Commissioned by State Bank to produce 5 copper bas-reliefs for 73 Percy Street, Portland. Spoke with Miss Betty Vivian (Member of the Portland Historical Society) re Portland's history. Commonwealth Bank stored objects in Melbourne (c.1991). Negotiations between Portland Historical Society and Commonwealth Bank of Australia led to gift of works to People of Portland. Stored at Council depot c.1998, retrieved for Maritime Discovery Centre display.Copper bas-relief depicting a man bent over to shear a sheep. His shirt sleeves are rolled up and he is bent toward the viewer.sculpture, industry, rural, copper, bas-relief, shearing, sheep, shearer

Commissioned by State Bank to produce 5 copper bas-reliefs for 73 Percy Street, Portland. Spoke with Miss Betty Vivian (Member of the Portland Historical Society) re Portland's history. Commonwealth Bank stored objects in Melbourne (c.1991). Negotiations between Portland Historical Society and Commonwealth Bank of Australia led to gift of works to People of Portland. Stored at Council depot c.1998, retrieved for Maritime Discovery Centre display.Copper bas-relief depicting two horses pulling a plow, which a man is walking behind and guiding. Three birds are flying close to the ground in the foreground, and there is a stylized sunburst (a partial circular form with radiating lines) depicted in the background. More abbreviated bird forms are depicted against the sun and sky.sculpture, bas-relief, copper

Commissioned by State Bank to produce 5 copper bas-reliefs for 73 Percy Street, Portland. Spoke with Miss Betty Vivian (Member of the Portland Historical Society) re Portland's history. Commonwealth Bank stored objects in Melbourne (c.1991). Negotiations between Portland Historical Society and Commonwealth Bank of Australia led to gift of works to People of Portland. Stored at Council depot c.1998, retrieved for Maritime Discovery Centre display.Copper bas-relief. Depicting of port with 14 large silos and a large domed shed in background. On horizon line is a wharf with a ship berthed. In foreground left is a pier stump with wood nailed to it, and leaning on it is a large anchor with a rope tied to it. In foreground left is a beach area, diminishing rapidly toward port in background.Front: (no inscriptions) Back: (unknown)sculpture, bas-relief, copper, port of portland, portland harbour

Commissioned by State Bank to produce 5 copper bas-reliefs for 73 Percy Street, Portland. Spoke with Miss Betty Vivian (Member of the Portland Historical Society) re Portland's history. Commonwealth Bank stored objects in Melbourne (c.1991). Negotiations between Portland Historical Society and Commonwealth Bank of Australia led to gift of works to People of Portland. Stored at Council depot c.1998, retrieved for Maritime Discovery Centre display.Copper relief work. View of a man from behind sawing a tree. He is flanked by two tree trunks, and is leaning to his right while pulling a band saw through the tree on the left. Leaning against tree on right is a large axe. Houses are rudimentarily designated by lines in the background visible between the trees.sculpture, bas-relief, copper, industry, forestry, forest

Commissioned by State Bank to produce 5 copper bas-reliefs for 73 Percy Street, Portland. Spoke with Miss Betty Vivian (Member of the Portland Historical Society) re Portland's history. Commonwealth Bank stored objects in Melbourne (c.1991). Negotiations between Portland Historical Society and Commonwealth Bank of Australia led to gift of works to People of Portland. Stored at Council depot c.1998, retrieved for Maritime Discovery Centre display.Copper bas-relief. Depicting a man in raincoat and wide-brimmed rain hat at a ship's wheel. Behind him are flying birds and in front of him is the tail of a seal diving into waves on the left and the front of a seal on the right.

Bomford Bas Relief Eagle. Created from Sheet Copper. Carved and hammered Bas relief of a large Eagle. The Carving was created by an artist in residence at the Bendigo Psychiatric Centre (Golden City Support Services) prior to closure. It is approximately 2.00 meters high and 1.20metre wide. Mounted on a Large green wooden board. See 7311 also. Items represent the constellations Capricorn and Aquila. Once completed, they were used to identify the Squila and Capricorn patient areas at the Psychiatric Centre.artwork, sculpture

Bomford Bas Relief Mythological Goat. Created from Sheet Copper. Carved and hammered Bas relief of a mythological creature resembling a goat with long straight horns. The Carving was created by an artist in residence at the Bendigo Psychiatric Centre (Golden City Support Services) prior to closure. It is approximately 1.5metres high and 1.00metre wide. Mounted on a Large green wooden board. See 7312 also. Items represent the constellations Capricorn and Aquila. Once completed, they were used to identify the Squila and Capricorn patient areas at the Psychiatric Centre.artwork, sculpture

