BHS CollectionSt Laurence Court (Bendigo) Inc. -Special Edition "Court Circular" V.P. Day front Cover 10 page newsletter to celebrate the 50th anniversay of Victory in the Pacific Day. Page 1 From CRJ (Bob) Layton Page 2-5 Some thoughts for our residents Page 6-7 Photos of V.P. Day celebrations Page 8-10 Some thoughts for our residents history, bendigo, merle lummis collection, st laurence court bendigo, aged care, benetas residential aged care, victory in the pacific vp day

Black and white photo of 24 men and women standing on steps of Court House, Pall Mall Bendigo. Men are wearing suits and hats, women wearing dresses and hats. Photo appears to have been taken in 1930's. Written on back in pencil ' on steps Bendigo courthouse'.person, group, court house steps, bendigo, court house, 1930

Two black and white photos of the Old Court House in the year 1929. This was the second site of the Bendigo Teachers' College from 1927 - 1931. Note on the back of the second photo 'Impossible to get better photo as building is on a hill above the Park'. (Rosalind Park.) See 3320.100bendigo, education, old courthouse, la trobe university bendigo collection, collection, bendigo, education, bendigo teachers' college, tertiary education, teacher training, photo, photos, photograph, photographs, photography, court house bendigo, old court house bendigo, miss j.c. burnett, mr. geoff. pryor, building, buildings, place, site, courthouse, old courthouse

National Trust Collection: Former Supreme Court (Gymnasium Bendigo High School) A 3084.75A -14 June 1977 - to The Secretary Education Department from S.R. Birch, Administrator National Trust of Australia B Undated Police Record - the Old Police Barracks, linked to the Old Court House, is now incorporated in the Bendigo High School C Undated - history of the Old Court House, after opening of the new Law Courts in Pall Mall, the Old Court House was used by the school (from Domestic Arts, Girl's High School, gymnasium for the BHS) D Undated Old Court House - Supreme Court; the Old Court House building in Georgian Style is now incorporated in the Bendigo High school complex now built across the road joining intact as part of the school and is used as a gymnasium. E B&W photograph of old entry to the Old Court House, now part of BHS, circa 1958-60. F B&W photograph of old entry to the Old Court House, now part of BHS, circa 1958-60.old court house, bendigo high school gymnasium 1959-60

Laminated newspaper article - Bendigo Advertiser Friday November 27, 1987. "Bendigo's Upper Court is the jewel. Within the Bendigo Court House, the upper court is used for both Supreme and County Court sittings. Detailed description of the fittings, purpose and use of the upper court room. newspaper, bendigo's historic buildings, bendigo law courts

Four interiors of the Bendigo Court House, dated Sept 1997 12A View showing court room ceiling with elaborate lighting and ceiling leadlight windows. 12B entrance detail of lead light door and surround. 12C Interior of the court room. 12D Front of the court room where the judge would be seated.Edith Lunncourt house, bendigo

Letter written on blue folded paper with Ancient Order of Foresters Friendly Society heading, emblem and Court Bendigo A.O.F. No. 3549 Sandhurst seal impression. Dated October 23 1871. Court Bendigo will feel obliged by the lending of a banner for a Celebration and they will take every care of it. Signed R. Ward, Sec.societies, aof, correspondence, ancient order of foresters no. 3770 collection - correspondence, court king of the forest, court bendigo, r ward

Letter written on blue, watermarked paper and dated 7 Nov 1871 to Court King of the Forest from Court Bendigo thanking them for the loan of their banner for their anniversary. Signed by P. Thomson, Hon. Sec.societies, aof, correspondence, ancient order of foresters no. 3770 collection - correspondence, aof court bendigo, court king of the forest, p thomson

Letter written on paper with printed letterhead and emblem. Letter mentions that William Carey, age 39 years, Baker, Scotchman, married, wifes age 32 years, 4 Children. Residence Spring Gully was rejected by this Court on las Court Night. August 16/66. Has Court Bendigo A.O.F. No. 3549 Sandhurst impression stamp.societies, aof, correspondence, ancient order of foresters no. 3770 collection - correspondence, ancient order of foresters' friendly society, court bendigo, court king of the forest, william carey, thos n ?eushall

Court King of the Forest A.O.F. Dr. To Court Bendigo A.O.F. To 3 quarters Longsons?fees 6 Brothers ending 31 Dec 1887. Bros Butler, Eseeter, Muller, Buff, Salter, Sharp C5/9. £5:3:6. 16Dec /87. Frankland Coates, Sec. Green duty stamp attached.societies, aof, correspondence, ancient order of foresters no. 3770 collection - receipt, court king of the forest, court bendigo, butler, eseeter, muller, buff, salter, sharp, frankland coates

An initial meeting between the Bendigo Catholic Diocese and the Brotherhood of St Laurence took place in September 1966. Land was acquired in Upper California Gully and the first flats were occupied by August 1968. In 1989 a thirty bed hostel was opened in Wesley Street, Kangaroo Flat and this was extended to 50 beds in 1993. Constant extensions on both sites have allowed for more flats, hostel beds and emergency units.St Laurence Court (Bendigo) Inc. - A Short History B4 Newsletter consisting of 7 pages: Cover: St. Established by the Anglican Diocese of Bendigo, compiled for the 30th Anniversary Celebrations on Sunday, 9th August, 1998. Page 1 First meeting, land purchase and stages of building. Page 2-3 Present Accommodation and Board Members. Page 4 Merchardising, Volunteers and Residents. Page 5 Administration Staff. Page 6 Mission Statement and Values. Page 7 Vision Statement. history, bendigo, merle lummis collection, st laurence court bendigo, aged care, benetas residential aged care

The historic law courts and post office have been a feature of Bendigo's Pall Mall since they were built in the late 1800's The law courts were built between 1892 and 1896 by the contractors McCulloch and McAlpine and designed by Public Works architect George W. Watson. It was was constructed in the Victorian Second Empire style been described as reminiscent of an Italianate palazzo and shares a great deal with its neighbouring building, the Bendigo Post Office, which was also designed and built by Watson, McColloch and McAlpine 10 years earlier. The Law Courts are built of rendered brick and Harcourt Bluestone. A collectable souvenir plate possibly produced by the City of Bendigo.Dinner plate with printed drawing of the Bendigo Post Office and Law Courts. Black print on white plate with black border edge. Backstamp features the monogram "RKG" under a crown, with the text "MADE IN CZECHOSLOVAKIA". This mark belongs to Rudolf Kämpf from the factory in Grünlas (Loučky, Bohemia), used around 1918–1921.Post Office and Law Courts, Bendigo.bendigo post office, bendigo law courts

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.