Bendigo creek. Deep excavation at both sides of water channel.Kodakbendigo, waterworks, bendigo creek

Bendigo creek, excavator doing some digging in water channelKodakbendigo, waterworks, bendigo creek

Newspaper article, Bendigo Weekly. Discusses Bendigo Creek and Rosalind Park.person, individual, jack perry, bendigo creek, rosalind park

Map: Hand drafted plan of the Bendigo Creek, covering from Scott St. White Hills to Alder St. Kangaroo Flat. Scale 2 chains to 1 inchGeorge R------- ? City Surveyormap, bendigo, bendigo creek

Coloured brochure, written on front : 'Pathway to history, Bendigo creek linear park'. Drawing of a man and child standing on a bridge over a creek, surrounded by bush and several native animals and birds. bendigo, parks and gardens, bendigo creek linear park

Sepia image mounted on board: image shows Bendigo Creek, sandstone walls on creek. Creek is not yet paved with bluestone pitchers. On RH side Hustlers Royal Reserve Mine, chimney and poppet head visible. Poppet head has lattice girder legs. Post Office clock behind showing 25 to 4. Image is pre-1910, when mine structure was removed.bendigo, mining, hustlers royal reserve/bendigo creek, bendigo, sandhurst, bendigo creek, mining, huslters royal reserve, post office, poppet head, chimney

This is a set of six photographs of Land Headquarters (LHQ) Cartographic Company personnel taken in 1944 at a picnic held at Axe Creek, a locality 15km SE of Bendigo, during Army’s WW2 occupation of Fortuna, Bendigo. On 1 Feb 1941, a Cartographic Section was reformed as the LHQ Cartographic Company. Deputy Chief of the General Staff, Major General Sidney Rowell instructed Its OC - Major William Sarll, in the interests of security of plant and to provide against possible damage of air attack, to investigate suitable safer inland accommodation for LHQ Cartographic Company. Major William Sarll inspected many properties before finding one that would meet the requirements of the Cartographic Company. In late 1941, he came to inspect Fortuna, a rambling old mansion dating back to the gold rush, with about fifteen acres of ground in central Bendigo. On 23 March 1942, the Commonwealth of Australia, under the provisions of the National Security Act of 1939, took possession of the house, the old battery buildings and the fifteen acres of grounds. LHQ Cartographic Company moved to Bendigo on 11 Jun 1942, from Mitchell House, Melbourne. The responsibilities of this unit were map compilation, fair drawing and lithographic reproduction, including printing the work of other Units as well as their own. Added to this unlikely mixture of permanent army officers, skilled tradesmen, artists and old soldiers were the women of the Company. A decision of War Cabinet on 13 August 1941 had authorised the formation of the Australian Women's Army Service (AWAS), in order to release men from certain military duties for employment with fighting units. Originally their employment was restricted to traditional female areas and numbers were strictly limited, but the outbreak of the Pacific War in 1942 led to a broadening of employment categories and an increase in numbers. The first AWAS arrived at Fortuna on 26 November 1942 and immediately became an integral part of the unit. Seventy-five AWAS served with the Cartographic Company during the war and Major Sarll paid them a special tribute for their 'untiring efforts' in the Company's war report. Refer to Item 6099.17P for photos taken in 1942, the first year of LHQ Cartographic Company’s occupation at Fortuna, Bendigo in WW2. The Survey Corps’ occupation of Fortuna during WW2 is covered in more detail with additional historic photographs, in pages 17 to 27 of Valerie Lovejoy’s book 'Mapmakers of Fortuna – A history of the Army Survey Regiment’ ISBN: 0-646-42120-4. Other items from Rosemary (Atkinson) Bowman are: 9209.12P, 9210.16P, 99211.6P, 9213.4P and 9214.12. This is a set of six photographs of Australian Survey Corps personnel at a picnic held at Axe Creek, a locality a locality 15km SE of Bendigo, taken in 1944 during Army’s WW2 occupation of Fortuna, Bendigo. in printed on photographic paper are contained in a photo album provided by the family of Rosemary (Atkinson) Bowman, a former member of RA Svy. The photographs were scanned at 600 dpi and are part of the Army Survey Regiment’s Collection. .1) - Photo, black & white, 1944. L to R: Ronye Bond, Margie, Phil Flood, Rosemary (Atkinson) Bowman. .2) - Photo, black & white, 1944. L to R: Rosemary (Atkinson) Bowman, Margie, Bob Vincent, ‘Noakie’, Wes Runting. .3) - Photo, black & white, 1944. Rosemary (Atkinson) Bowman. .4) - Photo, black & white, 1944. L to R: ‘Noakie’, Wes Runting. .5) - Photo, black & white, 1944. Back row L to R: Ronald ‘Stape’ Stapleton, Wes ‘JD’ Runting, Ray Jones, Centre row L to R: Ronye Bond, Peggy Priest, Rosemary (Atkinson) Bowman. At front: Noakie. .6) - Photo, black & white, 1944. L to R: Ray Jones, Ronye Bond, ‘Noakie’, Rosemary (Atkinson) Bowman, Wes ‘JD’ Runting, Ronald ‘Stape’ Stapleton.Some personnel are identified with dates in the photo album.royal australian survey corps, rasvy, army survey regiment, asr, fortuna

