillas

Contents: • Next meeting, guest speaker; George and Esme Barker: What An Act; the story of the Little Eltham Theatre • Annual General Meeting • George and Esme Barker • ‘Escaping the Big Smoke’ • Bird Days at Eltham • The Wards of Nillumbik • What Else • President’s Report, 34th Annual General Meeting – Wednesday March 13th, 2002 The Shire of Eltham Historical Society was formed in October 1967. The first newsletter of the Society was issued May 1978 and has been published continuously ever since on a bi-monthly basis. With the cessation of the Shire of Eltham in late 1994, the Society's name was revised to Eltham District Historical Society and this name first appeared with issue No. 103, July 1995. The collection of the Society's newsletters provides a valuable resource on the history of the Society's activities, office bearers and committee members, guest speakers and subjects of historical interest pertinent to the former Shire of Eltham and the Eltham District.A4 photocopied newsletter distributed to membersnewsletter, eltham district historical society, shire of eltham historical society

Written on list in sleeve, "High School - Bedford Rd. Ringwood. Photo Pupils - Form 1D. Reading from Left to Right: Back row boys: 1. Alan Carter, 2. ??, 3. Maurice Henry, 4. Peter Van Ketwich, 5. Douglas Hume, 6. ??, 7. John Callam, 8. ??, 9. ??, 10. ??, 11. Peter Gluth, 12. ??, 13. Geoff Edwards, 14. Len Armfield, 15. Ray Davidson".

Dark Blue synthetic hard caver book of 440 pages with gold lettering embossed on the spine. non-fictionelectricity, optics, force, electrostatic, charg and capacity, electric currents, magnetic field, alternating current circuits, electromagnetic waves, radiation, conduction, dielectrics, geometrical optics, interference, heat radiation, diffraction

Owner 1940-50: Mr and Mrs Barker; 1960s: Vera Barker and Colin Barker On 23 July 2019 this house and fence and garden was demolished. https://www.realestate.com.au/property/31-pryor-st-eltham-vic-3095The Margaret Ball (Pre 1960s Houses) Collection was a personal project initiated to mark the year 2000 and arose as a result of the disappearance of many pre-1960s parts of Eltham due to development. Approximately 200 pre-1960s style houses that were left in Eltham between Main Road and east to Bible Street, between Cecil Street to the north and south to Dalton Street were photographed in late 1999. Not all of the houses could be photographed; some because the garden or trees blocked the view of the house, others because of rubbish or cars were in the way, some because people were working on the house or in the gardens at the time.Roll of 35mm colour negative film, 10 stripsFuji 200eltham, houses, streets, margaret ball (pre 1960s houses) collection, pryor street

Details of performances by Eltham Little Theatre each year 1958 to 1998unnumbered, 30 cmeltham little theatre