Local stone was used by P.O.W at Camp 13 to carve the plaque.Hand-Carved stone plaque featuring German eagle and swastika with Australian 1939 penny inset.Tatura 1940camp 13, murchison, plaque

People, cemeteryHotel owner, Yendon.Colour photograph, taken 1994-95..Stone headstone, engraved, bas relief swan with wings raised, Arched top supported on bas-relief flat pillars. On headstone: "In Loving Memory of Mary the beloved wife of James Williams, Hermitage, Buninyong, died April 17th1889 aged 51 years, Also the above James Williams died April 28th 1927, aged 91 years." Inscription on back of photograph "1890 Directory James Williams, Farmer, Mt. Buninyongbuninyong cemetery, james williams, mary williams,

Colour photograph of a Bas relief of Queen Elzabeth II.queen elizabeth ii

See NA359Plain white tile with head of bull in bas-relief.'676' '29' '5'ceramics, earthenware

Typical of needlework accessories made in Canton area of China for European market. Made to hold needles which were expensive tools By late 18th century, needle making had achieved the ability to produce very fine needles which needed to be protected. Cylindrical carved ivory needlecase. Screw cap.Bas relief carving design with butterflies and flowers needleholder, ivory

Made by internee at Camp 3 for Gertrude GrazePlaster bas relief of female koala with young clinging to a tree. Painted green & browntatura, domestic, items, ornaments, decorative

Carved by German POW at Camp 13Bas relief stone carving. A map of Australia, flanked by a kangaroo, boomerang and a kookaburra and "Tatura 1940 Australia" on the boomerangTatura 1940 Australiacivic mementos - plaques, internee stone carvings

Mother Earth was created by modernist era sculptor George Allen. It is located in the western median strip at the intersection of Sturt and Raglan Streets. Made from Hawksbury stone on a granite base, the sculptor has created a female figure as the centrepiece, with two reliefs figures at the front and rear depicting a miner and a farmer. The work was created in commemoration of Mr Frank Pinkerton, an esteemed local lawyer in Ballarat. George Allen won the commission to design and execute the Pinkerton Statue in open competition in 1949. The statue is a significant work of one of Victoria's leading sculptors of the mid twentieth century, and controversy at the time surrounding its installation reflects the general attitude of the period to progressive public sculpture.Mother Earth was classified as regionally significant by the National Trust in 2003. The statement of significance below ha been provided by the National Trust, Victoria: The Pinkerton Statue by George Allen is of a simplified female figure which symbolises 'Earth', with smaller figures representing Mining and Agriculture carved in bas-relief at its base. The statue is carved in Hawkesbury Freestone and mounted on a granite plinth. It is located in a prominent position in central Ballarat. The statue in commemoration of Mr. Frank Pinkerton, an esteemed local lawyer, erected in Ballarat in 1952 is significant for aesthetic and social reasons at a Regional level. The statue is a significant example of the work of one of Victoria's leading sculptors of the mid twentieth century, and the controversy at the time surrounding its installation reflects the general attitude of the period to progressive public sculptures. George Allen won the commission to design and execute the Pinkerton Statue in open competition in 1949 against a large group of his peers. Following this. Allen was again successful in another major competition to design the National War Memorial for the Forecourt of the Shrine of Remembrance in Melbourne in 1951. Allen chose to work in a 'symbolic' manner using simplified forms with little detail, and relying on the strength of composition, 'boldness of statement' and the consideration of material for impact. Because of its lack of realism the Pinkerton Statue engendered much controversy, particularly within the popular press at the time, although it was generally appreciated in artistic circles. Allen had travelled extensively in Europe in the late 1930's, but his work mainly reflected influences from early modem sculptors in the United Kingdom such as Frank Dobson and Eric Gill. The Pinkerton Statue was the first example of modem sculpture to be erected in Ballarat and is an excellent example Allen's own work and the changing artistic culture of the period. Allen himself said that it reflected the "spirit of the time". A large Hawkesbury Freestone statue of a female figure and smaller figures representing Mining and Agriculture carved in bas-relief at its base. The statue is mounted on a granite plinth.CENTRAL FIGURE EARTH EMERGING FROM RELIEF FIGURES REPRESENTING THE INDUSTRIES OF MINING AND AGRICULTURE.pinkerton, mother earth

