Depicts events and attitudes, primarily of students as they go through their adolescent years in the late 1960's. The word Kurnaji is thought to have been derived from the indigenous Aboriginal language with the meaning "Windy Hill" - refer 1971 Kurnaji Editorial page.Annual record of teaching staff, students and events that took place over the year by using both photos and reports. Includes Roll Call section with names of all students.Note: This was the 1st Year of Kurnaji's publication, the last being in 1989 (see Record Item 274).52 Pages, Blue cover, Title "Kurnaji" in Red ink. Cover drawing of students. Headmaster / Principal - Mr. C.K. (Ken) Canty. 2 copies.watsonia high school, yearbook, kurnaji, school magazines

This oil painting, mounted in a handmade, carved frame, was originally held in the old Warrnambool Museum and Art Gallery, which was established in the 1880s. A note from the curator of the gallery accompanied the painting: The S.S. "Warrnambool”, 2833 tons. The oil painting by C.K. Miller of Glasgow of the above steamer named after this town was presented to the Town Council of Warrnambool by Mr William Lund Of London, the owner of the “Lund Line” of steam vessels, in recognition of the ladies of Warrnambool having presented the ship with a ‘home flag’ the pattern of which is seen upon the funnel in the painting as also upon the flag at the mast-head. The flags flying at the foremast are the ship’s “number” M.R.V.B. The presentation of the flag and album both took place in Melbourne on December 1st, 1982. On the 6th December, the “Warrnambool” lay-to off this port – on the homeward passage via Adelaide for a short time – see W.S. Dec 7th. The painting depicts the sail and steam-powered ship, S.S. Warrnambool, built in 1892, during the transition period when ship designs shifted from clipper ships with their billowing sails to steam-powered ships that moved at a greater pace. The flag flown from the stern signifies the British Merchant Navy that traded around the world to transport cargo, and later passengers, from one destination to another. During its lifetime, the S.S. Warrnambool underwent several modifications, upgrades and changes in its design. The painting was attributed to the ship portrait painter, the renowned C.K.M. - Charles Keith Miller. At some point, it was catalogued with the date 1883. However, the correct date is 1892. The artist's name and date are covered by the repaired frame, but are verified on the transfer document between the Warrnambool Art Gallery and Flagstaff Hill Maritime Museum and Village. In 1966, between the closure of the old Warrnambool Museum and Art Gallery and the distribution of the painting to Flagstaff Hill, this painting was repaired by David Heysen, son of the German-born artist Hans Heysen OBE. David was born in Hahndorf (called Ambleside for a short period), South Australia, married Lyly Refshauge from Melbourne, and they raised a family on their property in Kalangadoo, near Penola, in South Australia.The painting is of importance to the Warrnambool community, reflecting the excitement of having a ship named after the town. So much so that the ladies made a unique flag in its honour and presented it to the ship's owner when it docked in Membourne. The painting is significant for its handmade, ornately carved frame, joined by a craftsman. It is an example of craft and joinery created in the late 19th century. The artist has depicted the image of a historical sail-and-steam ship of the type in which cargo was traded across the world, including to and from Australia. It is a transitional time between sail and steam, helping to interpret the evolution of power used to move ships. Vessels such as this also brought migrants to Australia.Painting, oil on board, of the screw steamer SS Warrnambool, by artist C.K.M. dated 1892. The painting is mounted in a hand-carved wooden frame with a floral and geometric pattern, and the inner border is painted gold. It depicts a two-masted sail and steam ship, sails raised, and a black funnel emitting smoke. Hull is black with a white horizontal stripe and white trim around the sides of the deck. Three lifeboats are visible. The clipper shape bow appears to have a figurehead. A red ensign flag flies at the stern, and a blue and red flag is attached to the mainmast. The frame has been assembled using Mortice and Tenon joints, one of which is exposed on the back, lower right corner. A chandelier chain has been attached for hanging. The signature, date and title are no longer visible, perhaps due to the The backboard has empty holes around the edge and is held in place by staples. The visible surface has remnants of adhesive from two rectangular attachments. There are two small white stickers attached, one with a handwritten inscription. There are pencil and pen inscriptions. The painting is protected by cardboard with inscriptions made with a marking pen. (A note from the old Warrnambool Museum and Art Gallery accompanied the painting.)On the backboard, written in the style used by the Warrnambool Museum and Art Gallery: - On white sticker, in pen “A-P31/1-74” - Pencil “A27/1883 / Artist CKM 1883 / Title SS Warrnambool / oil on board” Written in pen by the repairer: - “Repaired & re-drilled – cleaned etc. / David Heysen 11/66” Written by Flagstaff Hill’s Cataloguer in pencil: “3031” On a cardboard wrapper, in a marking pen: - “S.S. Warrnambool / by / C.K.M. 1883” * - “A-P/31/1-74” - “3031” *[NOTE: The painting is actually dated "1892" but has been marked in error as "1883"] *[Accompanying note: "The S.S. ‘Warrnambool” 2833 tons. The oil painting by C.K. Miller of Glasgow of the above steamer named after this town was presented to the Town Council of Warrnambool by Mr William Lund Of London the owner of the “Lund Line” of steam vessels in recognition of the ladies of Warrnambool having presented the ship with a ‘home flag’ the pattern of which is seen upon the funnel in the painting as also upon the flag at the mast-head. The flags flying at the foremast are the ship’s “number” M.R.V.B. The presentation of the flag and album both took place in Melbourne, December 1st 1982. See the Warrnambool Standard, December 2nd 1892 On the 6th December the “Warrnambool” lay-to off this port – on the homeward passage via Adelaide for a short time – see W.S. Dec 7th [Warrnambool Standard]. Other notices relative to the ship owner in the first volume, “W.S.” for 1893. See also July 28th 1893.")flagstaff hill, warrnambool, shipwrecked coast, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, s s warrnambool, charles keith miller, charles miller, steam and sail ship, british merchant navy, slipper shaped bow, 19th century sea trade, warrnambool museum and art gallery, old warrnambool art gallery, hand carved picture frame, mortice and tennon picture frame, migrants, c.k.m., william lund, lund line, c.k. miller, ladies of warrnambool, home flag, m.r.v.b., ckm