Illustrared document with white cover and black print. On the front cover is a coloured photograph of children and parents at Frankston Maternal & Child Health Childrens Week 'picnic in the park' ar George Pentland Gardens, 1991non-fictionThis document was based on a meeting held in 2004, where 10 former Matenal and Child Health (MCH) Nurses shared their experiences of the 1986 Victorian nurses strikeindustrial action victoria, 1986 victorian nurses strike, industrial action nurses, maternal and child health nurses, infant welfare sisters

Percy Child was the son of Francis Matthew (Frank) Child whose father Mathew Child was one of the first three settlers in the area. Percy ran the Child Bros. Sawmill with his brother Harry.Black and white photograph showing Percy Child using a cant-hook at Child Bros. Sawmill. This photograph has a detailed inscription on the back handwritten by John Lundy-Clarke.Charles Percival Child (Sammy) about 1910percy child, harry child, sawmill, kalorama

John Lundy-Clarke grew up in the Kalorama/Mt Dandenong area and later in life (1972-74) began to write a comprehensive history of the area working from an original settlement map in an effort to cover all areas. William Lucas , who came from England to visit Matthew Child in the late 1870s. He purchased land from Matthew and married his daughter Catherine. They developed their property as the sporting lodge 'Glenrivers'. Their daughter Dorothea was born in 1888. She was an accomplished horsewoman who married her cousin Charles Percival (Percy) Child in 1917. Percy worked a sawmill on the creek .Black and white copy of studio portrait of Doris (Dorothea) Child (nee Lucas).Handwritten by John Lundy-Clarke on reverse: Doris Lucas “Dorothea?” Daughter of W Lucas and Catherine nee Child. Wife of Percy Child. Mother of Lois. Born 1889 died 1936 (?)dorothea lucas, dorothea child, percy child, matthew child, william lucas, catherine child

60 p.; 27 cmnon-fictionA history of the children who were abandoned and taken in by the Berry Street home. Many names of Nurse, matrons, Doctors and Directors are recordedmothercraft nurses, lady bowen, tandarra, sister c. jack, joyce fletcher, victorian infant asylum and foundling hospital

Bert Child son of Francis Matthew father of Jack, Bert and Len. Husband of Maria Madden. Died 1926.Black and white photograph of Bert Child as a young man. He is sitting in the grass near a wooden building. This photograph has a detailed inscription on the back handwritten by John Lundy-Clarke.Bert Child son of Francis Matthew father of Jack, Bert and Len. Husband of Maria Madden. Died 1926.bert child, hubert child, francis matthew child, maria madden, kalorama

Francis Matthew Child was 15 when he came to the Valley with his father, Matthew Child in 1855. He married Martha Jeeves (born 1857) in 1875. They had 6 children. Harry, May, Edward, Alice, Bert, Eva.Posed photograph of Francis Matthew Child, his wife Martha (nee Jeeves) and six children, all well dressed with background of bushes. Handwritten inscription on back by John Lundy-Clarke.F.M. Child and Family about 1886. Back Row Martha (nee Jeeves), Harry, May, Francis Mathew, Edward (Ted). Front Row Alice (Petty), (Bert), Eva.francis matthew child, martha child, martha jeeves, eva child, bert child, harry child, alice child, may child, ted child, edward child

Mother and child from 1950's.Black and white photograph of a mother and childconstantine family, noel constantine

Matthew Child was considered to be the first of the settlers to set foot in the valley as he scouted it for the others (Isaac Jeeves & Jabez Richardson). He was not the first to settle in the valley - that was Isaac Jeeves.Copy of portrait photo of Matthew Child.matthew child, kalorama valley, valley, settler, settlers, kalorama

Train tickets: Heidelberg to Greensborough, Watsonia (child) 19/04/1979Part of a collection of miscellaneous historical images with a connection to the local area.Digital images of 3 train tickets. Adult tickets: white with black text; child ticket white with black text and red stripe..train tickets, greensborough station, watsonia station

First Nation child at Carrs Plains with slate on her lap. Dressed in simple frock and laced boots. (May be linked to no. 5563-1 series in records). This photograph is a copy of the original held by Museum of Victoria. Carrs Plains was one of the early runs. Once described as a desirable spot, with the Richardson river running through it into the first level part of the country. In later years it was described as having a fascinating view of the Grampians thirty-fourth miles to the South West. To the South the Pyrenees, East the Bolangum Ranges, North limitless Plains. Black and white photograph of a young child seated holding a slate on her lap. The child is dressed in a simple frock with laced boots and seated in front of a plant. Copyright Museum of Victoriastawell aboriginal portrait

The homestead of Francis Matthew Child taken from the forest area downstream of Child Bros. Sawmill.Black and white photograph showing the homestead of Francis Matthew Child.This photograph has a detailed inscription on the back handwritten by John Lundy-Clarke.Francis Matthews home on Crown Allotment “E” taken from the forest edge of Harry Child miners lease on which he had his mill. Mill was upstream to the left. The trees in the background were on Hand’s selection “F” and beyond them was the summit of Mt Kalorama.homestead, francis matthew child, sawmill, child's sawmill