A Bodkin is shaped like an oversized sewing needle with a blunt point and large eye and is used to pull a drawstring through a fabric casing- an essential to clothes fastenings for centuries.When most clothes were laced, bodkins were essential tool for dressing. This is a luxury item in which to store bodkins Cylindrical ivory bodkin case decorated with bas relief classical design of two cherubs, four 'beaded' rings and flower and leaf motifs on each end. Cap has horn edging. Containing three bodkinsbodkin

Copy of copper bas reliefs - Capricorn and Aquila. Made by patients of the Bendigo Psychiatric Centre as part of their inpatient therapy activities. The bas reliefs represent the constellations Capricorn and Aquila. Once completed, they were used to identify the Aquila and Capricorn patient areas at the Psychiatric Centre. The Bendigo Psychiatric Centre, a forty bed hospital, opened in 1970 and closed in the 1990's. It was replaced by the Alexander Bayne Centre at the Bendigo Hospital and the John Bomford Centre, Kennington, named in honour of Dr. John Bomford. Dr. Bomford was a pioneer of Bendigo psychiatric services. He practised as a psychiatrist in Bendigo from 1964 until December 1970, when he retired.bendigo, hospital, psychiatric centre

The image portrays the no longer used High Altar of the Ballarat Cathedral and one of Ballarat's major artworks installed in 1880. It was designed and executed by Leonardi of Carrara, Italy, recognised as one of the premier marble workers in the world at the time. This is the only example of Leonardi's work in Australia.The altar is constructed of inlays of precious stones and antique marbles and the bas-reliefs feature Christ's passion which is also reflected in the Bentley designed Clayton & Bell window behind it. signor leonardi, high altar, carrara, st patrick's cathedral ballarat.

NoneAbstract image. Centre image is a human (shown without skin) climbing a narrow mound/hill form. At the top is a screen supported by three poles. The screen reproduces a photograph of what appears to be a classical narrative bas-relief sculpture. On each side of the hill are Celtic and Norse carvings/gilded artefacts/metalworks mounted on long poles. Abstract could patterns are at the top of the print. No matt. Silver metal frame.Front: 1/10 (lower left) Ikon to a Fossil King (lower centre) Allan Mann (lower right) (pencil) Back: (no inscriptions)

Coloured bas-relief photograph of Queen Alexandra. Dark background. She is wearing a formal gown, coloured pink with yellow off the shoulder neckline, white elbow length gloves and carrying a yellow closed fan. The pattern on her gown has been glittered in various colours, along with her snake head bracelet, tiara and choker jewellery. There is an 8mm border along the bottom and a 3mm border along the sides and top. On the bottom border on the left hand side is printed 667 A, in the middle the words H.M. Queen Alexandra and on the right hand side J Beagles & Co E.C. The postcard has been stuck to another piece of card of equal size. On the reverse at the top appears the printed words Portrait Bas-Relief Card The J.B. & Co Series. The card is addressed to Miss I Dean "Esmond" McKenzie Street Golden Square. One penny stamp.J Beagles & Co London E.C.postcard

Colonne Vendôme is located in the centre of the Place Vendome square and was erected by Napoleon as the Colonne d'Austerlitz. The column in 44 metres tall and is modeleld after Rome's Trajan Column. It was built to commemorate the victory at Austerlitz in 1805, one of Napoleon's greatest. The column's continuous ribbon of bas-relief bronze plates by the sculptor Pierre-Nolasque Bergeret were made from 1200 cannons taken from the combined armies of Russia and Austria during that battle. The reliefs depict scenes during the Napoleonic Wars between 1805 and 1807. The Column was later was given the names of Colonne de la Victoire (Victory Column) and Colonne de la Grande Armée (Column of the Great Army). Today it is commonly known as the Colonne Vendôme. A statue of Napoleon was installed at the top of the column in 1810. Later, the statue of the emperor was removed and the bronze melted down to provide the bronze for the recast of the equestrian statue of Henri IV on the Pont Neuf. A new statue was installed in 1833 which was later replaced by the statue that is seen today. It was erected by Napoleon III and depicts Napoleon I as a Roman emperor.Black and white postcard of a sculptural column in Paris. chatham-holmes family collection, sculpture, napoleon, paris, vendome, world war, world war 1, world war one, column