Postcard: anticline on Bendigo Creek. Sepia print on postcard. Anticline in centre of photo. Paling fence extends along entire back of photo. Behind fence small weatherboard building (outhouse?) Written on back in pencil ' anticline in creek at Golden Square, area of old bridge over Bgo creek' Stamped in blue ' Bendigo Institute of Technology, Geology Dept. 'place, gold, bendigo, anticline, bendigo creek

Four letters dated between October 3rd 1962 and 8th March 1968 between Harold Curnow and the Post Master generals Department concerning the early postal history of Bendigo. Harold Curnow initially posed the question: for how long was the first Post Office at Bendigo known as the Bendigo Creek Post Office? In a later letter he also inquires about the name 'Castleton'Harold Curnowplace, bendigo, post office, bendigo creek post office, sandhurst, castleton

Image shows view of Post Office, looking from Rosalind Park, over bridge over Bendigo Creek.government, federal, post office, bendigo post office

Sketch map of Bendigo creek, Chinese camp and White Hills cemetery.map, bendigo, white hills

James Mouat (born Glasgow April 23rd. 1823, died 12th June, 1893) came to Melbourne (then called Beargrass) in 1836. He firstly worked with Charles Hutton, who overlanded with sheep from Sydney to the now Heathcote region, then worked with his father at Yarraberb, where he had taken up a run. One page typed document on lined ledger paper, with page number 239 on top left hand corner. Title: 'Bendigo Goldfields' a typed copy of a statement by James Mouat regarding the naming of Bendigo Creek and Bendigo. No date on document. Mouat claims that Bendigo Creek, Bendigo Flat and Bendigo Hut were named after a Mr. Langdon (Jack) , not Thompson. mouat, origin of bendigo name, charles hutton, yarraberb,

John Murphy died near Bridge Street in 1871, the second death that year. A coronial inquest determined that Murphy would have lived if the council had fenced off the creek. Bendigo Advertiser full page article entitled 'Creek kills drunk man'. Half page photo of the creek going through Rosalind Park. Smaller photo of the town plan and the course of the creek in the 1800s.bendigo creek, rosalind park

3 workers standing on wall of channel looking at the trench being dug and the pipe ready to be connectedKodakbendigo, waterworks, bendigo creek

Excavator digging from retaining wall to water channelKodakbendigo, waterworks, bendigo creek

Design for Coliban Water proposed new sewer. Bendigo creek sewer augmentation functional design dated 29/08/2003. Also eight aerial photos of the area.bendigo, business, coliban water

Colour photograph of an anticline fold rock formation - Bendigo Creek possibly in Golden Square. An anticline is a structural trap formed by the folding of rock strata into an arch-like shape. The rock layers in an anticlinal trap were originally laid down horizontally and then earth movement caused it to fold into an arch-like shape called an anticline.photograph, landscape, anticline folds

Bendigo Stake holder Consultation - Bendigo Creek Sewer. February 4, 2005. City of Greater Bendigo. Includes photographs of intended pathway through the Bendigo Creek.city of greater bendigo, bendigo creek sewer

Document.Notes mention the straightening of the two arms of the creek and building up Charing Cross over it. Also mentions its source, the gullies and areas it drains and the creeks that flow into it. It also mentions the Piccaninny Creek its new name and where it flows after it leaves Bendigo. Two Copiesdocument, lucy hill collection - bendigo on the creek, bendigo creek drainage, bendigo advertiser

Newspaper clipping, date unknown, with photograph taken in the 1860's. Shows old bridge over creek linking High Street and Pall Mall. Indicates location of Forest Street, and shows Wesley Church to the in centre left background.person, individual, basil miller

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.