In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

A souvenir programme titled, 'North Castlemaine School, N0., 2051. GRAND CONCERT, in the Castlemaine Town Hall on Tuesday, October 5, 1920, by the BENDIGO CHORAL SOCIETY OF 100 VOICES, assisted by leading Bendigo artists. Conductor W.C. Frazier, A.R.C.O. 1920. 4 pages.Leader Printing Works, Castlemaineprogram, music, bendigo choral society, lydia chancellor, collection, music, singing, bendigo choral society, programme, entertainment, choir, amusements, castlemaine town hall, north castlemaine school, buildings, concert

A cream programme with mauve print. On the front cover is a photo of Mr. W.C. Frazier, A.R.C.O., Conductor, and the words, Castlemaine Choral Society. Season 1923. Seventh Grand Concert. A programme by the Bendigo and Castlemaine Choirs. Monday Evening, 3rd December, 1923, in Castlemaine Town Hall. Programme Threepence. H.W. Byrne, Hon. Sec.program, music, castlemaine choral society, lydia chancellor, collection, music, castlemaine choral society, concert, entertainment, singing, choir, amusements, castlemaine town hall, bendigo choral society

A light brown programme with a brown border and blue print on the front cover. It also has the words Castlemaine Choral Society. Season 1924. Tenth Grand Concert and a photo Mr. W.C. Frazier A.R.C.O., Conductor. Underneath the photo are the words ' A programme by the Bendigo and Castlemaine Choirs. Tuesday Evening, 2nd December, 1924, in Castlemaine Town Hall. Accompanists : Miss McGauchie and Miss E. Haines. Programme Threepence. H.W. Byrne, Hon. Sec. H.W. Shelton, Printer, Castlemaine.' 8 pages.H.W. Shelton, Printer, Castlemaine.program, music, castlemaine choral society, lydia chancellor, collection, music, bendigo choral society, castlemaine choral society, programme, castlemaine town hall, entertainment, singing, choir, entertainment, amusements, buildings, concert, program

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

A cream programme with purple ink print with a purple border. Also on the front cover are the words, ' Castlemaine Choral Society. Season 1925. 13 th. Grand Concert. Town Hall, Castlemaine, Tuesday, 15th December, 1925. A list of artists follows. The Bendigo Choral Society will also assist. Programme, 3d. W.R.B. Nicholson, Hon. Sec. Inside is the programme. The music is titled, ' Haydn's Creation.'Leader Printprogram, music, castlemaine choral society, lydia chancellor, collection, music, choir, singing, 'haydn's creation, ' castlemaine town hall, buildings, concert, programme, amusements, entertainment, castlemaine choral society, bendigo choral society

201 Old Castlemaine Schoolboys Reunion Dinner InvitationThe 101st Re-Union Castlemaine Town Hall, Saturday 8th October 2016cole, peter, sikora, william

Photograph attached to Card, photographed using flash photographyOld Castlemaine Schoolboys' First Reunion Flashlight Photo., Castlemaine Town Hall, Sept. 18th. 1912.reunion

BOYS' NIGHT OUT - Members enjoy the Old Castlemaine School Boys' Association annual dinner at the Castlemaine Town Hall in the mid 1950s

photograph on card containing approximately 150 menOld Castlemaine Schoolboys Second Annual Re-Union, Flashlight Photo, Castlemaine Town Hall, October 10th, 1913, Reverse: W.J. Hodgson, Castlemaine

stapled cream paper PROGRAM - Castlemaine Music & Arts Society Production - The Messiah 20.12.1955 - Castlemaine Town Hall , Final Subscription Concert , The Golden Square Choral Society Conducted by Cyril Warne , Soloists Elsa Haas , Dorothy Langford , Max Worthley , Morris Williams ,event, entertainment, music, - castlemaine music & arts society /the messiah /the golden square choral society

Bendigo Advertiser ''The way we were'' from 2000. New centre: the Eaglehawk Town Hall just after its completion in 1901. Designed by Wilkinson and Permewan, who also designed the Castlemaine Town Hall, the building replaced a single-storey structure designed by Henry Tolhurst and finished in 1864. Before 1864, council meetings were held in Garby's Camp Hotel. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Document. Pink flyer advertising United Demonstration of the Orange Lodges, Town Hall, Castlemaine, 1904. Mr Alex Hamilton included in program.performing arts, elocution, concert

Views from Big Hill Sloane Street Fisher Street areas looking towards West. Mining in foreground of photo. Upper Main Street and Patrick Street Streetscapes visible. Mathers and Franklin. Agnew Draper. J R Franklin? Draper. Coffee Palace formerly Castlemaine Hotel , Town Hall visiblePanorama of Stawell from Big Hill showing Sloane's St. / Fisher St. areas. The photo has Whims & Poppet Heads in the foreground. There are around 6 copes of the photograph. Victorian Views. C. Herbert. Photo. Copyright Registered. Stawellstawell, panorama, mining, streetscape