The party was organised on the Saturday 8 December 1928, 3pm. Captain Charles Alfred Melbourne Derham, son of Frederick Thomas Derham, partner and managing director of Swallow & Ariell Pty Ltd (biscuit company in 1854 in Port Melbourne). The Derham family had been involved with the Port Melbourne mission since the beginning as the factory was producing "ship biscuits". The company was renowned for its patriotic fundraising campaigns during both world wars. They also supplied the mission with plum puddings on every Christmas events. Captain C.A.M Derham enlisted in 1915 and was discharged in 1919. The same year he married Eileen Cuscaden sister of Beatrice Cuscaden (Honorary Secretary of the South Yarra branch of the LHLG), and daughter of Dr George Cuscaden, previously ship surgeon, honorary surgeon of the Women's Hospital and director of Swallow & Ariell. The photograph was published in the 1928 Annual Report. The print shows the curtain background.Photograph of the cake presented to the LHLG in 1928: on top of the cake a lighthouse.Ladies Harbour Light Guild - 21st Birthday Cake Present by Captain C.A.M. Derham 1928charles alfred melbourne derham, swallow and ariell, frederick thomas derham, cyanotyp, eileen cuscaden, beatrice cuscaden, dr george cuscaden, lhlg, anniversary, lighthouse, flag

Local women made this quilt and book in 2004 over a period of four months. Meg Viney fibre artist and then director of Meeniyan Art Gallery initiated the project. Handmade and machine embroidered quilt with 16pp handmade book. The quilt celebrates the lives of local women in our rural environment. The quilt features cyanotype printed images of the women surrounded by blue floral-patterned fabric and gold/brown patterned trim. The book features handmade paper pages with images and stories on each of the women who were involved in the making of the quilt.

Portland Town Council. Opalotype or opaltype is an early technique of photography. Opalotypes were printed on sheets of opaque, translucent white glass; early opalotypes were sometimes hand-tinted with colors to enhance their effect. The effect of opalotype has been compared "to watercolor or even pastel in its softer coloring and tender mood."[1] "Opalotype portraits...for beauty and delicacy of detail, are equal to ivory miniatures."[2] The basic opalotype technique, involving wet collodion and silver gelatin, was patented in 1857 by Glover and Bold of Liverpool. Opalotypes exploited two basic techniques, using either the transfer of a carbon print onto glass, or the exposure of light-sensitive emulsion on the glass surface to the negative. Opalotype photography, never common, was practiced in various forms until it waned and disappeared in the 1930s. "Milk glass positive" is another alternative term for an opalotype. Opalotype is one of a number of early photographic techniques now generally consigned to historical status, including ambrotype, autochrome, cyanotype, daguerrotype, ivorytype, kallitype, orotone, and tintype. This and many other historical photographic methods are now considered alternative photographic techniques and are practised by a small number of dedicated artists.Monochrome portrait photograph of a man in a three piece suit. He has a patterned tie on and wears a medallion on his right lapel. He is clean shaven. Yellowish halo around the figure. Opalotype.Front: Br _______/Melb. (Signature, pencil, lower right)mr sutton, sutton, opalotype, portland town council