Ex POW Camp 13 Murchison. Walter Jendry, wife and child wearing hat with upturned brim. Germany. Post WW2. Foam backed copy in file.Black and white photograph of a lady (left) and man and a child (front centre) wearing a hat with upturned brim. Trees in background.pow's, camp 13 murchison, walter jendry

Train tickets: Greensborough to Melbourne 28/09/1981, Watsonia single 09/04/1979, Watsonia (child) 09/04/1979Part of a collection of miscellaneous historical images with a connection to the local area.Digital images of 3 train tickets. Adult tickets: Purple with black text; child ticket white with black text and red stripe..train tickets, greensborough station, watsonia station

This plaque commemorates the official opening of an occasional child care centre and pre-school in South St, Wodonga in 1989 by the Governor of Victoria Dr. Davis McCaughey. With strong population growth in Wodonga community services had expanded rapidly throughout the 1980s. The first child minding centre had opened in 1975. BY 1987 Upper Murray Family Care provided full-day family day care and occasional care and there were also 2 private child care centres. By 1986 there were 350 full-time places and 75 part-time places, but pre-schools were unable to fill the demand for another 511 applicants. This new facility helped to ease a little of the problem. As well as the inscription included here, the name of the Mayor, all members of the Wodonga Council, City Engineer, Architect and Builder are listed on the plaque.This item illustrates an important development in the provision of pre-school and child care services in Wodonga.A bronze rectangular plaque with detailed inscription, designed to be attached to the wall of a building. There is a hole in each corner for bolts to be inserted. The text is raised above the surface of the plaque. It features the symbol of the shield of the Rural City of Wodonga in the top left corner.fiction"RURAL CITY OF WODONGA WODONGA OCCASIONAL CHILD CARE CENTRE AND SOUTH STREET PRE-SCHOOL CENTRE OFFICIALLY OPENED BY HIS EXCELLENCY DR. DAVIS MCCAUGHEY, A.C., GOVERNOR OF VICTORIA ON 9TH DAY OF MAY 1989child care facilities wodonga, children's services wodonga, pre-schools wodonga

Unity Is Our Future National Aboriginal & Islander Children's Day August 4th 1996|Secretariat National Aboriginal Child Care (S.N.A.I.C.C.)aboriginal, aborigine, first nation

The Royal Commission into Institutional Responses to Child Sexual Abuse is investigating how institutions like schools, churches, sports clubs and government organisations have responded to allegations and instances of child sexual abuse. It is the job of the Royal Commission to uncover where systems have failed to protect children so it can make recommendations on how to improve laws, policies and practices. The Royal Commission is about creating a safer future for children. It can look at any private, public or non-government organisation that is, or was in the past, involved with children. This includes where an organisation caring for a child is responsible for the abuse or for not responding appropriately, regardless of where or when the abuse took place.(http://www.childabuseroyalcommission.gov.au/about-us, accessed 30/05/2015)A number of colour photographs that show chalk grafitti drawn onto the steps and paving outside the Ballarat Law Courts during the May 2015 sitting of the Royal Commission into Institutional Responses to Child Sexual Abuse.ballarat, ballarat law courts, royal commission into institutional responses to child sexual abuse, graffiti

Paperback booknon-fictionCollection of papers presented at the 8th Biennial Conference of the Royal Historical Society of Victoria Melbourne 12 - 13 October 1979. These papers direct attention to some aspects of the life of children in Australia during the nineteenth century.

One of two sets of stereographs donated by the O'Beirne family along with a stereoscope for viewing (Stereoscope is Registration no. 2014-51).Stereograph of two black and white images. Images show a young girl standing in between a cow and a sheep.8854- "A Little Child Shall Lead Them"stereographs

Possibly Emma Smith (b Keys) and daughter Clara Emma Smith. Emma and her husband George Henry Smith emigrated to Australia and settled at Happy Valley near Linton (Victoria) on the invitation of her brother Edward who owned two houses there..1 Ambrotype of a woman and child .2 Photo taken off ambrotype. Woman and childambrotype

A pamphlet outlining services available at Knight Street Occasional Child Care Centre, later named Watsonia Occasional Child Care.4 page pamphlet, printed on light green paper.watsonia occasional child care., knight street occasional child care centre

Photographic tintype portrait of a child.fullarton, ballarat, willetts, child

Photographic tintype portrait of a child.fullarton, ballarat, child, tintype

Landscape showing land clearance against uncleared bush. Child property went almost to Silvan. Harry Child had the sawmill.child, harry child, kalorama valley

The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) A tintype portrait of a child, attached to a card. little gem, child, hat

This report presents the results of a project that looked at the attitudes to child protection of Pitjantjatjara women living on the AP lands in South Australia. It also looks at the implications of the views and experiences discussed by the women interviewed.colour illustrations, mapspitjantjatjara, child abuse, child welfare, social policy

The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) .5) A tintype portrait of a child, attached to a card. little gem, photography, child, portrait

Oval plaster relief depicting a mother and child.Nonematcham skipper, relief, jewellery, mother and child